Ushio Shinohara Art

Ushio Shinohara (born 1932, Tokyo), nicknamed “Gyu-chan”, is a Japanese Neo-Dadaist artist. His bright, large work has been exhibited internationally at institutions including the Hara Museum of Contemporary Art, Centre Georges Pompidou, the Guggenheim Museum SoHo, National Museum of Modern Art, Tokyo, Leo Castelli Gallery, New York, Museum of Contemporary Art, Los Angeles and The Metropolitan Museum of Art, Seoul and others. Shinohara and his wife, Noriko, are the subjects of a documentary film by Zachary Heinzerling called Cutie and the Boxer (2013). Shinohara's parents instilled in him a love for painters such as Paul Cézanne, Vincent Van Gogh and Paul Gauguin. His father was a tanka poet who was taught by Wakayama Bokusui. Shinohara’s mother was a painter who went to the Woman’s Art University (Joshibijutsu Daigaku) in Tokyo. In 1952 Shinohara entered the Tokyo Art University (later renamed to Tokyo University of the Arts), majoring in oil painting, however he left before graduation in 1957. In 1960 Shinohara participated in a group called "Neo-Dada Organizers". (Masunobu Yoshimura, Genpei Akasegawa, Shusaku Arakawa, Ushio Shinohara, Sho Kazakura, Tomio Miki, Tetsumi Kudo, Natsuyuki Nakanishi) This group of artists showed their works of art in an exhibition in the 1960s called the Yomiuri Independent Exhibition. This exhibition was sponsored by a newspaper, was open to the public, and was not judged by anyone. This type of exhibition was a form of an anti-salon and was a stepping stone for Shinohara’s sculptures of found objects which acquired the label of “junk art...

Ushio Shinohara (born 1932, Tokyo), nicknamed “Gyu-chan”, is a Japanese Neo-Dadaist artist. His bright, large work has been exhibited internationally at institutions including the Hara Museum of Contemporary Art, Centre Georges Pompidou, the Guggenheim Museum SoHo, National Museum of Modern Art, Tokyo, Leo Castelli Gallery, New York, Museum of Contemporary Art, Los Angeles and The Metropolitan Museum of Art, Seoul and others. Shinohara and his wife, Noriko, are the subjects of a documentary film by Zachary Heinzerling called Cutie and the Boxer (2013). Shinohara's parents instilled in him a love for painters such as Paul Cézanne, Vincent Van Gogh and Paul Gauguin. His father was a tanka poet who was taught by Wakayama Bokusui. Shinohara’s mother was a painter who went to the Woman’s Art University (Joshibijutsu Daigaku) in Tokyo. In 1952 Shinohara entered the Tokyo Art University (later renamed to Tokyo University of the Arts), majoring in oil painting, however he left before graduation in 1957. In 1960 Shinohara participated in a group called "Neo-Dada Organizers". (Masunobu Yoshimura, Genpei Akasegawa, Shusaku Arakawa, Ushio Shinohara, Sho Kazakura, Tomio Miki, Tetsumi Kudo, Natsuyuki Nakanishi) This group of artists showed their works of art in an exhibition in the 1960s called the Yomiuri Independent Exhibition. This exhibition was sponsored by a newspaper, was open to the public, and was not judged by anyone. This type of exhibition was a form of an anti-salon and was a stepping stone for Shinohara’s sculptures of found objects which acquired the label of “junk art...

Ushio Shinohara (born 1932, Tokyo), nicknamed “Gyu-chan”, is a Japanese Neo-Dadaist artist. His bright, large work has been exhibited internationally at institutions including the Hara Museum of Contemporary Art, Centre Georges Pompidou, the Guggenheim Museum SoHo, National Museum of Modern Art, Tokyo, Leo Castelli Gallery, New York, Museum of Contemporary Art, Los Angeles and The Metropolitan Museum of Art, Seoul and others. Shinohara and his wife, Noriko, are the subjects of a documentary film by Zachary Heinzerling called Cutie and the Boxer (2013). Shinohara's parents instilled in him a love for painters such as Paul Cézanne, Vincent Van Gogh and Paul Gauguin. His father was a tanka poet who was taught by Wakayama Bokusui. Shinohara’s mother was a painter who went to the Woman’s Art University (Joshibijutsu Daigaku) in Tokyo. In 1952 Shinohara entered the Tokyo Art University (later renamed to Tokyo University of the Arts), majoring in oil painting, however he left before graduation in 1957. In 1960 Shinohara participated in a group called "Neo-Dada Organizers". (Masunobu Yoshimura, Genpei Akasegawa, Shusaku Arakawa, Ushio Shinohara, Sho Kazakura, Tomio Miki, Tetsumi Kudo, Natsuyuki Nakanishi) This group of artists showed their works of art in an exhibition in the 1960s called the Yomiuri Independent Exhibition. This exhibition was sponsored by a newspaper, was open to the public, and was not judged by anyone. This type of exhibition was a form of an anti-salon and was a stepping stone for Shinohara’s sculptures of found objects which acquired the label of “junk art...

This simple, yet elegant, acrylic on un-stretched canvas represents an impressive display of the energy and attention to design with which Ushio Shinohara approaches his artwork. Born in Tokyo in 1932, Ushio Shinohara (nicknamed "Gyu-chan"), is a Japanese Neo-Dadaist artist who has lived and worked in the United States since 1969. Shinohara is well known for his boxing paintings - Shinohara's own style of action painting - which are made by dipping a pair of custom made boxing gloves into paint and unleashing his fists onto swathes of un-stretched canvas. Ushio works in several mediums including painting, printmaking, drawing and sculpture. In 1960 Ushio helped found the Neo-Dadaism Organizers. Their mission: deviate from any conventional form of art. Akin to European Dadaists, who’s art sought to reveal the customary and often repressive conventions of logical order and rationality, the Neo-Dadaism Organizers embodied a similar ethos. This can chiefly be seen in akushon, meaning “action”, which is the practice of emphasizing the human body as an artistic medium. For Ushio, this sensibility is encapsulated in what has become his personal trinity “be speedy, beautiful, and rhythmical.” Ushio's bright and frequently oversized work has exhibited at prestigious institutions internationally, including the Hara Museum of Contemporary Art; Centre Georges Pompidou; the Guggenheim Museum, New York; the Japan Society, New York; the National Museum of Modern Art, Tokyo; the Museum of Contemporary Art, Los Angeles; the Metropolitan Museum of Art, Busan; the Dallas Museum of Art and the Tate Modern, among others. Ushio Shinohara's work was included in International Pop, a landmark exhibition at the Walker Art Center that chronicles the global emergence of Pop art from the 1950s through the early 1970. In addition to an extensive exhibition history, Shinohara has also been a prolific performer — demonstrating the process of his boxing paintings live and in-person at various institutions. A selection of these performances include the National Museum of Art, Osaka; Museum of Contemporary Art, Tokyo; Austria Museum of Applied Art, Vienna; Busan Art Museum, South Korea; Musée d’Art Contemporain, Lyon; The State University of New York at Potsdam; J. Paul Getty Museum, Los Angeles; Dallas Museum of Art; and Carlton University, Ottawa. Ushio Shinohara "Black on Red...

Bright, vivid, and highly saturated colors in combination with a furious treatment of acrylic paints compel this work to stand out as an iconic blend of passion and poise. In 1960 ...

This abstract acrylic painting on canvas possesses a challenging color scheme which echoes Ushio’s capacity to maintain such passion despite his senior age. Born in Tokyo in 1932, ...

In this mixed media drawing on paper, Ushio Shinohara's highly expressive depiction of form and figure via manic and brazen employment of line and color suggest a spirit that is meti...

19 x 15.5 with backing 12 x 12 image Ushio Shinohara (born 1932, Tokyo), nicknamed “Gyu-chan”, is a Japanese Neo-Dadaist artist. His bright, large work has been exhibited internationally at institutions including the Hara Museum of Contemporary Art, Centre Georges Pompidou, the Guggenheim Museum SoHo, National Museum of Modern Art, Tokyo, Leo Castelli Gallery, New York, Museum of Contemporary Art, Los Angeles and The Metropolitan Museum of Art, Seoul and others. Shinohara and his wife, Noriko, are the subjects of a documentary film by Zachary Heinzerling called Cutie and the Boxer (2013). Shinohara's parents instilled in him a love for painters such as Paul Cézanne, Vincent Van Gogh and Paul Gauguin. His father was a tanka poet who was taught by Wakayama Bokusui. Shinohara’s mother was a painter who went to the Woman’s Art University (Joshibijutsu Daigaku) in Tokyo. In 1952 Shinohara entered the Tokyo Art University (later renamed to Tokyo University of the Arts), majoring in oil painting, however he left before graduation in 1957. In 1960 Shinohara participated in a group called "Neo-Dada Organizers". (Masunobu Yoshimura, Genpei Akasegawa, Shusaku Arakawa, Ushio Shinohara, Sho Kazakura, Tomio Miki, Tetsumi Kudo, Natsuyuki Nakanishi) This group of artists showed their works of art in an exhibition in the 1960s called the Yomiuri Independent Exhibition. This exhibition was sponsored by a newspaper, was open to the public, and was not judged by anyone. This type of exhibition was a form of an anti-salon and was a stepping stone for Shinohara’s sculptures of found objects which acquired the label of “junk art...

Bright, vivid, and saturated colors in combination with a furious treatment of the medium compel this work to stand out as an iconic blend of passion and poise. Born in Tokyo in 1932, Ushio Shinohara (nicknamed "Gyu-chan"), is a Japanese Neo-Dadaist artist who has lived and worked in the United States since 1969. Shinohara is well known for his boxing paintings...

Bright, vivid, and saturated colors in combination with a furious treatment of the medium compel this work to stand out as an iconic blend of passion and poise. Born in Tokyo in 1...

This simple, yet elegant abstract acrylic painting on un-stretched canvas represents an impressive snapshot of the speed and energy with which Ushio Shinohara approaches his work. B...

Red and blue together on gold establishes a triadic color scheme to reflect the energy and vibrancy endemic of Ushio Shinohara's process. In 1960 Ushio Shinohara helped found the N...

In this abstract acrylic painting, the brightness of the red and sharpness of black suggest a playful, yet provocative mind at work. Born in Tokyo in 1932, Ushio Shinohara (nicknam...

This abstract drawing on paper features a highly expressive depiction of figure through manic and brazen employment of line work suggest a spirit that is meticulous in execution, yet...

Fast paced and rhythmical, White, Red, Green, and Gold truly exhibits the spirit of Ushio Shinohara's process. In 1960 Ushio Shinohara helped found the Neo-Dadaism Organizers. Thei...

Rugged and raw, this abstract acrylic on canvas painting reflects the kinetic intensity of Ushio’s process. Born in Tokyo in 1932, Ushio Shinohara (nicknamed "Gyu-chan"), is a Japan...

Energetic and rhythmical, Red and Gold truly exhibits the spirit of Ushio’s process. Born in Tokyo in 1932, Ushio Shinohara (nicknamed "Gyu-chan"), is a Japanese Neo-Dadaist artist...

This simple, yet elegant, abstract acrylic painting on un-stretched canvas represents an impressive snapshot of the energy and attention to design with which Ushio approaches his wor...

In this mixed media drawing on paper, Ushio Shinohara's highly expressive depiction of line and form suggest a spirit that is meticulous in execution, yet unencumbered by restraint. ...

This simple, yet elegant, acrylic painting on un-stretched canvas represents an impressive snapshot of the energy and attention to design with which Ushio Shinohara approaches his wo...

This simple, yet elegant, abstract acrylic painting on un-stretched canvas represents an impressive snapshot of the energy and attention to design with which Ushio Shinohara approach...

This simple, yet elegant, abstract acrylic painting on un-stretched canvas represents an impressive snapshot of the energy and attention to design with which Ushio Shinohara approach...

This simple, yet elegant, acrylic painting on un-stretched canvas represents an impressive display of the energy and attention to design with which Ushio Shinohara approaches his work. Born in Tokyo in 1932, Ushio Shinohara (nicknamed "Gyu-chan"), is a Japanese Neo-Dadaist artist who has lived and worked in the United States since 1969. Shinohara is well known for his boxing paintings - Shinohara's own style of action painting - which are made by dipping a pair of custom made boxing gloves into paint and unleashing his fists onto swathes of un-stretched canvas. Ushio works in several mediums including painting, printmaking, drawing and sculpture. In 1960 Ushio helped found the Neo-Dadaism Organizers. Their mission: deviate from any conventional form of art. Akin to European Dadaists, who’s art sought to reveal the customary and often repressive conventions of logical order and rationality, the Neo-Dadaism Organizers embodied a similar ethos. This can chiefly be seen in akushon, meaning “action”, which is the practice of emphasizing the human body as an artistic medium. For Ushio, this sensibility is encapsulated in what has become his personal trinity “be speedy, beautiful, and rhythmical.” Ushio's bright and frequently oversized work has exhibited at prestigious institutions internationally, including the Hara Museum of Contemporary Art; Centre Georges Pompidou; the Guggenheim Museum, New York; the Japan Society, New York; the National Museum of Modern Art, Tokyo; the Museum of Contemporary Art, Los Angeles; the Metropolitan Museum of Art, Busan; the Dallas Museum of Art and the Tate Modern, among others. Ushio Shinohara's work was included in International Pop, a landmark exhibition at the Walker Art Center that chronicles the global emergence of Pop art from the 1950s through the early 1970. In addition to an extensive exhibition history, Shinohara has also been a prolific performer — demonstrating the process of his boxing paintings live and in-person at various institutions. A selection of these performances include the National Museum of Art, Osaka; Museum of Contemporary Art, Tokyo; Austria Museum of Applied Art, Vienna; Busan Art Museum, South Korea; Musée d’Art Contemporain, Lyon; The State University of New York at Potsdam; J. Paul Getty Museum, Los Angeles; Dallas Museum of Art; and Carlton University, Ottawa. In addition to an extensive exhibition history, Ushio has also been a prolific performer — demonstrating the process of his boxing paintings live and in-person at various institutions. A selection of these performances include the National Museum of Art, Osaka; Museum of Contemporary Art, Tokyo; Austria Museum of Applied Art, Vienna; Busan Art Museum, South Korea; Musée d’Art Contemporain, Lyon; The State University of New York at Potsdam; J. Paul Getty Museum, Los Angeles; Dallas Museum of Art; and Carlton University, Ottawa. Ushio Shinohara "Black on Red – October...

In this mixed media work on paper, Ushio Shinohara's highly expressive depiction of form and figure through manic and brazen employment of line work suggest a spirit that is meticulo...

This simple, yet elegant, abstract acrylic painting on un-stretched canvas represents an impressive snapshot of the energy and attention to design with which Ushio Shinohara approach...

The softness of the background, brightness of the red, and sharpness of black suggest a playful, yet provocative mind at work. Born in Tokyo in 1932, Ushio Shinohara (nicknamed "G...

Bold and bright, this composition has an energy that is both playful and formidable. Born in Tokyo in 1932, Ushio Shinohara (nicknamed "Gyu-chan"), is a Japanese Neo-Dadaist artist...

Red and green together on a gold background features an explosive contrast, resembling a display of fireworks which effectively reflect Ushio Shinohara's attitude in the studio. In ...

Bright, vivid, and highly saturated colors in combination with a furious treatment of acrylic paints compel this work to stand out as an iconic blend of passion and poise. In 1960 ...

Bright, vivid, and highly saturated colors in combination with a furious treatment of acrylic paints compel this work to stand out as an iconic blend of passion and poise. In 1960 ...

The creation of this work was featured in Mountain Dew’s “Do the Dew” ad campaign in 2018. This monumental piece aptly captures Ushio’s unrelenting energy...

Bright, vivid, and highly saturated colors in combination with a furious treatment of the medium compel this work to stand out as an iconic blend of passion and poise. Born in Tokyo in 1932, Ushio Shinohara (nicknamed "Gyu-chan"), is a Japanese Neo-Dadaist artist who has lived and worked in the United States since 1969. He is well known for his boxing paintings, which are made by dipping a pair of custom made boxing gloves into paint and unleashing his fists onto swathes of un-stretched canvas. Ushio works in several mediums including painting, printmaking, drawing and sculpture. In 1960 Ushio helped found the Neo-Dadaism Organizers. Their mission: deviate from any conventional form of art. Akin to European Dadaists, who’s art sought to reveal the customary and often repressive conventions of logical order and rationality, the Neo-Dadaism Organizers embodied a similar ethos. This can chiefly be seen in akushon, meaning “action”, which is the practice of emphasizing the human body as an artistic medium. For Ushio, this sensibility is encapsulated in what has become his personal trinity “be speedy, beautiful, and rhythmical.” Ushio's bright and frequently oversized work has exhibited at prestigious institutions internationally, including the Hara Museum of Contemporary Art; Centre Georges Pompidou; the Guggenheim Museum, New York; the Japan Society, New York; the National Museum of Modern Art, Tokyo; the Museum of Contemporary Art, Los Angeles; the Metropolitan Museum of Art, Busan; the Dallas Museum of Art and the Tate Modern, among others. His work was included in International Pop, a landmark exhibition at the Walker Art Center that chronicles the global emergence of Pop art from the 1950s through the early 1970. In addition to an extensive exhibition history, Ushio has also been a prolific performer — demonstrating the process of his boxing paintings live and in-person at various institutions. A selection of these performances include the National Museum of Art, Osaka; Museum of Contemporary Art, Tokyo; Austria Museum of Applied Art, Vienna; Busan Art Museum, South Korea; Musée d’Art Contemporain, Lyon; The State University of New York at Potsdam; J. Paul Getty Museum, Los Angeles; Dallas Museum of Art; and Carlton University, Ottawa. Ushio Shinohara "Trapeze Artists...

Bright, vivid, and highly saturated colors in combination with a furious treatment of the medium compel this work to stand out as an iconic blend of passion and poise. Born in Toky...

While decidedly abstract in execution, this lively painting demonstrates a tendency for even abstract imagery to resemble content we’re already familiar with. Born in Tokyo in 1932, Ushio Shinohara (nicknamed "Gyu-chan"), is a Japanese Neo-Dadaist artist who has lived and worked in the United States since 1969. He is well known for his boxing paintings...

Bright, vivid, and highly saturated colors in combination with a furious treatment of the medium compel this work to stand out as an iconic blend of passion and poise. Born in Toky...

This stunning and monumental painting exemplifies Ushio’s ability to temper the raw energy he brings to the canvas with an innate understanding of formal composition. This work truly demonstrates Ushio’s capacity to balance his wild enthusiasm with thoughtful design. Born in Tokyo in 1932, Ushio Shinohara (nicknamed "Gyu-chan"), is a Japanese Neo-Dadaist artist who has lived and worked in the United States since 1969. He is well known for his boxing paintings...