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Damien Hirst
3-Methylthymidine

2014

$36,725.08List Price

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Pumpkin (White T)
By Yayoi Kusama
Located in Bristol, GB
Screenprint Edition 102 of 120 83.5 × 70.5 cm (32.9 x 27.8 in) Signed, titled, dated and numbered on front Artwork in excellent condition considering its age. Only visible under stud...
Category

20th Century Contemporary Abstract Prints

Materials

Screen

Pumpkin (White Y)
By Yayoi Kusama
Located in Bristol, GB
Screenprint Edition of 120 70.8 x 84 cm (27.9 x 33 in) Signed, titled, dated and numbered on front Artwork in excellent condition. Minor imperfections may appear due to the age of th...
Category

20th Century Contemporary Abstract Prints

Materials

Screen

Kawsbob (Red)
By KAWS
Located in Bristol, GB
Screenprint in colours on BFK Rives wove paper Edition 94 of 100 50.6 x 50.6 cm (20 x 20 in) 65 x 65 x 3 cm, 25.5 x 25.5 x 1.2 in Signed and numbered on the back Artwork in excellent...
Category

21st Century and Contemporary Contemporary Abstract Prints

Materials

Screen

Going Across
By Bridget Riley
Located in Bristol, GB
Silkscreen on Somerset Satin paper AP 10 of 10 aside from the main edition of 90 Signed and numbered on the front Condition upon request Framed with acrylic Framed 68.5 x 98 cm, 27 x 38.6 in Published by Parkett magazine...
Category

21st Century and Contemporary Contemporary Abstract Prints

Materials

Screen

Vibes
By David Shrigley
Located in Bristol, GB
4 colour screenprint on Somerset Tub Sized 410gsm paper Edition of 125 Signed, numbered and dated on the back Mint. Minor imperfections may appear due to the production process Sinc...
Category

21st Century and Contemporary Contemporary Abstract Prints

Materials

Screen

Alert (Grey)
By Invader
Located in Bristol, GB
Screenprint Edition 56 of 60 60 x 60 cm (23.6 x 23.6 in) Signed and numbered on the front; stamped by the publisher on the reverse Excellent, minor soft crease right edge of print th...
Category

21st Century and Contemporary Contemporary Abstract Prints

Materials

Screen

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Gary Hume Grey Leaves 2004 Screen print in 4 colours with one glaze, printed on 400gsm Somerset Tub Sheet: 28 x 23 inches; 71 x 59 cm Frame: 30 3/8 x 25 1/...
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A Walk in the Tuileries Gardens Paris print with silver leaf and glazes Signed/N
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Peter Blake A Walk in the Tuileries Gardens, 2004 26 colour Screenprint with Silver leaf and 3 Glazes Hand signed and numbered 28/200 by artist on lower front 30 1/5 × 22 1/2 inches The work is matted on board and unframed as it had been removed from its original frame. Measurements: Board: 30 1/8 x 22 1/2 inches Sheet: 24 x 20 inches Unframed A Walk Through the Tuileries Gardens is based on a memory of a stroll in Paris distilled through the ephemera he found along the way. ' The legendary Peter Blake, the father of British Pop Art, is renowned for his love of gathering and collecting the ephemera of life, of memories, of dreams and whimsies, sometimes mingled with those of other historical fantasists. Possessions he regards as symbolic of his relationships with his world, carefully questioning the personal significance of each object in this respect. The scraps of tickets, fragments of plastic, driftwood, pebbles and sycamore leaf in A Walk Through the Tuileries gardens are evocative and ephemeral souvenirs, gathered at the time and collated later perhaps with a whiff of romance. His image takes us, in turn, on a stroll down the wide gravel, under the autumnal trees, a lingering taste of saucisson and red wine on our palate and with a sudden impulse to take a turn on the Caroussel. This whimsical Peter Blake print would make a great gift for any Blake fan. Legendary British Pop Art pioneer British Blake was born in 1932, and after his formal training at the Gravesend School of Art, then at the Royal Academy of Art, he broke away from tradition, producing work from 1960 on that would come to define the British Pop Art Movement. He came to be known as the Grandfather of Pop Art, and his art achieved iconic status with his sleeve for The Beatles’ Sgt Pepper’s Lonely Hearts Club Band. Blake’s art draws on imagery from the popular culture of the past and present, as well as from the canon of fine art, thus creating an alternative, more democratic visual aesthetic. He freely mixes the ‘high’ with the ‘low’, ultimately inviting us to see beyond such distinctions. Always playful, and at times irreverent, he sets up the most unlikely juxtapositions across time and space, creating conversations and ‘parties’ to which all are invited. An abiding theme is an investigation, and celebration, of England and Englishness. Collage has always been a hallmark of Blake’s work, allowing him to freely mix found objects and images of people and other artworks; screenprinting, with its use of stencils and layers, lends itself perfectly to this technique, and indeed it was Pop Art that fully realised the potential of screenprinting as a medium for complex replication. More about Peter Blake: Sir Peter Thomas Blake...
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One of the most acclaimed artists to emerge from post-war Asia, Takashi Murakami is known for his signature “Superflat” aesthetic: a colorful, two-dimensional style that straddles th...
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Blue Face from the Brushstroke Figures Series
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Lithograph, waxtype woodcut and screenprint on 638-g/m cold-pressed Saunders Waterford Paper. From the "Brushstroke Figures" series, 1989. Hand signed rf Lichtenstein, dated ('89) a...
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Black Rage, print with COA Signed 53/100 by Glenn Ligon Framed Black art, text
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Renowned contemporary conceptual African American artist Glenn Ligon Black Rage (back cover), 2019 Silkscreen and digital print Edition number 53/100 Accompanied by an official Certi...
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