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Jesús Rafael Soto
Expo 60 - ARC Musee D'Art Moderne Ville De Paris

1969

About the Item

TECHNICAL INFORMATION Jesus Rafael Soto Expo 60 - ARC Musee D'Art Moderne Ville De Paris 1969 Screenprint on Cardboard 27 1/2 x 18 1/2 in. Edition of 1000 Signed on bottom right, signed and numbered on verso Condition: This work is in excellent condition

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TECHNICAL INFORMATION: Victor Vasarely Composition Gold 1980 Screenprint 13 x 10 in. Edition of 50 Pencil signed and numbered Accompanied with COA by Gregg Shienbaum Fine Art. ...
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TECHNICAL INFORMATION: Victor Vasarely Door 1982 Screenprint 43 x 23 1/2 in. Edition of 325 Pencil signed and numbered Accompanied with COA by Gregg Shienbaum Fine Art. Conditi...
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Kris-Bille, from Ion Album
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TECHNICAL INFORMATION: Victor Vasarely Kris-Bille, from Ion Album 1989 Screenprint 14 x 11 in. Epreuve D'Artist (E.A.) Pencil signed and numbered Accompanied with COA by Gregg Shie...
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Nebulus II
By Victor Vasarely
Located in Miami, FL
TECHNICAL INFORMATION: Victor Vasarely Nebulus II c. 1980 Screenprint 32 1/2 x 30 3/4 in. Edition of 50 Pencil signed and numbered Accompanied with COA by Gregg Shienbaum Fine Art....
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Pixis
By Victor Vasarely
Located in Miami, FL
TECHNICAL INFORMATION: Victor Vasarely Pixis Screenprint 17 3/8 x 14 7/8 in. Edition of 50 annotated F.V. Pencil signed and numbered Accompanied with COA by Gregg Shienbaum Fine Ar...
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1980s Op Art Abstract Prints

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Sikra MC
By Victor Vasarely
Located in Miami, FL
TECHNICAL INFORMATION: Victor Vasarely Sikra MC 1968 Screenprint 21 3/8 x 15 in. Edition of 200 Pencil signed and numbered Accompanied with COA by Gregg Shienbaum Fine Art. Cond...
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Shusaku Arakawa Still Life, from To and From Rrose Selavy, for Marcel Duchamp, 1967 Limited Edition Silkscreen on velincarton (thin board) paper 10 1/2 × 13 1/4 inches Limited Edition of 60 Hand signed, titled and dated on the front Unframed The entire portfolio, including the present work, is referenced in the Marcel Duchamp catalogue raisonne: Arturo Schwarz The Complete Works of Marcel Duchamp, Abrams, P.532, 344c Eager to share Marcel Duchamp with Japanese audiences, Shuzo Takiguchi - a Japanese-born poet, critic, and artist with ties to Surrealist circles, assembled an international portfolio of graphic works by various artists with strong ties to Duchamp, to accompany the deluxe version of his monograph, "To and From Rrose Sélavy". The present work was created for this portfolio by one of Marcel Duchamp's friends, Shusaku Arakawa. It is signed, dated and titled on the front - and can be exhibited both vertically and horizontally - (see photos). The present work, along with others in the portfolio, was published in Japan and is rarely found stateside. Shusaku Arakawa (荒川 修作 Arakawa Shūsaku, July 6, 1936 – May 18, 2010) who spoke of himself as an “eternal outsider” and “abstractionist of the distant future,” first studied mathematics and medicine at the University of Tokyo, and art at the Musashino Art University. He was a member of Tokyo’s Neo-Dadaism Organizers, a precursor to The Neo-Dada movement. Arakawa’s early works were first displayed in the infamous Yomiuri Independent Exhibition, a watershed event for postwar Japanese avant-garde art. Arakawa arrived in New York in 1961 with fourteen dollars in his pocket and a telephone number for Marcel Duchamp, whom he phoned from the airport and over time formed a close friendship. He started using diagrams within his paintings as philosophical propositions. Jean-Francois Lyotard has said of Arakawa’s work that it “makes us think through the eyes,” and Hans-Georg Gadamer has described it as transforming “the usual constancies of orientation into a strange, enticing game—a game of continually thinking out.” Quoting Paul Celan...
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