Etching Abstract Prints

Le Pigeon... is an excellent contemporary artwork realized by Renée Lubarow (b.1923) in 1978. Original colored etching on paper. Image Dimensions: 17 x 17...

Bald Eagle Martin Barooshian, Armenian/American (1929–2022) Date: circa 1979 Etching and Aquatint, signed, titled and numbered in pencil Edition of 50/60 Image Size: 14.25 x 14 inche...

This beautiful modernist aquatint etching was realized by the esteemed Indian artist Kaiko Moti, circa 1975. It offers an abstracted and stylized tree branch (presumably that of a Ch...

S Dawson - Landscape, Year: 1966, Medium: Etching and Aquatint on Arches, signed, titled, numbered and dated in pencil, Edition: AP, Image Size: 14.5 x 21 inches, Size: 22.25 x 28....

Amsterdam is a unique collectors box for everyone with an interest in contemporary modern minimalist prints. This custom made box contains 10 small etching aquatint prints depicting details of old...

Hand Signed. Edition of 50 prints. Original Prints. Publisher : Paris, Galerie Louis Leiris Image Dimensions : 21 x 26 cm This artwork is shipp...

Image dimensions: 48.5 x 45.5 cm. Untitled is an original black and white etching realized by Miodrag Djuric in 1980. Hand Signed, dated and numbered. Edition 9/10. Good condition...

COLOR HARDGROUND ETCHING WITH AQUATINT AND DRYPOINT. RIVES BFK PAPER IMAGE SIZE: 24” x 18”; PAPER SIZE: 35” x 28” EDITION OF 40

Hand signed. Edition of 125 prints of which 100 in Arabic numbers and 25 in Roman numbers.

Artist: Joe Tilson, British (1924 - ) Title: Proscinemi Dodona, Oracle of Zeus Year: 1978 Medium: Aquatint Etching with Collage, signed and numbered in pencil Edition: 71 Image Size:...

17M5G-2017 (Abstract print) Aquatinte on paper - Unframed. Clément's work fluctuates between painting and sculpture, a back and forth that both results from, and contributes to, an...

The deeply etched lines and vibrant color of this print are common to Alliand's new "haubans" prints. Haubans is french for a guy line - a tensioned cable designed to add stability t...

20J1G-2020 (Abstract print) Aquatinte on BFK Rives paper - Unframed. Edition of 30. Image size: 35.2 x 124.5 cm / 13.8 x 49 in Paper size: 46 x 135 cm / 18.1 x 53.1 in Clément's wo...

Color spitbite aquatint with chine colle. Edition of 50

17M4G-2017 (Abstract print) Aquatinte on paper - Unframed. Clément's work fluctuates between painting and sculpture, a back and forth that both results from, and contributes to, an...

Jean Arp, French (1886 - 1966) - Precipice, Portfolio: Vers Le Blanc Infini, Year: 1960, Medium: Etching on BFK Rives, Edition: 349/499, Image Size: 10.5 x 8.25 inches, Size: 1...

Hubertus Von Pilgrim, German (1931 - ) - Enchanted Power Lines, Year: 1970, Medium: Etching on Van Gelder Zonen, signed, numbered and dated in pencil, Edition: 49/100, Image Size:...

Arun Bose, Indian (1934 - 2007) - Suite I, Year: circa 1980, Medium: Six Etchings with Aquatint, each signed and numbered in pencil, Edition: 99, Size: 30 x 22 in. (76.2 x 55.8...

Signed, titled and numbered from the edition of 50. Aquatint and sugarlift etching. Bozon's prints are often a balance between abstraction and landscape, which he creates with drypo...

Artist: Agustin Fernandez, Cuban (1928 - 2006) Title: From L.A. Year: 1970 Medium: Etching, signed and numbered in pencil Edition: 100 Size: 30 x 22 inches (76.2 x 55.88 cm)

Detailed mid-century modern figurative abstract etching by Gianpaolo Berto (Italian, 1940-2003). This etching features a central female figure, with layers of detailed embellishments...

Signed, titled and numbered artist proof (3/10). Daniel Beugniot, who signs his prints Dul, was born in Bordeaux in 1954 and died in April 2010. He spent many years teaching etching...

Arnulf Rainer (Austrian, born 1929) Büste im Nebel, 1977 Medium: Drypoint etching on BFK Rives wove paper Dimensions: 29.8 × 20.8 cm (11 7/10 × 8 1/5 in) Edition of 50: Hand-signed a...

Gabor Peterdi (Hungarian/American, 1915-2001), Abstract Composition in Yellow, Etching in Colors on Paper, label to verso, silver-tone frame. Image: 25.25" H x 19.5" W; frame: 33.25"...

Artwork is on exhibition, please cuntact us for availability Limited edition. AGNIESZKA MAZEK (born in 1976) Agnieszka Mazek studied at the European Academy of Fine Arts in Warsaw a...

Abstract Compositionis an original etching made by Eugenio Carmi (Genoa, 1920 - Lugano, 2016) in 1987. Good conditions. Hand signed and numbered. Edition, VIII/XXXV. Eugenio Carmi...

From: Happy Pentagone (6 plates) Signed and numbered in pencil Edition: 100 (37/100) Printer: Lacouriere et Frelaut Imprimeur, Paris Paper: BFK RIVES watermark on some sheets from th...

Signed and numbered by the artist, unique etching with hand coloring. This is based on one section of the larger work, the artist book/wall hanging "endless". "This print is ded...

Untitled (Portrait in Window) features a gelatin silver print by Lee Friedlander and a diptych of etchings by Jim Dine. The photograph depicts a framed portrait of a young black girl...

After Hans Bellmer (German, 1902-1975) Surrealist engraving, etching after drawings from a 1942 notebook, engraved in 1974-75 by Cecile Reims Printed by L'Atelier de Chalcographie du Louvre, Paris, Having printed monogram lower left in plate, pencil notations and #7/10 and 'Musee du Louvre' blindstamp verso Dimensions: Sheet 11 X 7.5, Plate size 6.5 X 4 Hans Bellmer ( 1902 – 1975) was a Polish born German artist, best known for his drawings, etchings that illustrates the 1940 edition of Histoire de l’œil, and the life-sized female sculpture mannequin dolls he produced in the mid-1930s. Historians of art and photography also consider him a Surrealist photographer. Bellmer was born in the city of Kattowitz, then part of the German Empire (now Katowice, Poland). Up until 1926, he worked as a draftsman for his own advertising company. Bellmer is most famous for the creation of a series of dolls as well as photographs of them. He was influenced in his choice of art form in part by reading the published letters of Oskar Kokoschka (Der Fetisch, 1925) and Surrealism. Bellmer's puppet doll project is also said to have been catalysed by a series of events in his personal life. Hans Bellmer takes credit for provoking a physical crisis in his father and brings his own artistic creativity into association with childhood insubordination and resentment toward a severe and humorless paternal authority. Perhaps this is one reason for the nearly universal, unquestioning acceptance in the literature of Bellmer's promotion of his art as a struggle against his father, the police, and ultimately, fascism and the state. Events of his personal life also including meeting a beautiful teenage cousin in 1932 (and perhaps other unattainable beauties), attending a performance of Jacques Offenbach's Tales of Hoffmann (in which a man falls tragically in love with an automaton), and receiving a box of his old toys. After these events, he began to actually construct his first dolls. In his works, Bellmer explicitly sexualized the doll as a young girl (his work bears connection to the works of Bathus). Hirschfeld has claimed (without further argumentation) that Bellmer initiated his doll project to oppose the fascism of the Nazi Party by declaring that he would make no work that would support the new German state. Represented by mutated forms and unconventional poses, his dolls (according to this view) were directed specifically at the cult of the perfect body then prominent in Germany. He visited Paris in 1935 and made contacts there, such as Paul Éluard, but returned to Berlin because his wife Margarete was dying of tuberculosis. He was part of the circle of Surrealist luminaries such as Man Ray, Marcel Duchamp, Max Ernst, Joan Miro, André Masson, René Magritte, Alberto Giacometti and Salvador Dali as well as women artists—such as Frida Kahlo, Dorothea Tanning and Leonora Carrington. Bellmer produced the first doll in Berlin in 1933. Long since lost, the assemblage can nevertheless be correctly described thanks to approximately two dozen photographs Bellmer took at the time of its construction. Standing about fifty-six inches tall, the doll consisted of a modeled torso made of flax fiber, glue, and plaster; a mask-like head of the same material with glass eyes and a long, unkempt wig; and a pair of legs made from broomsticks or dowel rods. One of these legs terminated in a wooden, club-like foot; the other was encased in a more naturalistic plaster shell, jointed at the knee and ankle. As the project progressed, Bellmer made a second set of hollow plaster legs, with wooden ball joints for the doll's hips and knees. There were no arms to the first sculpture, but Bellmer did fashion or find a single wooden hand, which appears among the assortment of doll parts the artist documented in an untitled photograph of 1934, as well as in several photographs of later work. Bellmer's 1934 anonymous book, The Doll (Die Puppe), produced and published privately in Germany, contains 10 black-and-white photographs of Bellmer's first doll arranged in a series of "tableaux vivants" (living pictures). The book was not credited to him, as he worked in isolation, and his photographs remained almost unknown in Germany. Yet Bellmer's work was eventually declared "degenerate" (entartete kunst) by the Nazi Party, and he was forced to flee Germany to France in 1938, where Bellmer's work was welcomed by the Surrealists around Andre Breton. He aided the French Resistance during the war by making fake passports. He was imprisoned in the Camp des Milles prison at Aix-en-Provence, a brickworks camp for German nationals, from September 1939 until the end of the Phoney War in May 1940. After the war, Bellmer lived the rest of his life in Paris. Bellmer gave up doll-making and spent the following decades creating erotic drawings, etchings, sexually explicit photographs, paintings, and prints of pubescent girls. In 1954, he met Unica Zürn...

Irena Snarska (b. 1934, d. 2013) Irena Snarska was born in 1934 in Lviv. She studied at the Faculty of Interior Architecture at the Academy of Fine Arts in Warsaw. Between 1956 and 1...

Hand signed and numbered. Edition of 90 prints. In excellent condition. A wonderful print describes a hanged man which was created in 1946 and published in 1977 by “Vertice Editoria ...

The deeply etched lines and vibrant color of this print are common to Alliand's new "haubans" prints. Haubans is french for a guy line - a tensioned cable designed to add stability t...

Butterfly Pool is an original print realized in the 1970s by Luigi Gheno. Original aquatint and etching. Hand-signed on the lower right in pencil, and numbered on the lower left, t...

20J1G-2020 (Abstract print) Aquatinte on BFK Rives paper - Unframed. Edition of 30. Image size: 35.2 x 124.5 cm / 13.8 x 49 in Paper size: 46 x 135 cm / 18.1 x 53.1 in Clément's wo...

LESZEK RÓZGA (1924-2015). He studied painting at Maria Skarbek-Kruszewska private atelier in 1945-46. In 1948, he began studies at the art school in Łódź (later: Academy of Fine Art...

Abstract Composition is an etching and collage on paper realized by Hans Richter in 1973. Published by La Nuova Foglio, a publishing house of Macerata. Monogrammed by Frida Richte...

Abstract composition is an etching and embossing realized by Hans Richter. Monogrammed in the lower part. Numbered.Edition,38/99 50 x 35 cm. No frame. Hans Richter (Berlin 188...

Original etching, aquaforte, aquatint engraving. Hand pencil signed and numbered. Published by Editions Denise René, Paris. Number: 10 from the folio edition of 120 which were on ...

Segnali (Signals) is an artwork realized in 1984 by the Italian Contemporary artist Leo Guida (1992 - 2017). Original screen print on cardboard Hand-signed on the lower left in ...

Abstract Composition is an etching and embossing realized by Hans Richter. Monogrammed in the lower part. Numbered.Edition,64/99 Hans Richter (Berlin 1888.1976) was a German d...

Nude is an original modern artwork realized by Franco Bellardi in 1978. Etching on paper. Hand signed and dated on the lower right margin. Numbered on the lower left. Edition of 7...

Abstract etching with layers of indecipherable text by Michael Pauker (American, b. 1957). Tan block in the center of the piece is an applied piece of paper. This piece is an artist'...

Sculpture is an original etching artwork on paper realized by Sante Monachesi. Hand-signed on the lower right by pencil.Artist proof. it is an artist's proofs edition on the lower ...

A superb, richly-inked impression of this very scarce aquatint. Edition of approximately 80. Signed in pencil by Orozco.

Linebacker Martin Barooshian, Armenian/American (1929–2022) Date: 1992 Etching and Aquatint on Johannot paper, signed and numbered in pencil Edition of AP Image Size: 17.25 x 14.75 i...

Segnali (Signals) is an artwork realized in 1984 by the Italian Contemporary artist Leo Guida (1992 - 2017). Screen print on cardboard Hand-signed on the lower left in pencil an...

Abstract composition in black is an etching and embossing realized by Hans Richter. No signature. On the back of one copy there is a label of published house with guarantee certif...

This raucous scene by Latin American Surrealist Roberto Matta shows leaping nude figures flying through the air above what look like boulders. Their bodies are warped and stretched a...

Abstract composition is an original colored etching realized by Hsiao Chin in 1977. The artwork is hand-signed and dated in pencil on the lower right. Numbered on the lower left. ...

Francisco Toledo Venados (Deer), circa 1975-1985 Color etching and aquatint Plate: 8 13/16 x 11 11/16 inches Sheet: 15 x 20 7/16 inches Edition A/P (Artist Proof) This limited editi...

Les Instants is an excellent Contemporary artwork realized by Renée Lubarow (b.1923) in 1978. Original colored etching on paper. Image Dimensions: 17 x 17 cm Hand-signed in penci...

Soleil rouge (Red Sun) Etching and embossing, c. 1974 Signed and editioned in pencil by the artist (see photos) Condition: Paper has yellowed. There is a white square at top of shee...

Abstract composition is a colored etching realized by Hsiao Chin in 1977. The artwork is hand-signed and dated in pencil on the lower right. Numbered on the lower left. Edition o...

Limited edition of 125 prints, hand signed and numbered.

Woods Etching and aquatint printed in colors, 1985 Signed, titled & numbered in pencil Edition: 15 (12/15) Printed on BFK RIVES paper Provenance: GE Art Program, (label included), se...

Signed, titled and numbered from the edtion of 50. Bozon's prints are often a balance between abstraction and landscape, which he creates with drypoint and aquatint. They reflect th...

Le Papillon Pressé is an excellent colored etching realized in 1978 by the artist Renée Lubarow (b. 1923). Printed by Atelier Morsang, Paris. The work belongs to the series "Déja suivi de Alto", an illustrated edition consisting of 12 etchings. Limited edition of 165; one of he 110 specimens on vélin d'Arches. Mint conditions. Renée Lubarow's creative work was predominantly inspired by the 1930s. Globally this period can be best characterised by the clash between the world’s dominant political philosophies - Marxist Socialism, Capitalist Democracy, and the Totalitarianism of both Communism and Fascism. In the Soviet Union, Stalin’s government needed urgent funds to implement the rapid industrialisation demanded by the first Five Year Plan. It initiated a secret proposal to sell off treasures from the State Hermitage Museum in Leningrad (St. Petersburg), including a preliminary list of two hundred and fifty unique paintings by the Old Masters, many of which found their way to the collection of Andrew Mellon via the New York based art dealing company, Knoedler. In the United States, the Great Depression had a great impact on artistic output, with many artists focusing on the agrarian and the humble man in the streets. It was the first time in US history...

Abstract composition is a colored etching realized by Hsiao Chin in 1977. The artwork is hand-signed and dated in pencil on the lower right. Numbered on the lower left. Edition of ...

The Butterfly is an original etching artwork on paper realized by Sante Monachesi. Hand-signed on the lower right by pencil. it is an artist's proofs edition on the lower left. Go...