Etching Abstract Prints

Andrés Nagel - UNTITLED 7 Date of creation: 1991 Medium: Etching on Paper Edition: 75 Size: 98 x 69 cm Condition: In very good conditions and never framed Observations: Etching on paper signed by the artist and numbered edition of 75. Andrés Nagel's architectural training is very present in all of his works. The way that this artist synthesizes forms and concepts leaves a statement of his beginnings. Tubes and other industrial materials are very present in many of Nagel's works and build up an essential part of the workshop process of this artist. ABOUT THE ARTIST Andrés Nagel Tejada is a Spanish painter, sculptor and printmaker born in San Sebastian in 1947. Nagel completed his studies in architecture in 1972 in Pamplona. During this time as a student he began to work in engraving techniques. Since then he starts to travel to other European countries and the north of Africa. The Spanish scene at that time was dominated by abstraction and already had international recognition thanks to artists such as Chillida and Tapies, but Andres Nagel, who didn't feel identified with these trends did tune with the artistic movements that found in other countries such as Italy, Switzerland and Germany and soon opted for figurative art. A controversial artist, he rose to prominence with some of his works at the beginning of his career. In the mid 70's Nagel started to show his works in many exhibitions, both collectively and individually. Noteworthy among these events, his participation in the exhibition "New Spanish Painting" on Hastings Gallery in New York that introduced him to the American public. In 1978 also participates in a very important exhibition that pays tribute to the work of Joan Miró in Mallorca. During the 80's the artist works in numerous international exhibitions in cities like Varna, Dortmund, Bonn, Basel or Baghdad. In 1988 the Museum of Fine Arts in Bilbao exhibits the graphic work of Nagel, in this show a catalogue raisonné is edited. In 1989 he began his collaboration with the gallery Tasende California and participates in many American art fairs. Thereafter Andrés Nagel travels the world and his work is present in several countries including Mexico, Japan, Singapore, China, France, Canada, Germany or Italy. In 2003 Nagel inaugurates in Amorebieta (Vizcaya) a bronze sculpture of eight meters high that he entitles "La patata" (the potato). Unparalleled defender of the intellectual property, the transfer of this work for urban reasons is considered by Nagel as an insult to his work, leading him to sue the city council. In 2009 re-litigated against a porcelain company that, according to the artist, plagiarizes his designs and get benefits from them without his consent. Andrés Nagel's work can be defined within the postmodern figuration...

Conrad Marca-Relli - Composition XI Date of creation: 1977 Medium: Etching and aquatint on Gvarro paper Edition number: H.C. Size: 56 x 76 cm Condition: In very good conditions and n...

Sheroanawë Hakihiiwë (1971) Untitled, 2022 Etching, 16” H x 16” W (41 x 41 cm), signed, dated and numbered in pencil - Artist’s Proof "IV/IV" Born in a small Yanomami Indigenous c...

Blue Square Tetsuo Araki, Japanese (1937–1984) Date: circa 1970 Etching with Aquatint, signed and numbered in pencil Edition of 69/120 Image Size: 19.5 x 15.5 inches Size: 30 x 22 in...

Paper Size: 37.4 x 31.6 cm Image Size: 27 x 24 cm Print on paper, signed in pencil to the right, Edition in pencil 39/58. There is an artist water mark in the paper (see image) As S...

Conrad Marca-Relli - Composition IX Date of creation: 1977 Medium: Etching and aquatint on Gvarro paper Edition number: 66/75 Size: 56 x 76 cm Condition: In very good conditions and ...

Uprising is a  contemporary artwork realized by Arthur Secunda in 1979. Mixed colored etching. Hand signed on the lower margin. Numbered and titled on the lower left margin. Edit...

Etching and aquatint, 1972 Handsigned by the artist in pencil and numbered 42/50 Publisher : Pierre Belfond, Paris Printer : Atelier Bellini, Paris Catalog : [Agerup 225] 48.50 cm. x...

Between Air and Water #18 Color soft ground, Spit Bite Aquatint and Drypoint on Gampi Chine Colle, 1992 Signed, titled, and dated in pencil (see photo) Annotated: A.P.4 (see photo) C...

Sam Francis Untitled 1989 Aquatint, Edition of 20 44.5 x 32.4 cms (17 1/2 x 12 3/4 ins) 22.9 x 15.2 cms (9 x 6 ins) SF15235

Medium: Etching,Aquatint Image size: 12 × 11 Sheet size: 22 × 18 in Edition of 30 Year: 2008 Signed and titled by the artist While inspired by flowers, the blossom series shows th...

Joan Ponç - SIN TÍTULO 1 Date of creation: 1975 Medium: Etching on paper Edition number: 70/75 Size: 56 x 76 cm Condition: In perfect conditions and never framed Observations: Etchin...

ARTIST: Salvador Dali TITLE: Faust Sator MEDIUM: Etching SIGNED: Hand Signed PUBLISHER: Editions Argillet, Paris EDITION NUMBER: 9/95 MEASUREMENTS: 11" x 15.4" YEAR: 1969 FR...

Brice Marden (American, b. 1938) Etching for Parkett, 1986 Medium: Sugar lift and aquatint on Rives BFK, bound in Parkett journal no. 7 Dimensions: 25.5 x 21 cm Edition of 100: Hand-...

Color etching Edition of 99 + 15 AP 29 3/4 x 21 7/8 in. / 75.6 x 55.6 cm Printed & published by Ediciones Poligrafa, Barcelona.

Medium: intaglio Year: 2015 Signed Artist Proof from the edition of 25 Image Size: 7.5 x 6 inches Paper Size: 15 x 11 inches Signed and numbered by the artist. Seiko Tachibana's...

This is an aquatint print by French painter Georges Rouault titled "Le Rencheri" from Cirque de l'étoile filante (The Shooting Star Circus) 1935, published 1938 by Ambroise Vollard....

Paroles Peintes II Jean Arp (After), French (1886–1966) Date: 1965 Restrike Etching Image Size: 10.25 x 8.75 inches Size: 20 x 14 in. (50.8 x 35.56 cm) Publisher: Collector's Guild, ...

Max Ernst "Untitled" 1965 Etching and aquatint in colors, on Arches paper. 7.8 x 5.39 inches Publisher: Georges Visat, Paris. Total edition: 100 copies +EA. Publication: Spies - Lepp...

This artwork titled "Centre Noeuds" plate #8 1974, is an original color etching with aquatint on Japan nacre paper by renown Chilean artist Roberto Sebastian Matta, 1911-2002. It is ...

José Manuel Broto - IRIS 4 Date of creation: 2006 Medium: Etching on Paper Edition: 50 Size: 100 x 70 cm Condition: In perfect conditions and never framed Observations: Etching on pa...

Conrad Marca-Relli - Composition II Date of creation: 1977 Medium: Etching and aquatint on Gvarro paper Edition number: 59/75 Size: 56 x 76 cm Condition: In very good conditions and ...

This is an aquatint print by French painter Georges Rouault titled "Jongieur" from Cirque de l'étoile filante (The Shooting Star Circus) 1935, published 1938 by Ambroise Vollard. Si...

Original Edition Etching on wove paper. Unsigned and unnumbered, as issued. Excellent Condition; never framed or matted. Notes: From the volume, XXe Siècle, vol. no. 7, 1956. Publish...

This artwork titled "Centre Noeuds" plate #6 1974, is an original color etching with aquatint on Japan nacre paper by renown Chilean artist Roberto Sebastian Matta, 1911-2002. It is ...

Magnificent Jungle Cats Etching, drypoint and monoprint inking of the plate Printed by the artist at Atelier 17, New York Annotated 1/5 in pencil Estate stamp and number, verso Editi...

Etching, 1958 Signed on the plate Publisher : Maeght (Paris) 18.00 cm. x 21.50 cm. 7.09 in. x 8.46 in. (paper) 11.00 cm. x 13.00 cm. 4.33 in. x 5.12 in. (image) Original Etchin Ne...

A very good impression of this color aquatint, etching and carborundum. Signed and numbered 27/75 in pencil by Miro. Printed and published by Maeght, Paris. Catalogue reference: Du...

This artwork titled "SWing Screen" 1979 is an original colors etching with aquatint on Pescia Italia paper by renown American artist James Rosenquist, 1933-2017. It is hand signed, d...

Anish Kapoor Untitled, from 15 Etchings (from the Equitable Assurance Gallery collection), 1996 Etching on Zerkall paper Pencil signed and numbered 21/30 on the front; bears embossed...

Conrad Marca Relli - Composition I Date of creation: 1977 Medium: Etching and aquatint on Gvarro paper Edition: 75 + AP + HC Size: 56 x 76 cm Condition: In very good conditions and n...

Untitled, Sarayevo Winter Olympic Games 1984, is an etching with aquatint and lithograph in colors realized by Cy Twombly on the occasion of the Winter Olympics Games 1984 in Sarajev...

Joanne Greenbaum’s prints are an energetic profusion of overlapping techniques and colors, featuring clusters of architectural forms, irregular shapes, and doodle-like lines. Greenba...

Sam Francis Mehrfarbige Spirale, 1970 Signed in pencil Edition A.P. (the edition was 40) Image size: 60.4 x 45.3 cm Sheet size: 85 x 68 cm Published by The Litho Shop, Inc., Californ...

André Butzer (German, b. 1973) Untitled, 2019/2022 Medium: Etching in colors on wove paper Dimensions: 33 x 43 cm Edition of 15: Hand-signed, numbered and dated in pencil Condition: ...

This artwork titled "Centre Noeuds" plate #5, 1974, is an original color etching with aquatint on Japan nacre paper by renown Chilean artist Roberto Sebastian Matta, 1911-2002. It is...

This artwork titled "Centre Noeuds" plate #3 1974, is an original color etching with aquatint on Japan nacre paper by renown Chilean artist Roberto Sebastian Matta, 1911-2002. It is ...

This artwork titled "Tide" 1979 is an original colors etching with aquatint on Pescia Italia paper by renown American artist James Rosenquist, 1933-2017. It is hand signed, dated, ti...

Original Edition burin etching and engraving on wove paper. Edition: 1,500. Inscription: Signed in the plate and unnumbered, as issued. Excellent Condition; never framed or matted. N...

Medium: Etching,Aquatint Image size: 12 × 11 Sheet size: 22 × 18 in Edition of 30 Year: 2008 Signed and titled by the artist While inspired by flowers, the blossom series shows th...

Robert Motherwell (1915-1991), alongside Jackson Pollock, Mark Rothko, and Willem de Kooning, made up the quartet of American artists that radically defined abstraction and establish...

Serge Poliakoff (French-Russian, 1900–1969) Composition Bleu, Noire, Rouge et Verte (from Werke Poliakoffs), 1964 Medium: Etching and aquatint on paper Dimensions: 25.5 x 37.7 cm Ed...

Etching and aquatint, 1975 Handsigned by the artist in pencil and numbered 62/75 Publisher : O. Lazar-Vernet, Paris Printer : Georges Leblanc et Morsang, Paris 37.70 cm. x 28.00 cm...

This artwork titled "Centre Noeuds" plate #1, 1974, is an original color etching with aquatint on Japan nacre paper by renown Chilean artist Roberto Sebastian Matta, 1911-2002. It is...

Medium: Etching,Aquatint Image size: 12 × 11 Sheet size: 22 × 18 in Edition of 30 Year: 2008 Signed and titled by the artist While inspired by flowers, the blossom series shows th...

This artwork titled "Centre Noeuds" plate #4, 1974, is an original color etching with aquatint on Japan nacre paper by renown Chilean artist Roberto Sebastian Matta, 1911-2002. It is...

This artwork titled "Centre Noeuds" plate #7, 1974, is an original color etching with aquatint on Japan nacre paper by renown Chilean artist Roberto Sebastian Matta, 1911-2002. It is...

From: Happy Pentagone (6 plates) Signed and numbered in pencil Edition: 100 (37/100) Printer: Lacouriere et Frelaut Imprimeur, Paris Paper: BFK RIVES watermark on some sheets from th...

This artwork titled "Centre Noeuds" plate #2, 1974, is an original color etching with aquatint on Japan nacre paper by renown Chilean artist Roberto Sebastian Matta, 1911-2002. It is...

This artwork titled "Centre Noeuds" plate #9, 1974, is an original color etching with aquatint on Japan nacre paper by renown Chilean artist Roberto Sebastian Matta, 1911-2002. It is...

This artwork titled "Centre Noeuds" plate #10, 1974, is an original color etching with aquatint on Japan nacre paper by renown Chilean artist Roberto Sebastian Matta, 1911-2002. It i...

Dan Flavin Rare invitation poster for 1970 ACE Gallery exhibition, 1970 Letterpress and stencil on colored paper Not signed Frame included Floated in the original ACE gallery vintage wood frame. Measurements: Framed: 17.75" x 17.75" x 1.6 inches Poster: 16 inches x 16 inches Extremely uncommon letterpress and stencil poster designed by Dan Flavin on the occasion of his 1970 exhibition “Two Cornered Installations in Colored Fluorescent Light from Dan Flavin” at the legendary Ace Gallery in Los Angeles. The poster, like most exhibition invitations of that era (including those from the Leo Castelli gallery in New York) was undated, as these works were so much of the moment. This work was acquired directly from the collection of the ACE Gallery. Other than the present work, we've never seen another example of this collectors item anywhere in the world, on or off the market (If anyone is aware of others, we'd love to see!) More about the legendary ACE gallery, and the sale of some of its art collection from the bankruptcy estate, from where the present work was acquired: ACE Gallery founder Douglas Chrismas opened his own frame shop and gallery in Vancouver at the age of 17. His gallery became known as a venue where Vancouver artists could show alongside major New Yorkers, and get the feeling of belonging to a bigger scene. In the 60s and early 70s he brought artists such as Robert Rauschenberg, Carl Andre, Sol LeWitt, Bruce Nauman, and Donald Judd to Vancouver, Canada. The gallery expanded to Los Angeles in 1967 at the former Virginia Dwan Gallery space in Westwood, and then further expanded to New York in 1994. The galleries were noted for doing museum-level exhibitions by up and coming and internationally renowned artists. While in New York the gallery’s presence was amplified by doing exhibitions in conjunction with cultural institutions such as the Guggenheim Museum and the Cartier Foundation (Paris). Under Chrismas' directorship, ACE Gallery has had either offices or galleries in art centers outside of the United States, such as Mexico City, Paris, Berlin. and Beijing. In 1972, Chrismas mounted Robert Irwin’s installation Room Angle Light Volume at the first ACE/Venice, which opened at 72 Market Street in 1971. In 1977, ACE mounted exhibitions of work by Frank Stella and Robert Motherwell, along with Michael Heizer’s Displaced/Replaced Mass. Installed at ACE/Venice, the Heizer piece required that huge chunks be gouged out of the gallery floor to create recessed areas able to accommodate boulders. In April 2016, ACE Gallery emerged from a three-year bankruptcy proceeding under the leadership of Sam S. Leslie. In May 2016, founder Douglas Chrismas was terminated from all roles at the gallery. In July 2021, Douglas Chrismas was arrested by the FBI and charged with embezzlement. In May 2022, Douglas Chrismas was ordered to repay 14.2 million in ACE art sale profits, which were diverted to personal accounts. Chrismas is awaiting criminal trial in January, 2023. He faces up to 15 years in prison if convicted. Controversies In a 1983 lawsuit in Los Angeles federal court, Rauschenberg sought $500,000 from Chrismas' Flow ACE Gallery; the artist won a $140,000 judgment in the suit in 1984. Eventually the two reconciled their differences and in 1997 Robert Rauschenberg insisted that ACE Gallery New York (in conjunction with the Guggenheim Museum) host his Retrospective. In 1986, Chrismas pleaded no contest after Canadian real estate developer C. Frederick Stimpson alleged that he had improperly sold work belonging to the collector, among them pieces by Andy Warhol and Rauschenberg. Under the terms of the settlement, Chrismas agreed to pay Stimpson $650,000 over a period of five years. He continues to work with the Stimpson family in handling their art interests. In 1989, ACE Gallery wanted to borrow a work by Judd along with Carl Andre's 1968 Fall, both owned by Count Giuseppe Panza, for an exhibition devoted to minimal art called The Innovators Entering into the Sculpture. Rather than shipping the two large scale works from Italy, Panza authorized ACE Gallery to refabricate the pieces in Los Angeles. In Panza's collection archives, there is a series of signed certificates signed by Judd that granted Panza broad authority over the works by Judd in his collection. These certificates "authorized Panza and followers to reconstruct work for a variety of reasons," as long as instructions and documentation provided by Judd were followed and either he or his estate was notified. This even included the right to make "temporary exhibition copies, as long as the temporary copy was destroyed after the exhibition; and the right to recreate the work to save expense and difficulty in transportation as long as the original was then destroyed." Miwon Kwon, in her account of site specificity: "One Place After Another," presents the account of ACE Gallery recreating artworks by Donald Judd and Carl Andre without the artist's permission. Andre and Judd both publicly denounced these recreations as "a gross falsification" and a "forgery," in letters to Art in America, however, the fabrication of the pieces were permitted by Panza Collection in Italy, the owner of the works. Despite the confusion surrounding the Panza refabrications, both Carl Andre and Donald Judd maintained a professional relationship with Douglas Chrismas and ACE Gallery. Andre showcased works at ACE Gallery in 1997, 2002, 2007, 2011 and present day. In 2007, Carl Andre's show entitled "Zinc" was exhibited at ACE Gallery in Beverly Hills. Donald Judd paid a visit to The Innovators Entering into the Sculpture exhibition at ACE Gallery and agreed to keep his sculpture in the exhibition. After the exhibition was over, Chrismas planned to sell the metal used for the re-fabrication of Judd's work for scrap metal but Judd wanted to own the re-fabrication for himself. ACE Gallery then sold the re-fabrication of Donald Judd's work to Donald Judd. After having consigned more than $4 million worth of art to ACE Gallery to sell in 1997 and 1998, the sculptor Jannis Kounellis filed a lawsuit in Los Angeles Superior Court in 2006, accusing Chrismas of keeping most of the profits of artworks and refusing to return the pieces that did not sell. According to the lawsuit, the primary agreement between Kounellis and Chrismas was oral. Chrismas returned all of Kouenllis' artwork, and did a full accounting of the proceeds from Kounellis' work—minus the expense of exhibiting it. The matter was resolved between the two of them and ACE Gallery still sells and exhibits Kounellis' work today. By 2006, Chrismas had filed for Chapter 11 bankruptcy protection at least six times since 1982, barring most of his creditors from collecting the money immediately owed to them. Chrismas filed for Chapter 11 bankruptcy to protect the gallery's extensive real estate holdings from the problematic landlord. The landlord of the Wilshire Boulevard space, Wilshire Dunsmuir Company, claimed that ACE owed back rent and penalties however, the claim was disputed by Douglas Chrismas. In court papers, Chrismas Fine Art claimed that it would cure "the pre-petition" debt by Feb. 1, 2000, and was asking the court to protect its right to remain in the property. A declaration filed by Douglas Chrismas characterized this leasehold as the business' primary asset. -Courtesy Wikipedia About Dan Flavin Dan Flavin (1933–1996) was a pioneer of Minimal Art. He rose to fame in the 1960s with his work with industrially manufactured fluorescent tubes, inventing a new art form and securing his place in art history. The exhibition at the Kunstmuseum Basel focuses on his works that are dedicated to other artists or make reference to certain events. Back in 1963 Dan Flavin mounted a single, industrial fluorescent light tube at a 45-degree angle to the wall of his studio declaring it art; the act was radical, and it still is. Indeed, it was owing to this action that standard commercial products would be introduced into art: The nascent Minimal Art of the era emphasised seriality, reduction and matter-of-factness. Somewhat ironically, while the autodidact Flavin never himself sought membership to this movement in art, he would, and quite literally, go on to become one of its most illustrious exponents. Flavin began work with fluorescent light tubes from the early 1960s on; arranged in so-called ‘situations’, he would then further develop them into series and large-scale installations. The colours and dimensions of the materials he used were prescribed by industrial production. Flooded in light, viewers themselves become part of the works: The space, along with the objects within it, are set in relation to each other and thus become immersive experiences of art triggering sensual, almost spiritual experiences. Flavin liberated color from the two-dimensionality of painting. The prevalent perception of his light works has, to date, largely centred on their minimalist, industrial aspect, and thus on the inherent simplicity of their beauty. The exhibition at Kunstmuseum Basel, by contrast, places emphasis on looking at Flavin’s oeuvre in a less familiar setting: His pieces, although initially without clearly recognisable signature, frequently make reference in their titles to concrete events, such as wartime atrocities or police violence, or are dedicated to other artists—as in the work untitled (in memory of Urs Graf...

An Abstract etching by the artist Lebadang. The Minimalist composition uses only green, orange, and black to create a stark contrast of shapes. This piece is signed and numbered in p...

Color Abstract Expressionism aquatint etching. hand pencil signed limited edition. Don Fink (1923-2010) was a well known and well listed Abstract Expressionist who studied at the Art Students League and the Academie Julian. He was born in Duluth , Minnesota, but later moved to Europe where he established himself as an artist. He was first based in Paris where he was a member of the "Jeune École de Paris" (with Karel Appel, Debre, Friedensreich Hundertwasser, Antoni Tapies, Dumitresco, Messagier, Zanartu , etc.) and later moved to Barcelona. A large retrospective of his earlier works was held in Madrid in 1998 with the following promotion: Don Fink Returns to Madrid: American "action" painter Don Fink (b. Duluth, Minnesota, 1923) has a show at Galería Rayuela through September 25. The artist divides his time between Barcelona, Paris, and New York. This is his second exhibition in Madrid in four years. The works on view date from 1952 to 1970. Their "active" surfaces meld the arts of tattooing, calligraphy and three-dimensional terrain mapping, resulting in a meditative and rewarding experience for the viewer. The show was organized by Sebastià Janè of Barcelona and Carmen Muro of Madrid. Galería Rayuela is at Calle Claudio Coello...

MODULATED PATHS INTO SUNDAY'S DESIRING, is an original etching by Sharon E. Sutton printed on heavyweight buff color printmaking paper. An architecturally inspired composition compri...

Houston Artist Margarita Urquiza’s Greek-themed etching done on arches paper. Printed by Hare and Hound Press in a unique impression. The work is signed, numbered and dated in pencil...

Artist: Roberto Matta Title: La Dulce Aqua Vita Medium: Carborundum etching on handmade paper Signed: Hand Signed Size: 41 x 48 Inches Edition: 116/125 Year: 2002 Notes: Publisher: ...

ANISH KAPOOR MOIRÉ 4 Date of creation: 2015 Medium: Etching on paper Edition: 39 Size: 96 x 72.4 cm Condition: In perfect conditions, brand new Etching on paper hand signed and numbered by the artist on the back. This work belongs to a limited edition of only 39 copies. Edited by Paragon Press, UK. ABOUT THE ARTIST Anish Kapoor is an influential British sculptor and contemporary artist of Indian origin. He was born on March 12, 1954 in Bombay, India, into a family of Indian and Iraqi descent. Throughout his career, Kapoor has made a significant mark on the contemporary art world with his innovative and provocative work, which explores themes of form, color, space and perception. Kapoor moved to London in the 1970s to study at the prestigious Hornsey College of Art and later at the Chelsea School of Art Design. His initial artistic training was influenced by minimalism and conceptual art, but he soon developed his unique and distinctive style. One of the most notable characteristics of Kapoor's work is his focus on sculpture. He often works with unusual and challenging materials, such as wax, stone, steel and plaster, to create sculptures that challenge traditional notions of form and space. His works often take on organic and geometric forms, and are characterized by their highly polished finish and use of color, especially red and black. In the 1980s, Kapoor became famous for his series of shell-shaped sculptures known as "Queen Sculptures...