Gilou Brillant Art

Untitled Signed in pencil lower right (see photo) Edition: 25 (9/25) (see photo) Engraving, drypoint & carborundum Printed by the artist Condition: Excellent, slight residue on rever...

Abstract black, white and tan print of interior scene with dots, lines, shadow and painted brushstroke texture. Ideal for display in minimalist, modern and contemporary spaces. While British pop artists such as David Hockney and Patrick Caulfield numbered amongst Howard Hodgkin's circle of friends, Hodgkin's work is painterly, expressionist, and abstract. Late Afternoon in the Museum of Modern Art by Howard Hodgkin. Soft-ground etching on buff BFK Rives mould-made paper. Edition 100: this impression 36/100. Signed by the artist, numbered 36/100, and dated 79 lower center in red crayon. Printed from the same plate as Early Evening in the Museum of Modern Art. Published by Petersburg Press. This print depicts an abstracted scene, perhaps a sculpture in front of a window in the Museum of Modern Art, Oxford, in Hodgkin's signature painterly style. The expressive mark-making in this print is an example of the artist’s movement in the late 70s towards pronounced gestures. Hodgkin used his hand as a mark-making tool, combining these textures with loose and urgent brushwork. Howard Hodgkin was introduced to the etching technique used in Late Afternoon in the Museum of Modern Art at Petersburg Press, where this print was produced and where he would become a long-time collaborator. This technique allowed him to work fluidly and spontaneously, creating the moody interior scenes that mark Hodgkin’s work from the late 70s and early 80s. Part of a series of four prints reflecting on a visit to the Museum...

Pierre Soulages Eau Forte XVIII, 1962 Edition number: 69/100 Etching and aquatint in colors, signed in pencil by the artist. 1 Plate on Velin d'Arches paper Printed by Lacouriere, Pa...

This is a truly stunning work by contemporary great, Glenn Brown. This work is an Artist Proof, one of only 12 created. The frame is handmade by famous London framers, Darbyshire. I...

Etching and aquatint, 1964 Publisher : La Rose des Vents, Paris Printer : Jean Signovert Catalog : [Schneider XXV] 37.00 cm. x 27.00 cm. 14.57 in. x 10.63 in. (paper) 32.50 cm. x 23...

Max Papart (1911-1994) "The Blue Rider" Original Etching with Aquatint, circa 1973 This is a rare artist proof. The artist proof is pencil signed and titled by the artist. The regu...

Mere Etching and soft ground, 1970 Signed, dated, titled and numbered in pencil Printed in colors by Hector Saunier on BFK Rives paper Published by Georgetown Graphics, Washington, D...

Etching Handsigned by the artist in pencil and annoted EA 90.00 cm. x 63.00 cm. 35.43 in. x 24.8 in. (paper) 65.00 cm. x 50.00 cm. 25.59 in. x 19.69 in. (image) Annoted "EA" LCD4559

Etching and aquatint, 1967 Handsigned by the artist in pencil and numbered 46/75 Publisher : XXe siècle, Paris Printer : S. Esmeraldo, Paris Catalog : [Schneider XXXI] 75.00 cm. x 56...

Etching and aquatint, 1961 Handsigned by the artist in pencil and numbered 30/75 Publisher : Maeght (Paris) Printer : Maeght (Paris) Catalog : [Vallier 166, p.235] 75.00 cm. x 56.50 ...

Etching and aquatint on zinc, 3 plates, 5 colors, 1961 Handsigned by the artist in pencil and numbered 27/50 Printer : Jean Signovert (Paris) Catalog : [Schneider VII, page 206] Publ...

Antoni Tàpies is considered one of the most significant Spanish artists of the 20th century and a leading exponent of European informal art. His work combines matter, signs and symbo...