Woodcut Abstract Prints

WADSWORTH, Edward. Scene for a Fairy Tale, ca 1918. Woodcut printed in black on cream wove paper, Signed in pencil (which is rare for a Wadsworth rarely signed his woodcuts). Ref: Colnaghi 126. [Exhibited as Untitled Abstract] Edward Wadsworth was an English artist, most famous for his close association with Vorticism. He painted, often in tempera, coastal views, abstracts, portraits and still-life. He was also an engraver on wood and copper. In the First World War he was involved in transferring dazzle camouflage...

Signed in pencil and inscribed. An arist's proof aside from the edition of approximately 20. Printed on cartridge paper by the artist's father, Roy C. Judd. Published by the artist. ...

Irish-born American Sean Scully (b. 1945) is a devoted abstract painter and printmaker who finds inspiration in the sensual forms of the natural world. While his painterly style has transformed over his career, Scully’s consistent concern for assembling a sense of order in his shape-making mirrors his reflections on spiritual and mental harmony. Scully’s creations were featured at the Metropolitan Museum of Art, New York in a solo exhibition titled Sean Scully:Wall of Light (September 26, 2006–January 15, 2007). These images, inspired by the patterns of light and surfaces from Mayan stone...

Black and White Woodcut. Published in 1909 in an edition of 100 to be used as a card member for the group of artists "Neu Kunstler-Vereingun Munchen". The impression is complete in ...

Irish-born American Sean Scully (b. 1945) is a devoted abstract painter and printmaker who finds inspiration in the sensual forms of the natural world. While his painterly style has transformed over his career, Scully’s consistent concern for assembling a sense of order in his shape-making mirrors his reflections on spiritual and mental harmony. Scully’s creations were featured at the Metropolitan Museum of Art, New York in a solo exhibition titled Sean Scully:Wall of Light (September 26, 2006–January 15, 2007). These images, inspired by the patterns of light and surfaces from Mayan stone...

KANDINSKY, Wassily. Allerheiligen- All Saints Day. Original three-color woodcut (red, yellow ochre, blue – with olive green). 1911. Signed with the monogram...

Richard Diebenkorn woodcut on echizen kozo washi paper 37 x 25" 1987 signed by artist *edition of 200 Framed in a beautiful maple frame. museum plexi glass PERFECT condition! Richard Diebenkorn (1922–1993) maintained his love of vivid color and structured composition in both his abstract and representational works. Born in Portland, Oregon in 1922, Diebenkorn moved with his family to San Francisco in 1924. After attending Stanford University from 1940 to 1942, he joined the U.S. Marine Corps, where he concentrated on art classes. In the winter of 1944, when he was stationed in Virginia, he frequently visited The Phillips Collection, where he was inspired by the paintings of Henri Matisse and Paul Cezanne. He particularly admired Matisse’s technique of structuring space through planes of color, merging indoor and outdoor space. Returning to San Francisco in 1946, Diebenkorn enrolled at the California School of Fine Arts, where he studied with David Park, an expressionist artist from the Bay Area. Awarded a fellowship the same year, he moved East, living and working in Woodstock, New York, visiting New York City, and making many contacts. After returning to San Francisco, where he defined himself as a leading Bay Area artist, he was appointed to the faculty at the California School of Fine Arts in 1947, a position he held for two years; his fellow teachers included Elmer Bischoff, Edward Corbett, Hassel Smith, and Clyfford Still. Diebenkorn had his first one-person show in 1948 at the California Palace of the Legion of Honor. After receiving a degree from Stanford University in 1949, he was awarded an M.F.A. from the University of New Mexico, Albuquerque in 1951. He briefly taught at the University of Illinois at Urbana 1952-53, settling shortly thereafter in Berkeley, California. Diebenkorn often titled his works after places that provided him with inspiration, such as his Berkeley paintings...