Woodcut Abstract Prints

Figurative abstract woodcut print titled "Serpientes Cafe" by Cecelia Sánchez Duarte. Pencil signed with "P/A" (Artist Proof), title, and signature bottom margin. Image, 31"H x 23.25"W. Sanchez Duarte is a visual artist and a cultural activist. Cecelia also teaches Art History at Escuela Profesional de Danza de Mazatlán, is the Fine Arts Coordinator at Centro Municipal de Artes, cofounder of the new Técnico en Artes Plásticas and founder of a painting workshop for children. She has had more than 300 collective exhibits internationally as well as 17 solo shows. Cecelia Sánchez Duarte lives in Mazatlán, Mexico. Cecilia Sánchez Duarte became the new director of the Art Museum of Mazatlan in 2017. Cecilia Sanchez Duarte works in printmaking at the Taller Experimental de Estampa Jose Guadalupe Posada...

Medium: Woodcut Year: 1990 Signed, numbered and dated by hand Edition: 25 Size: 32.4 × 20.7 on 41.5 × 29.4 inches COA provided Works in public or private collections: Art Museum Bon...

Keiji Shinohara was born and raised in Osaka, Japan. After 10 years as an apprentice to the renowned Keiichiro Uesugi in Kyoto, he became a Master Printmaker and moved to the United ...

Ryan, Anne. BOY AND COLT. Woodcut in colors, printed on black paper, 1945. Edition of 18, titled, signed and numbered in pencil. 11 1/2 x 15 inches In excellent condition. Anne ...

Artist: Robert Kuszek Title: Untitled 1 Year: circa 1990 Medium: Lithograph and Woodcut, Signed and numbered in Pencil Edition: 35 Paper Size: 30 x 22 inches (76.2 x 55.88 cm)

Artist: Joe Tilson, British (1924 - ) Title: Conjunction, Fritallary, Mela Year: 1996 Medium: Woodcut with Screenprint, signed and numbered in pencil Edition: AP 1/10 Size: 21 x 29 ...

John Tandy, painter and stage designer, studied at the Architectural Association before becoming a student at Leon Underwood's Brook Green school and later studying at the Grosvenor ...

Title: The Painter Speaks Watercolored four-color print on hand-made 100% cotton paper, engraved wood by Alex Lazard. Signed, titled and numbered in pencil. In excellent condition....

Signed and dated in pencil lower right:"John Thompson 2014"; inscribed in pencil lower left: "Meller". A fine impression in fine condition. Inspired by direct observation of the nat...

Gregory Amenoff is a painter who lives in New York City and Ulster County, New York. He is the recipient of numerous awards from organizations including the American Academy of Arts ...

Woodcut on red tinted paper by Erich Buchholz ( 1891-1972 ). Exemplar no. 155 out of an edition of 157 by the estate of the artist. Stamped signature at the lower right: Erich Buchho...

Artist: Joe Tilson, British (1924 - ) Title: Conjunction, Wood Tiger, Cardo Year: 1996 Medium: Woodcut with Screenprint, signed and numbered in pencil Edition: AP 1/10 Size: 21 x 29...

wood block print on Kozo This is a one of a kind print edition 1/1 2016 Anna Hepler was born in Boston, MA, and has been based in Maine since 2001. She received a BA from Oberlin College in 1992, and an MFA from the University of Wisconsin-Madison in 1994. She has spent time living and working in the Netherlands, South Korea, Cyprus, and Italy, exhibiting nationally and internationally. Hepler was a Henry...

Associated with the Minimalist art movement of the 1960s, Mangold developed a reductive vocabulary based on geometric forms, monochromatic color, and an emphasis on the flatness of t...

Artist: Suzanne Caporael, American (1949 - ) Title: Not You Again Year: 1988 Medium: Woodcut, signed and numbered in pencil Edition: 4/36 Image Size: 33 x 27 inches Size: 45 x 34 in....

Painting on paper with woodcut Roberto Juarez has been an important figure in the American art scene since his first solo exhibition at Robert Miller Gallery in 1981. He was known f...

Etching and aquatint on Arches France paper Signed, titled, and editioned in pencil by the artist Edition: 60 of which this numbered 23/60 Image: 19 3/4 x 13" Plate: 9 7/...

Solidly grounded in Abstract Expressionist tradition, process-oriented painter Thomas Nozkowski’s method is predicated on relinquishing the idea of an end result. To highlight this, ...

Gregory Amenoff is a painter who lives in New York City and Ulster County, New York. He is the recipient of numerous awards from organizations including the American Academy of Arts ...

Color woodcut, Edition 30. In this print Morinoue uses symbolic, stylized and realistic images to evoke the play of light on water. In each of the four panels we see the reflectio...

Artist: Joel Shapiro Title: Untitled Year: 1994 Medium: Woodcut on hand-made paper, Signed and Numbered in Pencil Edition: 27/75 Image Size: 18 x 4.5 inches (46 x 11.5 cm) Pap...

Associated with the Minimalist art movement of the 1960s, Mangold developed a reductive vocabulary based on geometric forms, monochromatic color, and an emphasis on the flatness of t...

Color woodcut/lithograph, Edition 30. In this print Morinoue creates an evocative sense of place. He captures the reflections on a pond’s surface and the play of light on the ston...

AP Signed, titled, and numbered in pencil on print margin. From the series: Vietnam Remembrances After receiving his MFA at the University of Texas in 1966, Don Schol was drafted in...

Color woodcut, Edition 30. In all of Morinoue's work there is a compelling sense of place--the ocean shoreline, lava flows and Japanese gardens. He is a patient observer of nature...

John Thompson, American (b.1950), Neadson II, circa 2014.Titled lower left: "Neadson II"; signed and dated lower right: "John Thompson 2014". A fine impression in fine condition. Dim...

John Thompson, American (b.1950), Neadson I, circa 2014. Titled lower left: "Neadson I"; signed and dated lower right: "John Thompson 2014". A fine impression in fine condition. Dime...

Associated with the Minimalist art movement of the 1960s, Mangold developed a reductive vocabulary based on geometric forms, monochromatic color, and an emphasis on the flatness of t...

An original woodcut that is in the permanent collections of any number of international art institutions including the Museum of Modern Art, NYC, the Fine Arts Museum of San Francisc...

Printer and Publisher: ULAE, West Islip, New York Catalogue raisonne: Abrams 41 Edition size: 18 Signed, dated, and numbered, lower margin

LUV is a masterful play of eccentric neon colors that creates beautiful visual harmony between line, typography, and depth. Miller emulates collective human expressions of love, emot...

Original color woodcut, 1992. Edition of 100 signed and numbered impressions on Arches paper. Mimmo Paladino is an Italian contemporary sculptor, painter, muralist and printmaker. He attended the Liceo Artistico di Benvenuto (Benevento Art School) from 1964 to 1968, when minimalism and conceptualism dominated the international art scene, which had effects on his art. He was also a part of Transavantgarde – the artistic movement with the neo-expressionist resurgence that swept through Italy in the 1980s. Paladino seeks his inspiration from both the ancient and the modern – from Egyptian, tribal, and classical artworks to the modern painting and sculpture. In his compositions we can often see a figure in combination with the signs like crosses, and techniques like the application of gold leaves, a symbol of eternity, borrowed from Christian iconography, as well as the hieratic pose of Byzantine figures and the gestural quality of that culture’s rites. Paladino himself admits to being “an artist of the south, but of the darkest, most mysterious south, and this is why I find poetic sensations that belong to me in certain aspects of Nordic culture, why I can make a totally black painting...

Original color etching, woodcut and collage. Edition of 50 signed and numbered impressions on Arches paper. Joan Miró was a famous Spanish Catalan surreal painter, sculptor and ceram...

Roy Lichtenstein Two Paintings: Beach Ball, from Paintings Series, 1984 uses his signature patterns and lines to create various visual implications. Straight lines are used to emphas...

In 1971 Jim Dine produced the first works in which a large heart appears on its own, a device to which he has since returned both on canvas and in his graphic work, as with this exam...

Color woodcut on Sauders Waterford paper. Initialed and numbered 102/150 in pencil. Published by Durham Press, Durham, Pennsylvania, with the blindstamp and inkstamp, verso.

The Songs of the Blacks and the Blues. Original color lithograph, woodcut, gouache and oil-stick editions, 1996. Edition of 40 signed and numbered impressions on Arches paper. Louise...

Technical Information: Alex Katz Tree 8 2022 Woodcut and Lithograph 39 3/4 x 39 1/4 in. Edition of 60 Pencil signed and numbered

BLANCHE LAZZELL (1878 – 1956) STAR PHLOX 1930 Color Woodcut in the single block Provincetown method. Signed and titled and with an annotation “Wood Block Print “Star Phlox” 280 no...

A stunning example of abstracted imagery easily identifiable as the work of Roy Lichtenstein, Blue Face was created by the artist in 1989 as a truly mixed me...

2004 Thirty-four color Ukiyo-e woodcut printed from 16 woodblocks on Torinoko paper and mounted onto Fabriano Classico paper Image/sheet: 37 1/2 x 26 inches Edition of 65 Signed and ...

Created in 1980 by Roy Lichtenstein as part of a portfolio of prints known as The American Indian Theme Series, this original woodcut in colors, is...

2013 Ukiyo-e style woodcut in colors, on Japon paper Image/sheet: 16 1/2 x 11 1/2 in. Edition of 25 Signed, dated and numbered in pencil, lower margin Framed, pristine condition

Charles Quest, 'Two Women', 1947, chiaroscuro woodcut, edition 25. Signed, dated, and numbered 11/25' in pencil. Annotated "color woodcut 'Two Women'" in pencil in the lower left margin. A superb, richly-inked impression, on cream, wove paper, with full margins (7/8 to 3 1/8 inches), in excellent condition. Scarce. Image size 12 1/16 x 9 inches; sheet size 17 3/4 x 11 1/4 inches. Scarce. Matted to museum standards, unframed. Included in Quest's solo exhibition at the Smithsonian American Art Museum, 1951. Exhibited: Georgetown University Library, 'Charles Quest: Visions in Copper and Wood', May 15 - October 18, 2002. Collections: Davis Museum (Wellesley College), Georgetown University Library. ABOUT THE ARTIST Charles Quest (1904-1993), painter, printmaker, and fine art instructor, worked in various mediums, including mosaic, stained glass, mural painting, and sculpture. Quest grew up in St. Louis, his talent evident as a teenager when he began copying the works of masters such as Michelangelo on his bedroom walls. He studied at the Washington University School of Fine Arts, where he later taught from 1944 to 1971. He traveled to Europe after his graduation in 1929 and studied at La Grande Chaumière and Academie Colarossi, Paris, continuing to draw inspiration from the works of the Old Masters. After returning to St. Louis, Quest received several commissions to paint murals in public buildings, schools, and churches, including one from Joseph Cardinal Ritter, to paint a replica of Velasquez's Crucifixion over the main altar of the Old Cathedral in St. Louis. Quest soon became interested in the woodcut medium, which he learned through his study of J. J. Lankes' 'A Woodcut Manual' (1932) and Paul Landacre's articles in American Artist magazine. Quest also revealed that for him, woodcutting and engraving were ‘more enjoyable than any other means of expression.’ In the late 1940s, his graphic works began attracting critical attention—several of his woodcuts won prizes and were acquired by major American and European museums. His wood engraving entitled ‘Lovers’ was included in the American Federation of Art's traveling print exhibition in 1947. Two years later, Quest's two prize-winning prints, ‘Still Life with Grindstone’ and ‘Break Forth into Singing’, were exhibited in major American museums in a traveling show organized by the Philadelphia Print Club. His work was included in the Chicago Art Institute's exhibition, ‘Woodcut Through Six Centuries’, and the print ‘Still Life with Vise’ was purchased by the Museum of Modern Art in New York. In 1951 he was invited by artist-Curator Jacob Kainen to exhibit thirty wood engravings and color woodcuts in a one-person show at the Smithsonian's National Museum (now known as the American History Museum). Kainen's press release praised the ‘technical refinement’ of Quest's work: ‘He obtains a great variety of textural effects through the use of the graver, and these dense or transparent grays are set off against whites or blacks to achieve sparkling results. His work has the handsome qualities characteristic of the craftsman and designer.’ At the time of the Smithsonian exhibition, Quest's work was represented by three New York galleries and one in his hometown. He had won 38 prizes, and his prints were in the collections of the Library of Congress, the Chicago Art Institute, the Metropolitan Museum, and the Philadelphia Museum of Art. In cooperation with the Art in Embassies program, his color woodcuts were displayed at the American Embassy in Paris in 1951. Recognition at home came in 1955 with his first solo exhibition in St. Louis. The show's press coverage heralded the growth of graphic arts as a major independent medium comparable to painting and sculpture. An exhibition of his prints at the Bethesda Art Gallery in 1983 attracted Curator Emeritus Joseph A. Haller, S.J., who began purchasing his work for Georgetown University's collection. In 1990 Georgetown University Library's Special Collections Division received a large body of Quest's work, including prints, drawings, paintings, sculpture, stained glass, and his archive of correspondence and professional memorabilia. These extensive holdings, including some 260 of his fine prints, provide a rich opportunity to study and further appreciate this versatile and not-to-be-forgotten mid-Western American artist...

2010 Woodcut in colors, on wove paper Image/sheet: 16 3/5 x 11 7/10 in. (42.2 x 29.7 cm) Edition of 50 Signed, dated and numbered in pencil, lower margin Framed, excellent condition

2005 Sixteen color Ukiyo-e style woodcut Image/sheet: 26 x 38 in. Edition of 50 Signed, dated and numbered in pencil, lower margin

2009 Thirty-one color Ukiyo-e style woodcut Image/sheet: 25 1/4 x 37 1/4 in. Edition of 50 Signed, dated and numbered in pencil, lower margin

1977 Woodcut in colors with carborundum, on handmade heavy rag paper Sheet: 29 x 35 in. Edition of 110 Signed, dated and numbered in white China marker, lower margin Unframed, excell...

2013 Ukiyo-e style woodcut in colors, on Japon paper Image/sheet: 16 1/2 x 11 2/5 in. Edition of 25 Signed and numbered in pencil Framed

Günther Förg (German, 1952-2013) Untitled, 1990 Medium: Woodcut in colors on wove paper Dimensions: 103 x 80 cm Edition of 20: Hand signed, numbered and dated in pencil Condition: Ve...

1996 Oil-based woodcut in colors Sheet: 22 1/2 x 22 1/2 in. Edition of 60 Signed and numbered in pencil, lower right

2000 Oil-based woodcut in colors Sheet: 22 3/8 x 30 in. Edition of 50 Signed and numbered in pencil, lower right

Thilo Maatsch (* 1900 † 1983) Title: Abstract Geometric Composition Woodcut Year: 1925 Signed, dated Edition: unknown Size: 8.8 × 7.8 inches Thilo Fried...

2009 Thirty-one color ukiyo-e woodcut Sheet: 25 1/4 x 37 1/4 in. (64.1 x 94.6 cm) Edition of 50 Signed, dated and numbered in pencil

2009 Thirty-one color ukiyo-e woodcut 25 1/4 x 37 1/4 in. (64.1 x 94.6 cm) Edition of 50 Signed, dated and numbered in pencil Unframed, pristine condition

1982 Relief, woodcut on white TGL handmade, hand-colored paper Sheet: 66 3/4 x 51 1/2 in. Edition of 30 (aside from 10 artist's proofs) Signed, dated and numbered in pencil

From the "Paintings" Series. Lithograph and woodcut in colors. Published by Gemini G.E.L., Los Angeles. Hand signed, dated '84 and numbered in pencil lower right. 14 colors in 11 run...

Oil-based woodcut printed in colours. Signed in pencil and numbered from the edition of 40. Printed on Awa Kozo paper by Kevin Oster, Watanabe Studio Ltd., New York. Published by ...