2010s Abstract Prints

Gottfried Honegger Composition 4 3D squares (orange, green, black, yellow) 2015 Silkscreen print signed in pencil and numbered on 30 copies by the artist. Dry stamp of the publisher...

Title Julie Curtiss Woman In High Heels Small Edition Of Only 10 - 17 X 11 Pristine Condition Year 2019 Classification Limited edition Medium Type Print ...

Bright with pastel colors Live Composition I, 2024 by African American artist Bai is a 30” x 22” abstract acrylic and oil pastel work on paper. Rendered in a primitive art style that...

Unique monotype with collage, signed and numbered 1/1. Artist Robert Roach lived in Santa Fe, New Mexico. His one-of-a-kind, abstract monoprints were inspired by the landscape, cli...

This unframed, signed, limited edition pigment print by artist Dara Mark exists in an edition of 40. Paper size is 36"h x 24"w with an image size of 30"h x 18.5"w. “New Mexico artist Dara Mark’s work possesses an ordered, calm beauty that sets it apart. Her patterned, abstract paintings take advantage of the flowing effects produced by her materials…and recall the natural world, which, like her paintings, is a grand mixture of the ordered and the random.” American Artist Watercolor Magazine Mark studied at Yale and the University of California at Santa Barbara. She has received artist grants from the Arts Councils of Missouri and California and the Santa Barbara County Arts Commission and has shown in museums including The Albuquerque Museum, Los Angeles Municipal Gallery and the Palm Springs Art...

This unframed, signed, limited edition pigment print by artist Dara Mark exists in an edition of 40. Paper size is 36"h x 24"w with an image size of 30"h x 18.5"w. “New Mexico artist Dara Mark’s work possesses an ordered, calm beauty that sets it apart. Her patterned, abstract paintings take advantage of the flowing effects produced by her materials…and recall the natural world, which, like her paintings, is a grand mixture of the ordered and the random.” American Artist Watercolor Magazine Mark studied at Yale and the University of California at Santa Barbara. She has received artist grants from the Arts Councils of Missouri and California and the Santa Barbara County Arts Commission and has shown in museums including The Albuquerque Museum, Los Angeles Municipal Gallery and the Palm Springs Art...

Richard Serra Early Work (Hand Signed), 2013 Offset lithograph (Hand Signed by Richard Serra) Boldly signed by Richard Serra on the front 18 × 24 inches Unframed This print was published on the occasion of the eponymous exhibition at David Zwirner in 2013. It depicts Richard Serra in his studio in 1968. The print was hand signed by the artist on the occasion of his opening at Zwirner Richard Serra Biography Richard Serra was born in 1938 in San Francisco and lives and works in New York and the North Fork of Long Island. His first significant solo exhibition was held at the Leo Castelli Warehouse, New York, in 1969. His first solo museum exhibition took place at the Pasadena Art Museum in 1970. Serra has since participated in numerous international exhibitions, including documenta (1972, 1977, 1982, and 1987) in Kassel, Germany; the Venice Biennales of 1980, 1984, 2001, and 2013; and the Whitney Museum of American Art’s Annual and Biennial exhibitions of 1968, 1970, 1973, 1977, 1979, 1981, 1995, and 2006. Solo exhibitions of Serra’s sculptural work have been held at numerous public institutions worldwide, including, among others, the Museum Boijmans Van Beuningen, Rotterdam, 1980; Musée National d’Art Moderne, Paris, 1984; Museum Haus Lange, Krefeld, 1985; The Museum of Modern Art, New York, 1986; Westfälisches Landesmuseum für Kunst und Kulturgeschichte, Münster, 1987; Städtische Galerie im Lenbachhaus, Munich, 1987; Stedelijk Van Abbemuseum, Eindhoven, 1988; Kunsthaus Zürich, 1990; CAPC Musée d’Art Contemporain, Bordeaux, 1990; Museo Nacional Centro de Arte Reina Sofía, Madrid, 1992; Kunstsammlung Nordrhein-Westfalen, Düsseldorf, 1992; Dia Center for the Arts, New York, 1997; Centro de Arte Hélio Oiticica, Rio de Janeiro, 1997–1998; Trajan’s Market, Rome, 2000; Pulitzer Foundation for the Arts, St. Louis, 2003; and Museo Archeologico Nazionale di Napoli, Naples, 2004. In 2005, The Matter of Time, a series of eight large-scale works by Serra from 1994 to 2005, was installed permanently at the Guggenheim Museum Bilbao, and in 2007, The Museum of Modern Art, New York, presented the retrospective Richard Serra Sculpture: Forty Years. Promenade, a major site-specific installation, was shown at the Grand Palais, Paris, for MONUMENTA 2008. In 2011, the artist’s large-scale, site-specific sculpture 7 was permanently installed opposite the Museum of Islamic Art in Doha, Qatar. In 2014, the Qatar Museum Authority presented a two-venue retrospective survey of Serra’s work at the QMA Gallery and the Al Riwaq exhibition space, Doha, and East-West/West-East, 2014, was permanently installed in the Brouq Nature Reserve in the Zekreet Desert, Qatar. In June 2020, a new major sculpture by Serra was installed on the West Quad of Kenyon College, in Gambier, Ohio. In June 2022, the Glenstone Museum in Potomac, Maryland, will inaugurate a new building specially conceived to house a recent large-scale forged steel sculpture by Serra. Museum exhibitions that have focused on the artist’s drawings include Richard Serra: Tekeningen/Drawings 1971–1977, Stedelijk Museum, Amsterdam, The Netherlands, 1977; Richard Serra: Zeichnungen 1971–1977, Kunsthalle Tübingen, Germany, 1978; Richard Serra: Drawings, Louisiana Museum, Humlebaek, Denmark, 1986; Richard Serra: Tekeningen/Drawings, Bonnefantemuseum, Maastricht, The Netherlands, 1990; Richard Serra: Drawings, Serpentine Gallery, London, 1992; Richard Serra: Drawings and Prints, The National Museum of Art, Osaka, Japan, 1994; Richard Serra: Rio Rounds, Centro de Arte Hélio Oiticica, Rio de Janeiro, 1997–1998; and Richard Serra: Drawings: Work Comes Out of Work, Kunsthaus Bregenz, Austria, 2008. A major traveling retrospective dedicated to the artist’s drawings was presented at The Metropolitan Museum of Art, New York; the San Francisco Museum of Modern Art; and The Menil Collection, Houston (which was the organizing venue), in 2011–2012. The Courtauld Gallery, London, presented Richard Serra: Drawings for The Courtauld in 2013, and Richard Serra: desenhos na casa da Gávea was on view at Instituto Moreira Salles, Rio de Janeiro, in 2014. Richard Serra: Drawings 2015–2017, a significant overview of the artist’s recent works on paper, was on view at the Museum Boijmans Van Beuningen, Rotterdam, in 2017. Serra/Seurat. Drawings, an exhibition pairing a selection of Serra’s recent drawings alongside those by Georges Seurat, was presented at the Guggenheim Bilbao in 2022. Four Rounds: Equal Weight, Unequal Measure, Serra’s monumental sculpture which debuted at David Zwirner in 2017, is now on long-term view at Glenstone Museum, Potomac, Maryland, in a new building that was designed by Thomas Phifer in collaboration with the artist. Serra has been the recipient of many notable prizes and awards, including a J. Paul Getty Medal (2018) awarded in honor of extraordinary contributions to the practice, understanding, and support of the arts; the Chevalier de l’Ordre national de la Légion d’honneur, Republic of France (2015); Orden de las Artes y las Letras de España, Spain (2008); Orden pour le Mérite für Wissenschaften und Künste, Federal Republic of Germany (2002); Leone d’Oro for lifetime achievement, Venice Biennale, Italy (2001); Praemium Imperiale, Japan Art Association (1994); Carnegie Prize (1985); a National Endowment for the Arts Fellowship (1974); and a Fulbright Grant (1965). In 2013 in New York, David Zwirner presented Richard Serra: Early Work, a critically acclaimed exhibition that brought together significant works from 1966 to 1971. The accompanying catalogue extensively covers this period of the artist’s career with a compendium of archival texts and photographs and an essay by Hal Foster...

This unframed, signed, limited edition pigment print by artist Dara Mark exists in an edition of 40. Paper size is 36"h x 24"w with an image size of 30"h x 18.5"w. “New Mexico artist Dara Mark’s work possesses an ordered, calm beauty that sets it apart. Her patterned, abstract paintings take advantage of the flowing effects produced by her materials…and recall the natural world, which, like her paintings, is a grand mixture of the ordered and the random.” American Artist Watercolor Magazine Mark studied at Yale and the University of California at Santa Barbara. She has received artist grants from the Arts Councils of Missouri and California and the Santa Barbara County Arts Commission and has shown in museums including The Albuquerque Museum, Los Angeles Municipal Gallery and the Palm Springs Art...

This unframed, signed, limited edition pigment print by artist Brad Ellis exists in an edition of 30. Paper size is 30"h x 24"w with an image size of 24"h x 19"w. Brad Ellis is a Da...

This unframed, signed, limited edition pigment print by world renown artist Robert Kelly exists in an edition of 40. Paper size is 30"h x 24"w with an image size of 17"h x 14"w. Rob...

Unique monotype, signed and numbered 1/1. Artist Robert Roach lived in Santa Fe, New Mexico. His one-of-a-kind, abstract monoprints were inspired by the landscape, climate and ligh...

Four color process print on vélin paper. Paper size: 10.75 x 9.25 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, George Condo, Drawing Paintings, 201...

Theodora [H10-3], 2022 Laminated Giclée print on aluminium composite, screen printed with glitter. 100 x 100 cm
 Edition of 3315 These prints are named after five influential female...

#396, 2016 Silver Gelatin Luminogram Print, Framed (classic museum style white book mount board and black frame) Image size: 40.6 x 30.5 cm Framed: 58 x 49 cm Unique Series: The Self Representation of Light Signed and dated in pen on verso © Michael Jackson The Luminograms are made from the most simple of procedures - directing light onto silver gelatin photo paper. However, it is that simplicity that allows Jackson to adapt his own way of thinking into the making of the finished piece. As he says, it's as close as he can get in photography to painting. After moving to Wales in 2007, Michael Jackson spent the next eight years creating an extensive study of a single local beach - Poppit Sands. After years of examining the beach, he realised that in effect he was studying himself and his reaction to the beach - rather than the physical landscape. He then started looking at the beach as simply a way of dividing up the camera frame - the lines and curves and focal points. It was during the long period of producing Poppit Sands prints in the darkroom that he discovered how to start making luminograms. "I feel strongly that the luminograms represent a form of moulded light. You use your process to direct and mould the light and the paper receives it in its own magical way and translates that into a form that seems fantastical but also it has one foot in reality. The piece itself so often seems like a photograph of a sculpture, when it fact it is neither. I imagine that I am taking something that you cannot feel and I am making it appear in a seemingly three dimensional form that is balanced and controlled. Just like sculpting clay." Michael G Jackson...

The simple geometries and bright colors that recur throughout FEMM’s, have an inherently contemporary and urban feel. It’s no wonder, then, that the metropolitan city is one of FEMM’s greatest sources of inspiration. Whether it’s the zestful energy, the colorful clothes...

Nancy Baker Cahill
 Slipstream 009 (detail), 2021
 Archival pigment print Edition 1 of 1 + 1 AP 
38 x 38 in.
 96.5 x 96.5 cm Slipstream artworks begin as graphite drawings on paper,...

Small abstract expressionist style monotype in navy blue, green, light violet, and soft yellow 'Untitled 4' by Jenny Nelson Monotype, mad...

“Feathers are more than pretty; they contain a whole host of spiritual and cultural meanings.... It symbolises trust, honour, strength, wisdom, power, and freedom” Naturally shed feathers, none of them were dyed, all natural colours. Birds’ feathers included in this artwork: Blue Jay Pheasant Woodcock Blue Mallard Homing Pigeon Teal Duck Partridge Han Mallard Magpie Red Kite Blue & Gold Maccaw Red and Green Maccaw Peacock Guinea Fowl Parrot Leopard Spotted Argus Pheasant Lady Amherst Pheasant Ringneck Pheasant Golden Reeves Pheasant Tragopan Pheasant Oriental Bay Owl Scarlet Ibis Feathers, 2022 Series: Detritus Archival Pigment Print, Mounted on Dibond in custom made Frame; with Black Stained Oak and antireflective UV protective museum standard Art Glass Print 100 x 100 cm / Framed: 102 x 102 cm/ 40 x 40 inches approx. Edition of 5 + 2AP About the Artist George McLeod...

This unframed, signed, limited edition pigment print by renown artist Patsy Krebs exists in an edition of 30. Paper size is 37"h x 35"w with an image size of 26.5"h x 26.5"w. Patsy ...

This unframed, signed, limited edition pigment print by world renown artist Robert Kelly exists in an edition of 40. Paper size is 30"h x 24"w with an image size of 17"h x 14"w. Rob...

Monotype Dramatic imagery from Tom Bennett’s series of black and white monotypes, blending surrealistic mindscapes with stark realism About Tom Bennett: With quick brushstrokes, Tom...

This square woodcut print on paper evokes the peacefulness of looking upwards through a forest canopy in a symmetrical pattern composed of the silhouettes of trees in dark violet blu...

ANISH KAPOOR MOIRÉ 3 Date of creation: 2015 Medium: Etching on paper Edition: 39 Size: 96 x 72.4 cm Condition: In perfect conditions, brand new Etching on paper hand signed and numbe...

This contemporary abstract colorful collage is a print made by Paul Fournier. The distinctive ethereal styling of Paul Fournier, a significant Canadian abstract artist is found in this digital image representing space. Fournier’s gift lies in his ability to explore the limitless potential of color and expressive form to create new fantastical worlds. The Space City...

Visual poems, the works in Vicuña’s 'PALABRARmas' series are carefully attuned to the power of language. Many of these works incorporate wordplay, and throughout her practice, Vicuña...

Giclée print on Canvas. Hand painted finishing with original brushstroke and oil paints. Rhododendron blooms in May always tell us - that summer is already here - it's near! The pos...

Archival ink print on paper, edition of 9 Sumit Mehndiratta is an Indian artist born in 1986 who lives & works in New Delhi, India. He has pursued Master of Science in International...

This stunning Artist's Proof is an one-off, oil hand-painted by the artist , signed at front and on the back label too; each proof is 80% hand painted by Shizico Yi, because the natu...

Silkscreen in colors with enamel inks and tar-like texture on 2-ply museum board.

Christopher Wool Christopher Wool (Hand signed and dated by Christopher Wool), 2013 Hardback monograph with dust jacket (hand signed and dated by Christopher Wool) Boldly signed and ...

Rafael Canogar (Spain, 1935) 'Semana Santa I', 2018 monotype on dibond 13 x 39.4 in. (33 x 100 cm.) 1st edition Unframed ID: CAN1030-107 Hand-signed by author _______________________...

PICTOPOETRY 3 signed #20/20 by Paula Craioveanu Photograph 20x16in in mat 28x20in. Surreal Nude, part of my "Pictopoetry" series. Printed on Hahnemuhle art photo paper with white b...

"The bottomless depths of a private koi pond in a Sussex garden. Dancing light, rhythmic flow and a coloured whirl of so many flashing fins, all help to convey the dark mystery of a life below the surface" ETERNAL FLAME III, 2017 Printed on museum glass, hand finished with White Gold and Silver leaf 30 x 30 cm image glass size/ 31 x 31 cm/ 12.2 x 12.2 inches (Framed) From edition of 5 Series: Southern Song Each piece is individually hand finished by the artist with White Gold and Silver leaf giving the piece its own unique style. Larger dimensions available from limited edition of 5 also available and made upon order. The beauty of the pieces printed on glass are truly revealed when seen in the flesh, which shimmer in the daylight and change constantly as different light sources are reflected off the print. "I am primarily driven by an exploration of colour and form. My objective is to bring an emotional element and aesthetic balance to my work. I try to depict the subtleties of the landscape and am happiest making images from the smallest, most insignificant detail - the challenge being to portray the essence of what is about my subject matter that has taken my eye." - Valda Bailey...

ATO>MIC #3, 2020 Unique Gelatin Silver Print/ Luminogram and Photogram technique, Printed on tea infused fibre based paper, Custom Framed: museum mount-board with antireflective UV protective art glass in dark brown lacquered hardwood frame, /hand made in UK/ 23 x 18 cm (image print) 40.5 x 36 cm (Framed) Unique Series: ATO>MIC Signed and dated in pencil on verso Provided with the Certificate of Authenticity “The ATO>MIC work started as an attempt to replicate the idea behind still life painting - where you are trying to reproduce the image of solid looking things, things that could be on a shelf. So, I wanted to try doing that with just using light instead of paints - however I soon started to see the similarities with Harold Edgerton’s famous atomic explosion photos and how the scale of my work could be switched between small items on a shelf to enormous atomic explosions. That is the reason behind the strange title ATO>MIC - where the “>” is a kind of link between larger and smaller scales, between the two influencing ideas.” – Mike G Jackson The images (from the ATO>MIC series) may be reminiscent of the first milliseconds of atomic bomb explosions captured by Harold Edgerton's Rapatronic camera in the early 1950s but also visualise the thought of Maholy-Nagy’s bold visions in the Bauhaus’s movement toward the idea of the Gesamtkunstwerk, or “total work of art.” The 3D concepts that were first expanded in the same art movement by El Lissitzky a hundred years ago, are also explored here by Jackson’s drowned thin line within the third of the image. In his vision, the line reflects a shelf with the object on top, by adding the weight to it, the gravity pushing them down. Or maybe the thin line is just the horizon, where the enormous atomic blast took place…? Beyond these flat forms of two dimensional ‘lumino-graphic’ works on paper, the purest form of photography (‘light drawing’) lays a visible path to three-dimensional imaginary world, realised in precise composition, rhythm and warm earthy tones of these works. It’s up to the viewer to decide what they prefer to see and take with them. As Wassily Kandinsky once said; “Imagination is what allows your mind to discover.” About the Artist: Michael G Jackson...

Giclée Print on Hahnemühle Paper - Framed 25 x 20.2 in x 1.5 in, Ed. of 100 1200$ with the frame

This Limited-Edition abstract print, "Blueberry Hill," by Sofie Swann is an edition of 95. Printed on canvas, this giclee ships framed in a white floate...

Rafael Canogar (Spain, 1935) 'Tierra', 2003 silkscreen, collage on board 59.1 x 48.1 in. (150 x 122 cm.) Edition of 100 Unframed ID: CAN1030-100 Hand-signed by author _______________...

In Just Remember That My Happiness Depends On Yours color, line, shape, and texture collide on Kozuke ivory paper. This one-of-a-kind, unmounted encaustic monotype illuminates a poet...

Screenprint in two colours with ash from Iraqi Kurdistan on paper
 Signed by the artist and numbered on verso
 106.5 x 74 cm
 Edition of 89 published by Migrate Art Shepard Fairey ...

Cyd Fontaine (Lausanne, 1992) is a contemporary artist renowned for her captivating use of dreamy atmospheric gradients, which has helped her carve a distinctive niche in the world o...

Four color process print on vélin paper. Paper size: 10.75 x 9.25 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, George Condo, Drawing Paintings, 201...

YSL / Marrakech (Red), 2019 Pigment print on Hotpress 20 x 15.5 inches Edition of 18 Publisher: Eminence Grise Editions Printer: Andre Ribuoli

Butterfly Rainbow (large) - Damien Hirst, Contemporary Art, 21st Century, YBAs, Colorful, Giclée Print, Brush Stokes, Paint, Glossy, Limited Edition Butterfly Rainbow (H7-1), 2020 ...

Four color process print on vélin paper. Paper size: 10.75 x 9.25 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, George Condo, Drawing Paintings, 201...

Maya Hayuk The Likes of Us, 2017 Screenprint with spray paint in colors on Arches paper Signed, numbered 91/100, dated, and titled in pencil along lower edge. Accompanied by COA hand signed by the artist. 20 × 15 inches Unframed This work is accompanied by a Certificate of Authenticity from the artist. Excellent condition. Published by the artist; Printed by Haven Press, Brooklyn, New York More about Maya Hayuk: Maya Hayuk is a Ukrainian-American artist with an extensive background in a wide range of generative art and social practices. Hayuk weaves visual information from her immediate surroundings into elaborate, painterly abstractions, thus creating an engaging mix of referents from popular culture and advanced painting practices alike. Her large-scale, improvised murals speak to the artist’s obsession with symmetry, “perfect imperfection” and outer/ inner space. Her works look to expanding consciousness and perception to find patterns and interconnectivity. Ultimately, the traditional and the contemporary blend into new harmonic, dissonant, optimistic, experimental compositions. Hayuk considers her studio painting and mural practices as both inversely relational and symbiotic. Hayuk’s work has been the subject of one person exhibitions and commissions at venues including FRAC Museum in Dunkerque, FR (2019), The Ukrainian Museum New York (2017), The Bowery Wall, NY (2014), The Hammer Museum, LA (2013), The Museum Of Contemporary Canadian Art, Toronto, Canada (2013), Bonnefanten Museum, Maastricht, The Netherlands (2012); Socrates Sculpture Park, Queens, New York (2011); Musee E.A.V., Rio De Janiero, Brazil (2011); Matucana Artspace, Santiago, Chile (2009); Democratic National Convention, Denver, Colorado (2008); and Monster Island, Brooklyn, New York (2005-2011). Her work has been included in group exhibitions such as Streetopia, The Luggage Store, San Francisco (2012); Black Light & Outer Space, Secret Project Robot, Brooklyn, New York (2011); Rojo Nova, Museum of Image and Sound, Sao Paolo, Brazil (2010); Contemporary Art 2010, Ukrainian Institute of America, New York (2010); Sous l’es bombs, Musee International des Arts Modeste, Sete, France (2007); The Zine Unbound: Kults, Werewolves, and Sarcastic Hippies, Yerba Buena Center for the Arts, San Francisco, CA (2005). In 2018, Hayuk gave a TEDx Talk from The Center of Art and Design (CAD) in Brussels, Belgium, which recounts the arc of her developing career. Maya Hayuk’s work is represented in numerous public and private collections internationally including FRAC Museum (FR), The Ukrainian Museum (US), The Millennium Iconoclast Museum of Art (Brussels, Belgium), The Embassy of the United States of America (Sanaa, Yemen), The Embassy of the United States of America Residence (Costa Rica), MOCA Jacksonville (FL), The Ullens Foundation (Brussels, Belgium), The Dean Collection (US) and Wayne Coyne...

21th century figurative etching print by Polish artist Leszek Rozga. This piece is signed by the artist. LESZEK RÓZGA (1924-2015) He studied painting at Maria Skarbek-Kruszewska pri...

Feeling L - Fine art print. Fine art reproduction with this premium textured fine art paper, 300g/m², reminiscent of traditional watercolour papers. This acid free, cold press, co...

Archival pigments on archival canvas, edition of 7 Shipped in a tube or framed in a crate Sumit Mehndiratta is an Indian artist born in 1986 who lives & works in New Delhi, India. H...

20J1G-2020 (Abstract print) Aquatinte on BFK Rives paper - Unframed. Edition of 30. Image size: 35.2 x 124.5 cm / 13.8 x 49 in Paper size: 46 x 135 cm / 18.1 x 53.1 in Clément's wo...

Print on Velin d’Arches paper with carborundum, ed. 33/60 Jacques Villeglé (1926-2022), whose real name was Jacques Mahé de la Villeglé, was born in Quimper on March 27, 1926. He st...

Ann Aspinwall’s Helios is a striking large-scale work that exemplifies her mastery of minimal color and intricate mark-making. Known for her precise printmaking and deep understandin...

Screen print. Produced in 2007. Edition of 75. Hand signed, titled, dated and numbered in pencil by Bridget Riley. Printed by Artizan Editions, Hove. Schubert 65.

Please be aware that all prints are produced to order. Lead times expected between 15-20 days. Prices may change due to currency fluctuations. Giclée prints on Archival Matte Paper ...

Lawrence Weiner Jonathan Richman Live on stage at The Kitchen, non-profit artist's space (Hand signed by Lawrence Weiner), 2017 Offset lithograph poster (hand signed by Lawrence Wein...

Jill Moser, Luna, 2021 Woodcut print on Khadi 100 % cotton paper Signed and numbered by the artist on recto Paper size: 8.25 x 8 in Edition of 18 Published by Eminence Grise Editions, New York Printed by Andrew Mockler...

Jasper Johns Untitled 2010 Intaglio on Revere Standard White 19 x 21 1/2 inches 48 x 55 cm Edition of 50 Signed, dated, and numbered in graphite (lower recto) Frame available upon request Available from Matthew Marks Gallery...

This is a one-of-a-kind original monoprint, made on a press by contemporary Japanese woman artist Kyoko Takagaki. Takagaki studied art at Temple University in Philadelphia, PA, USA. ...

This abstract landscape limited edition print by Elwood Howell features the artist's signature high horizon line in white. Beneath the line is a textured deep blue that is composed o...