Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 3

Amandine Doré
Erotic Scene - Original Etching ad Drypoint by A. Doré -1950s

1950s

$213.41List Price

More From This Seller

View All
Composition in Red - Original Etching and Drypoint - Mid-20th Century
Located in Roma, IT
Composition in Red is an original print in etching and drypoint on white paper realized by an anonymous artist of the mid-20th Century. In very good conditions. The artwork created...
Category

Mid-20th Century Modern Figurative Prints

Materials

Drypoint, Etching

Boat - Mezzotint Print by Robert Naly - Mid 20th Century
By Robert Naly
Located in Roma, IT
Boat is a Contemporary artwork realized in the half of the 20th Century by Robert Naly (1900 - 1983). Mezzotint print. Hand-signed. Numbered, edition of 50 prints. Good conditio...
Category

Mid-20th Century Modern Figurative Prints

Materials

Drypoint, Etching

Le Rêve - Etching and Drypoint by Anselmo Bucci - 1917
By Anselmo Bucci
Located in Roma, IT
Le Rêve-from "Le Croquis du Front Italien" is an Artwork, Drypoint, realized by the Italian Artist Anselmo Bucci, in 1917. Hand signed on the right margin . Edition n. 18/100 specimens on Hollande paper. From the collection: “Croquis du Front Italien” , published in Paris by D'Alignan editions. Good conditions, except for a light yellowing of the paper and some foxing. Anselmo Bucci (1887-1955) was an Italian painter and printmaker. He took part in the Salon des Indépendants from 1910 on. He enlisted in the Volunteer Cyclist Battalion in 1915 and he became one of the most famous Italian war...
Category

1910s Modern Figurative Prints

Materials

Etching, Drypoint

Sleep - Etching and Drypoint by Anselmo Bucci - 1917
By Anselmo Bucci
Located in Roma, IT
Sleep - from "Le Croquis du Front Italien" is an Artwork, Drypoint, realized by the Italian Artist Anselmo Bucci, in 1917 s. Hand signed on the right margin . Edition n. 14/100 specimens on Hollande paper. From the collection: “Croquis du Front Italien” , published in Paris by D'Alignan editions. Good conditions, except for a light yellowing of the paper. Anselmo Bucci (1887-1955) was an Italian painter and printmaker. He took part in the Salon des Indépendants from 1910 on. He enlisted in the Volunteer Cyclist Battalion in 1915 and he became one of the most famous Italian war...
Category

1910s Modern Figurative Prints

Materials

Etching, Drypoint

In Versum Distulit Ulmos - Original Etching by Dunoyer de Segonzac - 1944/47
By André Dunoyer de Segonzac
Located in Roma, IT
Hand signed. Edition of 200 copies. This beautiful etching belongs to the series of illustrations that the French artist André Dunoyer de Segonzac realized for the "Georgics" by the...
Category

1910s Modern Figurative Prints

Materials

Drypoint, Etching

Manfredi - Etching and Drypoint by Anselmo Bucci - 1917
By Anselmo Bucci
Located in Roma, IT
Manfredi - from "Le Croquis du Front Italien" is an Artwork, Drypoint, realized by the Italian Artist Anselmo Bucci, in 1917. Hand signed on the right margin . Edition n. 37/100 specimens on Hollande paper. From the collection: “Croquis du Front Italien” , published in Paris by D'Alignan editions. Good conditions, except for a light yellowing of the paper. Anselmo Bucci (1887-1955) was an Italian painter and printmaker. He took part in the Salon des Indépendants from 1910 on. He enlisted in the Volunteer Cyclist Battalion in 1915 and he became one of the most famous Italian war...
Category

1910s Modern Figurative Prints

Materials

Etching, Drypoint

You May Also Like

The Fair
By James Abbott McNeill Whistler
Located in Storrs, CT
The Fair. 1895-96. Lithograph. Way 92, Levy 144, Tedeschi, Stratis and Spink 135 state ii. Image 9 1/4 x 6 1/2 (sheet 13 x 9 5/8). A fine impression printed on antique cream-laid paper. Way lists 15-lifetime impressions (Goulding printed...
Category

Late 19th Century American Modern Figurative Prints

Materials

Drypoint, Etching

The Acropolis, Athens
By Louis Conrad Rosenberg
Located in Middletown, NY
Etching and drypoint on cream wove paper, full margins. Signed in pencil, lower right margin. In generally good conditon with several scattered very light spots of foxing throughout,...
Category

1920s Modern Landscape Prints

Materials

Drypoint, Handmade Paper, Etching

My Daughter
Located in Middletown, NY
Drypoint etching on buff wove paper, 9 3/4 x 12 3/4 inches (250 x 322 mm), full margins. Signed in pencil, lower right margin. Some general age tone, and minor mat tone around the pe...
Category

Early 20th Century Modern Portrait Prints

Materials

Drypoint, Etching

Ludgate Hill
By William Walcot R. E. Hon. R. I. B. A.
Located in Middletown, NY
Etching with drypoint and aquatint on light cream wove paper, 5 1/2 x 5 inches (140 x 122 mm), full margins. Signed in pencil in the lower margin. One of a total of 400 signed impres...
Category

Early 20th Century Modern Landscape Prints

Materials

Etching, Aquatint, Drypoint

Low Country (South Carolina)
By Elizabeth Verner
Located in Middletown, NY
An enchanting Southern landscape by the mother of the Charleston Renaissance. A native of Charleston, South Carolina, and educated under the tutelage of Thomas Anshutz at The Pennsylvania Academy of Fine Arts, O'Neill Verner was a teacher, a mother, an artist, an ardent preservationist, and a skilled autodidact. Having previously focused on painting, in the early 1920s she found herself deeply moved by printmaking as a media, and especially so by the simple, peaceful themes and tableaus she discovered in Japanese art. She embarked on a effort to teach herself Japanese printmaking techniques, and in the process, produced the charming images of every day life in Charleston and its environs that earned her recognition as a cultural icon in her day, and in more modern times, as the mother of the Charleston Renaissance, which flourished well into the 1930s. In 1923 she opened a studio in Charleston where she focused on documenting the local color and the architecture and landscape that distinguishes Charleston as one of the South's most beautiful cities, all the while applying the gentle and poetic thematic sensibilities of Japanese printmaking. O'Neill Verner soon found herself in high demand when municipalities and institutions throughout the country sought commissions from her to document the beauty of their grounds and historic buildings. She worked as far north as the campuses of Harvard and Princeton, and extensively across the South, including in Savannah, Georgia, where through sweeping commissions she was able to marry her love of southern preservation and art. O'Neill Verner was a lifelong learner, and continued a path of edification that led her to study etching at the Central School of Art in London, to travel extensively through Europe, and to visit Japan in 1937, where she studied sumi (brush and ink) painting. She was a founding member of the Charleston Etchers Club, and the Southern States Art League. Her works are represented in the permanent collections of leading museums across the American south, and in major national institutions including the Metropolitan Museum of Art, Boston's Museum of Fine Art, and the Smithsonian American Art Museum. O'Neil Verner...
Category

Early 20th Century American Modern Landscape Prints

Materials

Archival Paper, Drypoint, Etching

The Berry Pickers
Located in Middletown, NY
Drypoint etching on cream laid paper with an oak leaf watermark, c 1935. 7 1/4 x 9 3/4 inches (183 x 241 mm), full margins. Signed, titled and inscribed in pencil, lower margin. A b...
Category

Mid-20th Century American Modern Figurative Prints

Materials

Drypoint, Laid Paper, Etching

Recently Viewed

View All