Oversized Figurative Prints

Artist: Sandro Chia, Italian (1946 - ) Title: Seated Woman Year: circa 1979 Medium: Lithograph, signed and numbered in pencil Edition: AP XXI/XXV Size: 38.5 in. x 44.5 in. (97.79 cm...

Artist: Steven Pollack Title: Rie Miyazawa Le Dejeuner sur l' Herbe Year: 1992 Medium: Lithograph with Superfine Glitter, Signed in Pencil. Edition: AP Size: 31 x 43 inches

Mimmo Paladino Atlantico Linocut, 1987, hand signed, dated and numbered 12/27 in pencil. Medium: Collagraph and linoleum cut Sheet measures 82 x 29 1/2" inches Parole Torchon pap...

"Censored" Black & White Photography 45" x 60" inch Ed. 2/3 by Brendan North From “Painted Poetry” series: “Painted Poetry” is a collection of 40 photographs created over 4 years an...

Lambda print in colors, on Fuji color photographic paper dry-mounted to PVC (as issued). Hand signed and numbered in black marker on the reverse. Edition of 34/50. Published by Ala...

Not one to shy away from human representation, Pia Clodi’s more portraiture-like works continually offer the sitter an air of anonymity, and as such the viewer has the opportunity to...

Pas de Deux II (Danny Moynihan and Laura Faber) is a serigraph on paper with an image size of 36 x 20 inches, signed ‘Alex Katz’ lower left and numbered 107/150. From the edition of ...

Figurative abstract wood cut print titled "Copula Amarilla" by Cecelia Sánchez Duarte. Pencil signed with edition number "3/10", title, and signature bottom margin. Image, 31.25"H x ...

Figurative abstract woodcut print titled "Serpientes Cafe" by Cecelia Sánchez Duarte. Pencil signed with "P/A" (Artist Proof), title, and signature bottom margin. Image, 31"H x 23.25"W. Sanchez Duarte is a visual artist and a cultural activist. Cecelia also teaches Art History at Escuela Profesional de Danza de Mazatlán, is the Fine Arts Coordinator at Centro Municipal de Artes, cofounder of the new Técnico en Artes Plásticas and founder of a painting workshop for children. She has had more than 300 collective exhibits internationally as well as 17 solo shows. Cecelia Sánchez Duarte lives in Mazatlán, Mexico. Cecilia Sánchez Duarte became the new director of the Art Museum of Mazatlan in 2017. Cecilia Sanchez Duarte works in printmaking at the Taller Experimental de Estampa Jose Guadalupe Posada...

"Le Schpountz" original 1952 movie poster by artist Albert Dubout. Created for 1952 revival by the French Société Nouvelle des Films of the 1938 movie, "...

"La race blanche (The White Race)" is a color lithograph after the original 1937 painting by Rene Magritte. A female figure is made out of a mix of body parts. An eye sits on top of an ear, which is on top of a mouth, then two noses. Two breasts lying on a stomach; two arms come from the breasts. Legs are tucked under the stomach. This figure is on a sand dune next to the ocean. Art: 26.5 x 19.63 in Frame: 40.88 x 33.88 in René-François-Ghislain Magritte was born November 21, 1898, in Lessines, Belgium and died on August 15, 1967 in Brussels. He is one of the most important surrealist artists. Through his art, Magritte creates humor and mystery with juxtapositions and shocking irregularities. Some of his hallmark motifs include the bourgeois “little man,” bowler hats, apples, hidden faces, and contradictory texts. René Magritte’s father was a tailor and his mother was a miller. Tragedy struck Magritte’s life when his mother committed suicide when he was only fourteen. Magritte and his two brothers were thereafter raised by their grandmother. Magritte studied at the Brussels Academy of Fine Arts from 1916 to 1918. After graduating he worked as a wallpaper designer and in advertisement. It was during this period that he married Georgette Berger, whom he had known since they were teenagers. In 1926, René Magritte signed...

PKZ .Man in Blue Suit. 1924, Color lithograph. Linen backed. PKZ has and still is an important department store in Zurich, Switzerland. PKZ was one of the...

Part of the BLOOMY VIEW series taken in Bern 2020 in collaboration with Heym Collections, the images gained new life in their ambiguity, which often stimulates the viewer to project ...

Embossed serigraph in colors with foil stamping on paper. Hand signed and numbered on front by Erte. From the edition of 300. Artwork size 34.5 x 26.5 inches. Framed size approx 4...

FAILE - RISING Date of creation: 2023 Medium: Archival ink print on Entrada 290gsm Cotton Rag Edition: 350 Size: 101.6 x 81.3 cm Condition: In mint conditions, brand new and never fr...

Beautifully framed original 1920 "Cachou Lajaunie" vintage lithograph poster by Leonetto Cappiello. Printed by Devambez Imp. Paris.

Sidewalk (FS.II.304) from MOCA's 'Eight by Eight' portfolio is a screenprint on paper, 29 x 42 inches, signed 'Andy Warhol' and numbered 167/250 lower left. From the edition of 349 (there were also 30 AP, 45 TP, 3 TPPP, 6 PP, and 15 HC). Framed in a contemporary gold leaf, closed-corner frame. LITERATURE Frayda Feldman and Jörg Schellmann, Andy Warhol Prints: A Catalogue Raisonné 1962-1987, New York, 2003, II.304. In 1983, Warhol created Sidewalk for the Eight by Eight to Celebrate the Temporary Contemporary portfolio. The portfolio itself consisted of eight prints created by various artists as a fundraising vehicle for the MOCA in Los Angeles. The participating artists included: Richard Diebenkorn, Sam Francis, David Hockney, Ellsworth Kelly, Robert Rauschenberg, Niki de Saint Phalle, Jean Tinguely, and Andy Warhol. The Eight By Eight portfolio was printed in an edition of 250. Warhol also produced 45 unique trial proofs for the Sidewalk edition. Warhol's contribution of Sidewalk is based on his own photograph of film stars' signatures, footprints, and handprints as they appeared at the Grauman's Chinese Theater in Hollywood, CA (now called TCL Chinese Theater). This particular shot showcases Cary Grant, Judy Garland, Jack Nicholson and Shirley Temple. “Much of Warhol’s work was concerned with celebrity, but while he cultivated the appearance of the ultimate fan, often celebrating the glamour of the American dream and its cultural heroes, his works also challenge the beliefs intrinsic to those ideals. It was Warhol who famously declared that everyone could have fifteen minutes of fame. The immortalising nature of appearing in Grauman’s forecourt of the stars, where one’s name is set in concrete for future generations, seems a way to counteract this idea of such fleeting fame.” (“Andy Warhol Sidewalk...

Mel Ramos (American, born 1935) Phantom, 2009 Medium: Lithograph on card Dimensions: 120 x 80 cm (47 × 31 1/2 in) Edition of 199: Hand-signed and numbered in pencil

Josef Muller-Brockmann, Volg, Traubensaft Naturrein, Zuverlässigkeit. 1957 Offset. Rare. Josef Müller-Brockmann was one of the leading pioneers of the ...

"Elan" Photography Edition of 18 47" x 47" inch by Yevgeniy Repiashenko Photography Year photo was taken: 2019 Unframed - ships in a tube This picture is a part of Spirit serie...

Dry Tulips - 21st Century Photographic Floral Print, PolaroidOriginal, Shadow Gapped Frame - Photographic Print on Aluminium Dibond - Edition 10 + 1, with Certificate Dry Tulips is ...

ALEX KATZ (1927-Present) This magnificent 1983 Katz portrait is pencil signed and numbered 59/75 from the edition of 75, on the lower left corner. This work comes beautifully frame...

Beautifully framed "Fap' Anis" original vintage lithograph poster by Delval. Modéle Déposé Reproduction Interdite printed on front lower lef...

"Tumba y Raja', is a term in Spanish that colloquially refers to an uncontrollable force that "knocks something down and rips it apart". In this case it refers to the Nkisi (magic po...

Color monotype. Rafael Ferrer depicts the intense life of the Caribbean in his paintings and prints. With hot colors, deep shadows and mysterious relationships among his figures, Fe...

Kino Plasticon. Ca 1920s. Budapest. Color lithograph The Hungarian artist and illustrator Geza Farago worked in Budapest as a cartoonist, theatrical costume designer and poster ar...

No Title (No 83) Photography Edition of 18 47 x 36 inch by Yevgeniy Repiashenko Photography Year photo was taken: 2020 Unframed - ships in a tube This picture is a part of Spir...

Original Tous Boivent de la Bière Mosellane 1950 French vintage beer poster. Archival linen-backed in Grade A condition, ready to frame. There is no damage and no restoration to this...

No Title (No 62) Photography Edition of 8 60 x 60 inch by Yevgeniy Repiashenko Photography Year photo was taken: 2021 Unframed - ships in a tube This picture is a part of Spiri...

"Kyo" by Al Hirschfeld from the "Kabuki Suite," a series of 12 color lithographs on Arches paper capturing Hirschfeld's impressions from a trip to Japan in 1975 of the country's clas...

Lithograph after Georges Braque. Signed in the plate Edition of 150 Dimensions: 76 x 117 cm Bibliography: « Les Métamorphoses de Braque» of Heger de Loewenfeld and Raphaël de Cuttoli , Editions FAC, Paris, 1989. In 1961 Georges Braque decided with his laidary friend Heger de Loewenfeld to pick up certain of his works to in order to create artworks, this beautiful litograph is one of them. Héméra in the Mythology: In Greek mythology Hemera was the personification of day and one of the Greek primordial deities. She is the goddess of the daytime and, according to Hesiod, the daughter of Erebus and Nyx (the goddess of night). Hemera is remarked upon in Cicero's De Natura Deorum, where it is logically determined that Dies (Hemera) must be a god, if Uranus is a god. The poet Bacchylides states that Nyx and Chronos are the parents, but Hyginus in his preface to the Fabulae mentions Chaos as the mother/father and Nyx as her sister. She was the female counterpart of her brother and consort, Aether (Light), but neither of them figured actively in myth or cult. Hyginus lists their children as Uranus, Gaia, and Thalassa (the primordial sea goddess), while Hesiod only lists Thalassa as their child. The father of Cubism Three Cubist that distinguishes art historian periods were initiated and developed by Georges Braque: The Cubist Cézanne (1907-1909), Executive (1909-1912) and synthetic (1912-1922). Post-Impressionist and fawn, Braque no longer adheres to the contingency of a decorative way or the other. Cézanne’s paintings exhibited at the Grand Palais during the retrospective of 1907 are a revelation: Cézanne sought and invented a pictorial language. In his footsteps, Braque went to the South with the reasons of the Master. He returned with Estaque landscapes and surprising Ciotat it keeps Cezanne geometric model and retains the “passages” continuity from one surface to another to create the sensation of “turning around” of the object represented. But he wants to go after the consequences of the vision of Cezanne. In his paintings Houses in L’Estaque (1908) it simplifies the volumes of houses, neglects detail by removing doors and windows: the plastic rhythm that builds the table. Large Nude , a masterpiece of the period, can be considered the first work of Cézanne cubism . Systematizing and deepening Braque discoveries open the door analytical cubism. In 1909, his painting became more cerebral than sensual. The pattern is recreated in the two-dimensionality of the canvas, leaving aside any illusionistic perspective. In Still Life with Violin, objects are analyzed facets according to their characteristic elements, each facet referring to a particular view of the object. There are so many facets of points selected view: Table reflects the knowledge of the object and the ubiquity of the eye. Moreover, Braque is looking for the essence of the objects in the world rather than their contingency, which explains the absence of light source and use of muted colors (gray, ocher), contingent aspects of the object . But formal logic has stepped facets, erased any anecdote to the object and ultimately led to his painting a hermetic more marked on the edge of abstraction (see the series of Castle Roche-Guyon ). Braque, anxious to keep the concrete and refusing at all costs that the logic of Cubism takes the paintings to abstract, reintroduced signs of reality in his paintings in 1912 marks the beginning of Synthetic Cubism. Historians speak of “signs of real” rather than reality because what interests Braque, this is not to put reality into a table, but to create a painting which, by its language, refers to the real. To do this, he invented two major techniques XX th century inclusions and contributions. The inclusions consist of painting objects that have no real depth, materials (wallpaper in Nature morte aux playing cards faux wood is a pictorial inclusion) or letters (calligraphic inclusion in Portuguese ), made first brush and a few months later stencil. Contributions are defined in contrast with the collage on canvas of foreign materials: glued or sand paper, sawdust, etc.. Regarding the collages, Braque used for the first time in September 1912 a piece of adhesive paper imitating faux wood Compote...

Christo Wrapped Paris Review (Deluxe hand signed edition), 1982 Lithograph and offset lithograph Hand signed and numbered 244/250 by Christo on th...

Size: 110× 88 cm Medium: Digital art, print,canvas

"Diamond Dust Shoes (Black and White)" is a screen print by American pop artist Andy Warhol. It is signed and editioned verso, " 18/60 Andy Warhol" Stamped verso, "© Andy Warhol 1980...

No title (No 36) Photography 47" x 47" inch Ed. of 18 by Yevgeniy Repiashenko No title (No 36) by Yevgeniy Repiashenko Year photo was taken: 2017 Limited Edition of 18 Picture size...

Robert Indiana (American, b. 1928) Banner, 1967 Medium: Silkscreen poster on paper Dimensions: 106.8 x 65.7 cm Edition size: Unknown Publisher: Galerie der Spiegel, Cologne Printer: ...

DuFrene, Maurice. Rayon des Soierie Ref: Opera, 17; Publisher: Imp. Chaix, Pairs. Maurice Dufrene was born in Paris in 1876. He studied at the Ecole des Arts Decoratifs, and to...

E.M. ZAX (AMERICAN) Original one of a kind mixed media on paper "It's All Good! ". Circa 2022. Hand signed by Zax. Overall framed 30" x 26". E.M. Zax Born and raised in Los Angeles...

No title (No 77) Photography 47" x 47" inch Ed. of 18 by Yevgeniy Repiashenko No title (No 77) by Yevgeniy Repiashenko Year photo was taken: 2020 Limited Edition of 18 Picture size...

No title (No 16) Photography 47" x 47" inch Ed. of 18 by Yevgeniy Repiashenko No title (No 16) by Yevgeniy Repiashenko Year photo was taken: 2017 Limited Edition of 18 Picture size...

Betsy, [Girl in Cowboy Boots and Hat]. Color lithograph. On Linen. Excellent composer Pascal Bastia is also a talented writer who wrote most of the lyrics and librettos of his operettas . Author -songwriter, has been interpreted by the greatest : Jean Sablon, Josephine Baker, Luc Barney ... He is also the author of music and film scripts...

Medium: Lithograph on vélin d'Arches paper Year: 1969 Paper Size: 20 x 41.3 inches, with bifold, as issued Inscription: Signed in the plate and unnumbered, as issued Notes: From the ...

"Rayon des Soieries, Opera Bouffe en un Acte" is an original color lithograph poster by Maurice Dufrene. The artist's name is written lower right. This piece depicts an Art Deco repr...

"No title (No 29)" Photography Edition of 18 47x47 inch by Yevgeniy Repiashenko Photography Edition of 18 (47" x 47" inch) by Yevgeniy Repiashenko Year photo was taken: 2016 Unfra...

Lambda print in colors, on Fuji color photographic paper dry-mounted to PVC (as issued). Hand signed and numbered in black marker on the reverse. Edition of 21/50. Published by Ala...

Phantom Lady is a serigraph on paper, mounted on black paper. The image size is 31 x 24 inches and the print is signed lower right in the black paper 'Mel Ramos' and numbered lower left. From the edition of 289, numbered 56/100 (there were also another 10 APs and 5 PPs mounted on black paper and the versions on just white paper - 100 Arabic plus 10 AP and 5 PPs). Robert Bane...

No title (No 78) Photography 47" x 47" inch Ed. of 18 by Yevgeniy Repiashenko No title (No 78) by Yevgeniy Repiashenko Year photo was taken: 2017 Limited Edition of 18 Picture size...

No title (No 47) Photography 47" x 38" inch Ed. of 18 by Yevgeniy Repiashenko No title (No 47) by Yevgeniy Repiashenko Year photo was taken: 2016 Limited Edition of 18 Picture size...

PKZ vintage Poster (man in top hat). 1927, Color lithograph. Lined on linen. PKZ has and still is an important department store in Zurich, Switzerland...

No title (No 15) Photography 47" x 47" inch Ed. of 18 by Yevgeniy Repiashenko No title (No 15) by Yevgeniy Repiashenko Year photo was taken: 2016 Limited Edition of 18 Picture size...

David Hockney Spilt Ink with Tests, 2019 signed in pencil and dated ‘19 art edition (1-100): 11-colour inkjet print on cotton-fiber archival paper book: hardcover, 2 volumes in a cla...

Serigraph on paper. Hand signed and numbered by the artist. Artwork size 36 x 18 inches. Frame size approx 49 x 30 inches. From the edition of 200. Certificate of authenticity i...

Lissitzky, El, Kunstgewerbemuseum KGM - - USSR Russische Ausstellung 1929 (Zurich Museum of Design - USSR Exhibition). Reprint 1980 Offset, Photomontage. This is a reproduction of a very rare vintage...

Silkscreen in 10 colors 40 x 54 inches 2-Ply Museum Board Edition of 50 2014 Bob Gruen is one of the most well-known and respected photographers in rock and roll. From John Lennon t...

Screenprint on paper. Hand signed and numbered by the artist. Inscribed ‘HC’ and numbered 3/6 (outside the main edition of 26). Published by International Images, Putney, Vermont. ...

The photographs of the young Turkish artist Melissa Mizrakli focus on the human body, giving it a personal interpretation. In some of her black and white works she uses the human bod...

Pas de Deux IV (Vicki Hudspith and Wally Turbeville) is a serigraph on paper with an image size of 36 x 20 inches, signed ‘Alex Katz’ lower right and numbered 106/150. From the editi...

Original Italian poster: Fodere Bemberg. Occhio alla fodera!. Original Rene Gruau Italian fashion design. Size: 39" x 55". Original poster; r...