Oversized Figurative Prints

Untitled (Nr. 0442) Photography 36" x 44" Edition of 12 by Rowan Daly Unframed - ships rolled in a tube Ben Cope + Rowan Daly Off the Grid Off the Grid is the culmination of a s...

Screen print in colors on museum board. Hand signed and dated on front by Tom Wesselmann. Hand numbered 84/100 on front. Artwork size: 56 x 57 inches. Published by International ...

Color monotype. Rafael Ferrer depicts the intense life of the Caribbean in his paintings and prints. With hot colors, deep shadows and mysterious relationships among his figures, Fe...

Andy Warhol (1928-1987) Flowers (black and white), 1986 Original silkscreen (Printer Alexander Heinrichi, New York) Signed in pencil with the monogram lower right Countersigned in p...

Original vintage 1950s Haller Chocolate Bars German Advertising Poster – A Retro Collectible Masterpiece. Professionally archival linen-backed in excellent condition and ready to fr...

Poster of Sarah Bernhart Playing Hamlet. Paris. Mint condition. Linen-backed. Sarah Bernhardt's groundbreaking portrayal of Hamlet, performed in French, is masterfully captured in Alphonse Mucha's poster. Mucha emphasizes the play's themes of vengeance and mortality, depicting the ghost of Hamlet's murdered father haunting the ramparts of Elsinore in the background, while the tragic drowned Ophelia, adorned with flowers, rests in a coffin-like panel at Hamlet’s feet. This powerful image marks Mucha's final poster commission that depicts the celebrated French actress. The vintage poster is linen-backed and is in excellent condition. Bernhardt famously played Hamlet in 1899, becoming the first woman to embody the role on stage and later in a film adaptation. Her bold interpretation challenged conventional gender roles and pushed the boundaries of performance, establishing her as a pioneer in both theater and early cinema...

Silkscreen in 10 colors 40 x 54 inches 2-Ply Museum Board Edition of 50 2014 Bob Gruen is one of the most well-known and respected photographers in rock and roll. From John Lennon t...

Serigraph in colors on paper. Hand signed lower left by Romero Britto. Hand numbered 89/300 lower right. Sheet size: 43 x 42 inches. Image size: 36 x 36 inches. Custom framed as...

Raemakers, Louis. Blom & van der AA. Ca 1920s. Color lithograph Louis Raemaekers, was a Dutch cartoonist who gained international fame with his anti-German cartoons during World W...

Esperanza (Hope), Eduardo Oropeza Day of the Dead, serigraph, birds, skeletons Esperanza (Hope), Day of the Dead, serigraph, blue, yellow, birds, skel...

Loupot, Charles. Waschemagazine, Munsterberg 2/Metzger/B. Brunnen Freistrasse/Herrenhemden-Kragen Damenwasche & Aussteuern. 1922. Color lithograph. On linen.Good condition with the e...

Ai Weiwei (Chinese, b. 1957) Bomb, 2020 Medium: Fine art inkjet print, Hahnemüle German etching 310g paper Dimensions: 95 x 130 cm (37 2/5 x 51 1/5 in) Edition of 100 + 25 AP: Hand-s...

By removing parts of the image, he explores the tension between what is present and what is omitted, focusing on the reasons behind these choices and their implications. The cutouts ...

A very good impression of this etching and aquatint. Signed 75/75 in pencil by Wesselmann.

Robert Longo (American, born 1953) Black Palms, 1989 Medium: Lithograph on rag paper Dimensions: 169 x 127 cm (66½ x 50 in) Edition of 35: Hand-signed and numbered Condition: Excellent

Sergio Hernández (Mexico, 1957) 'Untitled', 2011 woodcut on paper 29.1 x 41 in. (73.7 x 104.1 cm.) Edition of 10 ID: HER-185 Hand-signed by author

"Seul Dans l'Atelier" is an original lithograph by Claude Weisbuch. The artist signed the piece lower right and wrote the edition number (108/160) in the lower left. This piece depic...

FOSSEY (DATES UNKNOWN) EUGENE / ONDULATION PERMANENTE. 1926. Shee Size: 35 1/4x22 1/2 inches, 89 1/2 x 57 cm. C. Courtois, Paris. This is a gorgeous example of art deco artwork...

44" x 30" Unframed 3 Ink Woodcut Print on Paper Hand Signed by Iván Bautista

It almost makes one want to board Aeroflot to see this firsthand…maybe going out of Istanbul? Well no. And yet, there’s a universal energy on full display in this view by a master im...

Screenprint on museum board. Hand signed and numbered by the artist. Edition of 100. Published by International Images, Putney, Vermont. Sheet size 59 x 68 inches. Artwork is in e...

Yue Minjun, Remarkable People Contemporary, 21st Century, Lithograph, Limited Edition, Chinese Lithograph Edition of 130 80 × 120 cm (47 1/5 × 31 1/2 in) Stamped Signature, numbered ...

Île de la Cité is a serigraph on paper with an image size of 30 x 36 inches, signed ‘Kondakova’ lower right and numbered lower left. From the edition of 325 and numbered 48/75 (there...

Part of the BLOOMY VIEW series taken in Bern 2020 in collaboration with Heym Collections, the images gained new life in their ambiguity, which often stimulates the viewer to project ...

Rodeo Queen, 1981 Edition 36/50 Signed lower left, Inscribed: for the "Rose" 82. Provenance: Print was a gift to Rozanne Charington, companion and model for "Rodeo Queen", "Rose Tattoo" and "Jimenez at Adeliza's Candy Store". Lithograph on paper 42 ½ × 29 in. (107.3 × 73.7 cm) Luis Alfonso Jimenez Born, 1940, El Paso, Texas, died 2006, Hondo, New Mexico. Statement: Luis Jimenez, in his work, celebrates the vitality of life. . . . Jimenez es un hijo de la frontera; he knows its people and the landscape. It is the transformation of these people into art that is his most important contribution to the art of this vast region which stretches between Mexico and the United States. His subject matter utilizes the popular images of the cultura del norte, and a large part of it is depicted and transformed in the rough and tumble world of la frontera. He is also a son of el norte, and so he uses its materials and explores its emerging, popular myths. The tension and attraction of Jimnez’s work is that he always creates within the space of his two worlds, the Mexicano and the Americano. He constantly shows us the irony of the two forces which repel, while showing us glimpses of the synthesis he seeks. What a gift it has been to us for this talented artist to reflect on the soul of our region. He gives meaning to our existence and history. Rudolfo Anaya (passage chosen by the artist), A View from La Frontera, Man on Fire: Luis Jimenez, pp. 1, 3, 6Biography: Luis Jimenez was born in Texas to parents who had emigrated from Mexico to the United States; he would later dedicate his 1989 sculpture Border Crossing to his father, who had entered the country illegally. The elder Jimenez was a neon sign designer in El Paso, and Luis worked with him as a youth. His experience working in the neon shop and his fascination with U.S. car culture would both become major influences on his art career. Jimenez studied architecture at the University of Texas, Austin (UTA), and also took art courses in which he first created sculptures with wood, steel, and fiberglass, choosing the latter because of its association with U.S. popular culture. He subsequently became one of the artists who made fiberglass an acceptable medium in the 1960s. In 1964 Jimenez received his B.S. in art from UTA, and he continued his studies at the Universidad Nacional Autonoma de Mexico in Mexico City. In 1966 he moved to New York City and worked as an assistant to sculptor Seymour Lipton. Jimenez began to exhibit his art while in New York and in 1972 moved to New Mexico to focus on creating public sculptures, even as he maintained his diverse output of drawings, prints, and lithographs. Drawing on his early experiences, Jimenez creates works that come from a border perspective, one that draws upon the hybridity bred by culture clashes. Often socially and politically informed, his works speak not only in regional terms, those germane to the southwestern United States, but to broader, more global issues as well. They exhibit a profoundly Chicano aesthetic and sensibility, one that is informed by Mexican and Mexican American traditions, North American popular culture, Chicano cultural icons, and images and themes unique to the Southwest. Death, sexuality, and the struggle of the common people are frequent themes. Inspired by authors who write in an autobiographical style, Jimenez creates works that function as personal narrative yet are also able to make statements about culture in more global terms. His use of bold colors and lines, a legacy from his fathers work as a neon sign maker, lends a dynamic sensuality to his work, one that is particularly evident in his monumental fiberglass and acrylic urethane sculptural works Many of Jimenez's works correspond to scholar Toms Ybarra-Fraustos definition of the Chicano aesthetic of rasquachismo, a lowbrow sensibility that appeals to the working class in that it applies to objects that subvert expressions of the mainstream or dominant culture. Creating art that speaks to the people, Jimenez is able to transform regional and culturally specific myths and symbols into globally recognized and relevant icons. Exhibitions: In addition to his personal work, Jimenez has been commissioned for numerous public art projects. In 1999 his sculpture Southwest Piet was designated a National Treasure by First Lady Hillary Clinton. The many exhibitions featuring his work have included Human Concern/Personal Torment (Whitney Museum of American Art, New York, 1969). The First International Motorcycle Art Show (Phoenix Art Museum, Phoenix, AZ, 1973). Three Texas Artists (Centre Cultural Americaine, USIS, Paris, 1977), Recent Trends in Collecting (Smithsonian Institution, Washington, DC, 1982). Committed to Print (Museum of Modern Art, New York, 1989) Printmaking in Texas: The 1980s (Modern Art Museum, Fort Worth, TX. Laguna Gloria Art Museum, Austin, 1990. The Whitney Biennial (Whitney Museum of American Art, New York, 1991) Man On Fire: Luis Jimnez (Albuquerque Museum of Art, NM, 1994-95). 47th Annual Purchase Exhibition (American Academy of Arts and Letters, New York, 1995). Traveling solo exhibition, Working Class Heroes: Images from the Popular Culture (1997-2000). Jiménez Collier Gallery has been in continuous operation for over 40 years. Originally located just off Main Street in downtown Scottsdale, Arizona, we have moved to Phoenix to accommodate and showcase our large inventory including: • Original works by Maynard Dixon, Lon Megargee, Ed Mell, Fritz Scholder, Bill Schenck, Bill Lesch, Luis Jimenez, Greg Singley, Dan Budnik, and other 20th century Western, WPA and Contemporary Southwestern artists. • The Fine Art Estate of Lon Megargee • Vintage rodeo...

Hand signed by Andy Warhol & Mick Jagger, numbered in pencil. Edition of 250. There were also 50 artist’s proofs. Screenprint on Arches Aquarelle (Rough) Paper. Printed by Alexan...

Robert Longo, Fairmount Forest Contemporary, 21st Century, Pigment, Limited Edition Pigment print Edition of 25 90,6 x 152,2 cm (35.6 x 59.9 in.) Signed, accompanied by Certificate o...

Unstretched print on Canvas, shipped and rolled in a tube. Emilie Arnoux hails from Normandy, France. From a young age, she became fascinated by the oc...

"Fashionable Boulevard Montmartre" is an original lithograph poster by Pierre Laurent Brenot. This piece depicts four figures in fashionable costumes in a variety of dynamic poses. T...

Color lithograph, Edition 30. Known for paintings based on historical Chinese photographs, Hung Liu's subjects over the years have been prostitutes, refugees, street performers, s...

No title (No 57) Ballet Photography 47 x 47 in Ed of 18 by Yevgeniy Repiashenko No title (No 57) by Yevgeniy Repiashenko Year photo was taken: 2017 Limited Edition of 18 Picture si...

JAVIER CALLEJA - RULES Date of creation: 2022 Medium: Habotai silk 8mm Edition: 150 Size: 120 x 120 cm Condition: In mint conditions, brand new Scarf made on Habotai silk 8mm. Editio...

CAPPIELLO, LEONETTO (1875 - 1942) "Katabexine" Lithograph in color, linen-backed c. 1903 Sheet size: 54.25” x 39” Cap./GP, 252; Cap/StV, 4.22; DFP-II, 118; Schardt, pp. 174-5; PAI-V...

PKZ .Man in Blue Suit. 1924, Color lithograph. Linen backed. PKZ has and still is an important department store in Zurich, Switzerland. PKZ was one of the...

"Savor" Black & White Photography 60" x 60" in Ed. of 8 by Yevgeniy Repiashenko Photography Year photo was taken: 2022 Unframed - ships in a tube This picture is a part of Spir...

From the Ladies and Gentlemen Portfolio. Screenprint in colors on arches paper. Hand signed and numbered by the artist on verso. From the edition of 125. Published by Luciano Ans...

Carl Andre Zinc: Historic Ace Gallery poster (Hand Signed by Carl Andre), 2007 Limited Edition Offset lithograph poster (hand signed by Carl Andre) ...

No title (No 92) Ballet Photography 47"x47" in Ed. 2/18 by Yevgeniy Repiashenko No title (No 92) by Yevgeniy Repiashenko Year photo was taken: 2022 Limited Edition of 18 Picture si...

The Magicians Message From Cuevas' Comedies. Screenprint with collage additions and five lithographs from a portfolio of ten lithographs (one with screenprint and embossing, one with embossing) and five screenprints (two double-sided, one with collage additions). Pencil signed and dated 1971, edition 84/100, blindstamp visible, published by Collector's Press, San Francisco. Framed under Plexiglas. Jose Louis Cuevas was born in Mexico City in 1933 -2017. A master draftsman, Jose Luis Cuevas played a pivotal role in Latin America's drawing and printmaking renaissance of the sixties and seventies. He is also associated with Latin America's neofigurative movement, along with artists such as Fernando Botero and Antonio Segui. By the age of fourteen, he had illustrated numerous periodicals and books and had had his first exhibition in Mexico City. In 1953 Cuevas published La cortina del nopal (The Cactus Curtain), an article condemning aspects of the Mexican Mural movement and advocating greater artistic freedom. This philosophy inspired the founding in 1960 of the group Nueva Presencia, which he joined for a brief time. It promoted individual expression and figurative art reflecting the contemporary human condition. Cuevas' work was influenced by the graphic art of Goya and Picasso as well as by Posada and Orozco, whose representations of deformed creatures, degraded humanity and prostitutes were of particular thematic interest. Over the years, he has paid homage to his favorite painters as well as writers, such as Dostoevsky, Kafka, Quevedo and Sade, in numerous series of drawings and prints. Cuevas has said that his drawing represents the solitude and isolation of contemporary man and man's inability to communicate. It is for this reason that he often distorts and transforms the human figure to the point of uniqueness. Cuevas has had solo exhibitions in museums and galleries throughout the world including the: University of Texas, Austin, 1961, the San Francisco Museum of Art, California,1970, the Museo de Arte Moderno, Mexico City, 1972, Museo de Arte Contemporaneo, Caracas, 1974, Phoenix Art Museum, Arizona, 1975, Musee d'Art Moderne, Paris, 1976. His work was included in Four Masters of Line: Jose Luis Cuevas, Alexander Calder, Stuart Davis, and Morris Graves, Musee de la Napoule, France, 1957 and in The Emergent Decade, Cornell University and Solomon R. Guggenheim Museum, New York, 1965. Among his many awards are First International Prize for Drawing, Biennial of Sao Paulo, 1959, First Prize, International Black and White Exhibition, Lugano, Switzerland, 1962, First International Prize for Printmaking, Triennial of Graphic Arts, New Delhi, India, 1968, First Prize, III Latin American Print...

"Le Schpountz" original 1952 movie poster by artist Albert Dubout. Created for 1952 revival by the French Société Nouvelle des Films of the 1938 movie, "...

Lithograph/diptych. Edition 25. Miho Morinoue is an acclaimed dancer and a visual artist. As a member of the Complexions Contemporary Ballet Company she performed extensively in the...

The famous commercial advertising artist Hu Boxiang created this advertisement calendar poster for the British American Tobacco Company in 1931. Unlike other poster artists, Hu was k...

Hand signed by Andy Warhol & Mick Jagger, numbered in pencil. Number AP 19/50 (aside from the main edition of 250). Screenprint on Arches Aquarelle (Rough) Paper. Printed by Alex...

No title (No 47) Ballet Photography 47" x 38"in Ed of 18 by Yevgeniy Repiashenko No title (No 47) by Yevgeniy Repiashenko Year photo was taken: 2016 Limited Edition of 18 Picture s...

No title (No 60) Ballet Photography 47 x 47 in Ed. of 18 by Yevgeniy Repiashenko No title (No 60) by Yevgeniy Repiashenko Year photo was taken: 2017 Limited Edition of 18 Picture s...

Betsy, [Girl in Cowboy Boots and Hat]. Color lithograph. On Linen. Excellent composer Pascal Bastia is also a talented writer who wrote most of the lyrics and librettos of his operettas . Author -songwriter, has been interpreted by the greatest : Jean Sablon, Josephine Baker, Luc Barney ... He is also the author of music and film scripts...

Untitled silkscreen on paper of woman looking out window from bed by artist Harry McCormick. Framed in metallic wooden frame.

A bloomy view - Polaroid Photographic Print Framed by Pia Clodi The blue tones within her work should not be interpreted as coldness, as her works are full of fleeting moments withi...

Yue Minjun, Snatched Ecstasy (Portfolio of 20) Contemporary, 21st Century, Lithograph, Limited Edition, Chinese Lithograph Edition of 130 80 × 120 cm (47 1/5 × 31 1/2 in) Each print ...

"Marilyn Chanel Diamond [Queens White (B+W Bright White)]" acrylic, oil-based ink and diamond dust hand-pulled screen print on linen by artist Russell Young. Depicts Marilyn Monroe h...

Bernar Venet, Indeterminate Line Contemporary, 21st Century, Etching, Black, Limited Edition Etching (Portfolio of 3) Edition of 60 94 x 102.9 cm (37 x 40.5 in) 94 x 110.5 cm (37 x 4...

Giclée print in colors on somerset paper. Hand signed lower right and left by Sandra Chevrier and Martin Whatson. Hand numbered 247/295 lower left. Artwork size: 39.5 x 27.5 inche...

Renato Guttuso was one of the most important Italian painters of the 20th century. The work is a lithograph made in etching and aquatint circa 1960s and depicts a famous painting of...

No title (No 21) Ballet Photography 47 x 47 in Ed. of 18 by Yevgeniy Repiashenko No title (No 21) by Yevgeniy Repiashenko Year photo was taken: 2016 Limited Edition of 18 Picture s...

"Jeune Nuit" Ballet Photography 47" x 47" in Ed. of 18 by Yevgeniy Repiashenko "Jeune Nuit" by Yevgeniy Repiashenko Year photo was taken: 2017 Limited Edition of 18 Picture size: H...

No title (No 03) Ballet Photography 47"x47" in Ed of 18 by Yevgeniy Repiashenko No title (No 03) by Yevgeniy Repiashenko Year photo was taken: 2017 Limited Edition of 18 Picture si...

"Bal de l'AAAA Festival of Light" is an original lithograph poster by Paul Emile Pissarro. It depicts a silhouetted couple dancing in white, pink, and yellow ...

No title (No 55) Ballet Photography 47 x 38 in Ed of 18 by Yevgeniy Repiashenko No title (No 55) by Yevgeniy Repiashenko Year photo was taken: 2020 Limited Edition of 18 Picture si...

"BLINDING MIND" Plexiglass Print 55' x 39' in Ed. of 35 by Edyta Grzyb Image form: pigment print behind acrylic glass, glossy, inlaid. On the back with a mounting rail for hanging on the wall. On the back of the work there is a certificate of authenticity with a serial number and the signature of the artist EDYTA GRZYB. Characteristics of a work behind acrylic glass: 2 mm thick acrylic glass Waterproof UV-resistant High depth effect Great, rich colors Clear image details Each print is signed on the bottom margin Year / Title / Signature and has a certificate of authenticity. Edyta Grzyb (born 1984)living in Poland The preferred motif of her work is people; Strictly speaking, she is interested in their emotions, expressing them through contrasting colors, and occasionally blurring the lines between reality and fiction. She is of the opinion that painting lives through vivid colours, stimulating esthetic feelings and emotions in the observer. Through the combination of cool tones and intensive neon colours, she transports her audience into a world of fantasy. Used technique: Acrylics on canvas in Pop Art- Style. Edyta has been painting since 2013 and has specialized in acrylic painting. Many of her works are already in private collections. Since 2015, she has been increasingly involved in group exhibitions in Hamburg, Munich, Warsaw and exhibited at the Art Fairs in New York and Hong Kong. Exhibitions and events 2019: March – AAF Art Fair New York and AAF London Battersea, Mai – AAF Art Fair London Hampstead Mai – ARTMUC Art Fair Munic Nov - AAF Art Fair Hamburg 2018: Nov – AAF Art Fair in Hamburg Sep – Group Exhibition “Golden Age by Bentley” with Galerie Ewa Helena in Hamburg Mai – ARTMUC Art Fair in Munich Mai – AAF Art Fair in Hong Kong March – Group Exhibition, FIBAK Gallery in Warsaw March – AAF Art Fair in Brussel and in New York Feb – Group Exhibition in the Fabrik der Künste Hamburg, Galerie Ewa Helena 2017: Nov – AAF Art Fair Amsterdam Nov – AAF Art Fair Hamburg Jul/Sep – Group Exhibition in the Aqua Lounch – Porto Cervo (Sardinia) Jun – Exhibition by Bartek Janusz (Hair Stylist...

This artwork titled "Portrait of Valery Panov" c.1979, is an original colors lithograph on Wove paper by renown Russian artist Mihail Chemiakin, b.1943. It is hand signed and inscrib...