Oversized Figurative Prints

The large advertisement poster created by Mobil for the promotion of Francis Durbridge's Melissa likely dates to 1982, corresponding with its U.S. broadcast on PBS's Mystery! series....

Hand signed and numbered by the artist. From the Roman Numeral edition of 150. Framed size approx 50 x 34 inches. Artwork is in excellent condition. Certificate of Authenticity inc...

Color monotype. Rafael Ferrer depicts the intense life of the Caribbean in his paintings and prints. With hot colors, deep shadows and mysterious relationships among his figures, Fe...

from the Padoli Monotypes III

paper size 36 x 72 inches 40 x 76 inches framed

This artwork titled "Portrait of Monet" c.1989 is an original lithograph by noted American artist Charles Bragg, 1931-2017. It is hand signed, and numbered 129/400 in white pencil by...

- Lithographic poster for the International Exhibition of Decorative Arts, 1925. - Printed by Edmond Bernard, Paris. Dimensions H : 121,2 cm L : 80,4 cm/H: 47.72 in W: 31.65 in

Artist: Andy Warhol Title: Flowers (Hand-Colored) Medium: Screenprint hand-colored with watercolor on white wove paper Date: 1974 Edition: 238/250 Sheet Size: 40 7/8" x 27 1/4" Signa...

44" x 30" Unframed 3 Ink Woodcut Print on Paper Hand Signed by Iván Bautista

Poster of Sarah Bernhart Playing Hamlet. Paris. Mint condition. Linen-backed. Sarah Bernhardt's groundbreaking portrayal of Hamlet, performed in French, is masterfully captured in Alphonse Mucha's poster. Mucha emphasizes the play's themes of vengeance and mortality, depicting the ghost of Hamlet's murdered father haunting the ramparts of Elsinore in the background, while the tragic drowned Ophelia, adorned with flowers, rests in a coffin-like panel at Hamlet’s feet. This powerful image marks Mucha's final poster commission that depicts the celebrated French actress. The vintage poster is linen-backed and is in excellent condition. Bernhardt famously played Hamlet in 1899, becoming the first woman to embody the role on stage and later in a film adaptation. Her bold interpretation challenged conventional gender roles and pushed the boundaries of performance, establishing her as a pioneer in both theater and early cinema...

Original 1975 "The Day of the Locust" Vintage Movie Poster - Linen Backed - Art by David Edward Byrd. Very fine condition with original theater issued fold marks laid down. The Da...

44" x 30" Unframed 3 Ink Woodcut Print on Paper Hand Signed by Iván Bautista

"Puppet Man, 1960. By Alexander Calder. "E.A" Written in pencil by the artist The "E.A." designation on the print likely indicates it's an artist's proof, o...

Untitled silkscreen on paper of woman looking out window from bed by artist Harry McCormick. Framed in metallic wooden frame.

Original 1947 “This Time For Keeps” vintage American movie poster. NSS: 47/486. Archival linen backed in very good condition, ready to frame. The original theater issued fold ...

Original, “For A Few Dollars More”, professionally linen-backed US one sheet movie poster with restored original fold marks: for Sergio Leone's Per qualche dollaro in piu, Eastwood! ...

Pablo Picasso (1881-1973) The Man With a Goat, 1967 Lithograph with stencil after a watercolor (Jacomet workshop) Not signed Limited edition of 500 un-numbered copies On vellum 108...

Shipping Procedure Unmounted artwork Ships in a well-protected tube from Nigeria Accompanied by a Certificate of Authenticity. About Artist Tosin Oyeniyi is an intrinsically talente...

Army Of Caine by B A T I K Pop art work featuring multiples of Michael Caine in Get Carter mode - possibly his most iconic movie role. Archival pigment pop art print signed & limi...

TECHNICAL INFORMATION: Shepard Fairey Riot Cop 2009 Screenprint 41x 29 in. Edition 25 of 75 Pencil signed and numbered Condition: This piece is in perfect c...

The repetition of patterns and rhythm is present in almost every piece of Pedro´s work. The hybrid topographies that Pedro Friedeberg´s unclassifiable practice recreates we must rec...

Roby Dwi Antono - Epic Fight (Deluxe) Date of creation: 2021 Medium: Fine art print on Canson Aquarelle Paper with deckle edges Edition: 50 Size: 106.6 x 76.2 cm Condition: In perfe...

Original Palm Springs, California, and the communities of the Coachella Valley vintage poster. A fun image map of the Palm Springs area and activities and hotspots to visit. Linen ...

Original Allons chez Lampsin – Grellet vintage poster. Linen-backed original turn-of-the-century poster. This couple points out where to go to select their new peddle sewing machi...

Vintage 1971 New York Rangers Linen-Backed Hockey Poster – Original NHL Collectible. Excellent condition. Score big for your collection—order now and r...

"Le Schpountz" original 1952 movie poster by artist Albert Dubout. Created for 1952 revival by the French Société Nouvelle des Films of the 1938 movie, "...

Chuck Close Process and Collaboration (Hand Signed by Chuck Close), 2004 Offset Lithograph poster (Hand Signed & dated by Chuck Close in 2014) Boldly hand signed and dated by artist ...

TECHNICAL INFORMATION: The Connor Brothers All She Wanted Was To Be Someone's Most Precious Person 2017 Pigment print with silkscreen 47 1/4 x 29 1/2 ...

Screenprint in colors on paper. Hand signed and numbered by the artist. Artwork size 36 x 36 inches. Custom framed as pictured. Frame size approx 42 x 42 inches. From the edition...

From the Paintings series. Woodcut, Lithograph, screen print and collage on Arches 88 paper. Hand signed, dated and numbered by Roy Lichtenst...

Shipping Procedure Unmounted artwork Ships in a well-protected tube from Nigeria Accompanied by a Certificate of Authenticity. About Artist Tosin Oyeniyi is an intrinsically talente...

Alex Katz Vivien in White Coat, 2021 is a work of subtle admiration that the artist holds for her daughter-in-law, Vivien Bittencourt. The gentle hues...

In an expansion of Julian Opie's subject matter, from his observations of city dwellers, figures walking in the rain, runners and tourists to busy crowds of workers, the four new edi...

Part of the BLOOMY VIEW series taken in Bern 2020 in collaboration with Heym Collections, the images gained new life in their ambiguity, which often stimulates the viewer to project ...

"Musume" by Al Hirschfeld from the "Kabuki Suite," a series of 12 color lithographs on Arches paper capturing Hirschfeld's impressions from a trip to Japan in 1975 of the country's c...

Complete title: El Origen del Deseo - La Motivación Desbordante Mari Ito was born in Tokyo, Japan in 1980. She majored in Nihonga, Japanese-style painting made with traditional prac...

Complete title: El Origen del Deseo - Estoy Dentro de Alegría (The Origin of Desire - I am Inside of Happiness) Mari Ito was born in Tokyo, Japan in 1980. She majored in Nihonga, ...

Lilian Shao, China. "Midnight at Palace Court" Limited edition Serigraph printed on paper. Hand signed by the artist in pencil on the lower right and the edition number 57/300 on the left. Sheet Size 32"H x 25"W inches (81x64 cm). Custom Framed Size 46" H x 38"W. Contemporary. Lillian Shao...

Kate Night Blue by BATIK BATIK is an increasingly collectable pop artist currently living and working in London. The artist is purposely elusive with their true identity, sex and...

This lithograph by artist Ron Adams depicts the renowned printer Robert Blackburn in his workshop in NYC. Blackburn was involved with every major player of the Harlem Renaissance alo...

Pablo Picasso, After, Spanish (1881 - 1973) - Cubist Man in Hat, Year: circa 1981, Medium: Screenprint on Satin Scarf, Size: 69 x 18.5 in. (175.26 x 46.99 cm), Publisher: Museum ...

This artwork titled "Torso de Mujer (Torso de Femmee)" from the suite "The Mujeres File" 1969 is an original colors lithograph on Wove paper by renown Mexican artist Rufino Tamayo, 1899-1991. It is hand signed and inscribed H.C. (Hors Commerce) in pencil by the artist. The image size is 26.85 x 21 inches, framed size is 40.75 x 33 inches. Published by Touchtone Publisher, New York, printed by Ateliers Desjobert, Paris. Referenced and pictured in the artist's catalogue raisonne by Pereda, plate #108 page 107. Custom framed in a wooden gold frame, with gold bevel and light beige fabric matting. It is in excellent condition. About the artist: A native of Oaxaca in Southern Mexico, Rufino Tamayo's father was a shoemaker, and his mother a seamstress. Some accounts state that he was descended from Zapotec Indians, but he was actually 'mestizo' - of mixed indigenous/European ancestry. (Santa Barbara Museum of Art). He began painting at age 11. Orphaned at the age of 12, Tamayo moved to Mexico City, where he was raised by his maternal aunt who owned a wholesale fruit business. In 1917, he entered the San Carlos Academy of Fine Arts, but left soon after to pursue independent study. Four years later, Tamayo was appointed the head designer of the department of ethnographic drawings at the National Museum of Archaeology in Mexico City. There he was surrounded by pre-Colombian objects, an aesthetic inspiration that would play a pivotal role in his life. In his own work, Tamayo integrated the forms and tones of pre-Columbian ceramics...

"Vietnam, Ana (Series 1)" mixed media artwork by artist Raphael Mazzucco.

Rodeo Queen, 1981 Edition 36/50 Signed lower left, Inscribed: for the "Rose" 82. Provenance: Print was a gift to Rozanne Charington, companion and model for "Rodeo Queen", "Rose Tattoo" and "Jimenez at Adeliza's Candy Store". Lithograph on paper 42 ½ × 29 in. (107.3 × 73.7 cm) Luis Alfonso Jimenez Born, 1940, El Paso, Texas, died 2006, Hondo, New Mexico. Statement: Luis Jimenez, in his work, celebrates the vitality of life. . . . Jimenez es un hijo de la frontera; he knows its people and the landscape. It is the transformation of these people into art that is his most important contribution to the art of this vast region which stretches between Mexico and the United States. His subject matter utilizes the popular images of the cultura del norte, and a large part of it is depicted and transformed in the rough and tumble world of la frontera. He is also a son of el norte, and so he uses its materials and explores its emerging, popular myths. The tension and attraction of Jimnez’s work is that he always creates within the space of his two worlds, the Mexicano and the Americano. He constantly shows us the irony of the two forces which repel, while showing us glimpses of the synthesis he seeks. What a gift it has been to us for this talented artist to reflect on the soul of our region. He gives meaning to our existence and history. Rudolfo Anaya (passage chosen by the artist), A View from La Frontera, Man on Fire: Luis Jimenez, pp. 1, 3, 6Biography: Luis Jimenez was born in Texas to parents who had emigrated from Mexico to the United States; he would later dedicate his 1989 sculpture Border Crossing to his father, who had entered the country illegally. The elder Jimenez was a neon sign designer in El Paso, and Luis worked with him as a youth. His experience working in the neon shop and his fascination with U.S. car culture would both become major influences on his art career. Jimenez studied architecture at the University of Texas, Austin (UTA), and also took art courses in which he first created sculptures with wood, steel, and fiberglass, choosing the latter because of its association with U.S. popular culture. He subsequently became one of the artists who made fiberglass an acceptable medium in the 1960s. In 1964 Jimenez received his B.S. in art from UTA, and he continued his studies at the Universidad Nacional Autonoma de Mexico in Mexico City. In 1966 he moved to New York City and worked as an assistant to sculptor Seymour Lipton. Jimenez began to exhibit his art while in New York and in 1972 moved to New Mexico to focus on creating public sculptures, even as he maintained his diverse output of drawings, prints, and lithographs. Drawing on his early experiences, Jimenez creates works that come from a border perspective, one that draws upon the hybridity bred by culture clashes. Often socially and politically informed, his works speak not only in regional terms, those germane to the southwestern United States, but to broader, more global issues as well. They exhibit a profoundly Chicano aesthetic and sensibility, one that is informed by Mexican and Mexican American traditions, North American popular culture, Chicano cultural icons, and images and themes unique to the Southwest. Death, sexuality, and the struggle of the common people are frequent themes. Inspired by authors who write in an autobiographical style, Jimenez creates works that function as personal narrative yet are also able to make statements about culture in more global terms. His use of bold colors and lines, a legacy from his fathers work as a neon sign maker, lends a dynamic sensuality to his work, one that is particularly evident in his monumental fiberglass and acrylic urethane sculptural works Many of Jimenez's works correspond to scholar Toms Ybarra-Fraustos definition of the Chicano aesthetic of rasquachismo, a lowbrow sensibility that appeals to the working class in that it applies to objects that subvert expressions of the mainstream or dominant culture. Creating art that speaks to the people, Jimenez is able to transform regional and culturally specific myths and symbols into globally recognized and relevant icons. Exhibitions: In addition to his personal work, Jimenez has been commissioned for numerous public art projects. In 1999 his sculpture Southwest Piet was designated a National Treasure by First Lady Hillary Clinton. The many exhibitions featuring his work have included Human Concern/Personal Torment (Whitney Museum of American Art, New York, 1969). The First International Motorcycle Art Show (Phoenix Art Museum, Phoenix, AZ, 1973). Three Texas Artists (Centre Cultural Americaine, USIS, Paris, 1977), Recent Trends in Collecting (Smithsonian Institution, Washington, DC, 1982). Committed to Print (Museum of Modern Art, New York, 1989) Printmaking in Texas: The 1980s (Modern Art Museum, Fort Worth, TX. Laguna Gloria Art Museum, Austin, 1990. The Whitney Biennial (Whitney Museum of American Art, New York, 1991) Man On Fire: Luis Jimnez (Albuquerque Museum of Art, NM, 1994-95). 47th Annual Purchase Exhibition (American Academy of Arts and Letters, New York, 1995). Traveling solo exhibition, Working Class Heroes: Images from the Popular Culture (1997-2000). Jiménez Collier Gallery has been in continuous operation for over 40 years. Originally located just off Main Street in downtown Scottsdale, Arizona, we have moved to Phoenix to accommodate and showcase our large inventory including: • Original works by Maynard Dixon, Lon Megargee, Ed Mell, Fritz Scholder, Bill Schenck, Bill Lesch, Luis Jimenez, Greg Singley, Dan Budnik, and other 20th century Western, WPA and Contemporary Southwestern artists. • The Fine Art Estate of Lon Megargee • Vintage rodeo...

Original lithograph in colours on Arches paper, with full margins, framed Signed by the artist in pencil, lower right on recto Image: 68 x 49 cm, Sheet: 94.5 x 67.9 cm, Framed: 105.3...

Concentric circles. Floating circular shapes. Colourful circles in a circle. hand signed 2024 Art education: 2018 Sorbonne University, Paris 2014 – MA Fine Art at the Academy...

Not one to shy away from human representation, Pia Clodi’s more portraiture-like works continually offer the sitter an air of anonymity, and as such the viewer has the opportunity to...

“Zsa Zsa” is a wonderful original Art Deco lithograph created by a famous Russian-born French artist Erté (Romain de Tirtoff). Image size (with signature): 2...

Deluxe hand embellished enhanced canvas. Hand signed and numbered on front by the artist. Stretched. Artwork is in excellent condition. Certificate o...

Robert Longo, Horsehead Nebula Contemporary, 21st Century, Pigment Print, Limited Edition Pigment print Unframed Edition of 25 152 x 89.4 cm (59.9 x 35 in.) Signed and numbered, acco...

Robert Longo, Rosette Nebula Contemporary, 21st Century, Pigment Print, Limited Edition Pigment print Edition of 25 151,9 x 89 cm (59.9 x 35 in.) Signed and numbered In mint conditio...

Influorescense - A limited edition large scale photography collaboration by Tom Blachford and Kate Ballis. The series takes its name from the marriage of two words. Fluorescence (me...

'Red Demon and Blue Demon with 48 Arthats' is a large-format offset lithograph by Takashi Murakami, image size 28 x 46.5 inches and framed size 37.5 x 56 inches. From the edition of 300, signed lower right and numbered 191/300. Framed in a contemporary, white frame. In the 2017 monograph, ‘The Octopus Eats its Own Legs’, Michael Dylan Foster writes, “Akiko Miki has noted that in his more recent work Murakami has made a ‘shift not only to being concerned with the notion of religion – a main component, along with capitalism, behind the creation of art – but also towards a more serious engagement with the traditions of Japanese art.’ These concerns, manifested in his explicit invocations of folkloric imagery and creatures from both religion and art, are particularly apparent in ‘The 500 Arhats,’ his monumental twenty-four-paneled, 100-meter-long painting. The work portrays five hundred wizened and grotesque arhats, Buddhist religious figures who, as art historian Nobuo Tsuji puts it, ‘normally… stay in the mountains practicing religious austerities, only appearing after a fire, tsunami, earthquake, or some other disaster has occurred, as a kind of rescue team.’ The gargantuan painting represents Murakami’s interest in creating – in the wake of Japan’s tragedy of earthquake, tsunami, and nuclear disaster on March 11, 2011 – ‘a work of art that would be deemed indispensable to our times.’ The inspiration came directly from a series of exchanges between Murakami and Tsuji, whose critical work the artist had long admired.” Regarding the red and blue demons in the present artwork, these are allusions to Japan’s folkloric tradition of ‘oni’ – ogre or devil-like creatures who in ancient times were associated with bad fortunes and events, but in modern times are more ambiguous. “…Murakami’s invocation of the oni suggests that – unlike his arhats, or his baku and hakutaku – these beings have not come as part of the post-disaster ‘rescue team’ but may represent the very inhuman forces that cause disaster. A closer examination of the figures, however, reveals that Murakami has incorporated other cultural allusions that complicate a one-sided interpretation. …these poses are reminiscent of the so-called Niō guardian...

Black and White Photography, Limited Edition Figurative Photograph Alain Pino’s new works continue his exploration on the intersection between identity and industrial design. In a h...

44" x 30" Unframed 3 Ink Woodcut Print on Paper Hand Signed by Iván Bautista

Maria Rivans is a contemporary British artist, known for her scrapbook-style collage aesthetic. A mash-up of Surrealism meets Pop-Art, Rivans’s work re-ap...

Marcel Schellekens' works are characterised by the special incidence of light and the atmosphere that the works radiate. Marcel finds inspiration cl...

This artwork titled "Elephant Family" 1983 is an original large color serigraph on paper by noted American artist Leroy Neiman, 1921-2012. It is hand signed and numbered 63/300 in pe...

Giclee on canvas. Hand signed and numbered on front by the artist. Artwork is in excellent condition. Certificate of authenticity included. Edition of 295. Canvas is not stretched. ...

Out of Poems Object and Flowers 3 (The 1940s) by Colin Self, British (1941) Date: 1968 Etching with Aquatint, signed, titled, numbered and dated in pencil Edition of 61/75 Image Size...