Framed Figurative Prints

Lithograph and silkscreen in colors on paper. From Peace Portfolio. Hand signed and numbered by the artist. Artwork size 26 x 21 inches. Frame size approx 31 x 26 inches. Editio...

Hand signed in pencil on the verso by Julia Gruen, the executor for the Keith Haring Estate, dated '11/1/95' and numbered from the edition of 75 with the I...

Screen printed vacuum-formed plexiglass multiple in colors mounted to a card support. Artist signature, date and edition lower left front. Edition 12/101. Artwork is in excellent condition. All reasonable offers will be considered. About the Artist: Tom Wesselmann (1931–2004) was an American Pop artist best known for his collages, sculptures, and screenprints that stylized the female figure. Often isolating segments of the body—red lips with a cigarette, a single nipple, or a stylish shoe—his artworks aim was to seize a viewer’s attention. “The prime mission of my art, in the beginning, and continuing still, is to make figurative art as exciting as abstract art,” he once said of his work. Born on February 23, 1931 in Cincinnati, OH, he was drafted into the US Army to serve in the Korean War in 1952. Returning home after the war, he studied drawing at the Art Academy of Cincinnati before working as an illustrator of comic strips and men’s magazines...

Lon Megargee 1883-1960 "The Bronc" Wood block print Signed in plate, lower right Image size: 9 x 10 inches Frame size 21 x 21.5 inches Creator of Stetson's hat logo "Last Drop from his Hat" Lon Megargee 1883 - 1960 At age 13, Lon Megargee came to Phoenix in 1896 following the death of his father in Philadelphia. For several years he resided with relatives while working at an uncle’s dairy farm and at odd jobs. He returned to Philadelphia in 1898 – 1899 in order to attend drawing classes at the Pennsylvania Academy of the Fine Arts. Back in Phoenix in 1899, he decided at the age of 16 to try to make his living as a cowboy. Lon moved to the cow country of Wickenburg, Arizona where he was hired by Tex Singleton’s Bull Ranch. He later joined the Three Bar R. . . and after a few years, was offered a job by Billy Cook of the T.T. Ranch near New River. By 1906, Megargee had learned his trade well enough to be made foreman of Cook’s outfit. Never shy about taking risks, Lon soon left Cook to try his own hand at ranching. He partnered with a cowpuncher buddy, Tom Cavness, to start the El Rancho Cinco Uno at New River. Unfortunately, the young partners could not foresee a three-year drought that would parch Arizona, costing them their stock and then their hard-earned ranch. Breaking with his romantic vision of cowboy life, Megargee finally turned to art full time. He again enrolled at the Pennsylvania Academy of Art and then the Los Angeles School of Art and Design during 1909 – 1910. The now well-trained student took his first trip to paint “en plein air” (outdoors) to the land of Hopi and Navajo peoples in northern Arizona. After entering paintings from this trip in the annual Territorial Fair at Phoenix, in 1911, he surprisingly sold his first oil painting to a major enterprise – the Santa Fe Railroad . . . Lon received $50 for “Navajos Watching the Santa Fe Train.” He soon sold the SFRR ten paintings over the next two years. For forty years the railroad was his most important client, purchasing its last painting from him in 1953. In a major stroke of good fortune during his early plein-air period, Megargee had the opportunity to paint with premier artist, William R. Leigh (1866 – 1955). Leigh furnished needed tutoring and counseling, and his bright, impressionistic palette served to enhance the junior artist’s sense of color and paint application. In a remarkable display of unabashed confidence and personable salesmanship, Lon Megargee, at age 30, forever linked his name with Arizona art history. Despite the possibility of competition from better known and more senior artists, he persuaded Governor George Hunt and the Legislature in 1913 to approve 15 large, historic and iconic murals for the State Capitol Building in Phoenix. After completing the murals in 1914, he was paid the then princely sum of roughly $4000. His Arizona statehood commission would launch Lon to considerable prominence at a very early point in his art career. Following a few years of art schooling in Los Angeles, and several stints as an art director with movie studios, including Paramount, Megargee turned in part to cover illustrations for popular Western story magazines in the 1920s. In the 1920s, as well, Lon began making black and white prints of Western types and of genre scenes from woodblocks. These prints he generally signed and sold singly. In 1933, he published a limited edition, signed and hard-cover book (about 250 copies and today rare)containing a group of 28 woodblock images. Titled “The Cowboy Builds a Loop,” the prints are noteworthy for strong design, excellent draftsmanship, humanistic and narrative content, and quality. Subjects include Southwest Indians and cowboys, Hispanic men and women, cattle, horses, burros, pioneers, trappers, sheepherders, horse traders, squaw men and ranch polo players. Megargee had a very advanced design sense for simplicity and boldness which he demonstrated in how he used line and form. His strengths included outstanding gestural (action) art and strong figurative work. He was superb in design, originality and drawing, as a study of his prints in the Hays collection reveals. In 1944, he published a second group of Western prints under the same title as the first. Reduced to 16 images from the original 28 subjects, and slightly smaller, Lon produced these prints in brown ink on a heavy, cream-colored stock. He designed a sturdy cardboard folio to hold each set. For the remainder of his life, Lon had success selling these portfolios to museum stores, art fairs and shows, and to the few galleries then selling Western art. Drawing on real working and life experiences, Lon Megargee had a comprehensive knowledge, understanding and sensitivity for Southwestern subject matter. Noted American modernist, Lew Davis...

Screen print in colors on somerset paper. Hand signed lower right by Mark Drew. Hand numbered 193/200 lower left. Sheet size 11.75 x 16.5 inches. Frame size 13 x 17.75 inches (b...

Screen print in colors on Saunders Waterford hi-white paper. Hand signed, dated and numbered by the artist. Edition 33/100 (there was also 20 APs and 5 PPs). Published by KAWSONE, B...

"Vietnam, Ana (Series 1)" mixed media artwork by artist Raphael Mazzucco.

"Not True, Good Accounts Make Good Friends" Satirical French Illustration Comical illustration by Gaston Hoffmann (French, 1883-1977) titled "Ce n'est pas vrai, les bons comptes fon...

Framed lithograph of a female nude pastel by artist Aristide Maillol. Image size: 12 1/2 x 9 1/2 inches. Framed under glass in wooden frame.

This artwork titled "Schubert's House, Vienna" c. 1970 is a color etching on wove paper by noted Austrian artist Robert Kasimir, 1914-2002. It is hand signed in pencil at the lower c...

Teal, brown and blue tone abstract figurative original print by Amado Maurilio Pena. The piece depicts five women figures that either appear back-to-back or fa...

From La Série 347. Bloch 1482; Baer 1497. Etching on Rives paper. Hand signed and numbered by the artist. From the edition of 50. Published by Galerie Louis Leiris...

"Bob Marley" limited edition silkscreen print by artist Gered Mankowitz. Image size: 17 x 15 inches. Embossed with stamp on lower left and ? stamp on lower right. "An Original and Au...

French Vintage Exhibition Poster for Yves Brayer (1964). Newly framed, the poster announces an exhibition of the works of Yves Brayer at the Galerie Isy Brachot in Brussels, Belgium....

Giclee print in colors on Moab Entrada paper with deckled edges. Hand signed and numbered by the artist. Sheet size: 20 x 24 inches. Frame size approx 26 x 30 inches inches. Editi...

Hank Willis Thomas (b. 1976) is an American conceptual artist renowned for his thought-provoking works that examine the intersection of race, identity, and commodity in pop culture. ...

Screen print, hand-finished with stencil and spray paint on hand torn archival art paper. Hand signed and numbered on front, thumb print on verso by the artist. Edition 42/50. Fra...

Joseph Kossonogi, Israeli (1908 - 1981) - The Wedding, Medium: Lithograph, signed and numbered in pencil, Edition: 72/150, Image Size: 12.5 x 18 inches, Frame Size: 21 x 27 inches

La serigrafia va firmada a plancha Se presenta enmarcada Medidas de la serigrafía: 68 x 52 cm. Medidas del marco: 83 x 63 cm. El estado tal cual se aprecia, con algunas faltas y ...

A lithograph from the Marina Picasso Estate Collection after the Pablo Picasso painting "Femme Dessinant, Femme Assoupi". The original painting was completed in 1935. In the 1970's ...

Giancarlo Impiglia, Italian/American (1940 - ) - Pierrot, Year: 1982, Medium: Screenprint, signed, numbered, titled and dated in pencil, Edition: 149/300, Image Size: 29.25 x 19....

Reuven Rubin, Israeli (1893 - 1974) - As The Mountains Are Round, Jerusalem 1925, Medium: Offset lithograph, signed in the plate, Size: 12 x 16 in. (30.48 x 40.64 cm), Frame Size...

The repetition of patterns and rhythm is present in almost every piece of Pedro´s work. The hybrid topographies that Pedro Friedeberg´s unclassifiable practice recreates we must rec...

This artwork "Cityscape with Bridge" c.1940 is a color etching on wove paper by Austrian/American artist Tana Kasimir Hoernes, 1887-1972. It is hand signed in pencil by the estate o...

Not one to shy away from human representation, Pia Clodi’s more portraiture-like works continually offer the sitter an air of anonymity, and as such the viewer has the opportunity to...

The woodblock print of a girl in red depicts a moment of introspection with the defined closed eyes of a little girl at the top of the work and the vision of a malicious face at the bottom. Kaoru Kawano was a woodblock...

Artist: Salvador Dali, Spanish (1904 - 1989) Title: The Golden Helmet of Mandrino from Historia de Don Quichotte de la Mancha Year: 1980 Medium: Etching ...

"Femme Au Collant Rose" by Rufino Tamayo is a Figurative Abstraction lithograph limited edition measuring 30x22 in. The piece is framed beautifully with a white mat in a gold and bla...

Gordon Grant (American, 1875-1962) The Salt Bark - Gloucester, c. 1947 Lithograph Sight: 10 x 12 1/2 in. Framed: 15 x 19 x 3/4 in. Signed lower right in pencil Published in edition ...

Paint by Pierre Auguste COT in 1873 Engraved by Amédée et Eugène Varin Entered according to act of congress in the year 1875 by M. Knoedler & co in the office of the librarian at Was...

A lithograph from the Marina Picasso Estate Collection after the Pablo Picasso painting "Femme Assise a la Robe Grise". The original painting was completed in 1943. In the 1970's af...

A 17th century hand-colored copper plate engraving entitled "Caryophyllus Maior Sylve Strisvarie Gatus" (Wood Pink & Cottage Pink Flowers) from Basilius Besler's landmark work, Hortus Eystettensis (Garden at Eichstatt), first published in 1613 in Eichstatt, Germany near Nuremberg and later in 1640 and 1713. This engraving is presented in a silver and gold-colored wood frame with a green edge and three elaborate cream-colored French mats...

Reuben Nakian Nymph and Goat 1 1979 Original etching Hand Signed by the artist in pencil Numbered 31/75 from the edition of 75 Paper Size: 26 x 20 inches Image Size: 16.5 x 13.5 inc...

Limited edition giclée print on fine art paper of a watercolor portrait of Josephine Baker by African-American artist Richard Yarde. Hand-numbered 5/300,...

This artwork "Vienna Scene II, Austria" c. 1970 is a color etching on wove paper by noted Austrian artist Robert Kasimir, 1914-2002. It is hand signed in pen...

Roberto Matta, Chilean (1911 - 2002) - Totem, Year: 1955-56, Medium: Lithograph with Hand-Coloring, Image Size: 25.5 x 18 inches, Size: 26 x 18.75 in. (66.04 x 47.63 cm), Frame S...

This piece titled " "Untitled" Back Series" " is an original print by James Rose and is made from drawing/ monoprint. This piece measures 27"h x 21"w, signed by the artist, and is sh...

This artwork titled "Linz Landhaus, Austria" 1977., is an original color etching by noted Austrian artist Josef Eidenberger, 1899-1991. It is hand signed in pencil by the artist. The...

Artist: Aegidius Sadeler II Petronia, First Wife of Vitellius, from set of Roman Emperors and Empresses, c. 16th-17th century Engraving Publisher: Marcus Christoph Sadeler Sight: 15 1/4 x 10 3/4 in. Framed: 19 3/4 x 15 1/4 x 1 in. This image was conceived in the 16th century by Aegidius Sadeler II and published by Marcus Christoph Sadeler. It is unclear when the present version was executed. Aegidius Sadeler or Aegidius Sadeler II[1] (1570–1629) was a Flemish engraver who was principally active at the Prague court of Rudolf II, Holy Roman Emperor and his successors. Sadeler was born in Antwerp in the Sadeler family of print dealers and engravers. He was the son of Emmanuel de Sayeleer and the nephew of Aegidius I, Jan I en Raphael Sadeler.[2] He was trained by his uncle Jan I and became a member of the Antwerp Guild of St. Luke in 1589. He was active in Munich the next year in 1590, in Rome in 1593, in Naples and then again in Munich in 1594–1597. From 1597 he settled in Prague where he became court engraver for Rudolf II and made engraved portraits of notables and engravings after artworks there, most notably paintings by Bartholomeus Spranger, Roelant Savery, Hans von Aachen, Giuseppe Arcimboldo, and sculptures by Giambologna and Adriaen de Vries. His early engravings were mostly faithful copies of works by Albrecht Dürer in the Imperial collection and copies of paintings by notable Italian painters such as Raphael, Tintoretto, Parmigianino, Barocci and Titian or by Northern painters who worked there, such as Paul Bril and Denys Calvaert. In Prague he also engraved portraits of the notables of Rudolf's court, and collaborated with Spranger, Joseph Heintz the Elder, Jacobus Typotius and his friend Anselmus Boece de Boodt (1550-1632), Rudolf II's gemologist and physician.[3] After Rudolf II died he enjoyed the favour and protection of the two succeeding Emperors, Matthias and Ferdinand II.[4][5] According to Michael Bryan...

Henri Matisse Le repos du modèle 1922 Lithograph on Chine appliqué on Japon paper, Edition of 575 Paper size: not listed Image size: 22.2 x 30.4 cms (8 3/4 x 12 ins) HM15512

This artwork titled "Elephant Family" 1983 is an original large color serigraph on paper by noted American artist Leroy Neiman, 1921-2012. It is hand signed and numbered 63/300 in pe...

Ancient Images, color lithograph by Dan Namingha, Hopi Kachinas, katsina, blue

This artwork titled "Saint Moritz, Switzerland" 1922 is an original color etching by Austrian artist Luigi Kasimir 1881-1962. It is hand signed in pencil at the lower center by the ...

Between 1964 and 1965, Picasso created 10 aquatint etchings that were published as a supplement to Pierre Reverdy's literary work "Sable Mouvant". A stri...

This elegant and authentic serigraph by the renowned Art Deco master Erté (Romain de Tirtoff), titled "Three Graces." This exceptional work comes from Erté’s celebrated series of cos...

Pablo Picasso Peintre et Femme Cuillant des Fleurs (Painter and Woman Picking Flowers), 1970 showcases a beautifully crisp work of art that Picasso imaginatively creates. Simple and ...

Comprised of shapes with lines and sharp angles, this composition depicting the running of the bulls is hectic and energized. Rendered in gradiated rainbow colors, the animals in thi...

Tracey Emin Beautiful Girl II, 2011 Etching, with chine-collé on 300 GSM Somerset paper, with full margins Signed and numbered 52/100 on the front in graphite pencil; also titled by ...

Artist: Joan Miro, Spanish (1893 - 1983) Title: Le Chien aboyant a la lune from «Verve», Vol. VII, nn. 27/28 Year: 1952 Medium: Lithograph, signed in the plate Size: 14.5 x 21 in. (3...

The Water Table is a lithograph on paper, 9.5 x 9 inches image size, and initialed 'BD' lower right. From the edition of 395, numbered 202/275 (there were also 100 Roman and 20 AP). ...

This artwork titled "Old City of Warsaw" 1994 is an original color serigraph by Ukrainian/American artist Anatole Krasnyansky, 1930-2023. It is hand signed, titled and numbered 117/...

Paul Resika Untitled Signed lower right Etching on wove paper 10 1/2 x 6 inches Paul Resika (born 1928, New York, New York) is primarily recognized for his artwork featuring the di...

Soft ground etching and aquatint in colors on Inveresk paper. Hand signed lower right by David Hockney. Hand numbered 121/200 lower right. Artwork size: 20.9 x 18 inches. Frame s...

Adolph Gottlieb, David Smith, Dorothy Dehner, Edgar Levy, Lucille Corcos and Esther Gottlieb Collaborative Etching With 6 artist (Hand Signed by 3 artist), ...

Le Can Can by Ludovic-Rodo Pissarro (1878 - 1952) Lithograph 21.8 x 26.8 cm (8 ⁵/₈ x 10 ¹/₂ inches) Studio stamped and inscribed 4th state number 8 Artist's Biography Ludovic-Rodolp...

RENOIR, PIERRE AUGUSTE (1841 -1919) "La Danse à la Campagne", 2nd plate (The Country Dance (second plate)) Delteil 2, Stella 2 Soft-ground Etching in black ink, c. 1890 Only State...

Lithograph realized after Fernand Léger in 1959, on Moulin Richard de Bas paper. Monogrammed in the plate. Image dimension 50x39.5 cm It belongs to the suite "Contrastes", printed ...

Burin engraving on Magnani-Pescia paper. Paper size 39cmx29,5cm, work size 22cmx17,5cm. Excellent condition, no defects. OSSI CZINNER - Central European artist, graphic designer and...

Artist: Andy Warhol Title: Untitled (Plate 8) Portfolio: 1956 In the Bottom of My Garden Medium: Offset lithograph and watercolor on paper Date: 1956 Frame Size: 15 3/4" x 18 3/8" Sh...

Two Color Offset Lithograph on Wove Paper by photo realist star Robert Cottingham Pencil signed, titled and numbered from the edition of 150 on the front This hand signed, titled and...