Linocut Figurative Prints

Deux Femmes près de la fenetre is a linocut print realized in smaller size after a linocut by Pablo Picasso of 1959 . Very good conditi...

The artwork will be sent unframed Linocut print „Murmurations 10 i ” 2022 Linocut colorful print technique Linocut from 2 matrices Limited edition, print unique number 1/1 Paper Fabr...

The artwork will be sent unframed Linocut print „Towards the sun” 2023 Reduction linocut print technique Limited edition, print unique number 2/13 Paper Fabriano Rosaspina Bianco 220...

Martha Reed was the daughter of the artist Doel Reed and as an adult she joined her parents in Taos, New Mexico. There she designed clothes with a south-we...

Martha Reed was the daughter of the artist Doel Reed and as an adult she joined her parents in Taos, New Mexico. There she designed clothes with a south-we...

LUIZA KASPRZYK Studied at the Faculty of Graphics and Painting at the Academy of Fine Arts in Łódź, in atelier of Lithographic Techniques of professor W. Warzywoda. In 2014, her work...

The artwork will be sent unframed Linocut and Monotype print „Loneliness 3 ” 2022 Limited edition, print unique number 6/6 Paper Fabriano Rosaspina 220 g Paper size 19,69x15,75 inch...

Where there is no guidance, a person falls, but in an abundance of counselors, there is safety. Without wise leadership, a nation falls; there is safety in having many advisers. “Tho...

Signed and numbered woodcut from the edition of 20. Political and social satire is a frequent topic in Hazelwood's work. But equally, he enjoys depicting the social scene in specific...

Antonio Diaz Cortes (Mexico, 1935) 'Encuentro', 2006 woodcut on paper Velin Arches 300 g. 27.6 x 19.7 in. (70 x 50 cm.) Edition of 99 Unframed ID: DIA-107 Hand-signed by author

LUIZA KASPRZYK Studied at the Faculty of Graphics and Painting at the Academy of Fine Arts in Łódź, in atelier of Lithographic Techniques of professor W. Warzywoda. In 2014, her work...

To see our other Modern British Art, including others by Hennes, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you...

The artwork will be sent unframed, with passpartou Linocut „Light” 2023 Linocut print technique Art print from 5 matrices Limited edition, print unique number 2/8 Paper Fabriano Ro...

The Wake is an original Linocut Print realized by Mino Maccari in 1951. Very Good condition. No Signature. Mino Maccari (1898-1989) was an Italian writer, painter, engraver and jo...

Shipping Procedure Unmounted artwork Ships in a well-protected tube from Nigeria Accompanied by a Certificate of Authenticity. About Artist Tosin Oyeniyi is an intrinsically talente...

We are all crying out for peace, But none is crying out for justice. Not just all about peace, But equal rights and justice. It’s a must-have. Slavery then, advanced colonization no...

The artwork will be sent unframed Linocut print „Murmurations” 2021 Linocut colorful print technique Linocut from 6 matrices Limited edition, print unique number 3/5 Paper Fabriano R...

The artwork will be sent unframed, with passpartou Linocut „Whispers” 2023 Linocut print technique Art print from 6 matrices Limited edition, print unique number 2/8 Paper Fabriano...

La Ligne is a lithograph realized by Pierre Alechinsky in the 1970s. Good conditions, not signed. The artwork is depicted through soft strokes in a well-balanced composition.

linocut, edition of 15 This artwork measures 36"h x 24"w and ships unframed. Bio // Jesse Shaw (b.1980) is a printmaker from Tennessee primarily working in relief prints carved fro...

Philip Sutton St. Ives - 1967 Print - Woodcut 34'' x 27'' Edition: signed and numbered in pencil 25/25 Image Size; 18"x 18" Condition Note; Handling Creases. Philip Sutton studied ...

Philip Sutton Heather - 1967 Print - Woodcut 33.5'' x 26.5'' Edition: signed and numbered in pencil 12/25 Image Size; 18"x 18" Condition Note; Handling Creases. Philip Sutton studi...

linocut, edition of 15 The artwork measures 36"h x 24"w and ships unframed. Bio // Jesse Shaw (b.1980) is a printmaker from Tennessee primarily working in relief prints carved from...

This linocut printed on paper presents a museum guard observing a large sculpture of a woman, in this case, a version of a Maillol sculpture. The versio...

The artwork will be sent unframed, with passpartou Linocut „Light” 2023 Linocut print technique Art print from 5 matrices Limited edition, print unique number 2/8 Paper Fabriano Ro...

Eduardo ¨Choco¨ Roca Salazar (Cuba, 1949) 'Cañero', 1989 linocut on paper Canson 320 g. 9.5 x 9.5 in. (24 x 24 cm.) Edition of 140 ID: CHO-302 Unframed

LUIZA KASPRZYK Studied at the Faculty of Graphics and Painting at the Academy of Fine Arts in Łódź, in atelier of Lithographic Techniques of professor W. Warzywoda. In 2014, her work...

Robert Cottingham Don't Walk, 1985 Three color Linoleum Cut on Paper Pencil signed, inscribed to Bryan and annotated TP Published by Chip Elwell Fine Prints Trial Proof (unique) This is a Trial Proof that Robert Cottingham inscribed, annotated and gifted to Bryan Konefsky, his longtime studio assistant in both Newtown, CT and Santa Fe New Mexico. Only one other example - a variant - of this early print, exists and is in the collection of the Smithsonian. Due to the untimely death of printer Chip Elwell in October of 1986, only two proofs in the woodcut medium were pulled: the present work, which Cottingham gifted to his longtime studio assistant, and the one at the Smithsonian. Furthermore and in another interesting turn of events, Elwell's studio was burglarized shortly after his death and among the items stolen were the original wood blocks for DON'T WALK. This is an historic work; and the only one available on the market. Measurements: Framed: 15 inches x 13.5 inches x .3 inches Artwork 12 inches x 10.5 inches Robert Cottingham Biography Robert Cottingham (b.1935, Brooklyn, NY) is recognised for his Photorealist paintings of American urban landscapes, particularly his depictions of painted and neon shop signs...

The Hen Hat is an original Linocut Print realized by Mino Maccari in 1951. Very Good condition. No Signature. Mino Maccari (1898-1989) was an Italian writer, painter, engraver and...

"Fifty Years Later" - Linocut Print on Paper 1/10 A silhouetted image of a person's profile dropping their ballot into a voting box. The simple shapes, t...

Juno At Blakeney by Colin Moore [2021] limited_edition lino cut print Edition number of 50 Image size: H:45 cm x W:80 cm Complete Size of Unframed ...

There is a natural and raw understanding in Mukesh Sharma’s prints that both depict, and are influenced by, the Rajastani communities of his home town in rural India. In these Limite...

There is a natural and raw understanding in Mukesh Sharma’s prints that both depict, and are influenced by, the Rajastani communities of his home town in rural India. In these Limited Edition fine-art prints, made over a period of twenty years, we are offered the colours of India’s ancient land, the textures, light and the patterns that are everywhere. In the patterns of the arable fields to the jali's (carved screens) in the architecture. This work is however not romantic nor nostalgic but shows a deeper rooted need to offer a visual heritage of place, of where the artist is from and the journey that he is taking. The results are both compelling and honest. Mukesh Sharma, Twin Showcase, Lino-cut on German Ivory paper Edition: AP, 2005 Image size: 47 x 39 cm / Sheet size: 79 x 55 cm Unframed 'We belong where love finds us' Mukesh Sharma's work: It is often in childhood that paths are set for what we will become. Mukesh Sharma hails from a rural, agricultural village in Rajasthan, India. His Father is a craftsman who fixed and mended farm machinery and understood the working parts in the processes. Sharma followed in his Father’s footsteps, as is often the case in Indian families, but his was not the machines of the fields but the presses of the printing studio. Like his Father, Mukesh Sharma is fascinated with understanding how things work and how he can manipulate the metal in his hands. It is not surprising then that his medium of choice is printing. One of the most physically challenging of all the practices, it can often be physically challenging as well as technical and detailed. In his youth, Sharma would draw with stones on walls and floors. He was lucky his family encouraged this and he is grateful for his early art-training at the Jaipur School of Art but it was at the Baroda Art Department that he was introduced to the great printing traditions of Jyoti Bhatt...

Linocut on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, XXe Siècle, vol. n°4, 1938. Published and printed under the direction of Gualtieri di San Lazzaro, éditeur, Paris, by Société Internationale d'Art XXe siècle, Paris. Excerpted from the academic article, “Promoting Original Prints, The Role of Gualtieri di San Lazzaro and XXe Siècle” by Valerie Holman, published in PRINT QUARTERLY, XXXIII, 2016, 2, Until recently very little has been written on the Italian author and art publisher Gualtieri di San Lazzaro (1904-75), yet for 50 years he chronicled the life and work of contemporary artists, produced monographs of exceptional quality, and disseminated original prints by modern painters and sculptors through his best-known periodical, XXe Siècle. Although still a relatively unfamiliar figure in the United Kingdom, San Lazzaro is one of the half-dozen great art publishers of the mid-twentieth century who, together with his exemplar, Ambroise Vollard (1866-1939), and those of his own generation, Christian Zervos (1889-1970), Tériade (1889-1983) and Albert Skira (1904-73), chose to base himself in Paris, seeing it throughout his life as the centre of the art world….XXe Siècle, an illustrated periodical, was launched in 1938 and printed in editions of approximately 2,000, each issue containing both photographs and four-colour separation reproductions across a wide spectrum of visual imagery ranging from masterpieces of Western painting to popular prints from the Far East. Its large format, lively design, and close integration of text and image, were immediately striking, but its most innovative feature, introduced at the suggestion of Hans Arp (1886-1966), was the inclusion of original prints by contemporary artists in every issue. With obvious appeal for collectors, XXe Siècle was also designed to introduce a wider, international public to contemporary painting and sculpture through good quality colour reproductions and the immediacy of original prints. Comparable in price to Cahiers d'Art, early issues of XXe Siècle sold out rapidly. While San Lazzaro's own aesthetic preferences tended towards lyric abstraction, he made clear that XXe Siècle was non-partisan [publication ceased during World War II]….in 1951, San Lazzaro relaunched XXe Siècle with thematic issues that were materials based, or centred on a topic of current interest in the visual arts, particularly in Europe: concepts of space, matter, monochrome, mark-making and the sign.' A defining feature of the new series was Italy's artistic dialogue with France for, while San Laz-zaro had originally concentrated on Paris-based painters and sculptors, his aim was to create an international network, to make known the work of French artists in Italy and Italian artists in France, and subsequently extend this bilateral axis to the English-speak-ing world. The artists represented in No. I by an original print were all best known as sculptors: Arp, Laurens, Henry Moore (1898-186) and Marino Marini, San Lazzaro not only sought to show readers the full range of an artist's work, but to encourage the production of prints, a stimulus much appreciated, for example, by Magnelli…. Suffering from failing health, in 1968 San Lazzaro lost overall control of XXe Siècle to Léon Amiel, a printer-publisher who had provided financial backing and helped with distribution in America." Thematic issues now ceased and were replaced by a 'panorama' of the year, but San Lazzaro was still active as a publisher of books and albums of prints….Shortly after his death, San Lazzaro himself was the subject of two exhibitions: 'Omaggio a XXe Siècle' in Milan in December 1974 centred on graphic work by those artists closest to him late in life, while 'San Laz-zaro et ses Amis' at the Musée d'Art Moderne de la Ville de Paris in 1975 featured work by all those whose work he had promoted for more than 50 years: Arp, Calder (1898-1976), Capogrossi, Chagall, Sonia Delau-nay, Dubuffet, Estève, Lucio Fontana (1899-1968), Gili-oli (1911-77), Magnelli, Marini, Miró, Moore and Poliakoff. This exhibition was seen by one of his closest colleagues as an indirect portrait of San Lazzaro, a complex man whose modesty and reserve masked his unremitting drive to extend international appreciation of contemporary art, and to bring the reading public closer to its making through the medium of print. MAX BILL (1908-1994) was a Swiss architect, artist, painter, typeface designer, industrial designer and graphic designer. Bill is widely considered the single most decisive influence on Swiss graphic design beginning in the 1950s with his theoretical writing and progressive work. His connection to the days of the Modern Movement gave him special authority. As an industrial designer, his work is characterized by a clarity of design and precise proportions. Examples are the elegant clocks and watches designed for Junghans, a long-term client. Among Bill's most notable product designs is the "Ulmer Hocker...

LUIZA KASPRZYK Studies at the Faculty of Graphics and Painting at the Academy of Fine Arts in Łódź, in atelier of Lithographic Techniques of professor W. Warzywoda. PROVENANCE Exhibi...

LUIZA KASPRZYK Studied at the Faculty of Graphics and Painting at the Academy of Fine Arts in Łódź, in atelier of Lithographic Techniques of professor W. Warzywoda. In 2014, her work...

Linocut on vélin paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the album, Pablo Picasso: Grabados al linóleo. Published by Gustavo Gili, S.A., Barcelona, and...

Life is a never-ending stream of what you wish and work for, we wished and we’ve got you as our running stream of love, no matter what stages, it's continuous, it doesn't stop. Ship...

This artwork combines a variety of printing styles and approaches including intaglio, photocopy gum printing, paper and rose petal stitching. By stitching formerly printed paper, the artist produces a kind of quilt framing...

Fernando Castro Pacheco was a Mexican muralist, painter, and printmaker. This linocut is titled to refer to the indigenous population. It is si...

Colin Moore Hampstead Pond Limited Edition 3 Block Linocut Edition of 100 Image Size: H 42cm x W 59.5cm Sheet Size: H 51cm x W 67cm x D 0.1cm Sold Unframed Please note that in situ images are purely an indication of how a piece may look. Hampsted Pond is a limited edition print by Colin Moore. It depicts the pond at Hampsted park with a woman walking her dog, this mainly natural green coloured landscape print is brought to life by the matching pops of red in the walkers clothing, the kite, and flowers in the foreground. Colin Moore artist has many landscape and seascape lino cut prints...

The Horse Trainer is an original Linocut Print realized by Mino Maccari in 1951. Very Good condition. No Signature. Mino Maccari (1898-1989) was a...

Cantedeskia - Linocut Black and White XXI century, Linocut, Flower, Figurative Art 5/50 Signed, numbered MARTA BOZYK (1973). A graduate of the Graphic Department of the Academy of...

This artwork "Woman with Three Goats" c.1960 is an original linocut on thin fiber paper by noted Turkish artist Nevzat Akoral, 1926-2016 It is signed in the plate as issue. The image...

Linocut on vélin paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the album, Pablo Picasso: Grabados al linóleo. Published by Gustavo Gili, S.A., Barcelona, and...

C like Cristina is an artwork realized by Miguel Berrocal (1933 – 2006) in 1975. Linocut print. Good condition.

Black and white contemporary figurative linocut by Polish artist Luiza Kasprzyk. Artwork comes from limited edition of 50. Print depicts bodies permeating each other. LUIZA KASPRZY...

Wall 1968, paper, linocut, 20.5x28 cm The linocut print depicts a boy standing in what appears to be a dark or shadowy environment. The artist uses the linocut technique to create ...

Medium: linocut Year: 2022 Image Size: 18 x 12 inches Edition size: 10 Image of a young native girl working in the poppy fields. As a cultural activist/artist/printmaker, Juan Fuen...

Jacqueline is a linocut reproduction realized in smaller size after a linocut by Pablo Picasso of 1959. Good conditions, except for very minor foxing on edges. Not signed. A passep...

Crocodile Surprise is an Original Linocut Print realized by Mino Maccari in 1951. Very good condition, not signed. Mino Maccari (1898-1989) was an Italian writer, painter, engraver...

G like Giulietta is an artwork realized by Miguel Berrocal (1933 – 2006) in 1975. Linocut print. Good condition.

LUIZA KASPRZYK Studied at the Faculty of Graphics and Painting at the Academy of Fine Arts in Łódź, in atelier of Lithographic Techniques of professor W. Warzywoda. In 2014, her work...

Kiki Smith Toxicology, 2009 Linotype and engraving in black, gray, and yellow on white wove paper. Printed from a magnesium engraving on Vandercook cylinder presses. Hand signed by ...

LUIZA KASPRZYK Studies at the Faculty of Graphics and Painting at the Academy of Fine Arts in Łódź, in atelier of Lithographic Techniques of professor W...

The Dreaming Cowboy is an Original Linocut Print realized by Mino Maccari in 1951. Not signed, very good condition. Mino Maccari (1898-1989) was an Italian writer, painter, engrave...

Medium: linocut Year: 2025 Image Size: 12 x 12 inches Edition of 20 Native indian with indian blanket, with abstracte background and clouds. As a cultural activist/artist/printmake...

Human Shapes is an Artwork realized by Mino Maccari  (1924-1989) in the Mid-20th Century. Linocut on paper. Hand-signed on the lower. Good conditions with slight foxing. Mino Macc...