1960s Figurative Prints

Peccatum Originis ("Original Sin") is an artwork realized in 1964. It is part of Biblia Sacra vulgatæ editionis published by Rizzoli-Mediolani between 1967 and 1969. Color lithogr...

Sanctus Raphael et Tobias (" Saint Raphael and Tobias ") is an artwork realized between 1967 and 1969. . It is part of Biblia Sacra vulgatæ editionis published by Rizzoli-Mediolani...

Arca foederis ("The Ark of the Covenant") is an artwork realized in 1964. It is part of Biblia Sacra vulgatæ editionis published by Rizzoli-Mediolani between 1967 and 1969. Color lithograph on heavy rag paper. Perfect conditions. Prov. Private Collection, Southern France. In this magnificent lithograph, a colorful monumental portrait of God is represented. In the book of Exodus, God appears to Moses and gives him the tables of the law. The Ten Commandments are then placed in the Ark of the Covenant. The figure of God is monumental and the background is realized with many shades of bright colors. In Dali's image the Ark doubles as the archbishop's hat. The symbol in the center of the image represents the Eye of Providence...

Marc Chagall Original Lithograph 1969 From the revue XXe Siecle, edition of 12,000 Unsigned, as issued Dimensions: 32 x 24 Condition : Excellent Reference: Mourlot 572 Marc Chagall (born in 1887) Marc Chagall was born in Belarus in 1887 and developed an early interest in art. After studying painting, in 1907 he left Russia for Paris, where he lived in an artist colony on the city’s outskirts. Fusing his own personal, dreamlike imagery with hints of the fauvism and cubism popular in France at the time, Chagall created his most lasting work—including I and the Village (1911)—some of which would be featured in the Salon des Indépendants exhibitions. After returning to Vitebsk for a visit in 1914, the outbreak of WWI trapped Chagall in Russia. He returned to France in 1923 but was forced to flee the country and Nazi persecution during WWII. Finding asylum in the U.S., Chagall became involved in set and costume design before returning to France in 1948. In his later years, he experimented with new art forms and was commissioned to produce numerous large-scale works. Chagall died in St.-Paul-de-Vence in 1985. The Village Marc Chagall was born in a small Hassidic community on the outskirts of Vitebsk, Belarus, on July 7, 1887. His father was a fishmonger, and his mother ran a small sundries shop in the village. As a child, Chagall attended the Jewish elementary school, where he studied Hebrew and the Bible, before later attending the Russian public school. He began to learn the fundamentals of drawing during this time, but perhaps more importantly, he absorbed the world around him, storing away the imagery and themes that would feature largely in most of his later work. At age 19 Chagall enrolled at a private, all-Jewish art school and began his formal education in painting, studying briefly with portrait artist Yehuda Pen. However, he left the school after several months, moving to St. Petersburg in 1907 to study at the Imperial Society for the Protection of Fine Arts. The following year, he enrolled at the Svanseva School, studying with set designer Léon Bakst, whose work had been featured in Sergei Diaghilev's Ballets Russes. This early experience would prove important to Chagall’s later career as well. Despite this formal instruction, and the widespread popularity of realism in Russia at the time, Chagall was already establishing his own personal style, which featured a more dreamlike unreality and the people, places and imagery that were close to his heart. Some examples from this period are his Window Vitebsk (1908) and My Fianceé with Black Gloves (1909), which pictured Bella Rosenfeld, to whom he had recently become engaged. The Beehive Despite his romance with Bella, in 1911 an allowance from Russian parliament member and art patron Maxim Binaver enabled Chagall to move to Paris, France. After settling briefly in the Montparnasse neighborhood, Chagall moved further afield to an artist colony known as La Ruche (“The Beehive”), where he began to work side by side with abstract painters such as Amedeo Modigliani and Fernand Léger as well as the avant-garde poet Guillaume Apollinaire. At their urging, and under the influence of the wildly popular fauvism and cubism, Chagall lightened his palette and pushed his style ever further from reality. I and the Village (1911) and Homage to Apollinaire (1912) are among his early Parisian works, widely considered to be his most successful and representative period. Though his work stood stylistically apart from his cubist contemporaries, from 1912 to 1914 Chagall exhibited several paintings at the annual Salon des Indépendants exhibition, where works by the likes of Juan Gris, Marcel Duchamp and Robert Delaunay were causing a stir in the Paris art world. Chagall’s popularity began to spread beyond La Ruche, and in May 1914 he traveled to Berlin to help organize his first solo exhibition, at Der Sturm Gallery. Chagall remained in the city until the highly acclaimed show opened that June. He then returned to Vitebsk, unaware of the fateful events to come. War, Peace and Revolution In August 1914 the outbreak of World War I precluded Chagall’s plans to return to Paris. The conflict did little to stem the flow of his creative output, however, instead merely giving him direct access to the childhood scenes so essential to his work, as seen in paintings such as Jew in Green (1914) and Over Vitebsk (1914). His paintings from this period also occasionally featured images of the war’s impact on the region, as with Wounded Soldier (1914) and Marching (1915). But despite the hardships of life during wartime, this would also prove to be a joyful period for Chagall. In July 1915 he married Bella, and she gave birth to a daughter, Ida, the following year. Their appearance in works such as Birthday (1915), Bella and Ida by the Window (1917) and several of his “Lovers” paintings give a glimpse of the island of domestic bliss that was Chagall’s amidst the chaos. To avoid military service and stay with his new family, Chagall took a position as a clerk in the Ministry of War Economy in St. Petersburg. While there he began work on his autobiography and also immersed himself in the local art scene, befriending novelist Boris Pasternak, among others. He also exhibited his work in the city and soon gained considerable recognition. That notoriety would prove important in the aftermath of the 1917 Russian Revolution when he was appointed as the Commissar of Fine Arts in Vitebsk. In his new post, Chagall undertook various projects in the region, including the 1919 founding of the Academy of the Arts. Despite these endeavors, differences among his colleagues eventually disillusioned Chagall. In 1920 he relinquished his position and moved his family to Moscow, the post-revolution capital of Russia. In Moscow, Chagall was soon commissioned to create sets and costumes for various productions at the Moscow State Yiddish Theater, where he would paint a series of murals titled Introduction to the Jewish Theater as well. In 1921, Chagall also found work as a teacher at a school for war orphans. By 1922, however, Chagall found that his art had fallen out of favor, and seeking new horizons he left Russia for good. Flight After a brief stay in Berlin, where he unsuccessfully sought to recover the work exhibited at Der Sturm before the war, Chagall moved his family to Paris in September 1923. Shortly after their arrival, he was commissioned by art dealer and publisher Ambroise Vollard to produce a series of etchings for a new edition of Nikolai Gogol's 1842 novel Dead Souls. Two years later Chagall began work on an illustrated edition of Jean de la Fontaine’s Fables, and in 1930 he created etchings for an illustrated edition of the Old Testament, for which he traveled to Palestine to conduct research. Chagall’s work during this period brought him new success as an artist and enabled him to travel throughout Europe in the 1930s. He also published his autobiography, My Life (1931), and in 1933 received a retrospective at the Kunsthalle in Basel, Switzerland. But at the same time that Chagall’s popularity was spreading, so, too, was the threat of Fascism and Nazism. Singled out during the cultural "cleansing" undertaken by the Nazis in Germany, Chagall’s work was ordered removed from museums throughout the country. Several pieces were subsequently burned, and others were featured in a 1937 exhibition of “degenerate art” held in Munich. Chagall’s angst regarding these troubling events and the persecution of Jews in general can be seen in his 1938 painting White Crucifixion. With the eruption of World War II, Chagall and his family moved to the Loire region before moving farther south to Marseilles following the invasion of France. They found a more certain refuge when, in 1941, Chagall’s name was added by the director of the Museum of Modern Art (MOMA) in New York City to a list of artists and intellectuals deemed most at risk from the Nazis’ anti-Jewish campaign. Chagall and his family would be among the more than 2,000 who received visas and escaped this way. Haunted Harbors Arriving in New York City in June 1941, Chagall discovered that he was already a well-known artist there and, despite a language barrier, soon became a part of the exiled European artist community. The following year he was commissioned by choreographer Léonide Massine to design sets and costumes for the ballet Aleko, based on Alexander Pushkin’s “The Gypsies” and set to the music of Pyotr Ilyich Tchaikovsky. But even as he settled into the safety of his temporary home, Chagall’s thoughts were frequently consumed by the fate befalling the Jews of Europe and the destruction of Russia, as paintings such as The Yellow Crucifixion...

Noli me Tangere is an artwork realized in 1964. It is part of Biblia Sacra vulgatæ editionis published by Rizzoli-Mediolani between 1967 and 1969. Color lithograph on heavy rag paper. Signed on plate on the lower margin. Perfect conditions. Prov. Private Collection, Genova. The artwork represents a famous episode from the Gospel of John. The scene represents the apparition of God after resurrection. The meaning of "Noli me tangere" is "Do not touch me". This is the expression that Jesus says to Mary Magdalene after his resurrection. The iconographic tradition of Jesus is a standing figure with a purple mantle...

Leo quasi Bos comedens paleas ( The Lion eating straw like the Ox ) is an artwork realized in 1964. It is part of Biblia Sacra vulgatæ editionis published by Rizzoli-Mediolani betwe...

Inter filios affuit etiam Satan ("And Satan also was present among the Sons of God") is an artwork realized in 1965. It is part of Biblia Sacra vulgatæ editionis published by Rizzol...

Hugh Masekela, The Father of South African Jazz - Signed Lithograph Ink on Paper Bold lithograph by Eugene Hawkins (American, b. 1933). Rendered in a s...

Proelium Magnum in Caelo is an artwork realized in 1964. It is part of Biblia Sacra vulgatæ editionis published by Rizzoli-Mediolani between 1967 and 1969. Color lithograph on heav...

De petra exivit aqua ("Water came out of the Rock") is an artwork realized by Salvador Dalí in 1964. It is part of Biblia Sacra vulgatæ editionis published by Rizzoli-Mediolani betwe...

Salvador Dali - Moshe Dayan - Original Handsigned Etching Dimensions: 38 x 28 cm 1968 Signed in pencil EA in Sanguine Jean Schneider, Basel References : Fi...

In the Beginning is an artwork realized in 1964. It is part of Biblia Sacra vulgatæ editionis published by Rizzoli-Mediolani between 1967 and 1969. Color lithograph on heavy rag pa...

Ossip ZADKINE Man in Yellow and Red, 1965 Original etching Printed signature in the plate On Arches vellum 38 x 28 cm (c. 15 x 11 in) INFORMATION : Edited for the portfolio Les Pe...

Iesus super mare ambulans ("Jesus walking on the Sea") is an artwork realized between 1964 and 1967. It is part of Biblia Sacra vulgatæ editionis published by Rizzoli-Mediolani bet...

Pablo Picasso (1881-1873) Tohu Numbered on the reverse Phototype and Pochoir 16 x 11.5 inches 957/1000

The Oak and the Reed is an artwork realized in 1974. Etching and drypoint with stencil. Printed by Atelierr Rigal. Edition XIV/CXX on Auvergne paper. It belongs to the suite Le ...

Turris Babel ("Tower of Babel") is an artwork realized in 1964. It is part of Biblia Sacra vulgatæ editionis published by Rizzoli-Mediolani between 1967 and 1969. Color lithograph ...

Language of the Birds - The Divine Comedy is a woodcut print realized in 1963 for a series illustrating the Medieval poem of the "Divine Comedy" by Dante Alighieri. Not signed, as ...

Sanguis Novi testamenti (" The Blood of the New Covenant ") is an artwork realized in 1965. It is part of Biblia Sacra vulgatæ edition published by Rizzoli-Mediolani between 1967 a...

Tertia die resurrexit ("Raised up the Third Day") is an artwork realized in 1964. It is part of Biblia Sacra vulgatæ editionis published by Rizzoli-Mediolani between 1967 and 1969. Color lithograph on heavy rag paper. Signed and dated on plate on the right margin. Perfect conditions. Prov. Private Collection, Southern France. This artwork represents the Resaurrection of God after his Death. According to the Scriptures, in fact the God raised up after three days. In the representation there are two figures that spread light and brightness. The spontaneous Bulletism process and the richiamo colors in the image truly highlight Dali’s range of creativity and use of space. The lithograph is part of the imponent work Biblia Sacra vulgatæ editionis published by Rizzoli-Mediolani between 1967 and 1969. It was illustrated by Salvador Dalí with a suite of 105 colored lithographs after water-color artworks. The paper sheets are signed and dated on plate, and each of them comes with a Japanese paper tissue with a printed biblical quotation. In 1963, Biblia Sacra was commissioned by Giuseppe Albaretto, a very pious man, who was one of Dalí’s closest friends and patrons between the 1950s and the 1960s. Giuseppe Albaretto and his wife Mara commissioned several of Dalí's works, and became important publishers of his etchings and lithographs, including the Biblia Sacra. Through these commissions, Albaretto hoped that Dalí would reconcile with religion. The friendship between the Albarettos and Salvador Dalì provided the art world with some of the most spectacular Surrealist artworks. These works are a few of the most desirable graphic works ever created by the artist. In the preface of the work, the publisher asserts that the lithographs “configure, in both a universal and a personal way, the dynamic vision that characterizes the relationship between men and God”. Salvador Dalí (Figueres, 1904 – Figueres, 1989) is considered one of the most versatile and prolific artists of the XX century and the founding father of Surrealism. In the course of his long career, he successfully experimented with sculpture, fashion, writing, and filmmaking. In his early use of organic morphology, his work bears the stamp of Pablo Picasso and Joan Miró. His work is also characterized by a fascination with classical art, manifested in the realistic style and religious symbolism of his latest works. Dalí was born near Barcelona to a middle class family. He soon demonstrated an interest in art, and, at the age of 18, he attended the Special Painting, Sculpture and Engraving School of San Fernando in Madrid. His eccentricity was notorious, and at first even more famous than his works. When he traveled to Paris, he met Pablo Picasso in his studio and took inspiration from Cubism. In 1928, he collaborated with Buñuel on Un Chien Andalou...

Animam et corpus trado pro patriis legibus is an artwork realized in 1964. It is part of Biblia Sacra vulgatæ editionis published by Rizzoli-Mediolani between 1967 and 1969. Color ...

The Absolute Real is a lithograph realized by Man Ray in 1964. Hand-singed in pencil by the Artist. Lithograph in Red Ink, 1964. Published by Schwarz, the lithograph is part of th...

Seduxisti me, domine ("You seduced me, my Lord") is an artwork realized by Salvador Dalí in 1964. It is part of Biblia Sacra vulgatæ editionis published by Rizzoli-Mediolani between ...

Plange, Virgo, accinta sacco is an artwork realized in 1964. It is part of Biblia Sacra vulgatæ editionis published by Rizzoli-Mediolani between 1967 and 1969. Color lithograph on ...

Sam Francis A Sail, 1969 is an exciting expression of color and movement formatted in a landscape orientation. Emblematic of two of the artist’s most recognized approaches, A Sail, 1...

ADOLFO MEXIAC (Mexican b.1927 - ) DESPERTAR, (Awakening) 1960 Linoleum cut signed, titled and dated. image 19 1/4 x 27 1/2. Sheet 24 x 31 1/2 Generally very good condition save for a loss along the top sheet edge and creasing in the lower right part of the sheet. This print was most likely produced at the TGP (El Taller de Grafica Popular...

Artist: Otto Dix (German, 1891-1969) Title/Portfolio: "Das Evangelium nach Matthäus (The Gospel according to Matthew)" *Unsigned edition Year: 1960 Medium: The Complete Book Portfolio of 33 Original Lithographs on white smooth offset paper Limited edition: 1,366/2,000 Printer: Klibor, Berlin, Germany Publisher: Käthe Vogt Verlag, Berlin, Germany Reference: "Otto Dix: Das Graphische Werk" - Karsch No. 235-267, page 227-246 Overall book size: 11.75" x 9.38" Each sheet size: 11.38" x 9" Condition: Some light wear to outer dust jacket associated with age, otherwise the inside and all works are in excellent condition Rare Notes: Provenance: private collection - Windhagen, Germany. Hand numbered in back. Printed in black from zinc plates. Book binding by Wübben & Co, cover and graphic design by Reinhart Braun both in Berlin, Germany. The complete 107 page book includes 33 original lithographs, 25 of which are are full page size, and text of the "Book of Matthew". The complete tirage is as follows: 1. 30 signed and numbered examples on Japan paper (37 prints, 4 extra states) 2. 2,000 book edition on white offset paper 2a. 1-100 in Saffiano Leather signed by Dix 2b. 101-400 bound in half-parchment signed by Dix 2c. 401-2,000 bound in linen unsigned (*Our example offered here.) The titles of the 33 works are "Abraham and Isaac", "Wise Men Visit the Christ Child", "Flight to Egypt", "Massacre of the Innocents in Bethlehem", "Baptism of Jesus", "The Temptation", "Calling of Peter", "Sermon on the Mount...

Original Handsigned Etching by Salvador Dali Hand-Enhanced with Gold painting Title: Merry Christmas Signed in pencil Edition: EA Dimensions: 23 x 17.5 cm Publisher : Phyllis Lucas Gallery...

Muliere peccatrici remittuntur peccata is an artwork realized by Salvador Dalí in the 1960s. It is part of Biblia Sacra vulgatæ editionis published by Rizzoli-Mediolani between 1967...

Medium: engraving (after the 1934 etching for "Lysistrata"). This facsimile edition was printed in 1962 and published by The Heritage Press, reproducing the Picasso etching. Plate si...

Mulier e Latere Viri ("Woman from the Side of Man") is an artwork realized in 1964. It is part of Biblia Sacra vulgatæ editionis published by Rizzoli-Mediolani between 1967 and 1969...

Iosas sepultus in mausoleo patrum (" Josiah buried in the mausoleum of his father ") is an artwork realized in the 1960s. It is part of Biblia Sacra vulgatæ editionis published by ...

Filiae Herodiadis Saltatio (The Dance of Herodias' Daughter) is an artwork realized in 1965. It is part of Biblia Sacra vulgatæ editionis published by Rizzoli-Mediolani between 1967...

Sedet sola civitas plena populo ("Lonely sits the city that was full of people") is an artwork realized by Salvador Dalí in 1964. It is part of Biblia Sacra vulgatæ editionis publis...

Ipse erat Elias is an artwork realized in 1964. It is part of Biblia Sacra vulgatæ editionis published by Rizzoli-Mediolani between 1967 and 1969.Color lithograph on heavy rag paper...

Artist: James Rosenquist Title: Untitled Portfolio: 1964 1 Cent Life Medium: Lithograph Date: 1964 Edition: 2000 Frame Size: 23 1/2" x 29 3/4" Sheet Size: 16 1/8" x 22 1/4" Signature...

Antequam exires de vulva sanctificavi te is an artwork realized in 1964. It is part of Biblia Sacra vulgatæ editionis published by Rizzoli-Mediolani between 1967 and 1969. Color li...

Faciamus Hominem ("Let us make Man") is an artwork realized in 1964. It is part of Biblia Sacra vulgatæ editionis published by Rizzoli-Mediolani between 1967 and 1969. Color lithog...

Ieremiae prophetia contra regem Iochin (" The Prophecy of Jeremiah ") is an artwork realized in 1965. It is part of Biblia Sacra vulgatæ editionis published by Rizzoli-Mediolani between 1967 and 1969. Color lithograph on heavy rag paper. Signed and dated on plate on the lower right margin. Perfect conditions. Provenance: Private Collection, Southern France. In this artwork the prophet Jeremiah is depicted by the artist. Jeremiah, that lived during the Jewish Kingdom, was persecuted because he was considered messenger of disaster. During the second Jerusalem siege...

Spiritus promptus est, caro vero infirma (The Spirit is willing, but the flesh is weak) is an artwork realized by Salvador Dalí in 1964. It is part of Biblia Sacra vulgatæ editionis...

Joseph et fratres in Aegypto ("Joseph and his brothers in Egypt") is an artwork realized in 1964. It is part of Biblia Sacra vulgatæ editionis published by Rizzoli-Mediolani between...

Lazare, Veni Foras ("Lazarus, come forth") is an artwork realized in 1964. It is part of Biblia Sacra vulgatæ editionis published by Rizzoli-Mediolani between 1967 and 1969. Color ...

Mulier amicta sole ("A woman clothed with the Sun") is an artwork realized by Salvador Dalí in 1964. It is part of Biblia Sacra vulgatæ editionis published by Rizzoli-Mediolani betwe...

And You Child, the Prophet of the Most High  is a colored lithograph from the original gouache on heavy rag paper from Salvador Dali’s five volume Biblia Sacra Suite published in ...

Leonor Fini - Red-Hair - Original Lithograph The Flowers of Evil 1964 Conditions: excellent Edition: 500 Dimensions: 46 x 34 cm Editions: Le Cercle du Livre Précieux, Paris Unsigne...

Vir et Mulier in paradiso voluptatis ("Man and Woman in the Garden of Pleasure") is an artwork realized in 1964. It is part of Biblia Sacra vulgatæ...

Aquae diluvii super terram is an artwork realized in 1964. It is part of Biblia Sacra vulgatæ editionis published by Rizzoli-Mediolani between 1967 and 1969. Color lithograph on h...

Female Face is an artwork realized by Leonor Fini in 1960 ca. 61,5x47,5 sheet, 40x32 lithograph, specimen no. EA XXX/XXX. Work hand signed lower right, inscribed "EA" and numbered...

Pablo Picasso Le Peintre et son Modele 1964 Original Color Lithograph on Velin d'Arches Size: 10x7.375in Signed and dated in the stone Edition: 2,000 Annotated verso Publisher: Mourl...

Marc Chagall Job Praying Artist: Marc Chagall Medium: Original lithograph Title: Job Praying Portfolio: Drawings for the Bible Edition: Unnumbered Sig...

"From John to John" - Rare Signed Figurative Lithograph in Ink on Paper Bold lithograph by Eugene Hawkins (American, b. 1933). Rendered in a semi-abstracted style, depicting John F. Kennedy, Jr. saluting his father. Titled, numbered, dated, and signed along the bottom edge: "From John to John litho #46/50 Jan 64 Eugene Hawkins, Legend #412" Presented in a new black mat. Mat size: 20"H x 16"W Image size: 15"H x 11"W Eugene Hawkins (American, b. 1933) is a BIPOC artist...

This bright and lively work was originally created for a poster showcasing Miró's works at the Galleria del Milione, Milan. Bold colors, lively imagery, and vivid spontaneity are sta...

Robert Indiana ERR (Sheehan 29), 1963 Photoengraving and Etching on off-white Rives BFK paper Hand signed, dated and annotated on lower front with artist's blind stamp from Coenties ...

Sanctus Hieronymus is an artwork realized in 1964. It is part of Biblia Sacra vulgatæ editionis published by Rizzoli-Mediolani between 1967 and 1969. Color lithograph on heavy rag...

The Absolute Real is a lithograph realized by Man Ray in 1964. Hand-singed in pencil by the Artist. Lithograph in Red Ink, 1964. Published by Schwarz, the lithograph is part of th...

Salomè is an artwork realized in 1964. It is part of Biblia Sacra vulgatæ editionis published by Rizzoli-Mediolani between 1967 and 1969. Color lithograph on heavy rag paper. Signed and dated on plate on the right margin. Perfect conditions. Salvador Dalí (Figueres, 1904 – Figueres, 1989) is considered one of the most versatile and prolific artists of the XX century and the founding father of Surrealism. In the course of his long career, he successfully experimented with sculpture, fashion, writing, and filmmaking. In his early use of organic morphology, his work bears the stamp of Pablo Picasso and Joan Miró. His work is also characterized by a fascination with classical art, manifested in the realistic style and religious symbolism of his latest works. Dalí was born near Barcelona to a middle class family. He soon demonstrated an interest in art, and, at the age of 18, he attended the Special Painting, Sculpture and Engraving School of San Fernando in Madrid. His eccentricity was notorious, and at first even more famous than his works. When he traveled to Paris, he met Pablo Picasso in his studio and took inspiration from Cubism. In 1928, he collaborated with Buñuel on Un Chien Andalou...

Edvard Munch (1863 - 1944) (after) Young and Old Woman Poster printed in offset lithograph (from Munch's original woodcut "Women on the Shore" of 1898) Printed in Mourlot workshop, Paris 76 x 53 cm (30 x 21") INFORMATION : Realised for the exhibition in the Los Angeles County Museum...

Jean Cocteau - Marine Mountains - Original Lithograph Dimensions: 38 x 28 cm Edition: 200 In Rives From: COCTEAU. — VERDET (André). Montagnes marines. S. l. (Paris), Les Messagers du...