Baby Figurative Prints

Josef Scharl (1896 Munich - 1954 New York), Mockery, 1935 (1964), Bronner 30 A. Woodcut on Japanese paper, 51.8 x 25.7 cm (image), 65 cm x 37 cm (sheet size), signed lower right in t...

Medium: Lithograph and stencil on vélin paper Year: 1946 Paper Size: 18.75 x 12.625 inches Inscription: Signed in the plate and unnumbered, as issued Catalogue raisonné reference: Or...

Etching on light gray Chine collant, laid down to ivory wove paper, 4 3/8 x 7 3/4 inches (110 x 195 mm) (Chine matrix), full margins. In very good condition with light mat tone and o...

Etching and drypoint on cream laid paper, 4 x 3 3/8 inches (102 x 86 mm), 1/4 inch margins. Signed in the plate, lower left corner. The 3rd state (of 6), after the rounding of the pl...

Guillaume Corneille (1922-2010) Lovers with Red Horse, 1989 Original color lithograph Signed and dated in pencil Artist proof (personal copy of the artist) On vellum, 53 x 73 cm (c....

A framed Art Nouveau lithograph collotype poster by Alphone Mucha from 1905 representing the artist’s sketches of nudes, women and beautiful ladies in blacks and white pigments on ve...

ARISTIDE MAILLOL (1861-1944) FEMME ASSISE / (WOMAN SEATED IN PROFILE, RIGHT, ONE LEG BENT. ONE LEG RAISED), 1926 (Gueirn 321) Etching signed with “M” monogram in pencil. Image 9 x 9...

Salvador Dali - Six Eggs - Original Etching Dimensions: 38 x 28 cm Edition: 390 1967 On Rives Vellum References : Field 67-4 (p. 32-33) / Michler & Lopsinger 174 to 187.

Georges BRUYER (1883-1962) The Carriage Accident, 1929 Original woodcut Handsigned in pencil Numbered /160 On vellum 32.5 x 25.5 cm (c. 13 x 10 in) Bears the blind stamp of the edit...

Inscribed, signed, and dated lower center: "Monoprint H Lee-Smith '69" Provenance: The Waintrob Project for the Visual Arts (Foundation); Sidney and Abraham Waintrob This item is i...

Adolpho DE CAROLIS (1874-1928) Hylas and the Nymphs, 1925 Original woodcut Handsigned in pencil Numbered /160 On vellum 32.5 x 25.5 cm (c. 13 x 10 in) Bears the blind stamp of the e...

Daniel GIRARD (1890-1970) Cyclop Polyphene and Ulysses, 1925 Original woodcut Handsigned in pencil Numbered /160 On vellum 32.5 x 25.5 cm (c. 13 x 10 in) Bears the blind stamp of th...

Hugues Merle was a French painter who mostly depicted sentimental or moral subjects. Samuel Cousins was a highly regarded mezzotint engraver. 350mm by 2...

The Blindfold is a color lithograph on ivory paper, created by the Italian artist Umberto Brunelleschi(Montemurlo 1879- Paris 1949). Illustration for “Tales and Short Stories” by La...

Artist: Peter Max Title: Rama Rama Year: 1971 Medium: Screenprint Edition: Signed in pencil and marked 72/100 Very good unframed condition. Beginning in the 1960s Peter Max has bee...

Lithograph, stencil on vélin paper. Paper size: 11.42 x 9.05 inches. Inscription: signed in the plate and unnumbered, as issued. Notes: from the folio, Propos d'un intoxiqué, Aquarel...

Lithograph on vélin des papeteries Lafúma paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the album, Le manuscrit trouvé dans un chapeau, orné de dessins a la ...

Caricature etching by American artist Charles Bragg. A group of jurors stares aimlessly around a courtroom. The Jury 2 Charles Bragg, American (1931–2017) Date: circa 1970 Etching, ...

Hand signed and numbered by the artist. Screen Print on Mohawk Superfine UltraWhite paper with deckled edges. Edition of 100. Frame size approx 37 x 29 inches. Artwork is in excellent condition. Certificate of authenticity included. All reasonable offers will be considered. About the Artist: Pose (Jordan Nickel...

Woodcut in colors on vélin pur chiffon de Rives paper. Paper size: 13 x 10.375 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné reference: Michler & Löpsin...

Hans Frank (1884 Vienna - 1948 Salzburg), Death and Life, 1911. Lithograph, 18 cm x 31 cm (depiction), 25.5 cm x 38.7 cm (sheet size), signed “H.[ans] Frank” in pencil lower right and inscribed “Tod und Leben” lower left. - darkened, remains of an old mounting on the verso - United in Laughter - Here, Hans Frank refers to the skull as a vanitas motif. In Renaissance and Baroque portraits, this motif symbolizes the transience of the sitter, whose head has become a skull over time. Penitents, such as St. Jerome, often hold skulls in melancholy contemplation. Here, however, the boy stands up for life itself. He boldly grabs the skull and laughs at the absurdity of life and death. The laughter of death joins the laughter of life, and vice versa. The child's thumb penetrates the skull's cheekbone to illustrate the inseparable connection between death and life. About the artist Hans Frank studied at the Vienna School of Applied Arts from 1902 to 1906 and then studied painting under Franz Rumpler at the Vienna Academy of Fine Arts from 1907 to 1911. In 1911, he received a substantial travel grant from the emperor, which he used to travel to Switzerland, Paris, London, Belgium, the Netherlands, and Germany. After serving in World War I, Frank moved to St. Marein im Mürztal, returning to Vienna in 1925. He took further study trips to Italy, southern France, and the Austrian countryside. In 1927, Frank became a member of the London Society of Color Printers. An exhibition of his work at the Medici Gallery in London brought him international recognition. He joined the Pasadena Printmakers Society of California and established contacts in Canada. In addition to his highly regarded paintings, Frank primarily worked as a graphic artist. He created over 300 prints and developed a new gradient technique for the fern woodcut with his twin brother, Leo Frank...

Lithograph realized by Daumier in 1859. Belongs to the Series "Ces Bons Parisien". Ref. Delteil 3241 Very good condition

Pablo Picasso (1881-1973) - La Comédie Humaine Lithograph from 1954. Dimensions of work: 35.5 x 26.5 cm Publisher: Tériade, Paris. The work is in Excellent condition. Fast and s...

This artwork titled "Familia Indigena III" 1983 is an original colors lithograph on Wove paper by renown Costa Rican/Mexican artist Francisco Zuniga, 1912-1998. It is hand signed, dated and numbered 67/100 in pencil by the artist. The artwork size is 22 x 29.85 inches, framed size is 28.5 x 36.5 inches. Published and printed by La Poligrafa, Barcelona, Spain. Referenced and pictured in the artist's catalogue raisonne "Zuniga The Complete Graphics, 1972-1984, by Jerry Brewster, plate #93. Beautifully framed in a custom acrylic display box, with brown fabric backing. It is in excellent condition. About the artist: Internationally acclaimed sculptor and printmaker Francisco Zuñiga was born in Costa Rica. He studied drawing, stone sculpture, and engraving at the School of Fine Arts in San Jose. Later, in 1936, he studied stone carving at La Esmeralda in Mexico City. He was appointed to the faculty of La Esmeralda where he remained until his retirement in 1970. Zuniga's art reflects a love and respect for Central American people and traditions. In 1972, he created his first lithograph. As a complement to his emotionally powerful sculpture, Zuniga's prints articulate the sensitivity and sensuality of the human figure. He has been the recipient of numerous international prizes and awards. His work is exhibited frequently in prominent galleries throughout the world and may be found in the permanent collections of twenty-nine museums, including the Metropolitan Museum of Art in New York, the Los Angeles County Museum, the Mexican Museum in San Francisco, and the Phoenix Art Museum. In 1936, Francisco Zuniga left San Jose, Costa Rica, where he had studied drawing at the School of Fine Arts and worked as an assistant in his father's studio, a workshop which produced religious sculpture for the churches and convents in and around the city. His destination was Mexico City. It was from there that he would begin an illustrious career as a sculptor and draftsman. Zuñiga's exploration into the nuances of volume, in line and space, are demonstrated in this, the most complete exhibition of his work to be shown in more than a decade. Mexico City in 1936 was, even then, one of the major art centers of the Americas. As such it witnessed and participated in many of the frenzied and controversial art movements which reflected the political and intellectual climate of the first three decades of the twentieth century. Muralism, the graphic arts, the incorporation of in-ternational movements had produced an artistic climate, which would eventually attract to Mexico international artists and intellectuals such as Sergei Eisenstein...

Original vintage 1950s Haller Chocolate Bars German Advertising Poster – A Retro Collectible Masterpiece. Professionally archival linen-backed in excellent condition and ready to fr...

Available individually ($2500), and also as a suite of five ($12,000). Born in Bronx, NY, Ida Applebroog attended NY State Institute of Applied Arts and Sciences (1949). She moved...

Black and white figurative soft varnish etching print by Polish artist Czeslaw Tumielewicz. Artwork depicts two people kissing. They are shown in rather cubistic style. Title of this...

Heads of women is an original artwork realized by Thomas Holloway for Johann Caspar Lavater's "Essays on Physiognomy, Designed to promote the Knowledge and the Love of Mankind", Lon...

Medium: Collotype, héliogravure, recto and verso, on grand vélin Renage filigrané paper, as issued Year: 1954 Paper Size: 12 x 9.25 inches; image size: 8.66 x 6.69 inches Inscription...

Offset lithograph in colors on paper. Hand signed and numbered by the artist. From the edition of 500. Artwork is in excellent condition. Certificate of authenticity included. Al...

Lois Ward's "Red Damsel" is a color mezzotint created in 1994 in a very small edition of just 10. This impression is #2 of 10. A young human figure in green gazes down on a Tinker B...

If Series: Runner Peter Max, German/American (1937) Date: 1981 Screenprint, signed and dedicated in pencil Edition: A/P Size: 10 in. x 14 in. (25.4 cm x 35.56 cm) Frame Size: 16.75 x...

Jane Hading Lithograph, 1898 Monogramed in the stone upper left corner (see photo) From the First Edition, printed posthumously before 1906 c. 400 impressions (per Wittrock) The sitt...

'Girl and Cat', lithograph, 1935, edition 33, Fine and Looney 121. Signed, titled, dated, and numbered '5/33' in pencil. A superb, richly-inked impression...

Color lithograph, on Magnani-Pescia paper. Paper size 56cmx76cm, work size 47cmx66cm. Excellent condition, no defects. Artist, costume designer, after having created numerous scenog...

Al Hirschfeld, 'Kris Dancer, Bali', color lithograph, 1941, edition 1,000. Signed in the stone, lower right. A fine, clean impression, with fresh colors, on cream wove paper, the ful...

Le Rêve  is a color lithograph on ivory paper, created by the Italian artist Umberto Brunelleschi (Montemurlo 1879- Paris 1949). Illustration for “Tales and Short Stories” by La Fon...

Erotic scene is an original Héliogravure artwork on ivory-colored paper, realized by Micheal Von Zichy in 1911. Printed in only 300 copies, Leipzig; Privatdruck, from the Catalogue ...

Ladies and Gentlemen is a colored screen print realized in 1975 by the Pop artist Andy Warhol.  Mixed colored screenprint Signed, dated and numbered on the reverse. Edition of 204...

Moody, expressive large scale black and white abstract interior scene with grey watercolor and gouache, depicting a bust, indian Mugal carpet, floral design...

Guillermo Silva Santamaria, Colombian (1922 -2007) - La Gallina Ciego, Year: 1968, Medium: Etching with Aquatint, signed, titled and numbered in pencil, Edition: AP 66, Image Size...

Medium: Lithograph on vélin Hamilton Kilmory paper Year: 1947 Paper Size: 9.5 x 12.5 inches Inscription: Unsigned and unnumbered, as issued Notes: From the folio, Rembrandt, Drawings...

Artist: Eileen Alice Soper (English, 1905-1990) Title: "The Tragedy" *Signed by Soper in pencil lower right Year: 1922 Medium: Original Etching on cream laid paper Limited edition: 264 Printer: Likely printed by Eva Soper, London, UK Publisher: H C Dickens, London, UK Reference: "The Catalogue Raisonne of Prints and Etchings of George and Eileen Soper" - Beetles No. 31, page 111, 141, 155 Sheet size: 9.13" x 5.5" Image size: 3.88" x 6" Condition: Remnants of previous mounting tape at right edges. In excellent condition Notes: Provenance: private collection - Boulder, CO. Biography: Eileen Soper was born in 1905 in the Municipal Borough of Enfield and moved to the house where she was to spend the rest of her life in Harmer Green, Welwyn in the Hertfordshire countryside in 1908. The house she later named "Wildings" was built by her father, the artist George Soper...

Miguel CONDE Battle Scene Original Etching on vellum Handsigned on bottom right Numbered on /XXV 58.2 x 98.5 cm (22.8 x 38.5 in.) Good condition, slight...

Lithograph on vélin a la forme des papeteries d'Arches paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Apollinaire, Henri Matisse, 1952. Published b...

Lithograph on grand vélin d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: from the folio, Parallèlement, Illustré de lithographies originales ...

Duendecitos is a black and White aquatint, drypoint, and etching printed in blue-black ink on laid paper from Caprichos realized after Francisco Goya in 1881-1886. 6th Edition.  Ti...

Lithograph on vélin d'Arches à la forme savoir paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Dans l'Atelier de Picasso, 1957. Published by Fernan...

Erotic scene is an original Héliogravure artwork on ivory-colored paper, realized by Micheal Von Zichy in 1911. Printed in only 300 copies, Leipzig; Privatdruck, from the Catalogue ...

Stephen Frailey Untitled, 1988 Polaroid print Sight: 19 3/4 x 19 3/4 in. Framed: 24 1/4 x 24 x 1 3/4 in. Edition 2/3 Provenance: Lieberman & Saul, New York Stephen studied at the...

Trois Hommes se Disputant une Femme Devant un Emir is an original artwork realized by Spanish artist Pablo Picasso in 1966. Black and white etching on wove paper. Fine proof edited...

Woodcut in colors on vélin pur chiffon de Rives paper. Paper size: 13 x 10.375 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné reference: Michler & Löpsin...

Image dimensions: 25.5 x 18 cm. Ceremonies of a Floridian King is a fine etching, hand-watercolored, realized by the engraver Gianfrancesco Pivati. This original print, representi...

Medium: Lithograph on vélin paper Year: 1948 Paper Size: 16.54 x 11.81 inches Inscription: Inscription: Unsigned and unnumbered, as issued Notes: From the album, Carnet de dessins de...

Marc Chagall (1887-1985) The Circus : The Spirit of the Circus, 1967 Original lithograph (Mourlot Workshop) On Arches vellum 42 x 32 cm (c. 17 x 13 in) REFERENCE : Catalog raiso...

Lithograph and stencil on vélin papier a la cuve du moulin richard de bas specialement filigrané pour cette édition paper. Inscription: signed in the plate and unnumbered, as issued....

The erotic scene is an original Héliogravure on ivory-colored paper, realized by Micheal Von Zichy in 1911. Limited edition of in only 300 copies, Leipzig; Privatdruck, from the Cat...

Mary Van Blarcom, 'Gardenias', color serigraph, c. 1945, edition small. Signed 'Van B' in pencil in the image, lower right. Titled in pencil, bottom left sheet corner. A rich, painterly impression, with fresh colors, on cream wove paper; the full sheet with margins (5/16 to 1 1/16 inches), in excellent condition. Image size 6 x 8 3/8 inches; sheet size 6 7/8 x 10 1/4 inches. Matted to museum standards, unframed. ABOUT THE ARTIST Painter, printmaker and craftsperson, Mary Van Blarcom was born in Newark, New Jersey and studied at Wellesley College. She was a member of the National Serigraph Society where she served on the board of trustees from 1945 through 1952 and was 1st vice-president from 1949-51. She was also a member of the National Association of Women Artists, the Artists Equity Association, the American Color Print Society, the New Jersey Artists Association (Director), and Artists of Today. Van Blarcom exhibited actively throughout the 1940’s at many prominent art organizations including: Montclair Art Museum, 1941-45 and 1947-51 (prize, 1948); Society of Independent Artists, 1942-44; Artists of Today, 1942-46; Elisabeth Ney Museum, 1943; Northwest Printmakers, 1944, 1946-49; Laguna Beach Art Association, 1945-47, 1949; National Association of Women Artists, 1945-50, (prize, 1946); Library of Congress, 1946-47; Museum of Modern Art travelling exhibition, 1945-47; Carnegie Institute, 1947; Serigraph Gallery, 1946, 1951 (solo); American Color Print Society, 1947-52; Newark Museum, 1947-48, 1951; California State Library, 1947, 1949; National Serigraph Society, 1949 (prize), 1950 (prize); University of Chile, 1950; New Jersey State Museum, 1950; Philadelphia Art Alliance, 1951; and the Main Gallery, NY, 1952. Van Blarcom’s work is in the collections of the Newark Public Library, U.S. Library of Congress; the American Association of University Women; New York Public Library; Tel-Aviv Museum, Alabama Polytechnic Institute, Princeton Print Club...

Shunga: Twelve Signs of the Zodiac - Goat Color woodcut with gauffrage (embossing) Unsigned (as usual) Format: Shikishiban Publisher: Privately produced Unusually well preserved with the fugitive blue still intact Image size: 5-1/8 x 5-3/4" Sheet size: 5 3/8 x 6 1/4" From Wikipedia, the free encyclopedia In this Japanese name, the surname is Isoda. Isoda Koryūsai (礒田 湖龍斎, 1735–1790) was a Japanese ukiyo-e print designer and painter active from 1769 to 1790. Life and career Koryūsai was born in 1735 and worked as a samurai in the service of the Tsuchiya clan. He became a masterless rōnin after the death of the head of the clan and moved to Edo (modern Tokyo) where he settled near Ryōgoku Bridge in the Yagenbori area. He became a print designer there under the art name Haruhiro in 1769, at first making samurai-themed designs. The ukiyo-e print master Harunobu died in 1770, and about that time Koryūsai began making prints in a similar style of life in the pleasure districts. Koryūsai was a prolific designer of individual prints and print series,[1] most of which appeared between 1769 and 1881. In 1782, Koryūsai applied for and received the Buddhist honour hokkyō ("Bridge of the Law") from the imperial court and thereafter used the title as part of his signature. His output slowed from this time, though he continued to design prints until his death in 1790. Works Koryūsai created a total of 2,500 known designs, or an average of four a week. According to art historian Allen Hockley, "Koryūsai may ... have been the most productive artist of the eighteenth century". The series Models for Fashion: New Designs as Fresh Young Leaves (Hinagata wakana no hatsumoyō, 1776–1781) ran for 140 prints, the longest known ukiyo-e print series of beauties. He designed at least 350 hashira-e pillar prints, numerous kachō-e bird-and-flower prints, a great number of shunga erotic prints, and others. Ninety of his nikuhitsu-ga paintings are known, making him one of the most productive painters of the period. Legacy Despite Koryūsai's productivity and popularity—both in his time and amongst later collectors—his work has attracted little scholarship. The first ukiyo-e histories written in the West in the 19th century elevated certain artists as exemplars; Koryūsai's work came to be seen as too indebted to Harunobu, who died in 1770, and inferior to that of Kiyonaga, whose peak period came in the 1880s. An example is Woldemar von Seidlitz's Geschichte des japanischen Farbenholzschnittes ("History of Japanese colour prints", 1897), the most popular of the early ukiyo-e histories, which paints Koryūsai as a successor to Harunobu and a rival of Kiyonaga in the 1770s who slipped into mediocrity and imitation of his rival by the end of the decade.[5] Interest lay mainly in the details of Koryūsai's life—a samurai who received court honours was unusual in the proletarian world of ukiyo-e. In 2021, contemporary woodblock printmaker David Bull...

Lithograph in colors on vélin Fabriano charta ex meris pannis "ab alveo" manu fabricata, perlucidis figuris intexta paper. Paper size: 19 x 13.75 inches. Inscription: Signed in the p...