Book Figurative Prints

“Mozart en France” – Original French Exhibition 1956 Poster, Linen-Backed. Grade A- condition, ready to frame. Fold marks restored. A striking, authentic mid-century poster creat...

Poster for Harper's March, 1895. Woman in Green dress with Rabbit New York: Harper & Brothers,1895. Signed in stone bottom right: EDWARD PENFIELD. On Linen. Color Zincograph. Very...

Screenprint by Escotete (Scott Jacobs) of a fashionable woman in red, sitting in the passenger seat of a convertible. This print is signed, numbered, and ...

Discover the ethereal beauty of Richey Beckett's sold-out rare 3-print set, featuring the captivating titles "In Heaven," "S.T.," and "Where is my mind?" Each print, meticulously cra...

Vintage offset print, from "Valentina" to "O", in a vintage poster realized in 1976 after Guido Crepax., in occasion of his exhibition at Galleria Rondanini, Rome.  Very Good condit...

Vintage poster realized in occasion of the exhibition of Piranesi's Etchings at Galleria Marino Rome. The exhibition was held in occasion of Piranesi's bicentenary of the death (177...

Vintage poster realized in occasion of Gian Paolo Berto's Exhibition at Galleria Marino, Rome, in 1980s. Offset print. Limited edition of 1000. Very good condition.

"Victor Hugo Nuñez (Chile, 1943) 'Virgen ', 2015 silkscreen on paper Guarro Biblos 250g. 15.4 x 9.5 in. (39 x 24 cm.) Edition of 10 ID: HUV-105"

Honore Daumier (1808-1879), Une Navigation Difficile, lithograph, 1843, plate 6 from the series Les Canotiers Parisiens [with the addresses, text, and Daumier’s initials in the plate...

"Light Shines Through a Book on the Sinai" is an original lithograph by James Rosenquist to benefit The Associates of the American Friends of Israel Museum in 1980. The print is sign...

Vicente Rojo (Mexico, 1932-2021) 'Cuaderno abierto', 2006 engraving on paper Velin Arches 300 g. 26 x 43.2 in. (66 x 109.5 cm.) Edition of 80 ID: ROJ-111 Unframed

Jose Luis Cuevas (Mexico, 1934-2017) 'Suite Sobre la vida I', 2005 woodcut on paper Rives BFK 300 g. 22.1 x 30 in. (56 x 76 cm.) Edition of 50 Unframed

Fun Loving Criminals - Hand Signed Limited Edition Archival Pigment Print This piece is a fun and modern reworking of mugs shots taken of famou...

Vintage offset poster realized in 1970s in occasion of Manzù's exhibition at Galleria Marino, Rome. Limited edition of 1.000. Very good condition.

Vintage poster realized in occasion of the Exhibition of Albrecht Durer's Etchings at Galleria Marino, Rome in 1970s. Limited edition of 1000. Very good condition.

Erté Poster  is a vintagel offset poster about an exhibition of the famous alphabet realized by Erté in Marino gallery at Rome in Navona's square. Edition...

Vintage offset poster realized in occasion of exhibition of graphic works by Giovanni Fattori at Galleria Marino Rome, in the late 1970s. Limited edition of 1000. Very good condition.

Vintage poster realized in occasion of the exhibition of Piranesi's Etchings at Galleria Marino Rome. The exhibition was held in occasion of Piranesi's bicentenary of the death (177...

An original Dutch propaganda poster by M. Deleu, 1930's. A very bold, red and linear composition with a very striking palette.

"To my mother" is the main graphic work of the artist Sidonie Springer. The portfolio consists of 10 images drawn by the artist in charcoal and partially tinted in color, which come ...

In 2012, along with Adams’ completion of his 42 minute video Malraux’s Shoes, he was simultaneously referencing his own extensive library and archive documenting the intellectual climate of the 1960s. Entitled Tagging the Archive, this suite of 24 text pieces are montaged over revolutionary ephemera from the 60s as well as book covers such as Abbie Hoffman’s Steal this Book (1971), Franz Erhard Walther’s Objekte, benutzen (1968), Jean Luc Godard’s Le Petit Soldat, Claude Levi Strauss’s Tristes Tropiques, Henry Miller’s Black Spring, and others. This was Adams’ opportunity to formulate a critical dialogue filled with ambiguous clues. Juxtaposed against forerunners such as Broodthaer’s Departement des Aigles (1968-72), or Aby Warburg’s Mnemosyne Atlas (1866-1929), or Malraux’s Le Musee Imaginaire, or Richard Prince’s extensive personal library of vintage pulp...

Artist: Gudmundur Erro, Icelandic (1932 - ) Title: Catman Year: 2001 Medium: Lithograph, signed and numbered in pencil Edition: 199 Image Size: 31 x 15 inches Size: 36 x 21 in. (91.4...

Letter I is an Etching realized by Luigi Vanvitelli. The etching belongs to the print suite “Antiquities of Herculaneum Exposed” (original title: “Le Antichità di Ercolano Esposte”)...

Hommage for Ville de Nantes Lithograph poster after Jean Cocteau Jean Cocteau was a French poet, playwright, and filmmaker known for his avant-garde works that spanned multiple art...

Original: Our America Motion Pictures # 2. Printed: 1943 by the Coca-Cola Company. Archival linen backed. Excellent condition. Lithograph. Linen bac...

Venus is a print realized by Olivier Descamps in the early 20th Century.  Woodcut on paper. Signed on the lower Numbered, edition of 50 prints. Good conditions.

This wonderful lithographic and photographic poster was created as a mixed media to promote an exhibition of Jacques Prévert's surrealist and symbolist...

With chopmarks and blindstamps. published by The Lakeside Studio (chopmark lower right). THE LITHOGRAPH IS SIGNED TITLED AND ANNOTATED BY THE ARTIST in pencil EXCELLENT condition. Will's formal art education began with classes at the Chicago Academy of Fine Arts. As a student at the city's Steinmetz High School, Petersen succeeded Hugh Hefner (of Playboy magazine fame) as the HS newspaper cartoonist, the Steinmetz Star. During this time, Petersen recovered from polio. In 1947 Petersen enrolled at Chicago's Wilbur Wright College. While there, he painted with oils for the first time. Two years later he enrolled at Michigan State University where he developed a strong interest in literature and writing and began printmaking. By 1951 he had begun to exhibit paintings and prints nationally. A year later he completed his master's degree. Petersen served in the United States Army from 1952-54, spending one year as an education specialist in Japan. This encounter with the Japanese culture affected his entire life. He became interested in calligraphy and Noh, classical Japanese Buddhist performance that combines elements of drama, music and poetry. Upon completion of his military service in Japan in 1955, Will Petersen settled in Oakland, California, where he met some of the most active poets of the Beat Generation: Gary Snyder, Allen Ginsberg, Jack Kerouac, Phil Whalen, Mike McClure and others. Petersen was attracted to the group by their intelligence and belief in Zen Buddhism. In 1956 in his small studio in Oakland, he printed the poems of Jack Kerouac. He attended for the first time, the reading of Ginsberg's Howl at Six Gallery. His relationship with Gary Snyder had begun when both were in Kyoto, Japan; later Snyder wrote for the Plucked Chicken. Petersen returned to Japan in 1957, pursuing painting, printmaking and writing for eight years while living in Kyoto. In 1965 he accepted a faculty appointment at Ohio State University, teaching drawing, painting and printmaking. Four years later Petersen took his teaching skills to West Virginia University in Morgantown, where he concentrated on printmaking. He taught there until 1977 when he began publishing Plucked Chicken, a journal of art and poetry. In 1978 in Morgantown, Petersen and his wife, Cynthia Archer, established Plucked Chicken Press, which they later moved to Chicago and then Evanston. Petersen operated the Press until his death on April 1, 1994. 1956 In storefront studio in Oakland, California, creates serigraphs and lithographs. Prints poems of Jack Kerouac. 1961 Back in Japan, acquires a lithography press and stones and resumes printing lithographs. Exhibits regularly with Kyoto Printmakers. 1969 Resident lithographer at the Lakeside Studio, Lakeside, Michigan. Prints for the first time Richard Hunt lithographs. 1978 Establishes Plucked Chicken Press in Morgantown, West Virginia. Resident lithographer at Lakeside Studio in Michigan. 1980 Plucked Chicken Press moves to Chicago. Publishes lithographs by Don Crouch and Art Kleinman. 1982 Publishes Blossom, a lithograph/collage by Tom Nakashima. 1983 Series I of Plucked Chicken Press is published with work by Archer, Duckworth, Godfrey, Heagstedt, Himmelfarb, Hoff, Hunt, Martyl, Miller, Nakashima and Petersen. 1984 Plucked Chicken Press moves to Evanston. Series II of Plucked Chicken Press is published with works by Croydon, Ho, Archer, Torn, Osver, Middaugh, Roseberry, Petersen, Spiess-Ferris and Hoppock. 1985 Series III of Plucked Chicken Press is published with works by Driesbach, Hunt, Trupp, Gregor, Pattison, Conger, Evans, Weygandt, Archer, Ho and Petersen. Prints Suite I, Northern Illinois University Collectors Series, with lithographs by Renie Adams, David Bower, David Driesbach, Carl Hayano and Ben Mahmoud, all faculty members of the art department at Northern Illinois University. 1986 Publishes Richard Hunt s Over Wisdom Bridge. 1987 Series IV of Plucked Chicken Press is published with works by Bustos, Archer, Martyl, Petersen, Smith, Gordon, Gadomski and Godfrey. 1990 Series V of Plucked Chicken Press is published with four floral lithographs by Winifred Godfrey...

Medium: Lithograph on grand vélin Renage paper Year: 1948 Paper Size: 12.375 x 9.5 inches; image size: 11.81 x 9.05 inches Inscription: Signed in the plate and unnumbered, as issued ...

Medium: Lithograph on grand vélin Filigrané a sa marque paper Year: 1950 Paper Size: 12.5 x 9.75 inches; image size: 12.6 x 9.84 inches Inscription: Signed in the plate and unnumbere...

Medium: Lithograph on grand vélin Filigrané a sa marque paper Year: 1950 Paper Size: 12.5 x 9.75 inches; image size: 11.02 x 7.87 inches Inscription: Signed in the plate and unnumber...

Medium: Lithograph on grand vélin Filigrané a sa marque paper Year: 1950 Paper Size: 12.5 x 9.75 inches; image size: 12.2 x 7.87 inches Inscription: Unsigned and unnumbered, as issue...

Medium: Lithograph on grand vélin Filigrané a sa marque paper Year: 1950 Paper Size: 12.5 x 9.75 inches; image size: 12.2 x 7.87 inches Inscription: Unsigned and unnumbered, as issue...

Chagall (after), Marc. MARC CHAGALL GRAND PALAIS (THE MAGICIAN OF PARIS). Sorlier 120. Poster, 1970. Lithographic reproduction by CHarles Sorlier after a ...

44" x 30" Unframed 3 Ink Woodcut Print on Paper Hand Signed by Iván Bautista

Medium: Lithograph on grand vélin Renage filigrané paper. Year: 1952 Paper Size: 12.5 x 9.5 inches; image size: 11.02 x 8.27 inches Inscription: Signed in the plate and unnumbered, a...

Filix Lochard. Kinalys -Aperatif -Ideal Les Fiils Severac - Bordeaux (monopole). Ca 1930. Color lithograph. On Linen. Advertisement for a Bordeaux Aperatif.

Artist: Gudmundur Erro, Icelandic (1932 - ) Title: The Sisters Year: 2001 Medium: Lithograph, signed and numbered in pencil Edition: LX Image Size: 31 x 17 inches Size: 36 x 21 in. (...

Artist: Gudmundur Erro, Icelandic (1932 - ) Title: Amazon Year: 2001 Medium: Screenprint, signed and numbered in pencil Edition: 199 Image Size: 24 x 17.5 inches Size: 30.5 x 22.5 in...

Medium: Lithograph on papier bouffant des Papeteries de Casteljoux paper Year: 1970 Paper Size: 12 x 9.25 inches Inscription: Unsigned and unnumbered, as issued Notes: From the folio...

Medium: Lithograph on vélin d'Arches Arjomari paper Year: 1965 Paper Size: 11.81 x 18.90 inches, with centerfold, as issued Inscription: Signed in the plate and unnumbered, as issued...

Artist: Pierre Fix-Masseau, French (1905 - 1994) Title: Jacomo, Monte Carlo Open Year: 1985 Medium: Lithograph Poster, signed in pen Image Size: 30 x 21 inches Size: 33 x 24 in. (83....

Artist: Gudmundur Erro, Icelandic (1932 - ) Title: Red Sonja Year: 2001 Medium: Lithograph, signed and numbered in pencil Edition: 199, LX Image Size: 30.5 x...

The frame is included. Art size: 25" x 19" This is an original and very rare vintage art poster from a Jacques VILLON's exhibition. It took place ...

Artist: Gudmundur Erro, Icelandic (1932 - ) Title: Swordslady Year: 2001 Medium: Lithograph, signed and numbered in pencil Edition: 199 Image Size: 23.5 x 18 inches Size: 30.5 x 22....

Artist: Gudmundur Erro, Icelandic (1932 - ) Title: Leger Year: 2005 Medium: Lithograph, signed and numbered in pencil Edition: 100 Image Size: 18 x 24 inches Size: 23 x 31.5 in. (58....

My Dearest, Woodblock Print by Daniel Duford, 2013

Medium: Lithograph and stencil on vélin Polifilo paper Year: 1947 Paper Size: 13.78 x 10.24 inches Inscription: Signed in the plate and unnumbered, as issued Notes: From the folio, I...

[Poster for Harper’s New Monthly Magazine, May 1895]. Woman in a blue dress with Harper’s, wandering through a flock of sheep. Color Zincograph. New York: Harper & Brothers,1895. Signed in stone bottom right: EDWARD PENFIELD. Ref: Das Plakat...

Medium: Lithograph and stencil on vélin paper Year: 1946 Paper Size: 13 x 17 inches Inscription: Signed in the plate and unnumbered, as issued Notes: From the folio, TLautrec, 1946. ...

Lithograph on vélin d'Arches paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, La Ballade du Soldat, 34 Lithographies Originales de Max Ernst, 1972. P...

Salvador Dali - The Sacred Love of Gala - Original Signed Engraving Handsigned in pencil and Numbered Edition: F195/195 - Printer: Atelier Riga...

Artist: Aiko Title: Emotions - Orange Variant Medium: 8 Color Hand Painted Stencil + 2 Screen Print on 290gsm Fine Art Paper Size: 24 x 20 inches (Framed: 25.5 x 21.5 Inches) Editio...

Publisher GKM. Edition of 200 ex. Unframed. Signed, dated and numbered. Free shipment worldwide. “I paint because painting is a private Utopia,” Erró writes of his art. The landsc...

Ex Libris  - Giorgio Balbi  -  Libertà, Supremo Bene! is an Artwork in Mid 20th Century. Woodcut. Good conditions. The artist wants to define a well-balanced composition, through ...

Max Ernst (1891-1976) Georges Ribemont-Dessaignes, La Ballade du Soldat, Pierre Chave, Vence, 1972 Colour lithographs on Arches paper 1972 Dimensions: 40 x 30 cm Reference: Spies &...

"Umzugsanzeige"  is a woodcut on ivory-colorated paper by Michel Fingesten,  Early 20th Century. Hand signed and with hand notes in pencil. In excellent conditions: As good as new. ...

Andreas Amrhein Go West Young Man Color etching Year: 2013 Edition: 26 Signed, numbered and dated by hand Size: 10.0 × 6.9 on 21.1 × 14.9 inches COA provided Ref.: 924802-900 -------------------------- Andreas Amrhein is a german male artist born in Marburg (GERMANY) in 1963. Andreas Amrhein’s first exhibition was Arbeiten auf Papier „Blau“ at Galerie Michael Schultz in Berlin in 1994, and the most recent exhibition was 12. Kunstpreis Wesseling - Zeit aus den Fugen at Kunstverein Wesseling e.V. in Wesseling in 2021. Andreas Amrhein is most frequently exhibited in Germany, but also had exhibitions in Austria...

"Keith Haring: Sculpture & Painting" January 17 to February 14 1987 at Tony Shafrazi Gallery, NY: Vintage original 1987 gallery announcement card Dimensions: 6 x 9 inches Excellen...

Reginald Marsh (1898-1934), Tattoo-Shave-Haircut, etching, 1932. Signed, titled (“Tattoo-Haircut-Shave”), dedicated (“for Arnold Newman”), and annotated (“Fourth State. First of Two Prints”). Reference: Sasowsky 140. On cream wove paper. In very good condition, with small margins (as trimmed, slightly irregularly, by the artist) (slight foxing in margins), remains of prior hinging verso; 9 7/8 x 9 3/4, the sheet 10 15/16 x 10 5/8 inches; archival matting. A very fine rich black impression; we have not seen impressions of comparable quality on the market. Provenance: Estate of Arnold Newman. Arnold Newman (1918-2006) was one of the great 20th Century masters of photography, and a friend of many leading artists; it is appears that Marsh took special care in printing this impression for Newman. Sasowsky calls for 10 states of Tattoo-Shave, based largely on Marsh’s notes. But the states are not clearly delineated (e.g., his States 3 and 4, one proof each, are characterized by Marsh as “Engraving added”; no information is given for State 5). The design for the print was complete in the first state, and subsequent state changes were not, apparently, major. This impression does not appear to differ in etching lines from the final state impression shown in Sasowsky. Its inscription (as a Fourth State, by Marsh), as well as its rich inking and quality, attest to its being a proof before the edition (of about 34 impressions), but the state of this print (and, presumably of many of the other several proof impressions) cannot at this time be stated with confidence. Marsh printed this impression personally (we recall his famous answer to a question about the size of his editions: “Since I do practically all my own printing, I do not limit the edition. The buyer limits the edition – he rarely buys, I rarely print”). Tattoo-Shave-Haircut depicts a scene in the Bowery, a section of New York’s Lower East Side, during the Great Depression. The building and train structures in the top half of the print recall Piranesi’s Carceri...