Bride Figurative Prints

The Great War no. 6 depicts a soldier writing home and the other dreaming of it while looking out a window. A soulful scene that in it’s simplicity t...

Nude figurative lithograph by Jim Smyth (American, b. 1938). Numbered, titled, signed and dated "5/12", "Study 2", "Smyth 74” along the bottom edge. Unframed. Jim Smyth has studied at the Academia de Belle Arti in Fiorenza, Italy, Ecole des BeauxArts in Geneva, New York Academy, and the Art Students League. He is also a graduate of UC Berkeley with a degree in Fine Art. Although academically trained, Smyth practices and teaches a more impressionistic style of painting, focusing on the Alla Prima technique. He is particularly knowledgeable about drawing, perspective, color theory and the human figure, his passion. Smyth, with extensive academic knowledge, has a profound love of all human representations as illustrated by his humorous quick sketches from life. He also practices and teaches oil painting and pastels. When not in Provence, or Southeastern France, Smyth teaches intensely in art schools, art centers and several colleges in the Bay Area. He is a beloved instructor and his classes fill in quickly as he is very knowledgeable. On his return to the United States, he began studying with Mr. Alanson Appleton at the College of San Mateo, San Mateo, California. Smyth was a founding member of the Appletree Etchers, Inc., an etching print shop organized by Mr. Appleton and his students to develop and promote color intaglio. Smyth served as Master Printer at the studio for many years perfecting the techniques of intaglio and developing the color theories of Mr. Appleton as applied to the deeply etched plate. Smyth received his degree from the University of California, Berkeley, in 1972 and holds the California Community College Certificate and an Adult Education Certificate. Smyth was invited to teach "Anatomy for Artists" at Foothill College, Los Altos Hills, California, as a result of his many years of dissection of the cadaver and developed the course of study of Perspective for the college. During this period, he began teaching Life Drawing at the Pacific Art League of Palo Alto, Palo Alto, California. During the following thirty years Smyth has taught an average of twelve classes per week at the Pacific Art League of Palo Alto, the Palo Alto Art Center and the Burlingame Recreation Department among others in all phases of drawing and painting. He has conducted many workshops for the California Academy of Painters in many aspects of drawing and painting. Currently, he is an Adjunct Professor of Drawing at the College of San Mateo, San Mateo, California. He is an authority on the materials of painting and drawing, techniques of traditional drawing and painting, color theory, perspective and anatomy for artists. In his career in Life Drawing, Smyth has made over two hundred thousand drawings from the model. In addition to studies at Berkeley, Smyth has studied at the College of San Mateo, Foothill College, De Anza College, Mission College, and West Valley College, all in California. One of the pivotal points in his career was studying with Mr. Maynard Dixon Stewart at the University of San Jose, California. He spent a year at the New York Academy of Art where he was offered a full scholarship and at the Art Students League of New York. He concurrently attended classes at the National Academy of Design in New York. Among others, Smyth studied with M. Andrejivec, Ted Schmidt, Elliot Goldfinger, Gary Fagin, Ted Jacobs, Leo Neufeld, David Leffel, Jack Ferragasso, Jim Childs and Everett Raymond Kinstler and Kim English. Smyth has also studied with the noted painter and colorist, Ovanes Berberian...

Letter of the Alphabet E, from the series "Antiquities of Herculaneum", is an etching on paper realized by Luigi Vanvitelli in the 18th century. Good conditions. The etching belon...

J. F. BUFFORD PUBLISHER and PRINTER LAST MOMENTS OF PRESIDENT LINCOLN, April 15, 1865 Lithograph, very good impression. The 2 lower publishing lines ...

Un Ouvrier de Sèvres is a black and white etching realized by Henry Augustin Valentin (1822-1886) in 1870s. Titled in the lower. Image size: 19.5cmx27cm. Very Good condition. Sig...

Signed lower right, 'Arthur B. Davies' for Arthur Bowen Davies (American, 1862-1928) and created circa 1915. An early twentieth-century sugar-lift aquatint showing Zeus in the guise of a swan, reclining and cradling Lida in his wings while King Tyndareus ponders the mutability of human circumstance. Born in Utica, New York, Arthur Davies attended the Chicago Academy of Design from 1879 to 1882. He furthered his studies at the Chicago Art Institute, before moving to New York City in 1885 where he studied at the Art Students League and Gotham Art Students League. In 1893, he made the first of many trips to Europe, visiting Holland, Paris, and London. He became an arch-exponent of Modernism and the central organizing figure of 1913's watershed Armory Show. Davies developed a style that combined visionary Symbolism with elements of Tonalism and Cubism. Who Was Who in American Art describes him as an “…important but enigmatic Modernist whose work was poetic, mysterious, and visionary”. Davies was the recipient of many gold medals and prizes and juried awards and his work is held in the permanent collections of museums nationwide, including New York’s Museum of Modern Art, the Art Institute of Chicago, the Baltimore Museum of Art and the Los Angeles County Museum of Art, among others. Photo of Arthur B Davies circa 1907 in New York City by Gertrude Käsebier courtesy of Library of Congress Prints and Photographs Division Washington, D.C. Reference: Who Was Who in American Art 1564-1975: 400 Years of Artists in America, Peter Hastings Falk, Sound View Press 1999, Vol. 1, p. 835; Artists in California 1786-1940, Third Edition, Edan Milton Hughes: Crocker Art Museum, Sheridan Books 2002, Vol. 1, p. 280; Thieme-Becker Allgemeines Lexikon der Bildenden Künstler von der Antike bis zu Gengenwart, Ulrich Thieme and Felix Becker, Deutscher Taschenbuch Verlag 1992, Vol. 7/8, p. 470; E. Benezit, Dictionnaire des Peintres, Sculpteurs, Dessinateurs, et Graveurs, Jacques Busse, 1999 Nouvelle Édition, Gründ 1911, Vol. 4, p. 293; Davenport’s Art Reference and Price Guide 2009/10 Edition, LTB Gordonsart, Inc. 2008, p. 672; et al. Additional biographical information follows, written by Catherine Southwick and Robert Torchia from the National Gallery of Art Online Editions: Arthur B. Davies’s mystical, mysterious paintings hearken back to 19th-century romanticism, even while Davies aligned himself with American artists advancing the most radical ideals of their day. Davies was born on September 26, 1862, in Utica, New York, the son of English and Welsh parents who had immigrated to the United States in 1856. He first took art lessons as a teenager from a local landscape painter, Dwight Williams...

The American Beauty is an etching by Noel François Bertrand in the 19th Century. Good conditions. The Artwork is depicted through soft strokes.

Mourning is an etching realized by Eugène Burnard (1850-1921) in the Late 19th century. Signed on the plate. Good conditions with foxing. The artwork is realized through short an...

SOCIAL RESEARCH This work is part of the SOCIAL "research" which addresses issues that concern people and the "polis" which in Latin means city but also "political model". WOUNDED T...

On the Cloud is an original etching artwork realized by Edmond Hedouin (1820-1889) in the late 19th Century. Good conditions. Signed on the Plate. The artwork represented a delic...

Kaiko Moti, Indian (1921 - 1989) - Nude Figure of a Woman, Medium: Pochoir, signed and numbered in pencil, Edition: 283/300, Size: 25.75 x 19.5 in. (65.41 x 49.53 cm), Printer: D. Ja...

Portraits after Raphael is an etching realized by Nicholas Cochin in 1755. Signed in the plate. Good conditions with foxing. The artwork is depicted through confident strokes. Th...

Religious copper-line engraving by CM after Francesco Petrucci after (Paolo Caliari) Veronese. Depicts Saint Benedict and other holy figures. Paolo Vero...

Uses and Customs -King of Italy is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the universe: " History of the gov...

A fine 19th-century engraving titled “Washington and His Mother”, published by James Tregaskis in New York. This piece captures a sentimental and symbolic scene between General George Washington and his mother, Mary Ball Washington, seated in an ornate interior. The composition reflects the reverence held for the first U.S. president and emphasizes family virtue, honor, and patriotism. Details: Title: Washington and His Mother Publisher: James Tregaskis, New York Medium: Engraving on paper Period: Circa mid-to-late 19th century Style: Neoclassical / Patriotic Americana Condition: Excellent vintage condition; crisp detail, unframed, light toning at edges This historical piece is ideal for collectors of Americana, presidential memorabilia...

Bardot Blur Baby Pink 2022 by BATIK Signed and numbered by the artist on front limited to only 5 this size Paper size 44 inches height x 40 inches width /...

Collotype from frottage on vélin paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the album, Max Ernst, Histoire Naturelle, 1972. Published and printed by Verla...

A forced contribution is an original etching realized by the german painter and engraver Adolph von Menzel in 1885 ca. Very good conditions. Von Menzel is considered one of the most...

Pierre-Yves Tremois A loving couple Original etching, 1970 Handsigned by the artist Numbered / XXIV copies (total edition of 90 + XXIV) Size 57 x 45 cm ...

Vintage offset print, from "Valentina" to "O", in a vintage poster realized in 1976 after Guido Crepax., in occasion of his exhibition at Galleria Rondanini, Rome.  Very Good condit...

Medium: Lithograph on papier bouffant des Papeteries de Casteljoux paper Year: 1970 Paper Size: 11.24 x 8.46 inches Inscription: Unsigned and unnumbered, as issued Notes: From the fo...

ABOUT THIS ARTIST: Carla Sutera Sardo was born in Agrigento in 1983. She studied law and graduated in 2011. During her university career, she became interested in photography, thus s...

Street John Hardy, American (1923–2014) Date: 1979 Lithograph, signed and numbered in pencil Edition of 250 Size: 22.5 in. x 30 in. (57.15 cm x 76.2 cm)

Andrés Barajas (Spain, 1941) 'Untitled from Portfolio "Los Deseos"', ca.1990-1999 mixed media on paper 15 x 20.9 in. (38 x 53 cm.) Edition of 200 ID: BA...

Medium: Lithograph on papier bouffant des Papeteries de Casteljoux paper Year: 1970 Paper Size: 11.24 x 8.46 inches Inscription: Unsigned and unnumbered, as issued Notes: From the fo...

Lithographic reproduction executed by Charles Sorlier from a large original print, "The Magician of Paris", 1970 from the second printing of 3500 ...

The Three Graces is an original etching and aquatint realized by Leo Guida in 1989. Good condition. Mounted on a white cardboard passpartout (50x35). Dated and signed by the autho...

Tere Metta (Mexico, ) 'Untitled', 2002 etching, aquatint on paper Guarro Biblos 250g. 15.6 x 23.7 in. (39.5 x 60 cm.) ID: MET-103 Unframed

Carcere d'Invenzione is an original Modern Artwork realized by Giovan Battista Piranesi (Mogliano Veneto, 1720 - Rome, 1778). Original Etchin...

ARTIST: Salvador Dali TITLE: Diane de Poitiers MEDIUM: Etching SIGNED: Hand Signed EDITION NUMBER: LXVI/C MEASUREMENTS: 20" x 25.5" YEAR: 1973 FRAMED: No CONDITION: Excellen...

"Luis Miguel Valdes (Cuba, 1949) 'La Habana infinita I', 2014 woodcut on paper 40 x 58.5 in. (101.5 x 148.5 cm.) Edition of 30 ID: VAL-376"

Etching on vélin d'Annonay, des frères Montgolfier paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the volume, Dix filles dans un pré. Ballet imaginaire. Avec quatre gravures à l'eau-forte de Marie Laurencin, 1926. Published by Au Sans Pareil, Paris; printed by Lacourière, Paris, 1926. Excerpted from the volume (translated from French), 20 copies on tank vellin, with a double sequence of engravings, including one in first condition. These copies, reserved for Friends of the Unparalleled and printed in their name, are numbered from 1 to 20; 35 examples; 60 copies on Holland Van...

Funeral Rites is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the universe: " History of the government, of the la...

Skeleton figures of the dead play an important role in Mexican and Chicano art. Signed, titled and numbered from the edition of 50. Daniel Gonzalez was raised in Los Angeles, and received his training at the California College of Arts and Crafts. He also apprenticed with Artemio Rodriguez...

Juan Alcalde Alonso (Spain, 1918-2020) 'Cacharros', 1999 silkscreen on paper 21.3 x 28.8 in. (54 x 73 cm.) Edition of 75 ID: ALC1002-003-075 Hand-s...

The Patriarch Siro  is an Artwork realized in 1828 by the Engraver, Giuseppe Capparoni (Rome 1800- 1879). Etching hand colored on ivory paper. Signed on plate and dated on the right...

'Cricket Match' Tinted lithograph with hand-colouring after the picture by Rev Tatton Winter. 340mm by 430mm (sheet)

Fata Morgana sullo Stretto is an original Contemporary artwork realized in 1975 by the italian Contemporary artist Leo Guida (1992 - 2017). Original Etching and Aquatint. Numbered...

The Earthly Paradise - The Divine Comedy is a woodcut print realized in 1963 for a series illustrating the Medieval poem of the "Divine Comedy" by Dante Alighieri. Not signed, as i...

The Couple is an original etching realized by Mino Maccari in the mid-20th Century. Good condition. Mino Maccari (1898-1989) was an Italian writer, painter, engraver and journalist...

Civilisation à la Porte is an Original Lithograph realized by Cham in the mid-19th century from the series "La Civilisation à la Porte". Signed on the plate by the artist on the low...

Self-portrait with Imaginary Brother is an offset and lithograph print after Willem De Kooning in 1938. The print suite was realized in 1985 in a limited edition of 2500, and curate...

The Cardinal is an Artwork realized in 1828 by the Engraver, Giuseppe Capparoni (Rome 1800- 1879). Etching hand colored on ivory paper. Signed on plate and dated on the right margin...

Foire de Paris; original lithograph; artist: Albert Solon. Year: 1954. Acid free archival linen backed Size 10.5" x 16 5/8". Excellent condition. Ready to frame The top of this antique poster features the image of the first poster from 1904 in the art nouveau style; and the bottom of the 1954 Foire de Paris where the sails cover part of the earliest poster image. The bottom portion of this design is reflected in its art deco style with the wording of the name of the Foire de Paris reflecting in the water. Original. Linen-backed. The annual Paris Fair was a large international industrial exhibition that attracted not only manufacturers from around the world, but also posterists who vied for the honor of having their design selected as the official poster of the event. For 1954, this poster artist is nostalgic for the turn of the century. He is reminding us that it is the 50th anniversary of the Paris Fair. The vintage poster...

'Vue prise a Ombay et entervue avec les naturels' View near Ombay (Indonesia) and meeting of natives. Lithograph, by Pierre Langlume and L' Abbaye after Jacques Arago (1790-1855). ...

Reiner Schwarz (*1940 Hirschberg), Under the mask of the Venetian girl, 1968. Lithograph, 30 cm x 24 (image), 59 cm x 42 cm (sheet size), signed “R.[einer] Schwarz” in pencil lower r...

Visit is an original artwork realized by Jules Chadel (1870-1941). Woodcut print. Hand signed on the lower right. Is not dated but we can attribute the period late 19th Century. Passpartout cm 44,5x32,5 The artist presents an interior of a room with men talking around a bad. Good condition. Jules Chadel (1870-1941) was a french artist who was born in 1870. He studied in Paris at the Ecole des Arts Décoratifs. Around 1903 his skills as a draftsman landed him jobs with jewelry designers. This also led him to discover Japanese...

Nude woman with tree is an original artwork realized by French artist Jacques Busse (1922-2004) Lithograph print. Hand-signed on the lower right in pe...

Desaix is an Etching realized by A. Ethiou in 1837. Good conditions. The artwork is realized in a well-balanced composition. the artwork and belongs to the suite suite "AtlasBatt" ...

Costumi di Roma is a beautiful artwork realized by Bartolomeo Pinelli in 1819. Etching and Watercolor tecnique. In Good condition, worn paper on the marginal line and some little st...

Portrait of a Gentlewoman is an original print on paper realized by Anonymous English artist in the late 18th Century. The artwork represents a portrait of an elegant woman. Mixed ...

Copper-line engraving with later hand-colouring from Passeri's 'Picturae Etruscorum In Vasculis Nunc Primum .....', published in Rome in 1767. Sizes : 270mm by 160mm (platemark)

Medium: Lithograph on vélin d'Arches paper Year: 1969 Paper Size: 20 x 26 inches Inscription: Signed in the plate and unnumbered, as issued Notes: From the folio, Raoul Dufy, IV, Col...

"Vaso Cinerario di Gran Mole. Le Teste dei Giovenchi mostrano di reggere it pesante Festone composto di Frutti Fiori Grans ed use. Il tuto Necefsario all Vita Umana. Il Restante degl...

Meishing, Jin ca. 1935 Color lithograph. [Advertisement for tobacco.] (woman holding a pekinese Dog) Most of the posters were printed in Shanghai during the first three decades ...

Medium: Lithograph and stencil on Papeteries de Rives paper Year: 1953 Paper Size: 8.86 x 5.71 inches Inscription: Unsigned and unnumbered, as issued Notes: From the album, Toulouse-...

Work on paper Wooden frame with glass pane 57 x 46.5 x 2.5 cm

Grupo ENEMA (Cuba, 2000) 'Dibujo en 14 etapas (La Huella Múltiple)', 2002 engraving on paper 8.1 x 8.1 in. (20.5 x 20.5 cm.) Edition of 300 ID: HUE-217 Hand-signed by author

"Gothic Gables" Poster/Print by LYONEL FEININGER (American-German, 1871-1956). The print measures approximately 20 x 27 inches and is unframed. Published by New York Graphic Society 1966. Printed in Switzerland...

Photolithograph realized in 1993 after Henri Matisse. On Milano handmade paper. It belongs to the edition "H. Matisse, The Color of Light", by Seat Editore.