Eugène Burnand

Mourning - Etching by Eugène Burnand - Late 19th century

Late 19th century

Untitled is a drypoint artist's proof realized by Ardengo Soffici (Rignano sull’Arno 1879 – Vittoria Apuana 1964). It is signed and dated on the lower right. This is one of the mos...

Portrait is an etching and drypoint on paper realized by an anonymous artist in the Mid-20th Century. Good conditions. The profile is depicted through deft and fine delicate stroke...

Silhoutte of young boy is an original artwork made by Ilse Voigt in the first years of the 1950s. Etching and drypoint on Japan paper. Good conditions except for some stains on the...

Woman is an original artwork realized by Ilse Voigt in the first years of the 1950s. Etching and drypoint on Japan paper. Good conditions except for some small spots on the upper margin. This artwork is a precious drypoint on elegant Japan paper; it represents a female stilized figure with a long...

Sleep - from "Le Croquis du Front Italien" is an Artwork, Drypoint, realized by the Italian Artist Anselmo Bucci, in 1917 s. Hand signed on the right margin . Edition n. 14/100 specimens on Hollande paper. From the collection: “Croquis du Front Italien” , published in Paris by D'Alignan editions. Good conditions, except for a light yellowing of the paper. Anselmo Bucci (1887-1955) was an Italian painter and printmaker. He took part in the Salon des Indépendants from 1910 on. He enlisted in the Volunteer Cyclist Battalion in 1915 and he became one of the most famous Italian war...

Manfredi - from "Le Croquis du Front Italien" is an Artwork, Drypoint, realized by the Italian Artist Anselmo Bucci, in 1917. Hand signed on the right margin . Edition n. 37/100 specimens on Hollande paper. From the collection: “Croquis du Front Italien” , published in Paris by D'Alignan editions. Good conditions, except for a light yellowing of the paper. Anselmo Bucci (1887-1955) was an Italian painter and printmaker. He took part in the Salon des Indépendants from 1910 on. He enlisted in the Volunteer Cyclist Battalion in 1915 and he became one of the most famous Italian war...

Richard Hamilton began studying James Joyce's novel Ulysses (1922) during his national service in 1947. Hamilton was inspired by the idea of illustrating Joyce’s complex, experimental novel in and began making sketches the following year, only to put the project to one side in 1950, with no publisher willing to front the exorbitant cost of resetting the novel for illustrations. It was not until 1981 that he made the decision to create one illustration for each of the novel’s eighteen chapters, and a nineteenth image – a portrait of one of the novel’s main protagonists, Leopold Bloom – destined as a frontispiece. He conceived these images as large intaglio...

Philadelphia-born Irving Guyer attended the Art Students League and worked in New York City before moving to California. This print is signed and titled i...

Exhibited for the first time in 1928 at Galerie Bernhiem-Jeune, Paris, this work was published by Bernheim-Jeune and printed under the direction of Villon. Assuming a pose resembling...

Created in 1933, this Etching with Drypoint on Montval laid paper is stamped by the Picasso Estate Collection via Marina Picasso on verso and is a rare proof, aside from the numbered...

Using his intuitive skill as a master artist, Miró combines dry-point with cement imprint to create a rich textural experience that is enhanced by beautiful and friendly visual image...

Warrington Colescott Your Day in Court, from the portfolio Wisconsin Graphics, 1971 Drypoint, etching, aquatint, woodcut, & soft-ground etching, w roulette, vibrograver, letterpress ...