Head Figurative Prints

This archival illustrative photography pigment print on cotton rag by Andrew Pinkham measures 20in x 16in and is signed and numbered. This piece is part of a small edition of 10. ...

Artist: Henri Matisse Title: Plate 17: J'irai à ce que j'ai voulu, sans fierté comme sans remords (I go to what I wanted, as much without pride as without remorse) Portfolio: Pasipha...

Raul Cordero (Cuba, 1971) '32 hrs 53 min kcal: 783 fat: 35%', 2005 photo engraving and screenprint on paper Guarro Biblos 250g. 26.8 x 33.3 in. (68 x 84.5...

Milan: c1965. Linocut in colors on watermarked CM Fabriano white wove paper, 26 1/2 x 19 inches (673 x 482 mm)), the full sheet. Signed and numbered 62/100 in black grease pencil, a...

Sexual tension and ambiguity in this dynamic etching of a man making advances on a sleeping woman. in the background a beast approaches another man. Signed, titled and numbered in pe...

Lithograph on vélin Lafuma paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the volume, Dessins de Henri-Matisse, 1925. Published by Édi...

This striking 40" × 24" giclée on canvas by Stephen Holland captures the electrifying presence of Kobe Bryant in full motion. In this limited edition (KP4/20), Holland has applied ha...

This exquisite lithograph after Jules Pascin (1885–1930), titled Manolita, from the album Pascin, originates from the 1954 edition published by Editions du livre, Monte-Carlo, under ...

Lunar Poet  is a Contemporary Artwork realized in Italy by  Guelfo Bianchini  (Ancona, 1937) in 1978 . Colored Etching on paper.  Hand-signed  in pencil on the lower right corner: ...

Original Talco Paglieriri Italian poster, Linen backed by Gino Boccasile. Size: 13.25" x 19". Year: c. 1949-1950. Very good condition. Grade A., ready to frame. The bab...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Kathe Kollwitz, Ten Lithographs. Published by Henry C. Kleemann and...

Hand pulled serigraph edition at Self Help Graphics Workshop in Los Angeles, California signed and numbered by the artist Day of the Dead Dia De Los Muertos...

Francois BOUCHER Mannerist : Lying Nude Etching Unsigned On Vellum 38 x 50 cm (c. 15 x 20 in) Probably edited c. 1950 Excellent condition

Benton Spruance, 'Girl with Hands to Face', two-color lithograph, 1940, edition 30, Fine and Looney 180. Signed, titled, and annotated 'Ed. 30' in pencil. A superb impression, on cr...

Woodcut print realized by Hermann Paul in 1923. Not signed, as issued. Very good condition.

Etching realized after Théodule Ribot in the early 19th Century. Not signed, in very good condition.

Pablo O'Higgins (1904-1983). The Bricklayer and His Son, 1946. Lithographic ink on paper, Sheet measuring 15 x 17 5/8 inches. Signed in pencil by artist lower right. Water stai...

This exquisite lithograph after Pierre-Auguste Renoir (1841–1919), titled Louis Valtat, from the album Les Lithographies de Renoir (The Lithographs of Renoir), originates from the 19...

This exquisite etching by Pablo Picasso (1881–1973), titled Portrait d’Andre Breton (Portrait of Andre Breton), from the album Clair de Terre, avec un portrait par Pablo Picasso (Ear...

26" x 24" Framed Limited Edition Giclee Numbered of 295 Hand Signed by Ronnie Wood

Lithograph taken from Jacques Lassaigne’s Hommage à Chagall. This example bears what appears to be a hand-applied pencil signature reading “Marc Chagall.” However, we are unable to c...

Etching and aquatint on Fabriano Rosaspina paper. Hand signed and dated lower right: “George Segal 87”. Edition of 60 prints. Published by 2RC Edizioni d’Arte – Roma and by Sidney Ja...

In the 1980's, working alongside Lucy Lippard in relationsip to an important political advocacy group, Kerns has been deemed one of the most perceptive political artist of his time. ...

This aquatint is hand signed in pencil by the artist "Henri Matisse" at the lower right margin. It is also hand numbered in pencil 103 from the edition of 200, at the lower left marg...

Black And White Marilyn Oversize Signed limited edition - Pop Art - Marilyn Monroe by the London based contemporary pop art image creator and artist, BATIK. Measures approximatel...

Andre DERAIN Antic Beauty Original drypoint etching Stamp signature of the artist On vellum 45 x 34 cm (c. 18 x 14 in) Excellent condition

Riccardo Benvenuti, Italian (1939 - ) - Cancer, Year:, Medium: Lithograph, signed and numbered in pencil, Edition: 36/100, Size: 27.5 x 19.5 in. (69.85 x 49.53 cm)

The Muse  is a Contemporary Artwork realized in Italy by Guelfo Bianchini (Ancona, 1937) in 1995. Etching on paper.  Hand-signed and dated in pencil on the lower right corner: Guel...

Héliogravure on vélin de Rives pur chiffon paper, manufactured by Les papeteries de Rives, Voiron, France. Paper Size: 16.93 x 14.17 inches. Inscription: Signed in the plate and unnu...

Biagio Civale, Italian/American (1936 - ) - Tarots, Medium: Screenprint, Signed and Numbered in Pencil, Edition: 45/75, Size: 27 x 19.5 in. (68.58 x 49.53 cm)

Robert Bechtle was born in 1932 in San Francisco and raised in Alameda. He studied graphic design and painting at the California College of Arts and Crafts in Oakland, earning his BF...

Helen Hyde, 'The Bath', color woodblock print, edition not stated, 1905, Mason & Mason 59. Signed in pencil in the image, lower right. Numbered '96' in pencil in the image, lower left. The artist's monogram in the block, lower left, and 'Copyright, 1905, by Helen Hyde.' upper right. A superb impression with fresh colors on tissue-thin cream Japanese paper; the full sheet with margins (7/16 to 1 5/8 inches), in excellent condition. Matted to museum standards, unframed. Image size 16 1⁄4 x 10 1⁄8 in. (413 x 260 mm); sheet size: 19 1⁄4 x 11 1⁄8 in. (489 x 283 mm). Literature and Exhibition: Back cover illustration of the catalog of the artist’s prints, 'Helen Hyde', Smithsonian Institution Press, 1990; 'The International Block Print Renaissance, Then And Now, Block Prints In Wichita, Kansas, A Centennial Celebration — 1922-2022', Barbara J. Thompson, Wichita Art Museum, 2022 (back cover). Impressions of this work are held in the following collections: Achenbach Foundation for Graphic Arts, Art Institute of Chicago, Fine Arts Museums of San Francisco (De Young), Harvard Art Museums, Library of Congress, Metropolitan Museum of Art, New York Public Library, Smithsonian American Art Museum, Terra Foundation for American Art, University of Oregon Museum of Art. ABOUT THE ARTIST Helen Hyde (1868-1919) was a pioneer American artist best known for advancing Japanese woodblock printmaking in the United States and for bridging Western and Japanese artistic traditions. Hyde was born in Lima, New York, but after her father died in 1872, her family relocated to Oakland, California, where she spent much of her youth. Hyde pursued formal art education in the United States and Europe. She enrolled in the San Francisco School of Design, where she took classes from the Impressionist painter Emil Carlsen; two years later, she transferred to the Art Students League in New York, studying there with Kenyon Cox. Eager to expand her artistic repertoire, Hyde traveled to Europe, studying under Franz Skarbina in Berlin and Raphael Collin in Paris. While in Paris, she first encountered Japanese ukiyo-e prints, sparking a lifelong fascination with Japanese aesthetics. After ten years of study, Hyde returned to San Francisco, where she continued to paint and began to exhibit her work. Hyde learned to etch from her friend Josephine Hyde in about 1885. Her first plates, which she etched herself but had professionally printed, represented children. On sketching expeditions, she sought out quaint subjects for her etchings and watercolors. In 1897, Hyde made her first color etchings—inked á la poupée (applying different ink colors to a single printing plate)—which became the basis for her early reputation. She also enjoyed success as a book illustrator, and her images sometimes depicted the children of Chinatown. After her mother died in 1899, Hyde sailed to Japan, accompanied by her friend Josephine, where she would reside, with only brief interruptions, until 1914. For over three years, she studied classical Japanese ink painting with the ninth and last master of the great Kano school of painters, Kano Tomonobu. She also studied with Emil Orlik, an Austrian artist working in Tokyo. Orlik sought to renew the old ukiyo-e tradition in what became the shin hanga “new woodcut prints” art movement. She immersed herself in the study of traditional Japanese printmaking techniques, apprenticing with master printer Kanō Tomonobu. Hyde adopted Japanese tools, materials, and techniques, choosing to employ the traditional Japanese system of using craftsmen to cut the multiple blocks and execute the exacting color printing of the images she created. Her lyrical works often depicted scenes of family domesticity, particularly focusing on women and children, rendered in delicate lines and muted colors. Through her distinctive fusion of East and West, Hyde’s contributions to Western printmaking were groundbreaking. At a time when few Western women ventured to Japan, she mastered its artistic traditions and emerged as a significant figure in the international art scene. Suffering from poor health, she returned to the United States in 1914, moving to Chicago. Having found restored health and new inspiration during an extended trip to Mexico in 1911, Hyde continued to seek out warmer climates and new subject matter. During the winter of 1916, Hyde was a houseguest at Chicora Wood, the Georgetown, South Carolina, plantation illustrated by Alice Ravenel Huger Smith in Elizabeth Allston Pringle’s 1914 book A Woman Rice Planter. The Lowcountry was a revelation for Hyde. She temporarily put aside her woodcuts and began creating sketches and intaglio etchings of Southern genre scenes and African Americans at work. During her stay, Hyde encouraged Smith’s burgeoning interest in Japanese printmaking and later helped facilitate an exhibition of Smith’s prints at the Art Institute of Chicago. During World War I, Hyde designed posters for the Red Cross and produced color prints extolling the virtues of home-front diligence. In ill health, Hyde traveled to be near her sister in Pasadena a few weeks before her death on May 13, 1919. She was buried in the family plot near Oakland, California. Throughout her career, Hyde enjoyed substantial support from galleries and collectors in the States and in London. She exhibited works at the St. Louis Exposition in 1897, the Pan-American Exhibition in Buffalo in 1901, the Tokyo Exhibition for Native Art (where she won first prize for an ink drawing) in 1901, the Alaska-Yukon-Pacific Exhibition in Seattle in 1909 (received a gold medal for a print), the Newark Museum in 1913, a solo show at the Chicago Art Institute in 1916, and a memorial exhibition in 1920, Detroit Institute of Arts, Color Woodcut Exhibition in 1919, New York Public Library, American Woodblock Prints...

At the Same Time is an original etching and aquatint realized by Leo Guida in 1970s. Good condition. Mounted on a white cardboard passpartout (35x50). Leo Guida (1992 - 2017). Se...

Lovers lunch is a color lithograph on ivory paper, created by the Italian artist Umberto Brunelleschi (Montemurlo 1879- Paris 1949). Illustration for “Tales and Short Stories” by La...

Les Amants is a color lithograph on ivory paper, created by the Italian artist Umberto Brunelleschi (Montemurlo 1879- Paris 1949). Illustration for “Tales and Short Stories” by La F...

Monotype (etching and pastel) realized by Sandro Chia in 1981. Hand signed and dated in pastel lower right. Excellent condition, it includes a contemporary gilded wooden frame.

The work comes directly from the artist, is numbered out of limited edition of 20, signed and made on sealed paper. RAFAŁ OLBIŃSKI (born in 1943) He graduated from the Faculty of Ar...

Beatrice Solves Dante’s Doubts -  "The Divine Comedy" - Song 4 -  Paradise is a woodcut print realized in 1963 for a series illustrating the Medieval poem of the "Divine Comedy" by D...

Artist’s in-plate monogram lower left

Ceremonial Dance by Orovida Pissarro (1893 - 1968) Etching 19.2 x 24.8 cm (7 ½ x 9 ¾ inches) Signed and dated lower right Orovida 1927 Inscribed lower left Final state no. 12/35 and ...

Andre DERAIN Caesar Original drypoint etching Stamp signature of the artist On vellum 45 x 34 cm (c. 18 x 14 in) Excellent condition

Hand signed numbered by the artist in pencil. Artwork size: 24.25 x 30 in. Frame size: approx. 37 x 43 in. Artwork appears to be in excellent condition. Artwork has not been examine...

Osmosis refers to the assimilation of ideas Paolo Ciampini was born in Montopoli in Val d'Arno in 1941. After graduating from the Art Institute of Cascina (Pisa) in 1962, he comple...

Francois BOUCHER Peaceful Maternity : the Sleeping Baby Etching Unsigned On Vellum 38 x 50 cm (c. 15 x 20 in) Probably edited c. 1950 Excellent condition

Lithograph on paper. Hand signed, dated and numbered by the artist. Artwork is in excellent condition. Certificate of authenticity included. Edition of 195. Image size: 27.5 x 16.5 i...

Laying the Ghost by Orovida Pissarro (1893-1968) Etching 39 x 26.3 cm (15 ⅜ x 10 ⅜ inches) Signed and dated lower right Orovida 1932 Numbered lower left 1/9 and titled lower middle ...

This exquisite lithograph by Marie Laurencin (1883–1956), titled Le sommeil d'Alice (The Sleep of Alice), from the folio Les aventures d'Alice au pays des merveilles (Alice's Adventu...

Luciano Pavarotti Opera Tenor King Aria Signed Classical Music Illustration Al Hirschfeld (1903-2003) Luciano Pavarotti Lithograph on heavy paper, 1981 Sheet: 21-1/2 h x 15 w inches...

This artwork titled " Ach-Hua Dlubh: Body II Half-Breed III" 1991 is a color offset lithograph on paper by Crow Indian artist Penni Anne Cross A.K.A. (Alawa-Sta-We- Ches) 1939-2016....

Héliogravure on vélin de Rives pur chiffon paper, manufactured by Les papeteries de Rives, Voiron, France. Paper Size: 16.93 x 14.17 inches. Inscription: Signed in the plate and unnu...

Etching hand colored realized by Tommasi Ferroni in 1970s. Edition of 100. Hand signed and numbered. Very good condition.

This artwork titled "Le Passeggiatrici" 1957, is an original color lithograph on Wove paper by renown German/Italian artist Massimo Campigli, 1895-1971. It is hand signed and numbere...

Woman In Red is a beautiful colored lithograph realized by the Italian artist Pompeo Borra (Milan, 1898-1973). Edited by La Nuova Foglio, Macerata. Hand-signed in pencil "P. Borra"...

This artwork titled "Cabeza con Pajaros" 1958, is an original colors lithograph on Wove paper by renown Mexican artist Rufino Tamayo, 1899-1991. It is hand signed and numbered 273/30...

Lithograph on Magnani-Pescia paper 310 gr/m2, paper size 58cm x 81cm, 53cmx 73cm . Excellent condition, no defects. Work number II second state 93/94; artist Signature ‘88 Renzo Vesp...

Pink Marilyn Oversize Signed limited edition - Pop Art - Marilyn Monroe by the London based contemporary pop art image creator and artist, BATIK. Measures approximately 20 x 16" ...

Vanity Fair legal portrait of Commissioner Kerr. 380mm by 260mm (sheet)

Original vintage poster: Make your own Declaration of War, Buy War Bonds. Size 22" x 28:. Original 1942 World War II (WWII) American military vintage poster. Archival linen backed with the original U. S. Government poster...

Arno Breker is an artist supported by the Nazi regime and a German sculptor whose neoclassical works meet the military aesthetic of the regime. Breker was born on July 29, 1900, in E...

Lois Ward's "Red Damsel" is a color mezzotint created in 1994 in a very small edition of just 10. This impression is #2 of 10. A young human figure in green gazes down on a Tinker B...