Head Figurative Prints

Serigraph in colors on paper. Hand signed lower right by Peter Max. Hand numbered 60/500 lower left. Sheet size: 16 x 14 inches. Custom framed as pictured. White frame and matt...

ARTIST: Salvador Dali TITLE: The Mythology Narcissus MEDIUM: Etching SIGNED: Hand Signed PUBLISHER: Pierre Argillet, Paris EDITION NUMBER: XXXI/C MEASUREMENTS: 18" x 30" YEAR...

Héliogravure on japanese paper realized by Fraz von Bayros in 1913 for Ex Libris Verlag K. Th. Senger, Munich. Mounted on passepartout. Edition of 260, hand signed in pencil by the ...

Abramovitz, Albert (American, born Latvia, 1879-1963). UNTITLED (TWO CONSTRUCTION WORKERS WITH BRICKS). Linoleum cut on wove paper, c. 1930s. Si...

Jean Jansem (1920-2013) La commode, 1986 Lithographie sur papier Arches Signée en bas à droite et justifiée en bas à gauche 51 x 70 cm / 54 x 76 cm D'une édition à 30 exemplaires d...

Edouard MANET (1832-1883) Exotic flower (or Woman with a Mantilla) 1869 Original etching Signed in the plate On vellum 36 x 26 cm REFERENCES: - Catalogue raisonné Guérin #51 - Cata...

Alex Katz Vivien in White Coat, 2021 is a work of subtle admiration that the artist holds for her daughter-in-law, Vivien Bittencourt. The gentle hues...

Jay Leno NBC Tonight Talk Show Host Emmy Award Time Magazine Cover Caricature Al Hirschfeld (1903 – 2003) Jay Leno Sight Size: 19 x 16 inches Etching with aquatint Signed lower righ...

Knight is an artwork realized after Corrado Cagli in the middle of the 20th century.  Photype print. Signed on the low side. Good condition.   Corrado Cagli (Ancona, 1910 - Rome...

In this print, Wenceslaus Hollar presents a portrait of an unidentified woman, copying a portrait by Hans Holbein the Younger. The identity of the sitter is a mystery: formerly, the portrait was believed to be of Catherine of Aragon, and the National Portrait Gallery in London identifies her as Queen Mary I...

April is an expertly crafted, embossed serigraph on paper with foil stamping and an image size of 27 x 22 inches. From the edition of 650, the art is numbered 296/300 and estate-stam...

A brilliant, richly-inked impression of this etching and drypoint printed in dark brownish black on antique cream laid paper with very strong contrasts....

This exquisite lithograph by Fernand Leger (1881–1955), titled Planche 47 (Plate 47), from the album Cirque, Lithographies Originales (Circus, Original Lithographs), originates from ...

Japanese woodblock print of a woman kneeling by the river. She is holding a stick making it appear like she is fishing with it. The woodblock print is printed on rice paper. The print is not framed. Artist Biography: Utagawa Kuniyasu...

Medium: Lithograph and stencil on vélin Polifilo paper Year: 1947 Paper Size: 13.78 x 10.24 inches Inscription: Signed in the plate and unnumbered, as issued Notes: From the folio, I...

Fred Astaire Dancer Movie Star Oscars Academy Award Mid 20th Century Hollywood Al Hirschfeld (1903 – 2003) Fred Astaire Sight Size: 17 x 12 1/2 Etching with aquatint Signed lower ri...

PIERRE-AUGUSTE RENOIR (French, 1841 - 1919) BAIGNEUSE DEBOUT A MI JAMBES (D., S. 23) Etching, 1910, a later impression on laid paper, the only state. Full margins with deckle edge...

The Flowers is a color lithograph on ivory paper, created by the Italian artist Umberto Brunelleschi (Montemurlo 1879- Paris 1949). Illustration for “Tales and Short Stories” by La ...

This exquisite lithograph by Marc Chagall (1887–1985), titled Les Monstres de Notre-Dame (The Monsters of Notre-Dame), from the folio Derriere le miroir, No. 67–68, originates from t...

"Marilyn Crying Diamond (Sunset Blue)" acrylic, oil-based ink and diamond dust hand-pulled screen print on linen by artist Russell Young. Depict...

after Egon Schiele (1890 – 1918), AUSTRIA “ART CANNOT BE MODERN, ART IS PRIMORDIALLY ETERNAL.” -SCHIELE Defiantly iconoclastic in life and art, Egon Schiele is esteemed for his mas...

An overly exaggerated nude figure is the subject of Oliver Hazard Benson's drawing entitled "TnT". Upon closer look, the artist's fine hand is evident in the amazing detail in the f...

Artist: Eileen Alice Soper (English, 1905-1990) Title: "The New Pupil" *Signed by Soper in pencil lower right Year: 1925 Medium: Original Etching on unbranded white wove paper Limite...

Original vintage Swedish movie poster, 1921 lithograph. Step back into the glamour and intrigue of early 1920s cinema with this **original Swedish movie poster** for *I Singapores ki...

Walter Schnackenberg’s style changed several times during his long and successful career. Having studied in Munich, the artist traveled often to Paris where he fell under the spell of the Henri de Toulouse-Lautrec’s colorful and sensuous posters depicting theatrical and decadent subjects. Schnackenberg became a regular contributor of similar compositions to the German magazines Jugend and Simplicissimus before devoting himself to the design of stage scenery and costumes. In the artist’s theatrical work, his mastery of form, ornamentation, and Orientalism became increasingly evident. He excelled at combining fluid Art Nouveau outlines, with spiky Expressionist passages, and the postures and patterns of the mysterious East. In his later years, Schnackenberg explored the unconscious, using surreal subject matter and paler colors that plainly portrayed dreams and visions, some imbued with political connotations. His drawings, illustrations, folio prints, and posters are highly sought today for their exceedingly imaginative qualities, enchanting subject matter, and arresting use of color. SCHNACKENBERG BALLET UND PANTOMIME...

Egon Schiele (1890 – 1918), AUSTRIA “ART CANNOT BE MODERN, ART IS PRIMORDIALLY ETERNAL.” -SCHIELE Defiantly iconoclastic in life and art, Egon Schiele is esteemed for his masterful draftsmanship and precocious insight into the human condition. Part of the first wave of Austrian Modernism, he was swept away by the Viennese fascination with the tension between Life and Death (known in the works of Freud and his later interpreters as Eros and Thanatos). Life, identified with attraction, love, sexuality, and reproduction, and Death, represented by distortion, disease, repulsion, and hysteria, often appeared in the same composition, thereby suggesting the frightening life cycle of the human mind and body. Young throughout his career, Schiele universalized his childhood traumas, thriving libido, insecurities, fears, and longings. His contorted line, jarring contrasts, and flat areas of color, demonstrate an early alliance with Expressionist philosophy and artists who were relentlessly frustrated by conventionality in all its forms. Schiele’s work embodied man’s disorientation and confusion in a seemingly absurd world, a world plagued by disease and war. It continues to be astonishingly relevant today, not just because it helped define Modernism but also because it revealed the dark and immutable aspects of the human condition. Zeichnungen is a fine art print portfolio published by Verlag der Buchhandlung Richard Lanyi, Vienna, 1917, printed by Max Jaffe...

Poster of Stowackiego theater is an original offset print realized in 1975 for "Ulani". Signed on the lower right " M. Gorowski 75". Good conditions except for light and small cutt...

Mädchen am Fenster. 1906-08. Color lithograph printed on smooth card stock. Full margins. , signed by the artist in pencil, on the recto. Published by the Wiener Werkstätte, Vienna, with the printed postcard text on verso. Among Kokoschka's earliest prints were a series of 14 postcards, the current work and the following lot that he produced for the Wiener Werkstätte. Wingler/Welz 4. Oskar Kokoschka was an Austrian artist, poet and playwright best known for his intense expressionistic portraits...

Print measures 26 in x 24 in In fair/poor condition - water damage found throughout poster Published by Pub. Arthur Rothmann Fine Arts. Printed in Austria, plate signed

Walter Schnackenberg’s style changed several times during his long and successful career. Having studied in Munich, the artist traveled often to Paris where he fell under the spell of the Henri de Toulouse-Lautrec’s colorful and sensuous posters depicting theatrical and decadent subjects. Schnackenberg became a regular contributor of similar compositions to the German magazines Jugend and Simplicissimus before devoting himself to the design of stage scenery and costumes. In the artist’s theatrical work, his mastery of form, ornamentation, and Orientalism became increasingly evident. He excelled at combining fluid Art Nouveau outlines, with spiky Expressionist passages, and the postures and patterns of the mysterious East. In his later years, Schnackenberg explored the unconscious, using surreal subject matter and paler colors that plainly portrayed dreams and visions, some imbued with political connotations. His drawings, illustrations, folio prints, and posters are highly sought today for their exceedingly imaginative qualities, enchanting subject matter, and arresting use of color. SCHNACKENBERG: KOSTUME, PLAKATE UND DEKORATIONEN, a cardboard bound art book consisting of 43 prints of work by Walter Schnackenberg, 30 of which are color lithographs that are signed and some are titled and dated in the plate, as well as black and white prints and photographs with accompanying text by Oskar Bie; lithographs printed at Kunstanstalt Oskar Consee in Munich, other images printed by Gesellschaft Pick & Co. in Munich, the text and cover with color images by Schnackenberg front and verso printed by R. Oldenbourg in Munich; published by Musarion Verlag, Munich, 1920. The majority of Walter Schnackenberg’s artistic output was destroyed by bomb attacks in Munich in 1944. The highly publicized 2013 auction in New York of the recovered pre-war poster collection once belonging to German poster aficionado, Hans Sachs has reintroduced the world to Walter Schnackenberg’s graphic genius and priceless ephemeral art from a lost era. Besides the museum world, designer Karl Lagerfeld is one of the most prodigious collectors of Schnackenberg. Flipping through the pages of Kostume, Plakate und Dekorationen, it becomes quite clear that Schnackenberg’s collection is ground zero at the crossroads of early modern fashion where the cult of celebrity meets up with dance, music, theater and cabaret, film and the graphic medium. Berlin and Munich under Germany’s Weimar Republic in the first quarter of the 20th century produced just the atmosphere to feed this burgeoning industry. Rising inflation sparked a recklessness to live large for the moment and heightened a desire for escapism. An influx of Indian and East Asian dancers and musicians added to the artsy bohemian cultural mix. A new decadence and tolerance resulted. Film boldly featured provocative subject matter. Cabarets became popular venues giving rise to the demi-monde in which people from all social stations mixed more freely in a thriving underground economy and culture where there was a blurring of boundaries and of social codes. Noted art historian and cultural doyen, Oskar Bie astutely observes in his introduction to Schnackenberg’s publication that what unites the images is fantasy and advertisement. Schnackenberg uses the eye as an instrument to brilliantly construct and convey this double message. His personages never directly confront the viewer. Their eyes gaze off in the distance like those of the screenplayer and film star Hedamaria Scholz in Schnackenberg’s “Die Rodelhexe” movie poster. Their eyes follow the path of a dance composition or become a transfixed and ogling male gaze such as the iconic 1911 Odeon Casino...

"The Court Jesters" includes two original color woodcuts by Andre Derain. This is from an edition of 200. It features two vignettes of brightly-clad j...

Artist: Mel Ramos Medium: Lithograph Title: Tiger Girl Portfolio: 1¢ Life Year: 1963 Edition Size: 2000 Framed Size: 22.5 x 18 inches Image Size: 16 1/4 x 1...

Kabuki actor is aWoodcut print realized in the early 20th Century after Utagawa Kunisada. Good condition and Beautiful colored woodblock print, included a cardboard passpartout. I...

Walter Schnackenberg’s style changed several times during his long and successful career. Having studied in Munich, the artist traveled often to Paris where he fell under the spell o...

Walter Schnackenberg’s style changed several times during his long and successful career. Having studied in Munich, the artist traveled often to Paris where he fell under the spell of the Henri de Toulouse-Lautrec’s colorful and sensuous posters depicting theatrical and decadent subjects. Schnackenberg became a regular contributor of similar compositions to the German magazines Jugend and Simplicissimus before devoting himself to the design of stage scenery and costumes. In the artist’s theatrical work, his mastery of form, ornamentation, and Orientalism became increasingly evident. He excelled at combining fluid Art Nouveau outlines, with spiky Expressionist passages, and the postures and patterns of the mysterious East. In his later years, Schnackenberg explored the unconscious, using surreal subject matter and paler colors that plainly portrayed dreams and visions, some imbued with political connotations. His drawings, illustrations, folio prints, and posters are highly sought today for their exceedingly imaginative qualities, enchanting subject matter, and arresting use of color. SCHNACKENBERG BALLET UND PANTOMIME...

Les Deux Aristocraties is a vintage Woodcut Print realized by Hermann Paul (1864-1940). Good condition on a grey cardboard. No signature. Hermann R...

Lovers lunch is a color lithograph on ivory paper, created by the Italian artist Umberto Brunelleschi (Montemurlo 1879- Paris 1949). Illustration for “Tales and Short Stories” by La...

This work is edition number 33/50. Signed/numbered in pencil, lower lect. By reducing his subjects to their most essential visual components, Alex Katz engages in a reductive proc...

Portrait of a Child is an original Woodcut Print realized by Mino Maccari in mid-20th century. Good condition on a yellowed paper, included a white cardboard passpartout (35x28 cm)....

Two women fishing is an original modern artwork realized by Harunobu Hishikawa in the Late 19th Century. Very good reprint, glued at upper corners. Passepartout. Woodcut Print Oba...

HENRI MATISSE 1869-1954 (Emile Benoît) Le Cateau-Cambrésis 1869-1954 Nice (French) Title: Figure Reading Figure lisant, 1929 Technique: Original Hand Signed and Numbered Etching o...

Silhouette is an original artwork realized by Thomas Holloway for Johann Caspar Lavater's "Essays on Physiognomy, Designed to promote the Knowledge and the Love of Mankind", London,...

Walter Schnackenberg’s style changed several times during his long and successful career. Having studied in Munich, the artist traveled often to Paris where he fell under the spell of the Henri de Toulouse-Lautrec’s colorful and sensuous posters depicting theatrical and decadent subjects. Schnackenberg became a regular contributor of similar compositions to the German magazines Jugend and Simplicissimus before devoting himself to the design of stage scenery and costumes. In the artist’s theatrical work, his mastery of form, ornamentation, and Orientalism became increasingly evident. He excelled at combining fluid Art Nouveau outlines, with spiky Expressionist passages, and the postures and patterns of the mysterious East. In his later years, Schnackenberg explored the unconscious, using surreal subject matter and paler colors that plainly portrayed dreams and visions, some imbued with political connotations. His drawings, illustrations, folio prints, and posters are highly sought today for their exceedingly imaginative qualities, enchanting subject matter, and arresting use of color. SCHNACKENBERG: KOSTUME, PLAKATE UND DEKORATIONEN, a cardboard bound art book consisting of 43 prints of work by Walter Schnackenberg, 30 of which are color lithographs that are signed and some are titled and dated in the plate, as well as black and white prints and photographs with accompanying text by Oskar Bie; lithographs printed at Kunstanstalt Oskar Consee in Munich, other images printed by Gesellschaft Pick & Co. in Munich, the text and cover with color images by Schnackenberg front and verso printed by R. Oldenbourg in Munich; published by Musarion Verlag, Munich, 1920. The majority of Walter Schnackenberg’s artistic output was destroyed by bomb attacks in Munich in 1944. The highly publicized 2013 auction in New York of the recovered pre-war poster collection once belonging to German poster aficionado, Hans Sachs...

Walter Schnackenberg’s style changed several times during his long and successful career. Having studied in Munich, the artist traveled often to Paris where he fell under the spell o...

Greta Garbo Swedish American Movie Film Star Goddess Hollywood Mid 20th Century Al Hirschfeld (1903-2003) Greta Garbo Plate Size: 13 7/8 x 9 3/4 Paper Size:...

May is an expertly crafted, embossed serigraph on paper with foil stamping and an image size of 27 x 22 inches. From the edition of 650, the art is numbered 171/300 and estate-stampe...

Charles Bragg, American (1931 - 2017) - Don Juan, Year: circa 1970, Medium: Etching, signed, numbered, and titled in pencil, Edition: 300, Image Size: 8 x 10.5 inches, Size: 11.5 x...

Alec Monopoly b.1986 The Greatest of All Time III (unique) 2022 lithograph and screenprint in colors image: 21⅞ h × 34 w in (56 × 86 cm) sheet: 24 h × 36 w in (61 × 91 cm) Signed an...

Milan: c1965. Linocut in colors on watermarked CM Fabriano white wove paper, 26 1/2 x 19 inches (673 x 482 mm)), the full sheet. Signed and numbered 62/100 in black grease pencil, a...

"The Devil at the Keyboard" 1976 color lithograph artist proof. Abstract portrait of Thelonious Monk by Willem de Kooning. Hand signed de Kooning and numbered A/P in front lower righ...

"David Bowie Mugshot" Print 39 x 36 inch Edition of 75 by Gerard Marti Digital print on fine art paper. Ships rolled in a tube. Signed and numbered by the artist. Mugshot taken ...

A Mahatma Gandhi-like person is seating over a chess game and the reflection is seen on the individual’s reading glasses. This color lithograph by Mexican artist Gustavo Montoya was ...

Screen print in colors on Rives BFK wove paper. Hand signed, dated and numbered by the artist. Artwork size 29.2 x 21 inches. Custom framed as pictured. Frame size approx 34.5 x 2...

Kaikai & Kiki: Dreaming of Shangri-la by Takashi Murakami Offset print, numbered and signed by the artist Framed 23 ⁵/₈ × 23 ⁵/₈in 60 × 60 cm Edition 155/300 Takashi Murakami is be...

A very good impression of this early lithograph on Arches. Initialed, dated and numbered 5/100 in pen and black ink. Printed and published by Original Press, San Francisco, with the ...

Artist: Erté Title: Pearls and Emeralds Medium: Embossed serigraph Year: 1990 Edition: 265/300 Sheet Size: 41 3/4" x 29 1/4" Image Size: 35 1/4" x 23 1/4" Signature: Stamped signature

Rare print handsigned by surrealist artist Leonor Fini, inscreasingly esteemed with the movement of rediscovering art by women. This silkscreen is in perfect condition and from a ver...

Adored by collectors and art lovers the world over, Alex Katz is renowned for his elegant and distinctive version of figuration. Born in 1927, Katz has been dedicated to art-making s...

In this print, Wenceslaus Hollar presents a portrait of D. Henrico van der Borcht, copying a painting or drawing by Hans Holbein. Copying works of famous masters was a common task of...

Francesco Bartolozzi (1728 Florence - 1815 Lisbon), Putti in an allegorical love game, around 1764. Crayon engraving on laid paper after a drawing by Guercino, 21 cm x 29 cm (plate s...