Modern Art Figurative Prints

Official poster designed and created for the tennis tournament held at Roland Garros French Open every year. The poster is a limited edition of 2000. First edition, unsigned and not ...

Lithograph on vélin d’Arches paper. Signed in the plate and unnumbered, as issued. Good condition. Notes: From the folio, Picasso au baiser d'Avignon, douze dessins, lavis, aquarelle...

Artist: Romare Bearden Title: Louisiana Serenade (From the Jazz Series) Year: 1979 Medium: Lithograph, signed and numbered in pencil Edition: 175 Paper Size: 24.5 x 33.75 inches Fram...

Publisher GKM. Unframed. Edition of 150 ex. Signed and numbered. Free shipment worldwide. Arman wrote, “The bow on the strings releases an explosion of sounds,” in the book Trio à ...

The Coach and the Flies is an artwork realized in 1974. Etching and drypoint with stencil. 59 x 79 cm. Printed by Atelier Rigal. Edition XIV/CXX on Auvergne paper. It belongs to...

Linocut on vélin paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the album, Pablo Picasso: Grabados al linóleo. Published by Gustavo Gili, S.A., Barcelona, and...

Carlos Rene Aguilera (Cuba, 1965) 'El abrazo', 2001 monotype on paper Deponte 300 g. 26 x 19.7 in. (66 x 50 cm.) ID: AGC-301 Unframed

"A metaphor for the environmental peril we have created and the struggles future generations will face just to navigate climate-related problems like super storms, drought, famine, p...

Forager is a signed and numbered time-limited edition of giclee prints. The Forager scours the forest in search of material for her flower arrangements. Her stork scissors cut through the veins of gold that course through each element in the landscape. Every delicate contour line in Forager has been embellished in metallic gold, and her stork scissors have been dimensionally sculpted in finely detailed relief. A severed, forlorn tulip continues the narrative below in a dimensional chop with golden line work James Jean...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered. Good condition. Notes: From Derrière le miroir, N° 182. Published by Aimé Maeght, Éditeur, Paris; printed by Éditions...

Ahasuerus sends Vasthi away  is a an artwork from the Series "The Bible", by Marc Chagall in 1960. Mixed colored lithograph on brown-toned paper, no signature. Edition of 6500 unsi...

Agent X Title : Desiree Calderon Year: 2019 Medium: Digital Print Signed Edition: 125 70 x 70 inches Agent X, cultural explorer and agent of the unknown, is an emerging artist who c...

This artwork "Mujere" c.1960 is an original color silkscreen by noted Argentinian artist Raul Soldi, 1905-1994. It is hand signed and numbered 12/15 P.A in pencil by the artist. The image size is 22.75 x 17 inches, sheet size is 26.65 x 21.5 inches. It is in very good condition, colors are fresh and bright. About the artist: Raúl Soldi was born in Buenos Aire in 1905. He was an argentine plastic artist of recognized international experience. In 1920 he began drawing and painting. He makes reproductions of Quinquela Martín...

Publisher : Verve (Paris) Printer : Mourlot (Paris) Catalog : Mourlot 237 Unsigned lithograph from the book "Drawings for the Bible" composed of 24 color lithographs Very good cond...

Héliogravure on Papeterie de Mandeure vélin paper. Inscription: Signed in the plate and unnumbered, as issued. Good condition. Notes: From the folio, Alice's Adventures in Wonderland...

Marc Chagall (after) Romeo and Juliet (Paris Opera), 1965 Stone lithograph (Mourlot workshop) Engraved by Charles Sorlier under the supervision of Chagall On heavy paper 64 x 99 cm ...

This artwork titled "Abundance" 1988 is a original color lithograph on paper by noted artist Max Coyer, 1954-1988 It is hand signed, dated, titled and number...

Helio-etching on hand-made paper, 1923 by Paul Klee. Signatur is printed, lower center: Klee From portfolio Paul Klee, Handzeichnungen 1921-1930; Here no 15 Image: 5.55 x 7.48 in ( 1...

Fernand LÉGER Chair, Hat and Cow, 1959 Original lithograph and stencil Printed signature in the plate On vellum Auvergne 38,9 x 50 cm (c. 15,3 x 19,6 Inches) Published in 1959, under the control of the wife of the artist, Nadia Léger...

Lithograph on vélin d’Arches paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Cirque, Lithographies Originales. Published by Les Édition...

Lithograph on vélin d’Arches paper. Signed in the plate, as issued. Good condition. Notes: From the folio, Picasso, Vingt-Neuf Portraits Imaginaires, 1969. Published by Éditions Cerc...

Wonderful original original artist's proof lithograph by Vietnamese/French Master Dang Lebadang. Marked EA (for "Epreuve d'Artiste" lower left, signed lo...

Edward Landon, 'Dark Vessel', color serigraph, 1952, edition 50, Ryan 51. Signed, dated, and titled in pencil. A superb impression, with fresh colors, on c...

Jean Jansem (1920-2013) Les deux petites filles, 1977 Lithographie sur papier Arches, justifiée et numérotée EA Signée en bas à droite 30 x 24 cm / 42 x 33,5 cm Bibliographie: Cat...

Screenprint in colours on Coventry Rag paper, signed in pencil, numbered from an edition of 30, published by Fort Makers, New York Tunji Adeniyi-Jones is a rising star...

28" x 38" Unframed Limited Edition Giclee with Hand Embellishment of 135 Hand Signed by Todd White Todd white captures restaurant, night and Hollywood scenes with contrasting colors...

Color lithograph realized by Marc Chagall in 1960 to illustrate "The Bible".  Edition of 6500, published by Tériade in no. 33 and 34 of the Art Magazine Verve. Printed by Mourlot a...

Jose Bedia (Cuba, 1959) 'Nuevas Enseñanzas', 2019 silkscreen on paper 27.6 x 35.1 in. (70 x 89 cm.) Edition of 30 Unframed

Héliogravure on vélin pur fil du Marais paper, archivally hinged on a vélin pur fil du Marais backing sheet, as issued. Unsigned and unnumbered, as issued. Good condition. Notes: Fro...

Lithograph on vélin pur Chiffon Moulin à papier Richard de Bas paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: from the folio, Le Tir à l'arc mis en lu...

Sator is an artwork from the Series "Faust" (La Nuit de Walpurgis), realized in 1968/69. Etching, Drypoint, Watercolor and Roulette on Japon Paper. Hand signed and numbered. Editio...

Artist: Peter Max (1937) Title: Heart Series I Year: 1998 Edition: 130/300, plus proofs Medium: Lithograph on Coventry Smooth paper Size: 5 x 4 inches Condition: Excellent Inscriptio...

Lithograph on vélin d'Arches paper. Inscription: signed in the plate and unnumbered, as issued. Good condition. Notes: from the folio, Taureaux, Lithographies de Jean Cocteau, 1965. ...

Lithograph and stencil on vélin Hollande van Gelder paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the album, Fernand Léger, 1928. Published and printed by Éd...

"Electric Chair" F. & S. 81, is a screenprint in colors on wove paper by Andy Warhol. The work is signed verso. This piece is number 43 from an edition of 250 + 50 AP, and is one fro...

Hand signed, numbered, and dated by the artist. Screenprint in colors, on wove paper, with full margins, Image size 10.5 x 13.375 inches.. Sheet size 12 x 15 inches. Frame size approx 17.25 x 20.25 inches Littmann p. 83. Published by Martin Lawrence...

Pierre AMBROGIANI (1907-1985) Shepperd in the Moutain, 1974 Original Lithograph (Gourdon Workshop) Signed with the artist's stamp On vellum 38 x 28 cm (c. 14.9 x 11 in) Excellent c...

This artwork titled "Left Bank Cafe, Paris" 1987 is an original color serigraph by noted American artist LeRoy Neiman, 1921-2012. It is hand signed and numbered H.C 166/175 in pencil by the artist. The image size is 26 x 38 inches, sheet size is 32.25 x 44 inches. With the blind stamp of the printer Styria Studio at the lower left corner margin. It is in excellent condition, two small pieces of hanging tape remain on the back. About the artist: Mr. Neiman's kinetic, quickly executed paintings and drawings, many of them published in Playboy, offered his fans gaudily colored visual reports on heavyweight boxing matches, Super Bowl games and Olympic contests, as well as social panoramas like the horse races at Deauville, France, and the Cannes Film Festival. Quite consciously, he cast himself in the mold of French Impressionists like Toulouse-Lautrec, Renoir and Degas, chroniclers of public life who found rich social material at racetracks, dance halls and cafes. Mr. Neiman often painted or sketched on live television. With the camera recording his progress at the sketchpad or easel, he interpreted the drama of Olympic Games and Super Bowls for an audience of millions. When Bobby Fischer and Boris Spassky faced off in Reykjavik, Iceland, to decide the world chess championship, Mr. Neiman was there, sketching. He was on hand to capture Federico Fellini directing "8 ½" and the Kirov Ballet performing in the Soviet Union. In popularity, Mr. Neiman rivaled American favorites like Norman Rockwell, Grandma Moses and Andrew Wyeth. A prolific one-man industry, he generated hundreds of paintings, drawings, watercolors, limited-edition serigraph prints and coffee-table books yearly, earning gross annual revenue in the tens of millions of dollars. Although he exhibited constantly and his work was included in the collections of dozens of museums around the world, critical respect eluded him. Mainstream art critics either ignored him completely or, if forced to consider his work, dismissed it with contempt as garish and superficial — magazine illustration with pretensions. Mr. Neiman professed not to care. Maybe the critics are right," he told American Artist magazine in 1995. "But what am I supposed to do about it — stop painting, change my work completely? I go back into the studio, and there I am at the easel again. I enjoy what I'm doing and feel good working. Other thoughts are just crowded out." His image suggested an artist well beyond the reach of criticism. A dandy and bon vivant, he cut an arresting figure with his luxuriant ear-to-ear mustache, white suits, flashy hats and Cuban cigars. "He quite intentionally invented himself as a flamboyant artist not unlike Salvador Dalí, in much the same way that I became Mr. Playboy in the late '50s," Hugh Hefner told Cigar Aficionado magazine in 1995. LeRoy Runquist was born on June 8, 1921, in St. Paul. His father, a railroad worker, deserted the family when LeRoy was quite young, and the boy took the surname of his stepfather. He showed a flair for art at an early age. While attending a local Roman Catholic school, he impressed schoolmates by drawing ink tattoos on their arms during recess. As a teenager, he earned money doing illustrations for local grocery stores. "I'd sketch a turkey, a cow, a fish, with the prices," he told Cigar Aficionado. "And then I had the good sense to draw the guy who owned the store. This gave me tremendous power as a kid." After being drafted into the Army in 1942, he served as a cook in the European theater but in his spare time painted risqué murals on the walls of kitchens and mess halls. The Army's Special Services Division, recognizing his talent, put him to work painting stage sets for Red Cross shows when he was stationed in Germany after the war. On leaving the military, he studied briefly at the St. Paul School of Art (now the Minnesota Museum of American Art) before enrolling in the School of the Art Institute of Chicago, where, after four years of study, he taught figure drawing and fashion illustration throughout the 1950s. When the janitor of the apartment building next door to his threw out half-empty cans of enamel house paint, Mr. Neiman found his métier. Experimenting with the new medium, he embraced a rapid style of applying paint to canvas imposed by the free-flowing quality of the house paint. While doing freelance fashion illustration for the Carson Pirie Scott department store in Chicago in the early 1950s, he became friendly with Mr. Hefner, a copywriter there who was on the verge of publishing the first issue of a men's magazine. In 1954, after five issues of Playboy had appeared, Mr. Neiman ran into Mr. Hefner and invited him to his apartment to see his paintings of boxers, strip clubs and restaurants. Mr. Hefner, impressed, showed the work to Playboy's art director, Art Paul, who commissioned an illustration for "Black Country," a story by Charles Beaumont about a jazz musician. Thus began a relationship that endured for more than half a century and established Mr. Neiman's reputation. In 1955, when Mr. Hefner decided that the party-jokes page needed visual interest, Mr. Neiman came up with the Femlin, a curvaceous brunette who cavorted across the page in thigh-high stockings, high-heeled shoes, opera gloves and nothing else. She appeared in every issue of the magazine thereafter. Three years later, Mr. Neiman devised a running feature, "Man at His Leisure." For the next 15 years, he went on assignment to glamour spots around the world, sending back visual reports on subjects as varied as the races at Royal Ascot, the dining room of the Tour d'Argent in Paris, the nude beaches of the Dalmatian coast, the running of the bulls at Pamplona and Carnaby Street in swinging London. He later produced more than 100 paintings and 2 murals for 18 of the Playboy clubs that opened around the world. "Playboy made the good life a reality for me and made it the subject matter of my paintings — not affluence and luxury as such, but joie de vivre itself," Mr. Neiman told V.I.P. magazine in 1962. Working in the same copywriting department at Carson Pirie Scott as Mr. Hefner was Janet Byrne, a student at the Art Institute. She and Mr. Neiman married in 1957. She survives him. A prolific artist, he generated dozens of paintings each year that routinely commanded five-figure prices. When Christie's auctioned off the Playboy archives in 2003, his 1969 painting Man at His Leisure: Le Mans sold for $107,550. Sales of the signed, limited-edition print versions of his paintings, published in editions of 250 to 500, became a lucrative business in itself after Knoedler Publishing, a wholesale operation, was created in 1975 to publish and distribute his serigraphs, etchings, books and posters. Mr. Neiman's most famous images came from the world of sports. His long association with the Olympics began with the Winter Games in Squaw Valley in 1960, and he went on to cover the games, on live television, in Munich in 1972, Montreal in 1976, Lake Placid in 1980, and Sarajevo and Los Angeles in 1984, using watercolor, ink or felt-tip marker to produce images with the dispatch of a courtroom sketch artist. At the 1978 and 1979 Super Bowls, he used a computerized electronic pen to portray the action for CBS. Although he was best known for scenes filled with people and incident, he also painted many portraits. Athletes predominated, with Muhammad Ali and Joe Namath among his more famous subjects, but he also painted Leonard Bernstein, the ballet dancer Suzanne Farrell...

Woman is a Linocut Print realized by Mino Maccari in 1951. Very Good condition. No Signature. Mino Maccari (1898-1989) was an Italian writer, painter, engraver and journalist, win...

Print: 25" x 19" Giclée print with intricate holographic, foil, sculptural glass-like details and enhancements. Signed by James Jean and numbered

Lithograph on vélin des Papeteries du Marais paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Drawings from the Bible by Marc Chagall, ...

TECHNICAL INFORMATION: Salvador Dali The Earth Goddess (The Chef) 1980 Lithograph 29 x 21 1/2 in. Edition of 350 Pencil signed and numbered; certified a...

Lithograph on vélin d’Arches paper. Signed in the plate, as issued. Good condition. Notes: From the folio, Picasso, Vingt-Neuf Portraits Imaginaires, 1969. Published by Éditions Cerc...

Etching and drypoint realized by Alcione Gubellini in the mid-20th Century. Edition of 16. Hand signed and numbered in pencil. Excellent condition.

The title of this piece by Mexican Surrealist artist Rufino Tamayo translates to "Woman with Pink Tights", The signed and numbered lithograph is from the Mujeres suite, a portfolio o...

After Salvador DALI (1904-1969) Butterfly suite : Roussillon, 1969 Lithograph and heliogravure Printed signature in the plate bottom right Tall model, from the 700 unumbered edition...

Lithograph and stencil on vélin papier a la cuve du Moulin Richard de Bas spécialement filigrané pour cette édition paper. Signed in the plate and unnumbered, as issued. Good conditi...

Cosmicstrip I by Roberto Matta, Chilean (1911–2002) Date: 1959 Etching, signed and numbered in pencil Edition of 21/50 Image Size: 14.75 x 19.25 inches Frame Size: 23.75 x 28 inches ...

In The Forest is an original modern artwork realized by the painter Rolandi, in the 1980s. Mixed colored screen print. Hand signed on the lower right margin. Artist's proof (as re...

Serigraph in colors on paper. Hand signed lower right by LeRoy Neiman. Hand numbered 317/350 lower left. Artwork size 37.5 x 42 inches. Custom framed as pictured with hand paint...

Lithograph in colors on vélin Fabriano charta ex meris pannis "ab alveo" manu fabricata, perlucidis figuris intexta paper. Paper size: 19 x 13.75 inches. Inscription: Signed in the p...

Le Corbusier (Charles-Édouard Jeanneret, called) Presence (Man with Bull and Animals) Original vintage poster (offset print) With the printed signature in the plate On wove paper 50...

Hommage a Cranach is a lithograph with original etching by Salvador Dali and published by Transworld Art  in 1971. This limited edition print is number A110 out of 175 and is i...

Performing in the circus is an original artwork realized in the 1960s by Marc Chagall. Mixed colored lithograph. The artwork represents a typical compostion in the Chagall style.

Lithograph on vélin d'Arches paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Dix Reproductions, 1933. Published by Editions ...

Lithograph on vélin des Papeteries du Marais paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, André Beaudin, Verve: Revue Artistique et...

Rhythmic serenity emanates from this delightful work. Miro creates a quirky yet sophisticated pattern of decorative and playful spots, irregular yet rep...

Lithograph on vélin d’Arches pur chiffon paper. Inscription: signed in the plate and unnumbered, as issued. Good condition. Notes: from the folio, L'Histoire d'O, 1962. Published and...