Modern Art Figurative Prints

Lithograph on vélin d’Arches paper. Inscription: hand signed and numbered, 110/175, as issued. Good condition. Notes: From the Jazz Series, 1979. Published by London Arts Group, Detr...

Color lithograph realized by Marc Chagall in 1960 to illustrate "The Bible".  Edition of 6500, published by Tériade in no. 33 and 34 of the Art Magazine Verve. Printed by Mourlot a...

Salvador Dali - Apparition de Dulcinée - Original Lithograph Joseph FORET, Paris, 1957 SIGNATURE : printed in the image LIMITED : 197 copies. SIZE : 41 x 33 cm REFERENCES : Field 57...

14 layer screen print on 410gsm Somerset Tub Sized Satin White paper - finished with matte varnish and glossy, vinyl ink details 27 3/5 × 19 7/10 in 70 × 50 cm Edition of 40 hand-si...

Le Oiseau Vert Marc Chagall 1962 vintage French Galerie Poster By (after) Chagall, Marc Marc Chagall (1887–1985) was a Russian-French painter and one of the most celebrated artists...

2004 Colour Print Image Size: 52 x 37 cm Framed Size: 70.5 x 52 cm Signed A Ramachandran and dated 2004, Glazed and framed in original frame. * Label verso, ‘With best Compliment...

Lithograph in colors on vélin Fabriano charta ex meris pannis "ab alveo" manu fabricata, perlucidis figuris intexta paper. Paper size: 19 x 13.75 inches. Inscription: Signed in the p...

Color lithograph realized by Marc Chagall in 1960 to illustrate "The Bible".  Edition of 6500, published by Tériade in no. 33 and 34 of the Art Magazine Verve. Printed by Mourlot a...

Revenge is an original Lithograph realized in mid-20th Century by Valentine Hugo (1887-1968). In good condition. The artwork is depicted skillfully t...

This lithograph is hand signed in blue pencil by the artist "Picasso" at the lower left image. Edition info 11/50. It is also hand numbered in blue pencil from the edition of 50, at ...

Transhumante Fernando de Szyszlo, Peruvian (1925–2017) Aquatint Etching, signed and numbered in pencil Edition of 44/80 Size: 42.5 x 28 in. (107.95 x 71.12 cm)

This artwork titled "IFemme Fatale" c.1980 is an original color serigraph on paper by Israeli artist Itzchac Tarkay 1935-2012. It is hand signed and numbered 243/300 in pencil by th...

Woodcut shunga print attributed to Keisai Eisen and realized in the early 19th century. Good condition except for some signs of time.

Lithograph on vélin des Papeteries du Marais paper. Paper Size: 14 x 10.25 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné references: Mourlot, Fernand. C...

Marc Chagall Original Lithograph Title: The Green Horse 1973 Dimensions: 33 x 50 cm Reference: This lithograph was created for the portfolio "Chagall Monu...

Tracey Emin (born 1963 in Croydon) Choose Love, 2024 Medium: Lithograph on paper Dimensions: 76 × 60 cm (29 9/10 × 23 3/5 in) Edition of 100: Hand-signed, numbered and titled in penc...

SERENATA DE GUITARRA by the South American artist Jorge Dumas(1928-1985), is an original hand drawn lithograph hand proofed and printed using traditional lithography techniques on ar...

Lithograph on vélin paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the album, Picasso 1930-1935, 1936. Published and printed by Éditions des Cahiers d'Art, Pa...

Artist: Salvador Dali, Spanish (1904 - 1989) Title: Le cercle visceral du Cosmos from La Conquete du Cosmos Year: 1974 Medium: Etching with Litho...

Untitled  is a lithograph realized by the Cuban Surrealist artist Wifredo Lam (1902-1982). This is a color lithograph on wove paper, properly edited...

Hand Embellished Giclee on Canvas Limited Edition of 135 Hand Signed by Todd White COA Included 2021 Todd white captures restaurant, night and Hollywood scenes with contrasting col...

Lithograph on vélin d’Arches paper. Inscription: hand signed and numbered, 144/175, as issued. Good condition. Notes: From the Jazz Series, 1979. Published by London Arts Group, Detr...

Charles Turzak, 'Dancers', 1939, wood engraving, edition 100. Signed, titled, and numbered 72/100 in pencil. A fine, richly-inked impression, on off-white Japan paper, with full marg...

Artist: Alexander Calder Title: Devil Medium: Etching and aquatint in colors Date: 1974 Edition: 20/80 Sheet Size: 25 7/8" x 20" Image Size: 19 1/8" x 13 1/2" Signature: Hand signed ...

Miquel Barcelo Vanity with Three Skulls, 2005 Original etching with aquatint Unsigned On ivory vellum 50 x 65 cm (c. 20 x 26 in) Authenticated with the...

Medium: Lithograph on vélin d'Arches paper Year: 1971 Paper Size: 26 x 20 inches Inscription: Signed in the plate and unnumbered, as issued Notes: From the folio, Dufresne, VI, Colle...

Marc Chagall (1887-1985) - David saved by Michal Lithograph from 1960. Dimensions of work: 35 x 26 cm Publisher: Tériade, Paris. The work is in Excellent condition. Fast and se...

Original title: Il Ciclista Cyclist is an original etching realized by Giuseppe Viviani in 1955. Hand signed and dated in pencil on lower right margin "G. Viviani 955", edition of 200 prints. It represents a cyclist who is riding along a tree-lined road. Very good conditions except for foxings and faded paper. - Published on “Giuseppe Viviani Catalogo Generale” cured by Silvio Guarasci Pisa, Editore Saletta d’Arte Viviani s.a.s. Pisa, p.216. Giuseppe Viviani (1898-1965) is a popular Italian artist and engraver. His figures are characterized by stylized silhouettes, big and sad eyes...

Francoise Gilot (French, 1921-2023). Color lithograph on Arches paper, France, deckle edged on two sides. Edition numbered 16/70 with rare personal inscription, Hand signed and ti...

(Catlett, Elizabeth)illus. FOR MY PEOPLE by Margaret Walker. Linited Editions Club, NY, 1992. Edition of 400 signed by Walker and Catlett, and numbered 204 on the Justification page....

Lithograph in colors on vélin Fabriano charta ex meris pannis "ab alveo" manu fabricata, perlucidis figuris intexta paper. Paper size: 19 x 13.75 inches. Inscription: Signed in the p...

Acrylic paint on canvas, image of a nude angel unfurling her wings against a turbulent seascape. Torres is best known to most people for his monumental mural "Pope of Broadway", a p...

ARTIST: Salvador Dali TITLE: Trilogy of Love Love's Promise MEDIUM: Lithograph SIGNED: Hand Signed PUBLISHER: Levine & Levine for DALART EDITION NUMBER: EA MEASUREMENTS: 21.5"...

Marc Chagall Original Lithograph 1969 From the revue XXe Siecle, edition of 12,000 Unsigned, as issued Dimensions: 32 x 24 Condition : Excellent Reference: Mourlot 572 Marc Chagall (born in 1887) Marc Chagall was born in Belarus in 1887 and developed an early interest in art. After studying painting, in 1907 he left Russia for Paris, where he lived in an artist colony on the city’s outskirts. Fusing his own personal, dreamlike imagery with hints of the fauvism and cubism popular in France at the time, Chagall created his most lasting work—including I and the Village (1911)—some of which would be featured in the Salon des Indépendants exhibitions. After returning to Vitebsk for a visit in 1914, the outbreak of WWI trapped Chagall in Russia. He returned to France in 1923 but was forced to flee the country and Nazi persecution during WWII. Finding asylum in the U.S., Chagall became involved in set and costume design before returning to France in 1948. In his later years, he experimented with new art forms and was commissioned to produce numerous large-scale works. Chagall died in St.-Paul-de-Vence in 1985. The Village Marc Chagall was born in a small Hassidic community on the outskirts of Vitebsk, Belarus, on July 7, 1887. His father was a fishmonger, and his mother ran a small sundries shop in the village. As a child, Chagall attended the Jewish elementary school, where he studied Hebrew and the Bible, before later attending the Russian public school. He began to learn the fundamentals of drawing during this time, but perhaps more importantly, he absorbed the world around him, storing away the imagery and themes that would feature largely in most of his later work. At age 19 Chagall enrolled at a private, all-Jewish art school and began his formal education in painting, studying briefly with portrait artist Yehuda Pen. However, he left the school after several months, moving to St. Petersburg in 1907 to study at the Imperial Society for the Protection of Fine Arts. The following year, he enrolled at the Svanseva School, studying with set designer Léon Bakst, whose work had been featured in Sergei Diaghilev's Ballets Russes. This early experience would prove important to Chagall’s later career as well. Despite this formal instruction, and the widespread popularity of realism in Russia at the time, Chagall was already establishing his own personal style, which featured a more dreamlike unreality and the people, places and imagery that were close to his heart. Some examples from this period are his Window Vitebsk (1908) and My Fianceé with Black Gloves (1909), which pictured Bella Rosenfeld, to whom he had recently become engaged. The Beehive Despite his romance with Bella, in 1911 an allowance from Russian parliament member and art patron Maxim Binaver enabled Chagall to move to Paris, France. After settling briefly in the Montparnasse neighborhood, Chagall moved further afield to an artist colony known as La Ruche (“The Beehive”), where he began to work side by side with abstract painters such as Amedeo Modigliani and Fernand Léger as well as the avant-garde poet Guillaume Apollinaire. At their urging, and under the influence of the wildly popular fauvism and cubism, Chagall lightened his palette and pushed his style ever further from reality. I and the Village (1911) and Homage to Apollinaire (1912) are among his early Parisian works, widely considered to be his most successful and representative period. Though his work stood stylistically apart from his cubist contemporaries, from 1912 to 1914 Chagall exhibited several paintings at the annual Salon des Indépendants exhibition, where works by the likes of Juan Gris, Marcel Duchamp and Robert Delaunay were causing a stir in the Paris art world. Chagall’s popularity began to spread beyond La Ruche, and in May 1914 he traveled to Berlin to help organize his first solo exhibition, at Der Sturm Gallery. Chagall remained in the city until the highly acclaimed show opened that June. He then returned to Vitebsk, unaware of the fateful events to come. War, Peace and Revolution In August 1914 the outbreak of World War I precluded Chagall’s plans to return to Paris. The conflict did little to stem the flow of his creative output, however, instead merely giving him direct access to the childhood scenes so essential to his work, as seen in paintings such as Jew in Green (1914) and Over Vitebsk (1914). His paintings from this period also occasionally featured images of the war’s impact on the region, as with Wounded Soldier (1914) and Marching (1915). But despite the hardships of life during wartime, this would also prove to be a joyful period for Chagall. In July 1915 he married Bella, and she gave birth to a daughter, Ida, the following year. Their appearance in works such as Birthday (1915), Bella and Ida by the Window (1917) and several of his “Lovers” paintings give a glimpse of the island of domestic bliss that was Chagall’s amidst the chaos. To avoid military service and stay with his new family, Chagall took a position as a clerk in the Ministry of War Economy in St. Petersburg. While there he began work on his autobiography and also immersed himself in the local art scene, befriending novelist Boris Pasternak, among others. He also exhibited his work in the city and soon gained considerable recognition. That notoriety would prove important in the aftermath of the 1917 Russian Revolution when he was appointed as the Commissar of Fine Arts in Vitebsk. In his new post, Chagall undertook various projects in the region, including the 1919 founding of the Academy of the Arts. Despite these endeavors, differences among his colleagues eventually disillusioned Chagall. In 1920 he relinquished his position and moved his family to Moscow, the post-revolution capital of Russia. In Moscow, Chagall was soon commissioned to create sets and costumes for various productions at the Moscow State Yiddish Theater, where he would paint a series of murals titled Introduction to the Jewish Theater as well. In 1921, Chagall also found work as a teacher at a school for war orphans. By 1922, however, Chagall found that his art had fallen out of favor, and seeking new horizons he left Russia for good. Flight After a brief stay in Berlin, where he unsuccessfully sought to recover the work exhibited at Der Sturm before the war, Chagall moved his family to Paris in September 1923. Shortly after their arrival, he was commissioned by art dealer and publisher Ambroise Vollard to produce a series of etchings for a new edition of Nikolai Gogol's 1842 novel Dead Souls. Two years later Chagall began work on an illustrated edition of Jean de la Fontaine’s Fables, and in 1930 he created etchings for an illustrated edition of the Old Testament, for which he traveled to Palestine to conduct research. Chagall’s work during this period brought him new success as an artist and enabled him to travel throughout Europe in the 1930s. He also published his autobiography, My Life (1931), and in 1933 received a retrospective at the Kunsthalle in Basel, Switzerland. But at the same time that Chagall’s popularity was spreading, so, too, was the threat of Fascism and Nazism. Singled out during the cultural "cleansing" undertaken by the Nazis in Germany, Chagall’s work was ordered removed from museums throughout the country. Several pieces were subsequently burned, and others were featured in a 1937 exhibition of “degenerate art” held in Munich. Chagall’s angst regarding these troubling events and the persecution of Jews in general can be seen in his 1938 painting White Crucifixion. With the eruption of World War II, Chagall and his family moved to the Loire region before moving farther south to Marseilles following the invasion of France. They found a more certain refuge when, in 1941, Chagall’s name was added by the director of the Museum of Modern Art (MOMA) in New York City to a list of artists and intellectuals deemed most at risk from the Nazis’ anti-Jewish campaign. Chagall and his family would be among the more than 2,000 who received visas and escaped this way. Haunted Harbors Arriving in New York City in June 1941, Chagall discovered that he was already a well-known artist there and, despite a language barrier, soon became a part of the exiled European artist community. The following year he was commissioned by choreographer Léonide Massine to design sets and costumes for the ballet Aleko, based on Alexander Pushkin’s “The Gypsies” and set to the music of Pyotr Ilyich Tchaikovsky. But even as he settled into the safety of his temporary home, Chagall’s thoughts were frequently consumed by the fate befalling the Jews of Europe and the destruction of Russia, as paintings such as The Yellow Crucifixion...

Marc Chagall "Paris de ma fenêtre" 1969-1970 Lithograph in colors on Arches paper 32.5 x 23.75 inches (image size) 39.5 x 27.5 inches (sheet size) ​​​​​​​Edition of 50 + 25 AP Signe...

A mid-century, stone lithograph titled 'Greta and Grace' by Nura Woodson Ulreich (American, 1899-1950), created in 1943 and with certification of ...

This artwork titled "Religion and Peace" 1995, is an original color serigraph on thin rice paper taped to a sheet of wove paper for stabilization by noted Ch...

Medium: Lithograph on vélin d'Arches paper Year: 1972 Paper Size: 20 x 26 inches Inscription: Signed in the plate and unnumbered, as issued Notes: From the folio, Fauves, VII, Collec...

Artist: LeRoy Neiman (American, 1921-2012) Title: Casino Year: 1972 Medium: Silkscreen, signed and marked A P ( Artist Proof)  in pencil Edition: AP Paper  Size: 31¾  x 26 inches LeRoy Neiman was a sports artist, a chronicler of contemporary lifestyles and a creator of the action-subject. He is credited with reviving figure painting during the years of the abstract movement when the figure, and realism in general, were abandoned. Neiman paints with a technique that often starts with his own Impressionistic style and continues with a process that looks very similar to the action paintings of the Abstract Expressionists. Accident and chance seem to play significant roles in determining the final appearance of his creations. This is seen in Neimans spontaneous application of paint and color. He paints quickly to grasp moments in time. His works are held in the collections of both the Baseball...

Lithograph realized after Fernand Léger in 1959, on Moulin Richard de Bas paper. Monogrammed in the plate. It belongs to the suite "Contrastes", printed by Daniel Jacomet and publi...

ANGEL WITH HEART is an original hand drawn limited edition lithograph by the pop culture icon - Peter Max, printed using traditional hand lithography techniques on archival Arches printmaking paper 100% acid free. ANGEL WITH HEART is an Inspiring and expressive portrait of a winged Pop Art Guardian Angel with gleaming red heart and glowing halo rendered in rich lavender tones and rainbow colors. Max's bold colors, uplifting images and his unconventional artistic diversity have touched almost every period of American culture. Peter Max is well known for his leading role in the psychedelic art of the hippie generation. Print size - 36 x 27 inches, unframed, excellent condition, fresh vivid colors, full bleed image, pencil signed by Peter Max Edition size - 300 Year published - 1990 Printer - J K Fine Art Editions Co. NY German/American artist: b. 1937, Peter Max spent his childhood in Shanghai. From China, the family went to Tibet for a year, and then on to Israel. Peter Max's family's odyssey continued to Paris, and finally, at the age of 16, Max arrived in the United States. Peter Max began his art studies in New York at the Art Student's League and continued at the Pratt Institute and School of Visual Arts. Peter Max, recognised throughout the world and a well-known name in America, is famous for his new age style, cosmic imagery and multi-colored blends. During the late 1960's and early 70's, Peter Max's colorful award winning art reached millions of people. Peter Max's paintings, drawings, sculpture and limited edition graphics have been exhibited in major museums throughout the world. American icons, especially the Statue of Liberty, appear repeatedly in his art repertoire. Returning to the public art scene in the ‘80s...

James Jean "Skippers" Limited Edition Print Journey into the realm of artistic wonder with the captivating work of James Jean. "Skippers", a limited edition print, encapsulates Jean...

Lithograph in colors on japon paper. Hand signed and numbered by Salvador Dali. Edition I LXIII/C. Sheet size 29.5 x 21.5 inches. Image size 23 x 15 inches. Frame size approx 34 x 24 inches. Catalogue Raisonné: Field 79-12, pp. 185. Artwork is in excellent condition. All reasonable offers will be considered. About the Artist: Salvador Dalí (Spanish, 1904–1989) was a renowned Surrealist artist known for his enigmatic paintings of dreamscapes and religious themes. The Persistence of Memory (1931), arguably his best known work, visually manifests the strangeness of time, showing clocks melting in an idyllic landscape. “One day it will have to be officially admitted that what we have christened reality is an even greater illusion than the world of dreams,” he once reflected. Born Salvador Domingo Felipe Jacinto Dalí i Domènech on May 11, 1904 in Figueres, Spain, he displayed a great aptitude for the visual arts as a teenager. Three years after his first exhibition at the age of 14, he enrolled at the Academia de San Fernando in Madrid. At school, he emulated many contemporary styles but also the works of Johannes Vermeer and Diego Velázquez. During his visits to Paris in the late 1920s, he was introduced to the Surrealist movement by René Magritte and Joan Miró. Though the concept of Surrealism was new to him, Dalí was already well versed in the psychoanalytic theories of Sigmund Freud. Dabbling in various projects throughout his long career, in 1942 he published the book The Secret...

Love is a lithograph on paper, 9 x 9" image size. From the edition of 395, numbered 219/275 (there were also 100 Roman and 20 AP), framed in a contemporary, silver-tone frame - visua...

Medium: original lithograph. Printed in Paris in 1967 at the atelier of Clot, Bramsen et Georges and published in an edition of 2500 for "Les Temps Situationistes" (The Situationist ...

The Missing Suitors is a limited edition 13 color hand-pulled Serigraph by artist Josh Agle aka SHAG. Hand signed and numbered 214/300 by the artist. Comes with a Certificate of authenticity (C.O.A.). Shag is an American born painter, designer and illustrator working in Southern California. His distinctive artistic style draws from commercial illustration and has an attitude and sly sense of humor which is unmistakably of our time. His paintings celebrate consumerism and consumption on vividly colored sharply rendered panels; the characters drink, smoke and eat in lavish, stylish surroundings. Shag's work is categorized as lowbrow art...

Engraving with lithographic color on paper. Hand signed and numbered in pencil. From the series La Conquete du Cosmos (Conquest of Cosmos). Frame approx size 45 x 35 inches. Sheet ...

Salvador Dali (1904-1989) Purgatory 15 - The Envy From the "Divine Comedy" Wood engraving from "Divine Comedy" with the signature printed in the plate 1960/63 Printed on paper Vél...

Purgatory Canto 25 is a wood engraving on BFK Rives with an image size of 10 x 7" from the popular French edition of the portfolio. Framed in a classic, gold-tone frame. Cataloging:...

Jacob Lawrence (1917 - 2000) The Capture of Marmelade (from The Life of Toussaint L'Ouverture series), 1987 Color screenprint on Bainbridge Two Ply Rag paper Sheet 32 1/8 x 22 1/16 inches Sight 29 3/4 x 19 1/4 inches A/P 1/30, aside from the edition of 120 Signed, titled, dated, inscribed "A/P" and numbered 1/30 in pencil, lower margin. Literature: Nesbett L87-2. A social realist, Lawrence documented the African American experience in several series devoted to Toussaint L’Ouverture, Frederick Douglass, Harriet Tubman, life in Harlem, and the civil rights movement of the 1960s. He was one of the first nationally recognized African American artists. “If at times my productions do not express the conventionally beautiful, there is always an effort to express the universal beauty of man’s continuous struggle to lift his social position and to add dimension to his spiritual being.” — Jacob Lawrence quoted in Ellen Harkins Wheat, Jacob Lawrence: The Frederick Douglass and Harriet Tubman Series of 1938 – 40. The most widely acclaimed African American artist of this century, and one of only several whose works are included in standard survey books on American art, Jacob Lawrence has enjoyed a successful career for more than fifty years. Lawrence’s paintings portray the lives and struggles of African Americans, and have found wide audiences due to their abstract, colorful style and universality of subject matter. By the time he was thirty years old, Lawrence had been labeled as the ​“foremost Negro artist,” and since that time his career has been a series of extraordinary accomplishments. Moreover, Lawrence is one of the few painters of his generation who grew up in a black community, was taught primarily by black artists, and was influenced by black people. Lawrence was born on September 7, 1917,* in Atlantic City, New Jersey. He was the eldest child of Jacob and Rosa Lee Lawrence. The senior Lawrence worked as a railroad cook and in 1919 moved his family to Easton, Pennsylvania, where he sought work as a coal miner. Lawrence’s parents separated when he was seven, and in 1924 his mother moved her children first to Philadelphia and then to Harlem when Jacob was twelve years old. He enrolled in Public School 89 located at 135th Street and Lenox Avenue, and at the Utopia Children’s Center, a settlement house that provided an after school program in arts and crafts for Harlem children. The center was operated at that time by painter Charles Alston who immediately recognized young Lawrence’s talents. Shortly after he began attending classes at Utopia Children’s Center, Lawrence developed an interest in drawing simple geometric patterns and making diorama type paintings from corrugated cardboard boxes. Following his graduation from P.S. 89, Lawrence enrolled in Commerce High School on West 65th Street and painted intermittently on his own. As the Depression became more acute, Lawrence’s mother lost her job and the family had to go on welfare. Lawrence dropped out of high school before his junior year to find odd jobs to help support his family. He enrolled in the Civilian Conservation Corps, a New Deal jobs program, and was sent to upstate New York. There he planted trees, drained swamps, and built dams. When Lawrence returned to Harlem he became associated with the Harlem Community Art Center directed by sculptor Augusta Savage, and began painting his earliest Harlem scenes. Lawrence enjoyed playing pool at the Harlem Y.M.C.A., where he met ​“Professor” Seifert, a black, self styled lecturer and historian who had collected a large library of African and African American literature. Seifert encouraged Lawrence to visit the Schomburg Library in Harlem to read everything he could about African and African American culture. He also invited Lawrence to use his personal library, and to visit the Museum of Modern Art’s exhibition of African art in 1935. As the Depression continued, circumstances remained financially difficult for Lawrence and his family. Through the persistence of Augusta Savage, Lawrence was assigned to an easel project with the W.P.A., and still under the influence of Seifert, Lawrence became interested in the life of Toussaint L’Ouverture, the black revolutionary and founder of the Republic of Haiti. Lawrence felt that a single painting would not depict L’Ouverture’s numerous achievements, and decided to produce a series of paintings on the general’s life. Lawrence is known primarily for his series of panels on the lives of important African Americans in history and scenes of African American life. His series of paintings include: The Life of Toussaint L’Ouverture, 1937, (forty one panels), The Life of Frederick Douglass, 1938, (forty panels), The Life of Harriet Tubman, 1939, (thirty one panels), The Migration of the Negro,1940 – 41, (sixty panels), The Life of John Brown, 1941, (twenty two panels), Harlem, 1942, (thirty panels), War, 1946 47, (fourteen panels), The South, 1947, (ten panels), Hospital, 1949 – 50, (eleven panels), Struggle: History of the American People, 1953 – 55, (thirty panels completed, sixty projected). Lawrence’s best known series is The Migration of the Negro, executed in 1940 and 1941. The panels portray the migration of over a million African Americans from the South to industrial cities in the North between 1910 and 1940. These panels, as well as others by Lawrence, are linked together by descriptive phrases, color, and design. In November 1941 Lawrence’s Migration series was exhibited at the prestigious Downtown Gallery in New York. This show received wide acclaim, and at the age of twenty four Lawrence became the first African American artist to be represented by a downtown ​“mainstream” gallery. During the same month Fortune magazine published a lengthy article about Lawrence, and illustrated twenty six of the series’ sixty panels. In 1943 the Downtown Gallery exhibited Lawrence’s Harlem series, which was lauded by some critics as being even more successful than the Migration panels. In 1937 Lawrence obtained a scholarship to the American Artists School in New York. At about the same time, he was also the recipient of a Rosenwald Grant for three consecutive years. In 1943 Lawrence joined the U.S. Coast Guard and was assigned to troop ships that sailed to Italy and India. After his discharge in 1945, Lawrence returned to painting the history of African American people. In the summer of 1947 Lawrence taught at the innovative Black Mountain College in North Carolina at the invitation of painter Josef Albers. During the late 1940s Lawrence was the most celebrated African American painter in America. Young, gifted, and personable, Lawrence presented the image of the black artist who had truly ​“arrived”. Lawrence was, however, somewhat overwhelmed by his own success, and deeply concerned that some of his equally talented black artist friends had not achieved a similar success. As a consequence, Lawrence became deeply depressed, and in July 1949 voluntarily entered Hillside Hospital in Queens, New York, to receive treatment. He completed the Hospital series while at Hillside. Following his discharge from the hospital in 1950, Lawrence resumed painting with renewed enthusiasm. In 1960 he was honored with a retrospective exhibition and monograph prepared by The American Federation of Arts. He also traveled to Africa twice during the 1960s and lived primarily in Nigeria. Lawrence taught for a number of years at the Art Students League in New York, and over the years has also served on the faculties of Brandeis University, the New School for Social Research, California State College at Hayward, the Pratt Institute, and the University of Washington, Seattle, where he is currently Professor Emeritus of Art. In 1974 the Whitney Museum of American Art in New York held a major retrospective of Lawrence’s work that toured nationally, and in December 1983 Lawrence was elected to the American Academy of Arts and Letters. The most recent retrospective of Lawrence’s paintings was organized by the Metropolitan Museum of Art in 2020, and was accompanied by a major catalogue. Lawrence met his wife Gwendolyn Knight...

Mädchen am Fenster. 1906-08. Color lithograph printed on smooth card stock. Full margins. Tipped into a later presentaion folder, signed by the artist in pencil, on the recto. Published by the Wiener Werkstätte, Vienna, with the printed postcard text on verso. Among Kokoschka's earliest prints were a series of 14 postcards, the current work and the following lot that he produced for the Wiener Werkstätte. Wingler/Welz 4. Oskar Kokoschka was an Austrian artist, poet and playwright best known for his intense expressionistic portraits...

Overall size: H40 x W60 Transcend by Kate Willows [2017] limited_edition Ink on paper Edition number 40 Image size: H:30 cm x W:20 cm Sold Unframed Please note that insitu imag...

Pierre AMBROGIANI (1907-1985) Back from the Fields, 1974 Original Lithograph (Gourdon Workshop) Signed with the artist's stamp On vellum 38 x 28 cm (c. 14.9 x 11 in) Excellent cond...

Lithograph on papaer realized by an unknown italian artist in 1970s. Hand signed lower right. Edition of 36/40. Good condition, includes a metal silver frame.

Artist: Roberto Matta, Chilean (1911 - 2002) Title: La Dulce Aqua Vita Year: 2002 Medium: Carborundum Etching on Hand-Made Paper, signed and numbered in marker Edition: an artist’s p...

Lithograph and stencil on vélin paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the album, Cahiers d'Art N°24, 1949. Published and printed by Éditions des Cahi...

Tom Wesselmann (1931-2004) Monica with Tulips (1989) Signed and numbered AP 4/12 (aside the edition of 100) signed in the lower right Screenprint in colours on Museum Board. Publ...

Jean Jansem (1920-2013) Deux danseuses, 1995 Lithographie sur papier Arches, justifiée et numérotée EA Signée en bas à droite 22 x 17 cm / 32 x 26 cm Bibliographie: Catalogue raiso...