Late 20th Century Interior Prints

Velasquez Les Menines is one of six graphics from the series Changes in Great Masterpieces published by Sidney Lucas, 1974. Master Dali has given us a...

Large scale black and white abstract interior scene with dots, lines, brushstrokes, paint daubs, fingerprints, squares and rectangles, and hand painting in grey. Hang in contemporary, modern and minimalist spaces. While British pop artists such as David Hockney and Patrick Caulfield numbered amongst Howard Hodgkin's circle of friends, Hodgkin's work is painterly, emotional, expressionist, and abstract. Paper: 29.5 x 38.75 in. / 74.7 x 98.2 cm. Soft-ground etching with hand coloring in black gouache on grey BFK Rives mould made paper. Signed by the artist, dated 79, and numbered 59/100 lower center in red crayon. Printed from the same plate as 'Thinking Aloud in the Museum of Modern Art', this print was previously titled "Not Quite Alone in the Museum of Modern Art," suggesting an erotic dalliance in the museum. This print depicts an abstracted scene, perhaps a window and a door, in Hodgkin's signature painterly style. The expressive mark-making in this print is an example of the artist’s movement in the late 70s towards pronounced gestures. Beside bold black strokes, his fingerprints form areas of texture. Always seeking greater richness in his prints, Hodgkin layered ink and hand coloring in this print, rendering each print in the edition unique. Howard Hodgkin was introduced to the etching technique used in 'All Alone in the Museum of Modern Art' at Petersburg Press, where this print was produced and where he would become a long-time collaborator. This technique allowed him to work fluidly and spontaneously, creating the moody interior scenes that mark Hodgkin’s work from the late 70s and early 80s. Part of a series of four prints reflecting on a visit to the Museum...

Salvador Dali (1904-1989) (after) - Le Picador Lithograph from 1983. Dimensions of work: 56.5 x 36.5 cm Publisher: Georges Israel, Paris. The work is in Excellent condition. Fas...

Hand signed and dated intaglio etching in color. 1982 Corner Reflections #2 Jane E. Goldman was born in Dallas, Texas in 1951 and received her Bachelor of Arts degree from Smith College and a Master of Fine Arts from the University of Wisconsin. She is known for her high color floral and nature design painting, printmaking and teaching. Goldman's media include watercolor, oil painting, silkscreen, intaglio print, lithograph, relief, screenprint,. aquatint etching and terrazzo. "Lyrical realism," based on a combination of free association and direct observation, best describes her style. Goldman’s luminous prints reveals the artist’s muse in a graphically novel way. Her work pays homage to 19th-century naturalist and artist John James Audubon. Goldman’s sun-dappled still life compositions, sprays of cut flowers in glass vases and lush flora growing in natural environments frame each setting and cast shadows across opened books that display images from Audubon’s Birds of America. Jane Goldman...

A serigraph print by Pedro Friedeberg from 1987. An optical abstract image of a surrealist interior. Artist: Pedro Friedeberg, Mexican (1936 - ) Title: Teatro Microbiotico Year: 1...

Christo and Jeanne-Claude Wrapped Walk Ways, 1983 Lithograph on Arches Cover White mounted on museum board, with collage of white cloth 28 × 44 in. - 71 × 112 cm Edition: 68/100 Sign...

QUIET AFTERNOON is an original hand drawn lithograph by the American woman artist Susan Sahall, printed in the early 1980's, using hand lithography techniques on archival Arches printmaking paper, 100% acid free. QUIET AFTERNOON portrays a very sensitive female portrait drawing of a seated young woman wearing a black pleated bell sleeve dress posed holding her hands clasped near her cheek, elbows resting on a table; a bouquet of pastel color flowers fill a carafe vase in front of her. She appears to be in quiet thought...

Bruce Nauman Bruce Nauman at Leo Castelli, 1978 Offset Lithograph Poster 18 1/4 × 36 inches Unframed This Bruce Nauman poster was created on the occasion of his exhibition at the Leo...

Philip Guston at David McKee Gallery (pencil signed by Philip Guston), 1974 Lithograph and offset lithograph poster Signed in graphite pencil under the image 24 1/2 × 20 inches Unframed, unnumbered Rare vintage lithographic poster of 1974 Guston exhibition at David McKee Gallery Signed under the image in graphite pencil by Philip Guston Another hand signed edition is in the permanent collection of Vassar College; otherwise we haven't seen another besides the present work; a true collectors item when hand signed by the artist. Philip Guston Biography Philip Guston (1913 – 1980) is one of the great luminaries of twentieth-century art. His commitment to producing work from genuine emotion and lived experience ensures its enduring impact. Guston’s legendary career spanned a half century, from 1930 to 1980. His paintings—particularly the liberated and instinctual forms of his late work—continue to exert a powerful influence on younger generations of contemporary painters. Born in Montreal, Canada, in 1913 to poor Russian Jewish émigrés, Guston moved with his family to California in 1919. Briefly attending the Otis Art Institute in Los Angeles in 1930, he was otherwise completely self-taught. Guston’s first precocious work, Mother and Child, was completed when he was only seventeen years of age. Influenced by the social and political landscape of the 1930s, his earliest works evoked the stylized forms of Giorgio de Chirico and Pablo Picasso, social realist motifs of the Mexican muralists, and classical properties of Italian Renaissance frescoes of Piero della Francesca and Masaccio that he had seen only in reproduction. Painted in Mexico with another young artist, the huge fresco The Struggle Against War and Fascism drew national attention in the US. Guston’s success continued in the WPA, a Depression-era government program that commissioned American artists to create murals in public buildings. While not widely known today, the young artist’s early experiences as a mural painter allowed a development of narrative and scale that he would draw upon in his late figurative work. In the early 1940s, as the WPA program was ending, Guston found work teaching at universities in the Midwestern United States. In his studio, he was working in oils on easel paintings that were more personal and smaller in scale, focusing on portraits and allegories, like Martial Memory and If This Be Not I. His first solo exhibition in Iowa was well received and, within a few years, he was offered his first solo show in New York City. Guston was awarded a Prix de Rome, allowing him to leave teaching and spend a year in Italy, studying firsthand the Italian masters he loved. By the time he had finished The Tormentors, Guston’s move to abstraction was all but complete. On his return from Italy, he continued dividing his time between the artists’ colony of Woodstock in Upstate New York and New York City, which was then emerging as the center of the postwar art world. He rented a studio on 10th Street, where abstract expressionists Jackson Pollock, Willem de Kooning and Mark Rothko also worked. For Guston, success was never what mattered most. He was already impatient with the language of pure abstraction and experimenting with larger forms, using a limited palette of grays, pinks and blacks. As his forms became still more reduced, he stopped painting altogether and embarked on a series of simplified abstract “pure drawings” in brush or charcoal. At this juncture, Guston removed himself from the art scene in New York, living and working in Woodstock for the remainder of his life. Guston’s move ­was hardly a withdrawal. Freed from the distractions and formal constraints of the art world and the opinions of critics, he was able to experiment with new forms and to engage more deeply with the issues that mattered to him. The 1960s was a period of great social upheaval in the United States, characterized by assassinations and violence, civil rights and anti-war protests. “When the 1960s came along I was feeling split, schizophrenic,” Guston later said. “The war, what was happening to America, the brutality of the world. What kind of man am I, sitting at home, reading magazines...

Art Deco screenprint from Erte's famous "Alphabet Suite". The P is shaped by a nude woman with long flowing auburn hair. Artist: Erte Title: The Curtain Medium: Screenprint, signe...

TENOR SERMON is a limited edition color lithograph by the renowned African American artist Romare Bearden(September 2, 1911 – March 12, 1988), printed on ...

Peter Blake Party (Sing Song), 1996 Lithograph and screenprint in colours, on wove paper hand-signed and numbered by the artist 76 x 55 cm Edition of 100 Peter Blake is a renowned B...

Tall Vase with Glasses by Robert Kipniss, American (1931) Date: circa 1980 Lithograph, signed in pencil Edition of AP Image Size: 12 x 10 inches Frame ...

"Adultery", 1990 Large original serigraphy printed on fabric, very rare and limited Edition of 30 Artist Proof signed hand by the artist in black ink and accompanied by its certificate of authenticity. Number: EA - 30 EA (30 Artist Proof ) Dimensions of the serigraphy : 140 x 140 cm Very good condition. Imposing and important highly illustrated monograph, with a lively layout, of one of the best-selling French artists on the international contemporary art market. A colorful and highly circumscribed painting, inspired by comics, graphics and popular art, and anchored in rock’n’roll imagery since 1977. The art market confirms that Robert Combas is the most successful living French artist with Pierre Soulages. During the last two years, the value of his works has multiplied by 5 , proof with the last Artcurial auction sale from December 4th 2019. With its carefully surrounded black shapes, its faces out of a comic strip and its bright colors, this work which treats adultery with derision corresponds well to the criteria of Free Figuration, a movement, born in 1979, around this Lyonnais artist and and his cronies. Casually appropriating advertising images, comics, science fiction as well as great works in the history of classical art, these artists break with the seriousness of the time. It is in Epinal style illustration and imagery that one must look for the missing link to understand the art of Combas. Robert COMBAS has been pursuing a unique approach since the 1980s. His eccentric and powerful representations of the world make this genius one of the emblematic figures of French contemporary art. The artist's work is now the subject of numerous retrospectives and institutional exhibitions. The enthusiasm of collectors becomes more important with each new public sale and its rating climbs which confirms the sustainable nature of the art of Robert COMBAS. He brought at the dawn of the 80s a new figurative painting. Present on the artistic scene since 1979 he is the creator of a movement that the artist Ben called the Free Figuration, movement comprising: Rémi Blanchard...

On deckle edged watermarked Arches French paper. hand signed in pencil, dated and numbered. the edition size is 175. there are three states of the same image image each with increasing detail and color. This is just for the one in the photo. Josef Alan Levi (1938) is an American artist whose works range over a number of different styles, but which are unified by certain themes consistently present among them. Josef Levi began his artistic career in the 1960s and early '70s, producing highly abstract and very modernist pieces: these employing exotic materials such as light fixtures and metallic parts. By 1975, Levy had transitioned to painting and drawing still lifes. At first these were, traditionally, of mundane subjects. Later, he would depict images from art history, including figures originally created by the Old Masters. Around 1980, he made another important shift, this time toward creating highly precise, though subtly altered reproductions of pairs of female faces which were originally produced by other artists. It is perhaps this work for which he is most well known. Since around 2000, Josef Levi has changed the style of his work yet again: now he works entirely with computers, using digital techniques to abstract greatly from art history, and also from other sources. Levi's works of art in the collections of the Museum of Modern Art, NYC, the National Gallery of Art, and the Albright-Knox Museum, among many others. Levi's art has been featured on the cover of Harper's Magazine twice, once in June 1987, and once in May 1997. Josef Levi received a Bachelor of Arts degree in 1959 from the University of Connecticut, where he majored in fine arts and minored in literature. From 1959 to 1960, he served to a first lieutenant in the U.S. Army, and from 1960 through 1967 he was in the U.S. Army Reserves. In 1966, he received the Purchase Award from the University of Illinois in 1966, and he was featured in New Talent U.S.A. by Art in America. He was an artist in residence at Appalachian State University in 1969, taught at Farleigh Dickenson University in 1971 and was a visiting professor of art at Pennsylvania State University in 1977. From 1975 to 2007, Levi resided in New York City. He now lives in an apartment in Rome, where he is able to paint with natural light as he was unable in New York. From 1959 to 1960, Josef took some courses of Howard McParlin Davis and Meyer Schapiro at Columbia University which initiated him into the techniques of reproducing the works of the Old Masters. His first works, created in the 1960s, were wood and stone sculptures of women. His first mature works were abstract pieces, constructed of electric lights and steel. In 1970, Levi's materials included fluorescent light bulbs, Rust-Oleum and perforated metal in addition to paint and canvas. By 1980, Josef Levi's art had transformed into a very specific form: a combination of reproductions of female faces which were originally depicted by other artists. The faces which he reproduces may be derived from either portraits or from small portions of much larger works; they are taken from paintings of the Old Masters, Japanese ukiyo-e, and 20th-century art. Artists from whom he has borrowed include: Vermeer, Rembrandt, Piero della Francesca, Botero, Matisse, Utamaro, Correggio, Da Vinci, Picasso, Chuck Close, Max Beckmann, Pisanello, Lichtenstein. The creation of these works is informed by Levi's knowledge and study of art history. Josef Levi's paintings from this period are drawn, then painted on fine linen canvas on wooden stretchers. The canvas is coated with twenty-five layers of gesso in order to produce a smooth surface on which to work. The drawing phase takes at least one month. Levi seals the drawing with acrylic varnish, and then he may apply layers of transparent acrylic in order to approximate the look of old paintings. After the last paint is applied, another layer of acrylic varnish is sprayed on to protect the work. Most of the figures in his contemporary pieces are not paired with any others. SELECTED COLLECTIONS MUSEUM OF MODERN ART, NEW YORK, NY ALBRIGHT- KNOX GALLERY, BUFFALO, NY ALDRICH MUSEUM OF CONTEMPORARY ART, RIDGEFIELD, CT NATIONAL GALLERY OF ART, WASHINGTON, DC BROOKLYN MUSEUM OF ART, BROOKLYN, NY SMITHSONIAN NATIONAL MUSEUM OF AMERICAN HISTORY, WASHINGTON, DC CORCORAN GALLERY, WASHINGTON, DC UNIVERSITY OF NOTRE DAME ART...

Embossed lithograph with foil stamping on paper. Hand signed and numbered by the artist. From the edition of 750. Artwork is in excellent condition. Certificate of authenticity in...

Still life with (thomas) Sully and (Andy) Warhol, (French actress Sarah Bernhardt (1844-1923)) Hand signed in pencil, dated 1994 bears gallery label from OK Harris Gallery in New Yor...

Marcel GROMAIRE (1892-1971) At the Cafe : Sharing a Drink Original etching Printed signature in the plate On vellum, 28.5 x 38 cm (c. 11 x 15 in) INFORMATION: This etching is authe...

"Sum of the Parts" - Abstract Etching in Ink on Paper (#3/20) Dark abstract print by Doris Ann Warner (American, 1925-2010). This piece is dark and saturated, with three rows of three similarly shaped objects. They are somewhat rectangular, but with rounded corners, like stacked rocks...

The Metro Station in Paris is an original contemporary artwork realized by Sergio Birga (Florence, 1940) in 1994. Original B/W xylograph on ivory paper. Pa...

RANDOM SELECTION 2 is an original hand drawn limited edition lithograph by the British artist, Michael Hasted printed using hand lithography on archival Somerset paper, 100% acid fre...

Artist: Andre Minaux, French (1923 - 1986) Title: Amour from the Helene Portfolio Year: 1974 Medium: Lithograph, signed and numbered in pencil Edition: 150, XXX Size: 25.75 in. x 19....

Victor Vasarely (1906-1997) - Beltica Silkscreen / Serigraph from 1989. Edition of 250. Dimensions of work: 28 x 22.5 cm Reference: Catalogue Raisonné Vol I par Pedro Benavides n...

SONG OF PRAISE is an original hand drawn limited edition lithograph by the British artist, Michael Hasted printed using hand lithography on archival Somerset paper, 100% acid free. S...

Charming drypoint etching of a series of three arched interior doorways by Susan Varjavand (American, 1941-2018). Numbered, titled, and signed ("13/20 Whisperings at a Cross Point Susan Varjavand") along the bottom edge. Presented in a new cream mat. No frame. Image size: 14"H x 11"W Susan Varjavand (American, 1941-2018) was an artist from San Francisco, California. She studied with Patricia Pearce (American, b. 1948) while at the College of San Mateo, as well as with Richard Bowman (American, 1918-2001) and Alan May...

Artist: Rene Gruau, Italian (1909 - 2004) Title: Bather Year: circa 1990 Medium: Lithograph on Japon, signed and numbered in pencil Image Size: 20 x 15 inches Frame Size: 27 x 20 inches

Victor Vasarely (1906-1997) - The Fifty Years 3, Zillah - Al Silkscreen / Serigraph from 1989. Edition of 100. Dimensions of work: 70 x 57 cm Reference: Catalogue Raisonné Vol I ...

Victor Vasarely (1906-1997) - Cirke Silkscreen / Serigraph from 1989. Edition of 250. Dimensions of work: 28 x 22.5 cm The work is in Excellent condition. Fast and secure shipment.

Woman with Apples (Sepia) Branko Bahunek, Croatian (1935) Lithograph, Signed in Pencil Edition of 50 Size: 28.5 in. x 21 in. (72.39 cm x 53.34 cm)

This is a Serigraph hand signed by Andre Renoux and numbered.

The Poker Game by Israel Rubinstein, Israeli (1944) Date: 1980 Screenprint, signed and numbered in pencil Edition of 250 Image Size: 27 x 38 inches S...

GENIE 1980 is a hand drawn, limited edition lithograph printed on archival Arches printmaking paper 100% acid free created by the artist Gustave Kaitz, American Art Deco Master 1913-...

Artist: Giancarlo Impiglia, Italian/American (1940 - ) Title: Grand Tier Year: 1984 Medium: Screeenprint, signed and numbered in pencil Edition: 205/250 Image Size: 25 x 19.5 inches ...

''Il Casanova - il teatro de Dresda'' (Casanova in the Theatre of Dresden) 'Il Casanova–il teatro di Dresda,' is a fine art limited edition color lithograp...

A chair sits in an otherwise derelict factory in a blue painted room, the depth perspective creates a colour blocking effect. from Richard Heeps 'Ordinary Places', a series capturin...

WAITING IN THE WINGS is an original hand drawn lithograph by the photorealist American painter Douglas Hofmann printed using hand lithography techniques on archival Arches paper, 100...

Mirror, vintage interior photograph from Richard Heeps' series, Ordinary Places. The layered green hues of this artwork draws you into the details. Ordinary Places was Richard's fir...

Original Porsche 928 German factory poster. Archival linen-backed and presents in Grade A condition. The white area was cleaned up during linen backing. This should be the lowes...

Artist: Horst Antes, German (1936 - ) Title: Figure with Ladder Medium: Lithograph, signed and numbered in pencil Edition: 199/200 Image: 24 x 18.5 inches Size: 25.5 x 19.5 in. (64....

Signed lower right, 'Garcia Fons' for Pierre Garcia-Fons (French, 1928-2016), and inscribed lower left, 'Epr. d' Artist' (Epreuve d'Artist / Artist's Proof); also indistinctly inscri...

A lithograph from the Marina Picasso Estate Collection after the Pablo Picasso painting "Nature Morte a la Fenetre". The original painting was completed in 1932. In the 1970's after...

Paper Size: 23 x 28.75 inches Edition Size Unknown Near Mint, very light signs of handling Original Serigraph poster designed for an in-store advertising campaign printed in 1982. ...

Salvador Dali (1904-1989) (after) - Pegase Lithograph from 1983. Dimensions of work: 56.5 x 36.5 cm Publisher: Georges Israel, Paris. The work is in Excellent condition. Fast an...

Waking Up Andre Minaux, French (1923–1986) Etching, signed and numbered in pencil Edition of 25/45 Image Size: 15.5 x 15.5 inches Frame Size: 31.75 x 27.7...

UNTITLED (INV# NP2233) Ken Price silkscreen on Arches 88 paper 14.875 x 12.375” 1981 edition of 150 stamped by Ken Price, SOMA Fine Art Press and Arabesque Books Ken Price (1935 - ...

STILL LIFE WITH GRAPES is an original hand drawn, limited edition lithograph by the American artist Lowell Nesbitt (b.1933-1993). Printed on archival Arches paper, 100% acid free using hand lithography techniques. STILL LIFE WITH GRAPES is a modern fruit still life depicting two bunches of plump green and red grapes, and green pear displayed on an Southwest style geometric Aztec patterned textile as a background. STILL LIFE WITH GRAPES is an eye-appealing composition using vivid colors including warm red, black, gray, yellow gold, light green, purple, burgundy and white. Print size - 21.5 x 28.25 inches, unframed, excellent condition, very fine impression, pencil signed by Lowell Nesbitt Edition size - 175, plus proofs Year published - 1978 Lowell Blair Nesbitt (October 4, 1933 - July 8, 1993) was an American painter, draughtsman, printmaker, and sculptor. He studied at Tyler School of Art at Temple University in Philadelphia and at the Royal Academy of Arts in London. Nesbitt worked in abstraction until Robert Indiana suggested in the early 1960s that he explore realism in his paintings. As subjects for his work he favored studio interiors, articles of clothing, piles of shoes, his Rottweiler, the Neo-Classical facades of 19th century cast iron buildings, and Manhattan's bridges. He was also famous for his enormous paintings and prints of roses, lilies, irises, and other flowers. He served as the official artist for the NASA Apollo 9, and Apollo 13 space missions; in 1976 the United States Navy commissioned him to paint a mural in the administration building on Treasure Island spanning 26 feet x 251 feet, then the largest mural in the United States; and in 1980 the United States Postal Service honored Lowell Nesbitt by issuing four postage stamps depicting his paintings. His first solo exhibition was mounted at the Baltimore Museum of Art in 1958 and during his lifetime he had more than 130 solo exhibitions of his work at various galleries, museums, and universities, including the Corcoran Gallery of Art, Kent State University, the McNay Art Museum, the Butler Institute of American Art, the Burpee Art Museum, and the Tyler Gallery...

Marie by Isaac Maimon, Israeli/French (1951) Date: circa 1994 Screenprint, signed and numbered in pencil Edition of 201/ 275 Image Size: 28 x 20.5 inches Size: 31.5 in. x 23.5 in. (8...

On deckle edged watermarked Arches French paper. hand signed in pencil, dated and numbered. the edition size is 175. there are three states of the same image image each with increasing detail and color. This is just for the one in the photo. Josef Alan Levi (1938) is an American artist whose works range over a number of different styles, but which are unified by certain themes consistently present among them. Josef Levi began his artistic career in the 1960s and early '70s, producing highly abstract and very modernist pieces: these employing exotic materials such as light fixtures and metallic parts. By 1975, Levy had transitioned to painting and drawing still lifes. At first these were, traditionally, of mundane subjects. Later, he would depict images from art history, including figures originally created by the Old Masters. Around 1980, he made another important shift, this time toward creating highly precise, though subtly altered reproductions of pairs of female faces which were originally produced by other artists. It is perhaps this work for which he is most well known. Since around 2000, Josef Levi has changed the style of his work yet again: now he works entirely with computers, using digital techniques to abstract greatly from art history, and also from other sources. Levi's works of art in the collections of the Museum of Modern Art, NYC, the National Gallery of Art, and the Albright-Knox Museum, among many others. Levi's art has been featured on the cover of Harper's Magazine twice, once in June 1987, and once in May 1997. Josef Levi received a Bachelor of Arts degree in 1959 from the University of Connecticut, where he majored in fine arts and minored in literature. From 1959 to 1960, he served to a first lieutenant in the U.S. Army, and from 1960 through 1967 he was in the U.S. Army Reserves. In 1966, he received the Purchase Award from the University of Illinois in 1966, and he was featured in New Talent U.S.A. by Art in America. He was an artist in residence at Appalachian State University in 1969, taught at Farleigh Dickenson University in 1971 and was a visiting professor of art at Pennsylvania State University in 1977. From 1975 to 2007, Levi resided in New York City. He now lives in an apartment in Rome, where he is able to paint with natural light as he was unable in New York. From 1959 to 1960, Josef took some courses of Howard McParlin Davis and Meyer Schapiro at Columbia University which initiated him into the techniques of reproducing the works of the Old Masters. His first works, created in the 1960s, were wood and stone sculptures of women. His first mature works were abstract pieces, constructed of electric lights and steel. In 1970, Levi's materials included fluorescent light bulbs, Rust-Oleum and perforated metal in addition to paint and canvas. By 1980, Josef Levi's art had transformed into a very specific form: a combination of reproductions of female faces which were originally depicted by other artists. The faces which he reproduces may be derived from either portraits or from small portions of much larger works; they are taken from paintings of the Old Masters, Japanese ukiyo-e, and 20th-century art. Artists from whom he has borrowed include: Vermeer, Rembrandt, Piero della Francesca, Botero, Matisse, Utamaro, Correggio, Da Vinci, Picasso, Chuck Close, Max Beckmann, Pisanello, Lichtenstein. The creation of these works is informed by Levi's knowledge and study of art history. Josef Levi's paintings from this period are drawn, then painted on fine linen canvas on wooden stretchers. The canvas is coated with twenty-five layers of gesso in order to produce a smooth surface on which to work. The drawing phase takes at least one month. Levi seals the drawing with acrylic varnish, and then he may apply layers of transparent acrylic in order to approximate the look of old paintings. After the last paint is applied, another layer of acrylic varnish is sprayed on to protect the work. Most of the figures in his contemporary pieces are not paired with any others. SELECTED COLLECTIONS MUSEUM OF MODERN ART, NEW YORK, NY ALBRIGHT- KNOX GALLERY, BUFFALO, NY ALDRICH MUSEUM OF CONTEMPORARY ART, RIDGEFIELD, CT NATIONAL GALLERY OF ART, WASHINGTON, DC BROOKLYN MUSEUM OF ART, BROOKLYN, NY SMITHSONIAN NATIONAL MUSEUM OF AMERICAN HISTORY, WASHINGTON, DC CORCORAN GALLERY, WASHINGTON, DC UNIVERSITY OF NOTRE DAME ART...

Klimt Estelle Ginsburg, American Date: circa 1979 Screenprint, signed and numbered in pencil Edition of 500, AP 50 Size: 21.5 in. x 29 in. (54.61 cm x 73.66 cm)

Victor Vasarely (1906-1997) - Risir Silkscreen / Serigraph from 1989. Edition of 250. Dimensions of work: 47 x 37.5 cm Reference: Catalogue Raisonné Vol I par Pedro Benavides n° ...

This artwork titled "Poker Night at the Club" c.1990 is an original color lithograph on paper by noted French artist Guy Buffet, b.1943. It is hand signed and numbered 240/350 in pen...

It's wonderful for us to have work by Christo (1935-2020). He and Jeanne-Claude were the most international of artists while NYC based. In particular this lithograph, Wrapped Armchai...

Victor Vasarely (1906-1997) - Abstract composition ""Fifties"" Silkscreen / Serigraph from 1973. Edition of 125. Dimensions of work: 37.2 x 28.2 cm. Hand signed. The work is in ...

Artist: Clayton Pond, American (1941 - ) Title: Column Study from Capital Ideas Portfolio Year: 1974 Medium: Screenprint on Museum Board, signed and numbered in pencil Edition: 150 I...

“Margaritas” is a lithograph created by Emilio Sanchez in 1997. This impression is signed, titled, and inscribed "12/50" - the 12 print from an edition of 50 impressions. The printed image size is 12.50 x 14.25 inches (31.3 x 35.7 cm) and the paper size is 18 x 20.13 inches - all four paper edges are decked adding a nice option when framed. This print came to us directly from the Emilio Sanchez Estate (circular estate stamp is on verso). Stamped on verso "Estate of Emilio Sanchez." “Best known for his architectural paintings and lithographs, Emilio Sanchez (1921-1999) explored the effects of light and shadow to emphasize the abstract geometry of his subjects. His artwork encompasses his Cuban heritage...

Artist: John Hultberg, American (1922 - 2005) Title: After the Party Year: 1977 Medium: Serigraph, signed and numbered in pencil Edition: 200, AP 30 Im...

The artwork "Nipples & Peas" by Tina Heck, created in 1983, is a print that combines elements of realism and abstraction. The technique appears to be a combination of printmaking, ...

David Hockney Paintings and Drawings for Parade - Metropolitan Museum (Hand Signed by David Hockney), 1981 Offset Lithograph. Hand signed by David Hockney...

Chair, industrial vintage interior photograph from Richard Heeps' series, Ordinary Places. Ordinary Places was Richard's first colour collection shot between 1986-1991 and it instan...

JAZZ TRIO by the woman artist Robin Morris, is an original limited edition lithograph printed using hand lithography techniques on archival Arches paper, 100% acid free. JAZZ TRIO is...