Late 20th Century Interior Prints

Original Toulouse-Lautrec Museum in Albi, exhibition June 23 - September 15, 1972 for Pierre Bonnard (1867 – 1947). Archival linen is backed in very fine condition and ready to fram...

set of 4 lithographs with etching signed and numbered lower right published by Polígrafa, Barcelona Descended from immigrants and raised during the brutal period of military dictat...

This vintage lobby card features an iconic moment from Woody Allen’s A Midsummer Night’s Sex Comedy (1982). The close-up shot shows Woody Allen in one of his signature roles, with hi...

The Justice is an etching and aquatint realized by Franco Gentilini (Italian Painter, 1909-1981) in the 1970s. From the serie "The Tarots" Dry stamp by Il Cigno Stamperia d’Arte. ...

From the Stoneman collection Arturo DI Stefano has shown work in many galleries worldwide including: *Purdy Hicks Gallery London 1998-99, *Eastbourne Clark Gallery, Florida 1991, *M...

This is an original exhibition poster by Bruce Nauman, titled Smoked Rings, for his show at the Leo Castelli Gallery in 1980. Bruce Nauman's Smoked Rings installation explores themes...

This artwork titled "Strawberies" c.1985, published 1996 is a color off set lithograph by British/American artist Pati Bannister, 1929-2013. It is hand signed, titled and numbered 656/950 in pencil by the artist. Published by Masters Publishing INC, New York. The image size is 16.5 x 21 inches, sheet size is 22.25 x 26 inches. It is in excellent condition. About the artist: Pati Bannister was born in Highgate, England, overlooking London in 1929. Growing up, both of her parents were artists. Her mother painted watercolor landscapes, while her father painted portraits. To help further her natural talents, she took art lessons as a young girl and ultimately went to work for J. Arthur Rank, the movie maker, as an animator.​ At 22 years old, she came to the United States as a governess for a family in Connecticut. Later she became a flight attendant in Florida where she met her future husband, Glynn. Little did she know, he would become the strongest influence in her life as he inspired her to pursue and share her artistic abilities with the public. ​In 1958, Pati and Glynn moved to New Orleans and she started painting portraits in Jackson Square. Eventually, she opened two art galleries located in the French Quarter. In the late 1960's, they moved to the Mississippi Gulf Coast...

Imi Knoebel (German, born 1940) Gelbe Fahne, 1999 Medium: Screenprint on rag paper Dimensions: 100 x 73 cm (39.25 x 28.75 in) Edition of 99: Hand-signed and numbered Condition: Mint

This is an artist's proof (xv/xv) of an early telephone that is signed and numbered by the artist in pencil Schkolnyk was born in Paris, France in 195...

On deckle edged watermarked Arches French paper. hand signed in pencil, dated and numbered. the edition size is 175. there are three states of the same image image each with increasing detail and color. This is just for the one in the photo. Josef Alan Levi (1938) is an American artist whose works range over a number of different styles, but which are unified by certain themes consistently present among them. Josef Levi began his artistic career in the 1960s and early '70s, producing highly abstract and very modernist pieces: these employing exotic materials such as light fixtures and metallic parts. By 1975, Levy had transitioned to painting and drawing still lifes. At first these were, traditionally, of mundane subjects. Later, he would depict images from art history, including figures originally created by the Old Masters. Around 1980, he made another important shift, this time toward creating highly precise, though subtly altered reproductions of pairs of female faces which were originally produced by other artists. It is perhaps this work for which he is most well known. Since around 2000, Josef Levi has changed the style of his work yet again: now he works entirely with computers, using digital techniques to abstract greatly from art history, and also from other sources. Levi's works of art in the collections of the Museum of Modern Art, NYC, the National Gallery of Art, and the Albright-Knox Museum, among many others. Levi's art has been featured on the cover of Harper's Magazine twice, once in June 1987, and once in May 1997. Josef Levi received a Bachelor of Arts degree in 1959 from the University of Connecticut, where he majored in fine arts and minored in literature. From 1959 to 1960, he served to a first lieutenant in the U.S. Army, and from 1960 through 1967 he was in the U.S. Army Reserves. In 1966, he received the Purchase Award from the University of Illinois in 1966, and he was featured in New Talent U.S.A. by Art in America. He was an artist in residence at Appalachian State University in 1969, taught at Farleigh Dickenson University in 1971 and was a visiting professor of art at Pennsylvania State University in 1977. From 1975 to 2007, Levi resided in New York City. He now lives in an apartment in Rome, where he is able to paint with natural light as he was unable in New York. From 1959 to 1960, Josef took some courses of Howard McParlin Davis and Meyer Schapiro at Columbia University which initiated him into the techniques of reproducing the works of the Old Masters. His first works, created in the 1960s, were wood and stone sculptures of women. His first mature works were abstract pieces, constructed of electric lights and steel. In 1970, Levi's materials included fluorescent light bulbs, Rust-Oleum and perforated metal in addition to paint and canvas. By 1980, Josef Levi's art had transformed into a very specific form: a combination of reproductions of female faces which were originally depicted by other artists. The faces which he reproduces may be derived from either portraits or from small portions of much larger works; they are taken from paintings of the Old Masters, Japanese ukiyo-e, and 20th-century art. Artists from whom he has borrowed include: Vermeer, Rembrandt, Piero della Francesca, Botero, Matisse, Utamaro, Correggio, Da Vinci, Picasso, Chuck Close, Max Beckmann, Pisanello, Lichtenstein. The creation of these works is informed by Levi's knowledge and study of art history. Josef Levi's paintings from this period are drawn, then painted on fine linen canvas on wooden stretchers. The canvas is coated with twenty-five layers of gesso in order to produce a smooth surface on which to work. The drawing phase takes at least one month. Levi seals the drawing with acrylic varnish, and then he may apply layers of transparent acrylic in order to approximate the look of old paintings. After the last paint is applied, another layer of acrylic varnish is sprayed on to protect the work. Most of the figures in his contemporary pieces are not paired with any others. SELECTED COLLECTIONS MUSEUM OF MODERN ART, NEW YORK, NY ALBRIGHT- KNOX GALLERY, BUFFALO, NY ALDRICH MUSEUM OF CONTEMPORARY ART, RIDGEFIELD, CT NATIONAL GALLERY OF ART, WASHINGTON, DC BROOKLYN MUSEUM OF ART, BROOKLYN, NY SMITHSONIAN NATIONAL MUSEUM OF AMERICAN HISTORY, WASHINGTON, DC CORCORAN GALLERY, WASHINGTON, DC UNIVERSITY OF NOTRE DAME ART...

Paper Size: 23 x 28.75 inches Edition Size Unknown Near Mint, very light signs of handling Original Serigraph poster designed for an in-store advertising campaign printed in 1982. ...

Hospitalities Long Past Clarence Holbrook Carter American (1904–2000) Date: 1979 Screenprint, signed and numbered in pencil Edition of 200, AP 30 Image Size: 27.75 x 20 inches Size...

A lithograph from the Marina Picasso Estate Collection after the Pablo Picasso painting "Femme Assise a la Robe Grise". The original painting was completed in 1943. In the 1970's af...

Artist: Andre Minaux, French (1923 - 1986) Title: Nude in Artist's Studio Year: circa 1970 Medium: Lithograph, signed and numbered in pencil Edition: EA 40 Image Size: 22.5 x 16.5 i...

A fine limited edition signed lithograph, 'Pot au Feu' by British artist Glynn Boyd Harte. The work is signed in pencil by the artist bottom right and numbered 12/125 (number 12 of 125) in pencil bottom left. Presented in a metal and wood frame under glass. A fantastic colourful and amusing view of a group of ingredients for a 'pot au feu' (a traditional French stew) as well as a box of candied (glacé) fruits and a map of Paris and its suburbs all presented on a bright pink checked table cloth. Boyd Harte always brought an enormous amount of humour to his paintings and compositions, there are wonderful details and 'jokes' hidden in the details. A really wonderful work ideal for a kitchen or anywhere else it can be seen and admired in detail. Glynn Boyd Harte 1948-2003 was an artist, illustrator, author, composer & pianist educated at St.Martin's School of Art and the Royal College of Art. "Glynn Boyd Harte was one of the most brilliant and influential illustrators and painters to emerge in the post pop world of London in the early 1970s" (The Guardian, London) Harte was born in Rochdale, his father Herbert worked as a commercial artist and later teaching. Harte always maintained that print was in his blood, his grandfather being a printer by trade and his earliest memory being a garden path made from lithograph stones. He was educated at Rochdale Grammar School, before progressing to the Rochdale School of Art. He later transferred to St Martin's School of Art, where tutor Fritz Wegner encouraged him to move from black and white to colour. He would later join the Royal College of Art in 1970 where his tutors were Brian Robb, Edward Bawden, Paul Hogarth...

AMERICAN WOMAN is an original hand drawn lithograph enhanced with hand coloring by the renowned American Pop artist, Peter Max. AMERICAN WOMAN was created in 1980 printed using tradi...

Screenprint in colours, 1998. From 'Meine Kindheit - Schmerz und Heilung, UNICEF'. Signed in pencil, numbered from the edition of 100. Image: 63.5 x 54.5 cm Sheet: 78.8 x 70 cm

Wooden Table Richard Artschwager, American (1923–2013) Portfolio: Notes on a Room Date: 1998 Etching, signed and numbered in pencil Edition of 102/130 Image Size: 10 x 14 inches Size...

Window Richard Artschwager, American (1923–2013) Portfolio: Notes on a Room Date: 1998 Etching, signed and numbered in pencil Edition of 102/130 Image Size: 10 x 14 inches Size: 16 x...

Original UK Lobby Card of Lewis Gilbert´s movie "James Bond 007 - Moonraker", UK 1979. Actors: Roger Moore Keywords: James Bond, 007, action, Thriller, Great Britain, adventure, Lob...

Patrick Caulfield Sue Ware Jar, 1990 Screenprint on paper sheet: 107.2 x 81.1 cm image: 79.4 × 53.3 cm Edition of 45 + 10 AP Patrick Caulfield was a British painter and printmaker, ...

It's wonderful for us to have work by Christo (1935-2020). He and Jeanne-Claude were the most international of artists while NYC based. In particular this lithograph, Wrapped Armchai...

’The Parlour’ By Richard Bawden Medium - Etching Signed - Yes Edition - 33/85 Size - 775mm x 570mm Richard Bawden 1936 Painter and printmaker, born i...

Interiors VII: The Train from Munich Robert E. Townsend, 1991. Resist ground etching and engraving with hand refinement in charcoal, pencil, stabilo, and eraser on BFK Rives white wove paper, 20 x 36 inches (507 x 914 mm), full margins. Signed, titled, dated and numbered 51/175 by the artist in pencil, lower margin. A brilliant, inky impression with luminous light and gradient tones. In excellent condition with one extremely minor and superficial spot of light tan adhesive residue on the verso, unobtrusive and not visible on the recto, with no other visible defects. With the blind stamp of the printer, Robert E. Townsend in the lower left margin. An especially fine impression in superb condition. [Milton 113]. When asked about this work in particular, Milton expressed that his favorite images were his darkest images, in theme, mood, and in ink. Milton, who has said that his work is infused with a postmodern awareness of the past, has focused here in a deeply personal way on a segment of history that continues to haunt us all. The work, published in 1991, evokes one of the darkest periods of European history, the eroding and erasing of European culture under fascism, and the eventual total loss of humanity. The Train from Munich is an especially relevant and emotional work for Milton, who created the piece for his wife, Edith, who escaped Munich in 1939 as a child on the fabled Kinderstransport. The Kinderstransport was a desperate rescue effort on the part of the British government to save as many Jewish children as possible by railway before borders closed on the precipice of the Second World War. Children left their parents behind, and boarded the trains alone, leaving the impending doom of Nazi Germany, they arrived in Great Britain as refugees. More than 10,000 children escaped the holocaust via the Kinderstransport. In Train from Munich, the image itself holds an almost immeasurable amount of symbolism; each inch of the matrix is a successful effort to confront this history in a way that is poignant through a series of motifs. We see the Café disappearing into a ghostlike memory of the past, an allegory to the disintegration of culture, while through the windows we can see a rampant, snarling dog; a portrait of Hitler's shepherd, Blondi. Blondi isn't the only notable figure in the composition. Milton has pointed out that the fading figure of the doorman at the Hotel Metropole is modeled after the artist and intellectual Marcel Duchamp, and the face of the young girl peering...

Victor Vasarely (1906-1997) - Balaton Silkscreen / Serigraph from 1989. Edition of 250. Dimensions of work: 47 x 37.5 cm Reference: Catalogue Raisonné Vol I par Pedro Benavides n...

AFTER THE BATH is an original hand drawn (not digitally or photo reproduced) limited edition lithograph by the artist Raphael Soyer - Russian/American Social Realism Painter, 1899-19...

The Fortune is an etching and aquatint realized by Franco Gentilini (Italian Painter, 1909-1981) in the 1970s. From the serie "The Tarots" Dry stamp by Il Cigno Stamperia d’Arte. ...

This artwork titled "Doctor's Office" 1976 is a color lithograph by American artist Lee Dubin, b.1933. It is hand signed and numbered 106/200 in pencil by the artist. The image size ...

PUBLIC OUTCRY is an original hand drawn limited edition lithograph by the British artist, Michael Hasted printed using hand lithography on archival Somerset paper, 100% acid free. PUBLIC OUTCRY is a surrealist portrait composition portraying a semi interior scene showing a man in brown trousers standing positioned on stage-like black and white checkered tile...

Resist Ground Etching and Engraving from a Copper Plate on BFK Rives, Somerset Buff, Wove Paper Medium: Resist Ground Etching & Engraving Edition of 125 Year: 1982 One o...

Original UK Lobby Card of Guy Hamilton´s movie "James Bond 007 - Diamands are foever", UK 1971. Actors: Sean Connery Keywords: James Bond, 007, action, Thriller, Great Britain, adve...

This artwork titled "Dreamland Touys" c. 1985 is an original sepia etching by American artist Scott Fitzgerald. It is hand signed, titled and numbered...

Washeteria - Looking In, vintage interior photograph from Richard Heeps series, A Short History of London. "I discovered this launderette while London was in lockdown during the pand...

This original framed graphic art lithographic poster entitled "Chez Panisse Cafe & Restaurant Seventeenth Birthday" was created by David Lance Goines in 1...

Moody Vintage Print - TV with Two Figures style of Edward Hopper Print of an interior scene with a tv stand, side table, lamp, and lifting weights. The tv screen reflects the tops o...

Resist ground etching and engraving on Rives heavyweight buff paper, 20 x 36 inches (508 x 914 mm), full margins. Signed, titled, dated and numbered 103/160 in pencil, lower margin. Minor mat tone. A rich and finely printed impression of this complex and iconic work by Milton. Framed handsomely under Plexiglas with archival materials in a solid wood frame with silver finish. [Milton 98]. Milton states that in the evolution of his body of graphic work he found himself at point that necessitated the exertion of nerve in his subject matter. He found it imperative for growth to explore whether his compositions had previously been too polite, and through this process he experienced a great burst of artistic and psychic liberation. Milton refers to this awakening as a sort of adolescence, which he felt demanded a natural examination of mysteries of sexual awakening. Les Belles et La Bête...

FIVE GEISHA WITH FANS is an original hand drawn lithograph printed on archival Somerset printmaking paper, 100% acid free, by the renowned Chinese born artist Walasse Ting (DING XION...

Cathedral is an original etching artwork realized by the Italian artist Riccardo Tommasi Ferroni (1934-2000). From the edition of 125 copies. Image Dimensions: 34.5 x 49 cm The sta...

Klimt Estelle Ginsburg, American Date: circa 1979 Screenprint, signed and numbered in pencil Edition of 500, AP 50 Size: 21.5 in. x 29 in. (54.61 cm x 73.66 cm)

Theo Tobiasse, After, French/Israeli (1927 - 2012) - Romeo Et Juliette Acte I, Year: circa 1980, Medium: Poster, Image Size: 20.25 x 26.5 inches, Size: 24.75 x 30.5 in. (62.87 x 77...

Medium: Etching, aquatint & roulette Year: 1991 Image Size: 24.63 X 39.63 inches Edition Size: 90 Signed and numbered in pencil by the artist Image of a Paris apartment, showing the...

DEUX FEMMES NUES is an original hand drawn limited edition lithograph by the Dutch artist known as CORNEILLE(Guillaume van Beverloo) an abstract expr...

CITY LIGHTS by the woman artist Robin Morris, is an original limited edition lithograph printed in 15 colors using hand lithography techniques on archival Arches paper, 100% acid free. CITY LIGHTS is a modern Art Deco style city couple portrait of a sophisticated pair elegantly dressed to go out for the evening holding bubbling champagne glasses, both with pouty lips, staring at the viewer with one-eyed gazes. Ms. Morris utilizes her characteristic Art Deco stylized drawing in creating a portrayal of a modern couple - the woman with her flowing strawberry blonde hair, red blushed cheeks, dramatic long white pearl necklace and red evening gown; her male companion sporting a black with yellow satin band boater hat and formal grey tweed suit with big squared shoulders, white shirt, and red bow tie. A deep, dark blue moonlit evening sky in the background, tall gray city buildings with light yellow glowing windows, and black and white checkered floor...

This is a Serigraph hand signed by Andre Renoux and numbered.

This exact subject is in the permanent collection of the Portland Art Museum (OR). Root also has works in the McNay Art Museum, San Antonio, and the Smithsonian Museum American Art M...

Theo Tobiasse, After, French/Israeli (1927 - 2012) - Coronation, Year: circa 1980, Medium: Poster, Image Size: 20.25 x 26.5 inches, Size: 24.75 x 30.5 in. (62.87 x 77.47 cm), Print...

This artwork titled "The Corner Drugstore" c. 1985 is an original sepia etching by American artist Scott Fitzgerald. It is hand signed, titled and num...

AFTER THE BATH is an original hand drawn (not digitally or photo reproduced) limited edition lithograph by the artist Raphael Soyer - Russian/American Social Realism Painter, 1899-19...

Tunisian Architecture is an original photolithography realized by Bettino Craxi in the 20th Century. Artist's proof. Hand-Signed. Published in the Portafoglio "Tunisiaca 1995: d'...

This original poster for the Theatre Museum Covent Garden, designed by the illustrious Erté, is a captivating celebration of the diverse performing arts showcased at the historic Cov...

Walter Rudolph His photographs are reminiscent of the jet-set photographer Slim Aarons. Walter Rudolph discovered the world as a photographer on the idea, travel was his passion, hi...

This large advertisement poster was created by the legendary graphic designer Yvan Chermayeff to promote the televised adaptation of James Clavell's "The Children's Story" for the Mo...

The Sun is an etching and aquatint realized by Franco Gentilini (Italian Painter, 1909-1981) in the 1970s. From the serie "The Tarots" Dry stamp by Il Cigno Stamperia d’Arte. Hand...

This artwork titled "Winter's Tales" 1995 is a color off set lithograph by British/American artist Pati Bannister, 1929-2013. It is hand signed, titled and numbered 409/950 in pencil...

Luke Gilliam has an unusual woodcut technique that he pairs with a complex object of his own creation. He uses technique to create a technical tour-de-force with the intriguing title...

Peter Max (German / American 1937 - Present) The Lovers. Abstract of two nude women on a bed in vibrant colors. The print is on thick woven paper and is...

Artist: Peter Milton (American, 1930-) Title: Interiors IV: Hotel Paradise Café Year: 1987 Medium: Resist-ground etching and engraving on copper Paper: BFK Rives Image size: 23.5 x ...

Interior photograph from Richard Heeps, Prefab series. "Prefab came about as an offshoot of 'A View of the Fens Car with Wings' and I feel the square format artworks are a continuati...