Vertical Landscape Prints

Amida, a Deity of Japan; One plate from A new and complete collection of voyages and travels containing all that have been remarkable from the earliest period to the present time Vol...

Linda Plotkin, American (1938 - ) - Landscape II, Year: circa 1965, Medium: Etching, signed, titled and numbered in pencil, Edition: 18/75, Image Size: 6 x 4.25 inches, Size: 15...

Lithograph, stencil on vélin paper. Paper size: 11.42 x 9.05 inches. Inscription: signed in the plate and unnumbered, as issued. Notes: from the folio, Propos d'un intoxiqué, Aquarel...

Artist: Cuca Romley– Spanish/American (1933- ) Title: Maple Sugar Grove Year: circa 1981 Medium: Color etching Sight size: 24 x 17.75 inches. Sheet size: ...

In response to a massive oil spill off the coast of Southern California in 1969, Wisconsin Senator Gaylord Nelson initiated the idea of the first annual Earth Day on April 22, 1970, ...

Original Sydney (Australia) CP Air - Canadian Pacific – Sydney Opera House vintage travel poster. Archival lien-backed in excellent condition, Grade A, A-, ready to frame. Size 27.5”...

This artwork "Dam Construction" c.1920 is a very rare large original colors etching by Austrian artist Luigi Kasimir 1881-1962. It is hand signed and numbered 27/100 in pencil by the...

Lithograph, stencil on vélin paper. Paper Size: 10 x 7.75 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the folio, Fernand Léger, Dessins de Guerre ...

Héliogravure on vélin paper. Paper Size: 13.78 x 10.83 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the folio, Mark Tobey, Peintres d'aujourd'hui, ...

Giclée print on archival paper Gigi Mills work is born out of her need and desire to simplify and/or reduce each moment to its absolute essential, by removing details from life that...

1928. Etching. Morse catalog 235. state ii. Image: 9 3/4 x 7 (sheet 17 1/4 x 11 3/8). From the first printing of 100 proofs by Peter Platt. There were an additional 10 printed by Er...

Lithograph on vélin d’Arches 300gm paper. Paper Size: 21.8125 x 18.3125 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, For My People, 1992. Published...

Héliogravure on vélin de Rives pur chiffon paper, manufactured by Les papeteries de Rives, Voiron, France. Paper Size: 16.93 x 14.17 inches. Inscription: Signed in the plate and unnu...

Lithograph in colors on vélin Exhibition Fine Art Cartridge paper. Paper Size: 12.75 x 9.75 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, Hockney's ...

London: Charles Joseph Hullmandel, 1842. Lithograph with hand coloring in watercolor on cream wove paper, 17 5/16 x 12 3/16 inches (440 x 309 mm), full margins. Scattered foxing thro...

Etching on white laid paper with an "England" watermark, 3 x 1 3/4 inches (76 x 45 mm), full margins. Signed, dated and inscribed "II" in pencil, lower margin. One of 13 trial proof ...

This artwork "Rathaus in Vienna" c. 1960 is an original color etching by noted Austrian artist Josef Eidenberger, 1899-1991. It is hand signed in pencil by the artist. The plate mark...

Jules PERRICHON (1866-1946) Cannes : View from California Park, 1928 Original woodcut Handsigned in pencil Numbered /160 On vellum 32.5 x 25.5 cm (c. 13 x 10 in) Bears the blind sta...

Linen-backed original 1939 James Montgomery Flagg vintage poster: You're in Trust; we must protect it from fire. "If we would have forests--we must prevent fires: Maryland Stat...

Hank Laventhol, American (1927 - 2001) - Pheasant and Tree, Year: circa 1980, Medium: Aquatint Etching, signed and Numbered in pencil, Edition: 300, AP XXXV, Image Size: 24 x 16 ...

Lithograph on vélin paper. Paper Size: 12.4 x 9.65 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné references: Poliakoff, Alexis, and Gérard Schneider. Se...

Lithograph, stencil on vélin paper. Paper Size: 10 x 7.75 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, Fernand Léger, Dessins de Guerre 1915-16, 19...

Héliogravure on vélin paper. Paper Size: 14.75 x 10.5 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Pablo Picasso, Toros y toreros, 1961. Published ...

Héliogravure on vélin paper. Paper Size: 14.75 x 10.5 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Pablo Picasso, Toros y toreros, 1961. Published ...

Lithograph on vélin des Papeteries du Marais paper. Paper Size: 14 x 10.25 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the album, Verve: Revue Art...

’Tall trees’ By Jamie Boyd Medium - Lithograph Edition - AP Signed - Yes Size - 635mm x 870mm Date - c1975 Condition - Good. 9 out of 10. Colour of print m...

Hank Laventhol, American (1927 - 2001) - Castle Eye, Year: circa 1980, Medium: Aquatint Etching, signed and numbered in pencil, Edition: 300, AP XXXV, Image Size: 20 x 16 inches,...

Lithograph on vélin d’Arches paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Les Peintres mes amis, 1965. Published by Éditions d'art Les Heures Claires, Paris; printed by Raymond Jacquet, Paris, 1965 in an edition of 250. OSSIP ZADKINE (1888-1967) was a Russian-French artist of the School of Paris. He is best known as a sculptor, but also produced paintings and lithographs. In 1921 he obtained French citizenship. Zadkine served as a stretcher-bearer in the French Army during World War I, and was wounded in action. He spent World War II in the US. His best-known work is probably the sculpture The Destroyed City (1951–1953), representing a man without a heart, a memorial to the destruction of the center of the Dutch city of Rotterdam in 1940 by the Nazi-German Luftwaffe. He taught sculpture classes at Académie de la Grande Chaumière until 1958, students of his included artists Geula Dagan (1925–2008), Gunnar Aagaard Andersen...

"Morning By The Bay" features a colorful street scene leading to the sparkling Caribbean sea, and is a quintessential example of Tom Swimm's enhanced realism. This colorful hand pull...

Lucian Freud After Constable's "Elm" 2003 Etching on Somerset Textured White paper 18 7/8 x 15 inches; 48 x 38 cm Edition of 46 Initialed and numbered in graphite (lower recto) Frame available upon request Published by Matthew Marks Gallery...

Signed, titled and numbered etching from the edition of 90. An idyllic setting for Adam and Eve before "the expulsion". In individual prints, and his illustrated books, Washburn clev...

Lithograph on vélin paper. Paper Size: 12.4 x 9.65 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, XXe siècle, Nouvelle série N° 5 (double) Juin 1955, Cahiers d'Art publiés sous la direction de Gualtieri di San Lazzaro, 1955. Published by Société Internationale d'Art XXe siècle, Paris, under the direction of Gualtieri di San Lazzaro, éditeur, Paris; printed by Mourlot Frères, Paris, 1955. Additional notes: Excerpted from the academic article, “Promoting Original Prints, The Role of Gualtieri di San Lazzaro and XXe Siècle” by Valerie Holman, published in Print Quarterly, XXXIII, 2016, 2, Until recently very little has been written on the Italian author and art publisher Gualtieri di San Lazzaro (1904-75), yet for 50 years he chronicled the life and work of contemporary artists, produced monographs of exceptional quality, and disseminated original prints by modern painters and sculptors through his best-known periodical, XXe Siècle. Although still a relatively unfamiliar figure in the United Kingdom, San Lazzaro is one of the half-dozen great art publishers of the mid-twentieth century who, together with his exemplar, Ambroise Vollard (1866-1939), and those of his own generation, Christian Zervos (1889-1970), Tériade (1889-1983) and Albert Skira (1904-73), chose to base himself in Paris, seeing it throughout his life as the centre of the art world….XXe Siècle, an illustrated periodical, was launched in 1938 and printed in editions of approximately 2,000, each issue containing both photographs and four-colour separation reproductions across a wide spectrum of visual imagery ranging from masterpieces of Western painting to popular prints from the Far East. Its large format, lively design, and close integration of text and image, were immediately striking, but its most innovative feature, introduced at the suggestion of Hans Arp (1886-1966), was the inclusion of original prints by contemporary artists in every issue. With obvious appeal for collectors, XXe Siècle was also designed to introduce a wider, international public to contemporary painting and sculpture through good quality colour reproductions and the immediacy of original prints. Comparable in price to Cahiers d'Art, early issues of XXe Siècle sold out rapidly. While San Lazzaro's own aesthetic preferences tended towards lyric abstraction, he made clear that XXe Siècle was non-partisan [publication ceased during World War II]….in 1951, San Lazzaro relaunched XXe Siècle with thematic issues that were materials based, or centred on a topic of current interest in the visual arts, particularly in Europe: concepts of space, matter, monochrome, mark-making and the sign.' A defining feature of the new series was Italy's artistic dialogue with France for, while San Laz-zaro had originally concentrated on Paris-based painters and sculptors, his aim was to create an international network, to make known the work of French artists in Italy and Italian artists in France, and subsequently extend this bilateral axis to the English-speak-ing world. The artists represented in No. I by an original print were all best known as sculptors: Arp, Laurens, Henry Moore (1898-186) and Marino Marini, San Lazzaro not only sought to show readers the full range of an artist's work, but to encourage the production of prints, a stimulus much appreciated, for example, by Magnelli…. Suffering from failing health, in 1968 San Lazzaro lost overall control of XXe Siècle to Léon Amiel, a printer-publisher who had provided financial backing and helped with distribution in America." Thematic issues now ceased and were replaced by a 'panorama' of the year, but San Lazzaro was still active as a publisher of books and albums of prints….Shortly after his death, San Lazzaro himself was the subject of two exhibitions: 'Omaggio a XXe Siècle' in Milan in December 1974 centred on graphic work by those artists closest to him late in life, while 'San Laz-zaro et ses Amis' at the Musée d'Art Moderne de la Ville de Paris in 1975 featured work by all those whose work he had promoted for more than 50 years: Arp, Calder (1898-1976), Capogrossi, Chagall, Sonia Delau-nay, Dubuffet, Estève, Lucio Fontana (1899-1968), Gili-oli (1911-77), Magnelli, Marini, Miró, Moore and Poliakoff. This exhibition was seen by one of his closest colleagues as an indirect portrait of San Lazzaro, a complex man whose modesty and reserve masked his unremitting drive to extend international appreciation of contemporary art, and to bring the reading public closer to its making through the medium of print. MARK TOBEY (1890-1976) was an American painter. His densely structured compositions, inspired by Asian calligraphy, resemble Abstract expressionism, although the motives for his compositions differ philosophically from most Abstract Expressionist painters. His work was widely recognized throughout the United States and Europe and came in the wake of Picasso and Braque. Along with Guy Anderson...

Lithograph and stencil on vélin d'Arches paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the album, Mon ami Léger par André Maurois de l'Académie ...

Created in 1935, Le Retour, c'est ici chez nous is a compelling lithograph by Théophile Steinlen, the renowned French artist celebrated for his poignant depi...

Collotype from frottage on vélin paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the album, Max Ernst, Histoire Naturelle, 1972. Published and printed by Verla...

Lithograph on vélin des Papeteries du Marais paper. Paper Size: 14 x 10.25 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné references: Mourlot, Fernand. C...

Jules-Alexandre GRUN Monaco, exposition and concours automobiles Lithographic poster Signed in the plate Printed by Arte Paris and published by Maeght Size 98 x 65 cm (c. 38.6 x 25....

The title "Interventions On The Imaginary" is a clear reference to Marcia Crosby’s essay, "The Construction of the Imaginary Indian", and situates itself within the realm of remix cu...

Lithograph on vélin paper. Paper Size: 12.5 x 9.625 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné references: Cramer, Patrick, and Joan Miró. Joan Miró,...

Original Vintage French Travel Poster "LE HOHWALD" by ROGER BRODERS ca. 1930. Size: 24.5" x 39.25". Archival linen-backed antique skiing French vinta...

Lithograph on vélin d’Arches pur chiffon paper. Inscription: signed in the plate and unnumbered, as issued. Good condition. Notes: from the folio, L'Histoire d'O, 1962. Published and...

Lithograph on vélin paper. Paper Size: 12.4 x 9.65 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, XXe siècle, Nouvelle série, XLIIe Année, N°55, Mars...

Andre Masson, French (1896 - 1987) - Cathedral, Medium: Lithograph and Chine Colle, signed, numbered and dedicated in pencil, Edition: 7/25 HC, Image Size: 13 x 4 inches, Size: 1...

Medium: Lithograph and stencil on vélin paper Year: 1946 Paper Size: 17 x 13 inches Inscription: Signed in the plate and unnumbered, as issued Notes: From the folio, TLautrec, 1946. ...

Lithograph on vélin paper. Paper Size: 15 x 11 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné references: Cramer, Patrick, and Joan Miró. Joan Miró, Cata...

Colour aquatint by John Bluck (active 1791-1819) after Frederick Mackenzie (1788-1854). Architectural interior with superb original colour. From 'Westminster Abbey', published by Ru...

Herbert LESPINASSE (1884-1972) Seascape : Castel and Sailboats, 1924 Original woodcut Handsigned in pencil Numbered /160 On vellum 32.5 x 25 cm (c. 12,7 x 9,5 in) Edited for the 'I...

Etching from cuivre rayé après tirage on vélin paper. Paper Size: 15 x 11 inches; image size: 2.8 x 3.9 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné re...

Maurice Pasternak created "Attraction 5", a mezzotint in an edition of 80 that depicts 6 men clearly attracted to something that appears outside the plane of the image. The men seem...

Lithograph on vélin paper. Paper Size: 15 x 11 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné references: Arntz, Wilhelm F., and Jean Arp. Hans (Jean) Ar...

Lithograph on vélin des Papeteries du Marais paper. Paper Size: 14 x 10.25 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Verve: Revue Artistique et ...

Woodcut on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From Derrière le miroir, N° 174, 1968. Published by Aimé Maeght, Éditeur, Paris; print...

Etching on antique handmade laid paper, 9 5/8 x 4 1/4 inches (246 x 109 mm), full margins. Signed and dated (1928) in pencil, lower margin. Printed by Frederick Reynolds. In very goo...

Lithograph on vélin paper. Paper Size: 12.4 x 9.65 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, XXe siècle, Nouvelle série, XXXVIIe Année, N°45, Dé...

Silkscreen in colors and sepia-tones on Langdell fait à la main paper. Paper Size: 15 x 11 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, Bookmarks i...

Lithograph on papier Kitakata à la main, mounted on papier Cartiere Enrico Magnani à la main paper, as issued. Paper Size: 23.5 x 19 inches. Inscription: Unsigned and unnumbered, as ...

WARRENPOINT AND THE MOUNTAINS of MOURNE, horizontal stone lithograph. Printer: J.B. Stephens. Professional acid-free archival linen-backed, ready to frame. B condition image with only minor wear on the 1/2" cream outer border and a horizontal tear that was repaired during linen backing (shown in image #7). The last document copy of this poster was sold in 2021 on 1st dibs for $4518. Rare Irish Railway (railroad) lithograph poster. Warrenpoint is a small, but beautiful town in County Down, Ireland. The hamlet itself is situated on the shores of Carlingford Lough...

Linen-backed original vintage poster: Ms. Victoria Incres Line, All Italian Crew, Mediterranean; West Indies Luxury Cruises original poster. Colorful cruise line poster with a gold...

Lithograph on vélin paper. Paper Size: 12.4 x 9.65 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné references: Tonneau-Ryckelynck, Dominique, et al. Wilfr...

"Drift 39" Landscape Photography 40" x 30" Edition of 5 by Rowan Daly Digital print on Ultra Smooth Fine Art Paper Unframed - ships rolled in a tube Other sizes available DRIFT...