$4,796Sale Price|20% Off
Magnolia Flower, Bookmarks in the Pages of Life
By Betye Saar
Located in Southampton, NY
Silkscreen in colors and sepia-tones on Langdell fait à la main paper. Paper Size: 15 x 11 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, Bookmarks i...
Screen
$4,796Sale Price|20% Off
The Bone of Contention, Bookmarks in the Pages of Life
By Betye Saar
Located in Southampton, NY
Silkscreen in colors and sepia-tones on Langdell fait à la main paper. Paper Size: 15 x 11 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, Bookmarks i...
Screen
$4,796Sale Price|20% Off
Mother Catherine, Bookmarks in the Pages of Life
By Betye Saar
Located in Southampton, NY
Silkscreen in colors and sepia-tones on Langdell fait à la main paper. Paper Size: 15 x 11 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, Bookmarks i...
Screen
$4,796Sale Price|20% Off
Now You Cookin' with Gas, Bookmarks in the Pages of Life
By Betye Saar
Located in Southampton, NY
Silkscreen in colors and sepia-tones on Langdell fait à la main paper. Paper Size: 15 x 11 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, Bookmarks i...
Screen
The Long Memory
By Betye Saar
Located in New York, NY
The Long Memory is an 18-color screenprint on paper by the artist Betye Saar The Long Memory 1998 Signed and numbered, recto 18-color screenprint on paper (Edition of 100) 14.5 x...
Paper, Screen
$4,796Sale Price|20% Off
The Conscience of the Court, Bookmarks in the Pages of Life
By Betye Saar
Located in Southampton, NY
Silkscreen in colors and sepia-tones on Langdell fait à la main paper. Paper Size: 15 x 11 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, Bookmarks i...
Screen
$4,796Sale Price|20% Off
High John De Conquer, Bookmarks in the Pages of Life
By Betye Saar
Located in Southampton, NY
Silkscreen in colors and sepia-tones on Langdell fait à la main paper. Paper Size: 15 x 11 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, Bookmarks i...
Screen
Passé Blanc - African American Female Artist
By Betye Saar
Located in Miami, FL
Passé Blanc, 2002 Artwork is titled in Pencil Betye Saar Serigraph (Hand Printed Silkscreen) on rice paper 51" × 27" P.P. (Printer's Proof), believed to be the only Printer's Proof E...
Rice Paper
$130
H 13.78 in W 19.69 in D 0.04 in
Excelsior by Simon Tozer, Limited edition, Sailing, Landscape, Figurative art
By Simon Tozer
Located in Deddington, GB
Excelsior by Simon Tozer [2021] limited_edition and hand signed by the artist Screenprint on Paper Edition number of 30 Image size: H:23 cm x W:30 cm ...
Paper, Screen
$6,000Sale Price|20% Off
H 28.75 in W 21.125 in
Girl in the Garden (Gelburd/Rosenberg 62), Romare Bearden
By Romare Bearden
Located in Fairfield, CT
Artist: Romare Bearden (1911-1988) Title: Girl in the Garden (Gelburd/Rosenberg 62) Year: 1979 Medium: Lithograph on vélin d’Arches paper Edition: 33/150, plus proofs Size: 28.75 x 2...
Lithograph
$716Sale Price|20% Off
H 39.5 in W 25.75 in
Chagall, Die Zauberflöte (Mourlot CS. 38), The Metropolitan Opera (after)
By Marc Chagall
Located in Fairfield, CT
Title: Die Zauberflöte (Mourlot CS. 38), The Metropolitan Opera Year: 1973 Medium: Lithograph on wove paper Size: 39.5 x 25.75 inches Notes: From the opening of Mozart's 'The Magic F...
Lithograph
Cul de Sac
By Alexandre Minguet
Located in San Francisco, CA
This artwork titled "Cul de Sac" is an original color lithograph by French artist Alexandre Minguet, 1937-1996. The image size is 7 x 11 inches, framed size is 17.35 x 21.5 inches. I...
Lithograph
$999
H 39.5 in W 24.5 in D 0.03 in
Versailles (France) original lithograph vintage SNCF travel poster
By Maurice Milliere
Located in Spokane, WA
Original Versailles, France vintage lithograph French travel poster. Printed by the French National Railroad, SNCF in the 1938's. Printer: Goossens. A poster fit for a king since he once resided here at Versailles. Transform your living space with the elegance and grandeur of the Versailles Original Poster. This exquisite piece captures the breathtaking beauty of the iconic Palace of Versailles, showcasing its majestic fountains and lush gardens. The vibrant colors and intricate details bring to life the opulence and historical significance of one of the world's most renowned landmarks. The grand fountains had a chariot and horses...
Lithograph
"Weather Eye" - 1989 Lithograph on Paper
By Deborah Rumer
Located in Soquel, CA
"Weather Eye" - 1989 Lithograph on Paper 1989 Lithograph on paper titled "Weather Eye" by Deborah Rumer (American, 20th Century). A windowsill is the focal point, as the viewer look...
Paper, Ink, Lithograph
Virgin Mary Poster
By Kiki Smith
Located in New York, NY
Screenprint on handmade Napalese paper. Edition of 3000. Printed by Universität für angewandte Kunst, Vienna. Published by MAK Galerie, Österreichisches Museum für angewandte Kunst, ...
Handmade Paper, Screen
$1,100
H 32.75 in W 27.25 in D 1 in
"By the Canal" Limited Edition Lithograph on Archival Paper
Located in Soquel, CA
"By the Canal" Limited Edition Lithograph on Archival Paper Vibrant lithograph of a red-headed woman near a canal by Michael Leu (Taiwanese, b. 1950). The woman is holding a bouquet of tulips. Nearby, a bicycle is parked alongside the canal. There is a bridge over the canal, connecting to a small town in the distance. This piece is whimsical, bold, and expressive. Numbered "31/198" in the lower left corner. Signed and dated "Michal Leu 95" in the lower right corner. Presented in a black aluminum frame with a white mat. Frame size: 32.75"H x 27.25"W Image size: 24"H x 19"W Born in Taipei, Taiwan, Michael Leu (b. 1950) studied fine art and design in his home town in the late 1960s and learned printmaking techniques at Otis Parsons...
Ink, Archival Paper, Lithograph
$6,000Sale Price|20% Off
H 23.75 in W 33 in
Tenor Sermon (Gelburd/Rosenberg 70-77), Jazz Series, Romare Bearden
By Romare Bearden
Located in Fairfield, CT
Artist: Romare Bearden (1911-1988) Title: Tenor Sermon (Gelburd/Rosenberg 70-77) Year: 1979 Medium: Lithograph on vélin d’Arches paper Edition: 138/175, plus proofs Size: Paper Size:...
Lithograph
$2,800
H 18.7 in W 15 in
Ai Weiwei - Cedar - Screenprint on Somerset Velvet Antique 280gsm paper Signed/N
By Ai Weiwei
Located in New York, NY
Screenprint on Somerset Velvet Antique 280gsm paper Pencil signed and numbered 112/150 Printed at The Print Studio, Cambridge This work has been elegantly framed in a wood frame unde...
Screen
$6,000Sale Price|20% Off
H 23.75 in W 33 in
Louisiana Serenade (Gelburd/Rosenberg 70-77), Jazz Series, Romare Bearden
By Romare Bearden
Located in Fairfield, CT
Artist: Romare Bearden (1911-1988) Title: Louisiana Serenade (Gelburd/Rosenberg 70-77) Year: 1979 Medium: Lithograph on vélin d’Arches paper Edition: 39/175, plus proofs Size: Paper ...
Lithograph
$6,000Sale Price|20% Off
H 23.75 in W 33 in
Brass Section (Gelburd/Rosenberg 70-77), Jazz Series, Romare Bearden
By Romare Bearden
Located in Fairfield, CT
Artist: Romare Bearden (1911-1988) Title: Brass Section (Gelburd/Rosenberg 70-77) Year: 1979 Medium: Lithograph on vélin d’Arches paper Edition: 110/175, plus proofs Size: Paper Size...
Lithograph
The Long Memory
By Betye Saar
Located in New York, NY
Betye Saar The Long Memory, 1998 18 Color Screenprint on Somerset Paper 14 1/2 × 11 3/4 inches Edition 74/100 Signed lower right and dated, titled lower cen...
Screen
L.A. - The Way We Were
By Betye Saar
Located in Bryn Mawr, PA
Betye Saar's work is one of a portfolio of 17 prints commissioned of different artists by the city of Los Angeles to commemorate the city's bicentennial in ...
Lithograph, Offset
Sold
H 19 in W 15.5 in
"Takin' A Chance On Luv" Pigment Print, African American Feminist Art
By Betye Saar
Located in Surfside, FL
Betye Saar (American, B. 1926) "Takin' a Chance on Luv". Pigment print. Signed with artist stamp. 2017, from the edition of 150. printed on Canson Edition Etching Rag 310 gram paper; paper size: 13 x 16-1/4 inches; Frame: 19" x 15.5" comes with Certificate of Authenticity Betye Irene Saar (born 1926 in Los Angeles, California) is an African American female artist known for her work in the medium of assemblage and collage. Saar has been called "a legend" in the world of contemporary art. She is a visual storyteller and an accomplished printmaker. Betye Saar was a part of the Black Arts Movement in the 1970s, which engaged myths and stereotypes about race and femininity. Her work is considered highly political Feminist art, as she challenged negative racist ideas about African-Americans throughout her career. Betye Saar’s work mixes surreal, symbolic imagery with a folk art aesthetic. African tribal mysticism, history, memory, and nostalgia are also important for Saar. Her daughter is the well known artist Alison Saar. Her college education began with art classes at Pasadena City College and continued at the University of California, Los Angeles after receiving a tuition award from an organization that raised funds to send minority students to universities. Saar received a B.A. in design in 1947. She went on to graduate studies at California State University, Long Beach, University of Southern California, California State University, Northridge, and American Film Institute. Saar was inspired to create assemblages by a 1967 exhibition by found object sculptor, Joseph Cornell and Robert Rauschenberg. She was also greatly influenced by Simon Rodia's Watts Towers, which she witnessed being built in her childhood. Saar said that she was “fascinated by the materials that Simon Rodia used, the broken dishes, sea shells, rusty tools, even corn cobs—all pressed into cement to create spires. To me, they were magical.” She began to create work that consisted of found objects arranged within boxes or windows, with items that drew from various cultures to reflect her own mixed ancestry: African-American, Irish, and Native American. In the 1960s, Saar began collecting images of Aunt Jemima, Uncle Tom, Little Black Sambo, and other stereotyped African-American figures from folk culture and advertising of the Jim Crow era. She incorporated them into collages and assemblages, transforming them into statements of political and social protest. The Liberation of Aunt Jemima is one of her most notable works from this era. In this mixed-media assemblage, Saar utilized the stereotypical mammy figure of Aunt Jemima to subvert traditional notions of race and gender. In the late 1960s, her focus turned to the civil rights movement and issues of race. Black women artists like Faith Ringgold, Betye Saar, Adrian Piper, Howardena Pindell, and Barbara Chase...
Pigment