Small Landscape Prints

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From Derrière le miroir, N° 133-134, 1962. Published by...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From Derrière le miroir, N° 51, 1952. Published by Aimé...

Lithograph, stencil on wove paper. Inscription: Unsigned and unnumbered. Good condition. Notes: From the folio, Douze Contemporains, 1959; published by Éditions d'Art du Lion, Paris;...

Tinted lithograph by Philippe Benoist (1813-1881) after Felix Benoist. Figures by Bayot. From a French series titled 'Rome dans Sa Grandeur', circa...

This Limited Edition giclee landscape print by Bri Custer is an edition size of 195. It features a warm, earth-toned palette. Printed on canvas, this giclee ships framed in a warm si...

Vie de Trianon Hyacinthe Rigaud (After), Catalan/French (1659–1743) Date: of original: 1750 Hand-Colored Engraving, signed in the plate Edition of ~1000 Image Size: 8.75 x 18.5 inche...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From Derrière le miroir, N° 252, 1982. Published by Aim...

Lithograph on grand vélin d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: from the folio, Parallèlement, Illustré ...

Lithograph on fine vélin paper, mounted on archival mat-board, as issued. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Eugène De...

KIYOSHI SAITO (Japanese 1907 - 1997) DAITIKUJI KYOTO, 1957 Color woodcut, signed, titled, dated and no. 42/100 in pencil. Edition 100. Image 15 x 20 5/8 inches. Full margins with de...

Donald Hamilton Fraser (1929 – 2009) Launch Wash, Saint Michele Venice signed limited edition, no. 112/225, lithograph, Image: 50.5cm x 37.5 cm, mounted and framed, Frame: 81.7 x ...

Etang de la Canau is a black and White etching realized by Leo Drouyn in the Late 19th Century.  Titled in the lower Image Size: 24x32 Very good impression. Realized by Cadart fo...

Lithograph on vélin paper. Paper size: 19.5 x 22.5 inches. Inscription: Hand signed and numbered P.P., as issued. Notes: Published by London Arts Inc., Detroit; printed by Arts Litho...

This abstract landscape limited edition print by Elwood Howell features a cool neutral palette. The piece features the artists's signature high horizon line, with layered shapes and ...

Lithograph on fine vélin paper, mounted on archival mat-board, as issued. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Eugène De...

Etching in colors on vélin de Rives paper. Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From the folio, Hésiode, Les Travaux et les jours. E...

Linocut on vélin vergé ancien paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Pougny, dix linogravures originales, 1964. Published by Au Vent d'Arle...

Lithograph on grand vélin d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: from the folio, Parallèlement, Illustré ...

This is an original 18th century hand-colored map entitled "A New & Correct Chart of All The Known World Laid down according to Mercator's Projection" by Emanuel Bowen. It was published in 1744 in London in John Harris's "Navigantium atque Itinerantium Bibliotheca" or "A Complete Collection of Voyages and Travels". This highly detailed and colorful map depicts the world. as it was known in the mid 18th century. A majority of the northern and central portions of Canada and America are left blank due to the purity of knowledge at the time this map was published. The map is embellished with four Compass Roses in the lower left, lower center, lower right and center, along with many rhumb lines. There a is a decorative title cartouche in the upper left. This colorful, attractive, historical and interesting 1744 map presents the entire world on Mercator's projection as it was understood in the middle part of the 18th century, before the landmark explorations of Captain’s Cook, Vancouver, Wilkes and others. It is an example of a nautical chart, a type of map that was designed specifically for use by mariners. The map is centered on the equator and includes both the Eastern and Western Hemispheres. The continents of North America, South America, Europe, Africa, and Asia are depicted, as well as various islands in the Atlantic, Pacific, and Indian Oceans. The map is laid out according to the Mercator projection, a type of cylindrical map projection that was developed in the 16th century by Flemish cartographer Gerardus Mercator. This projection has the advantage of preserving angles and shapes, making it useful for navigation. The map presents a paucity of inland detail, particularly for the Americas, but major cities, geographical landmarks, and regions are included. Ocean currents and Tradewinds are identified, as well as the magnetic declination lines or magnetic variance, which refers to the difference between true north and compass north. The continents are color coded, enhancing the beauty of this map. The three compass roses indicate the directions of the cardinal points. The depiction of the western coast of America, the Pacific and Australia are interesting. There was very little exploration of Australia between the navigations of William Damper in 1699 and Tobias Furneaux in 1773. Most of the maps detail relies on the 17th century Dutch expeditions to Australia's western coast, by Abel Tasman and William Janszoon. Van Diemen's Land (Tasmania) and New Guinea appear connected to the Australian continent. New Zealand appears as a single landmass. North of New Zealand there is a landmass labelled 'Ter d' St. Esprit' which probably represents the New Hebrides Islands. This map precedes the accurate exploration of the South Pacific and east coast of Australia by Captain James Cook later in the 18th century. The map includes ‘Drakes' Port,' the site where Sir Francis Drake supposedly landed in 1579 during his 1579 circumnavigation of the globe. Here he claimed territory for England, restocked, and repaired his vessels. Drake named the region New Albion. The exact location of Drake's Port is a cartographic mystery. Drake's Harbor is believed to be in the region of San Francisco Bay, Bodega Bay, San Pablo Bay...

"Alone Together", Mel Hunter, American (1927–2004) Date: 1977 Lithograph, signed, dated, titled and numbered in ink Edition of 200, 30 AP Size: 22 x 18.5 in. (55.88 x 46.99 cm)

To see our other views of Oxford and Cambridge , particularly suitable for wedding and graduation presents, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want. Walter Hoyle (1922 - 2000) Emmanuel College, Cambridge Chapel (Cambridge Series 1956 - 66) Linocut 55 x 43 cm Signed and inscribed A/P in pencil. Hoyle's view of Emmanuel's Front Court bleaches the gold of the chapel's Ketton Stone into an icy blue, and situates it beneath a tempestuous yellow sky. Hoyle trained at Beckenham School of Art and the Royal College of Art. At the latter he was strongly influenced by Edward Bawden, one of Britain’s greatest linocut printers. Bawden had been commissioned by the 1951 Festival of Britain to produce a mural for the South Bank, and chose Hoyle to assist on account of his great talent. Hoyle moved to Great Bardfield in Essex, becoming a part of the Great Bardfield group of artists; diverse in style, they created figurative work, in stark contrast to the abstract art of the St Ives artists at the opposite end of the country. Hoyle taught at St Martin’s School of Art from 1951-60, the Central School of Arts and Crafts from 1960-64, and the Cambridge School of Art from 1964...

"One of Two Colossal Statues of Rameses II. Entrance to the Temple at Luxor" is a 19th century half-folio sized duo-tone lithograph from the "The Holy Land, Syria, Idumea, Arabia, Eg...

Archival giclée print Edition of 70, Set of 8 Paper size: 57.2 x 56 cms (22 1/2 x 22 ins) Image size: 40 x 40 cms (15 3/4 x 15 3/4 ins) Starting from a belief that all forms, and li...

The tree is a native Californian Monterey pine. They are found up and the down the coast of California from Carmel to San Francisco and all the way up north Mendocino. The moody scen...

Laurent Marcel Salinas, Sur La Table, Abstract Figurative Lithograph, 18.63 x 24, Mid 20th Century Colors: Brown, Tan, Gold, Blue, Gray, Beige, Aqua

Lithograph on fine vélin paper, mounted on archival mat-board, as issued. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Eugène De...

This is a single color lithograph created by Matthew Roath as part of Tamarind Institute PTP. The Collaborating printer isAndreea Cristina Mateescu....

Lithograph on vélin de Lana paper. Inscription: Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From the folio, tête edition, Consacré à Jean-P...

This is an original 18th century hand-colored map entitled "An Accurate Map of the East Indies Exhibiting the Course of the European Trade both on the Continent and Islands" by Emanu...

One of eight prints completed for this set based on Henry James Aspern Papers. Signed and numbered digital print from the editon of 75. Peter Milton is one of the most honored and respected printmakers in the world today. His work is in most major museums, and he continues to produce stunning and masterful prints in his 6th decade of printmaking. Since 2008 he has been a major proponent for digital printmaking. THE ASPERN PAPERS is a classic tale by Henry James of duplicity foiled and love denied. Taking place in Venice, this is one print from a portfolio set of eight prints...

Bold woodblock serigraph by Ruth Chaney (American, 1908-1973). Numbered (#17), titled, signed, and dated along the bottom edge. The Smithsonian American Art Museum has an edition of...

Map od Dordrecht is an artwork realized by Braun and Hogemberg in the late 16th century. Hand watercolored etching. 40x54 cm. Good conditions. Braun Hoghemberg (1541-1622) was a ...

Lithograph on vélin d'Arches à la forme savoir paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Dans l'Atelier de Picasso, 1957. Published by Fernan...

The graphic is already framed. About Andrzej Juchniewicz - 1967–1972 Secondary School of Fine Arts in Gdynia-Orłowo. 1978–1983 studies at the Acad...

Lithograph on grand vélin d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: from the folio, La Liberté des Mers, 1959. Published by Maeght Édite...

Porte d'Amsterdam a Harlem is a black and white etching realized by Charles Cuisin (1832-1900) in 1870s. Titled in the lower. Image size: 31cmx22cm. Very Good condition. Signed o...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From Derrière le miroir, N° 197, 1972. Published by Aim...

Julian Trevelyan (1910-1988) Notre Dame Etching and aquatint, stamped signature, numbered 42/50 35 x 48 cm Nephew of the historian G M Trevelyan, he was educated at Bedales and Tri...

Le Canal St Martin is a black and white etching realized by Adolphe Martial-Potémont (1827-1883) in 1870s. Titled in the lower. Image size: 30cmx21cm. Very Good condition. Realiz...

Balthazar Solvyns European Buildings in Calcutta 13.25” x 19” c1796 This is an extremely rare 1st Proof etching from Solvyns first publication, A Collection of Two Hundred and F...

Collotype from frottage on vélin paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the album, Max Ernst, Histoire Naturelle, 1972. Published and printed by Verla...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From the folio, Suites nº8, Rencontres, 1964. Published...

Paul Kleinschmidt, (1883–1949) "Tunnel" Etching 1922 Frame: 17" X 21" Image: 10.5" X 13.5" Rare Artist's Proof edition 1 of 4 An architectural study of a bridge and train tunnel Prov...

This beautiful 19th century framed engraving "Dover" by Thomas Lupton is based on an original painting by the renowned British artist J.M.W. Turner, which depicts a panoramic view of the harbor of Dover, a town in southeastern England, that has been an important port for centuries. The engraving captures the dramatic sky and sea that Turner was known for, with billowing clouds and waves crashing against the shore. The town and its famous white cliffs are visible in the background, while ships and boats dot the harbor in the foreground. Several wooden rowboats...

I KNEW EACH STONE AND TREE.....Both Grape and Wine To Me is an original hand drawn stone lithograph by Emanuel Schary(Israel, b. 1924, d. 1994) printed using hand lithography techniq...

Lithograph and stencil with gouache and pastel inks on vélin de Rives paper, archivally hinged on vélin de Rives backing sheet, as issued. Inscription: signed in the plate and unnumb...

Lithograph on grand vélin des Papeteries de Lana paper. Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From the folio, Au Temps de Paris Seine...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From Derrière le miroir, N° 202, 1973. Published by Aim...

This is a hand-colored folio sized lithograph entitled "Iyngipicu Maculatus" (Sonnerat's Pygmy Woodpeckers) by John Gould from his monograph "The Birds of Asia", published in London ...

Lithograph in colors on vélin Fabriano charta ex meris pannis "ab alveo" manu fabricata, perlucidis figuris intexta paper. Paper size: 19 x 13.75 inches. Inscription: Signed in the p...

The graphic is already framed. About Andrzej Juchniewicz - 1967–1972 Secondary School of Fine Arts in Gdynia-Orłowo. 1978–1983 studies at the Acad...

Lithograph and cinétisation on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From Derrière le miroir, N° 191, 1971....

Landscape in Tuscany is a modern artwork realized by Orfeo Tamburi. Mixed colored lithograph. The artwork is from the serie "Paesaggi di Toscana" (Landscape of Tuscany) Hand signe...

Lithograph on vélin du Marais paper. Inscription: unsigned and unnumbered, as issued. Good condition with centerfold, as issued. Notes: From the volume, Éloge de Gromaire, 1958. Publ...

Etching and drypoint on paper by famous Taos Artist Gene Kloss (1903-1996). Title: Navajo Canyon Cliffs. Unframed and un-matted. Kloss #563 Pencil titled lower left. Pencil signed lo...

To see our other views of London and our other Modern British Art, scroll down to "More from this Seller" and below it click on "See all from this Seller". Julian Trevelyan (1910-19...

Engraving with etching by Marco Antonio Corsi after a drawing by Giuseppe Zocchi (Italian, 1711/17–1767). From 'Vedute delle ville, e d'altri luoghi d...

Mystery Indian Artist Untitled, 20th century Print Sight: 10 1/4 x 15 1/4 in. Framed: 18 x 22 1/4 in. Inscribed verso: Property of Alex Dorochovich as gift from Stella & Ken in India