1990s Landscape Prints

Original Edition Lithograph on paper, mounted on canvas, 1997. Paper Size: 29 x 21 inches. Image and signature reproduced from the original signed silkscreen. Authorized and copyrighted by The Andy Warhol Foundation for the Visual Arts and their representative, Artists Rights Society. Excellent Condition; never framed or matted. Notes: Andy Warhol created the original Chanel artworks...

FATHER & SON is a hand drawn, limited edition lithograph by the African American artist JONATHAN GREEN printed using hand lithography techniques on archival Arches paper, 100% acid free. FATHER & SON is a beautifully simple composition depicting a refreshing Lowcountry South Carolina landscape...

Four Original Edition Lithographs on paper, mounted on canvases, 1997. Paper Sizes: 29 x 21 inches, each. Images and signatures reproduced from the original signed silkscreens. Authorized and copyrighted by The Andy Warhol Foundation for the Visual Arts and their representative, Artists Rights Society. Excellent Condition; never framed or matted. Notes: Andy Warhol created the original Chanel artworks...

Artist: Christo Title: Ponte Neuf Empaquette-Small Medium: Photograph Size: 26 x 27 inches Year: 1985 Publisher: Nouvelles Image Reference #: Schellmann 86 Hand signed by the artist ...

Original vintage travel poster for the city of Rimini by the poster artist Rene Gruau. Size: 27.25" x 39". Excellent condition. Paper. An original poster was created for the cit...

Artist: Christo Title: Ponte Neuf Empaquette-Long View Medium: Photograph Size: 25 x 38 inches Year: 1985 Publisher: Nouvelles Image Reference #: Schellmann 86 Hand signed by the art...

Balmoral by His Majesty King Charles III (formerly known as HRH Prince Charles, The Prince of Wales) - Hand Signed Limited Edition Lithograph. Belgravia Gallery has been honoured to be associated with the artworks of HRH The Prince of Wales for over 25 years. Anna Hunter, gallery owner, wrote a handwritten letter to the Prince asking him if he would consider making signed lithographs from his beautiful watercolours which could be sold in aid of his charities. The gallery subsequently worked with the Prince for over 10 years publishing some 18 different editions and raising over £4million for the Prince’s Charitable Foundation. Lithographs were made from the Prince’s original watercolours under the guidance of Stanley Jones – a celebrated printmaker who had previously worked with Henry Moore for 30 years, and with Elizabeth Frink, David Hockney and others. Each one is hand-signed. “…One thing I have discovered in the course of my painting efforts is that Balmoral Castle...

Artist: Alexandra Nechita (1985) Title: Miss Switzerland Year: 1998 Edition: 50/65 A.P. Medium: Lithograph on Arches paper Size: 35.5 x 23 inches Condition: Excellent Inscription: Si...

Artist: Alexandra Nechita (1985) Title: Geometric Look Year: 1999 Edition: 26/99, plus proofs Medium: Lithograph on Arches paper Size: 35.5 x 24 inches Condition: Excellent Inscripti...

Helen Frankenthaler Frankenthaler: The Darker Palette (Hand signed twice and inscribed), 1998 Offset Lithograph poster 42 × 35 in hand signed "Frankenthaler" lower left; inscribed an...

This lithograph Tree from the portfolio " Egon Schiele " is after the original artwork (oil on canvas) realized by Egon Schiele . The portfolio, which includes 10 lithographs on Jap...

Brendan Neiland (born 1941) RA (Expelled) Leeds (1991) Lithographic poster 101 x 71 cm Signed 'Brendan Neiland 1991' and inscribed 'to Alan best wishes', both in pencil. Proof copy ...

To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this seller" - or send us a message if you cannot find the ...

THE BIG APPLE, NEW YORK CITY is a handmade limited edition color lithograph with metallic gold silkcreen by the American artist Alex Echo. THE BIG APPLE, NEW YORK CITY was printed us...

Christo Wrapped Reichstag: Project for Berlin, 1994 Collage on offset lithograph with raised silver thermal paper used to wrap Reichstag, on thin velincarton 15 3/4 × 11 1/2 inches E...

COULD ALSO BE FRAMED IN A BLACK FRAME - SAME SIZE & MODEL Christo The Umbrellas (Yellow & Blue) Lithoserigraphs Year: 1991 Size: 14.6 × 16.4 on 19.1 × 19.9 inches (EACH) Framed: 20....

Title: Paintings and Drawings Year: 1991 Medium: Lithograph on premium paper, exhibition poster Size: 39 x 26 inches Condition: Excellent Notes: Published by the Leo Castelli Gallery...

Original 17th Grand Prix of San Marino vintage Italian poster. Gran Premio di San Marino. Artist: Giovanni Cremonini. Larger format race poster. Linen backed and ready to frame. This original poster advertises the 17th Grand Prix in San Marino. This is a great poster for Ferrari enthusiasts. Archival is mounted on acid-free paper bonded to linen canvas. The San Marino Grand Prix (Italian: Gran Premio di San Marino) was a Formula One championship race that was run at the Autodromo Internazionale Enzo e Dino Ferrari...

Archival Pigment Print Rainbow over Central Havana All available sizes & editions for each size of this photograph: 30" x 40” - Edition of 5 + 2 Artist Proofs 40" X 50"- Edition of...

Original “Wagon Lits” serigraph poster by the artist Valerio Adami. It was printed in France by GrafiCaza (Michel Caza), one of the finest serigraph companies on woven paper—in exce...

Archival Pigment Print Montage fro Subway poster All available sizes & editions for each size of this photograph: 40" x 30” - Edition of 5 + 2 Artist Proofs 50" X 40"- Edition of 5...

Wolf Kahn Untitled color field landscape, 1990 Monotype on paper (unique) Pencil signed and dated by Wolf Kahn on the front Frame included: held ...

Christo The Umbrellas (Yellow) (FRAMED - either black or white frame - you choose) Lithoserigraph Year: 1991 Size: 14.6 × 16.4 on 19.1 × 19.9 inches Framed: 20.5 x 20.5 x 2.5 inches ...

Artist: Peter Max (1937) Title: Mona Lisa Year: 1998 Medium: Lithograph and acrylic on Arches paper Size: 12 x 14 inches Condition: Excellent Inscription: Signed and by the artist. ...

Signed, titled and numbered by the artist. A view of ocotillo cactus, based on a view near Clark Dry Lake, Anza Borrego Desert State Park, California. B...

Original Edition Lithograph on paper, mounted on canvas, 1997. Paper Size: 71.5 x 50.5 inches. Image and signature reproduced from the original signed silkscreen. Authorized and copyrighted by The Andy Warhol Foundation for the Visual Arts and their representative, Artists Rights Society. Excellent Condition; never framed or matted. Notes: Andy Warhol created the original Chanel artworks...

Artist: Peter Max (1937) Title: Angel with Heart Year: circa 1998 Medium: Silkscreen and watercolor on Arches paper Size: 15 x 11 inches Condition: Excellent Inscription: Signed in g...

Artist: Alexandra Nechita (1985) Title: Spring Love Year: 1997 Edition: 205/250, plus proofs Medium: Lithograph on Arches paper Size: 36 x 25 inches Condition: Excellent Inscription:...

Artist: Peter Max (1937) Title: Magic Carpet Ride Year: circa 1998 Medium: Silkscreen and watercolor on Arches paper Size: 13.75 x 12 inches Condition: Excellent Inscription: Signed ...

This print is based on the fourth image from The Life of Harriet Tubman series (1940). Play Jacob Lawrence, American (1917–2000) Date: 1999 Screenprint, signed, dated, titled and nu...

Cindy Bernard’s career spans nearly three decades and she is best known for photographs and projections that explore the relationship between cinema, memory, and landscape including the widely exhibited series Ask the Dust (1988-92), now in the collections of the Museum of Contemporary Art, Los Angeles (21 part set), the Pompidou, MOMA and the Whitney Museum of American Art. She is a recipient of grants and fellowships from the J. Paul Getty Trust Fund for the Visual Arts, California Arts Council, Creative Capital, Anonymous Was a Woman, the Harpo Foundation, California Community Foundation, the John Simon Guggenheim Memorial Foundation and the MacDowell Colony. Her work has been exhibited in museums and galleries in the US, Canada, Mexico, Europe, and Japan, and was included in the Whitney and Lyon Biennials. In addition to her visual practice, Bernard takes an active interest in the spaces and production of social exchange. She was a director and advisor to Foundation for Art Resources from 1985 to 1990, a founding director of the Coalition for Freedom of Expression, and co-founder of MOCA Mobilization. Bernard is also the founder and director of The Society for the Activation of Social Space through Art and Sound (SASSAS), an organization she began in response to the need for a flexible and sustainable association dedicated to experimental music in Los Angeles. She has curated and produced more than 50 concerts for SASSAS including Welcome Inn Time Machine for Pacific Standard Time in 2012. Her interest in sound has spurred several projects including a series of photographs of municipal band shells which Bernard sees as an architecture of public exchange and The Inquisitive Musician, an adaptation of a 17th century German satire, Musicus Curiosus, or Battalus, the Inquisitive Musician; the Struggle for Precedence between the Kunst Pfeifer and the Common Players. The Inquisitive Musician pits itinerant “beer fiddlers” against the city sanctioned “Kunstpfeifer” in an argument over who has the right to perform and be compensated. Presented as a staged reading incorporating video and live music, The Inquisitive Musician has been performed in New York, in Los Angeles at the LA County Museum of Art, and most recently at the Stedelijk Museum in Amsterdam in June 2013. Current projects include Vinland, a meditation on the complex and continually shifting relationships between spaces, social and economic structures, and personal and collective histories and, more recently, an “episodic” series based on the history of social nudism: Your Personal View of (Social) Nudism. Bernard is a Adjunct Professor of Graduate Fine Art at Art Center College of Art and Design and was appointed the inaugural Ruffin Distinguished Artist-In-Residence at the University of Virginia for the academic year 2013/2014. She was a 2016 National Endowment for the Arts Fellow at the MacDowell Colony and will be in residence at the UCross Foundation in 2017. Muse X Editions. An (now defunct) LA based innovative publisher of limited-edition prints, Muse X has launched its first group of prints and is just beginning to make itself known to artists, curators, dealers and collectors. Among works just off the press are otherworldly landscapes by Barbara Kasten and Oliver Wasow, a sizzling sunset by Peter Alexander, abstract compositions by Pauline Stella Sanchez and Jennifer Steinkamp, text and photo combinations by Bill Barminski and Nancy Dwyer...

Fugue is an original hand drawn limited edition lithograph by the African American artist Hughie Lee-Smith printed using hand lithography techniques on archival Arches paper, 100% ac...

Christo The Umbrellas (Blue) (FRAMED - either black or white frame - you choose) Lithoserigraph Year: 1991 Size: 14.6 × 16.4 on 19.1 × 19.9 inches Framed: 20.5 x 20.5 x 2.5 inches Pr...

Artist: Peter Max (1937) Title: Umbrella Man Year: circa 1998 Medium: Silkscreen and watercolor on archival paper Size: 12 x 13.75 inches Condition: Excellent Inscription: Signed in ...

Artist: Peter Max (1937) Title: Umbrella Man Year: circa 1998 Medium: Silkscreen and watercolor on archival paper Size: 9 x 12 inches Condition: Excellent Inscription: Signed in perm...

Artist: Peter Max (1937) Title: Sailboat Series II Year: 1998 Edition: 201/300, plus proofs Medium: Lithograph on Coventry Smooth paper Size: 4.75 x 5.75 inches Condition: Excellent ...

Artist: Peter Max (1937) Title: Umbrella Man Year: circa 1998 Medium: Silkscreen and watercolor on archival paper Size: 11 x 15 inches Condition: Excellent Inscription: Signed in per...

MONT SAINT-MICHEL is a hand drawn, limited edition lithograph by the American surrealist artist Fanny Brennan, created using traditional hand lithography techniques printed on archiv...

Artist: Peter Max (1937) Title: Sailboat on the Horizon Year: circa 1998 Medium: Silkscreen and watercolor on archival paper Size: 21 x 15 inches Condition: Excellent Inscription: Si...

Artist: Peter Max (1937) Title: Lady Profile Year: circa 1998 Medium: Silkscreen on archival paper Size: 19.75 x 15.25 inches Condition: Excellent Inscription: Signed in permanent ma...

CHRISTMAS TREE is a hand drawn limited edition lithograph by the American surrealist artist Fanny Brennan, created using traditional hand lithography techniques printed on archival A...

LANDLINES is an original limited edition lithograph from the Sacred Garden Series of works by the British artist David Leverett, printed using hand lithography techniques on archival...

Artist: Peter Max (1937) Title: Umbrella Man Year: circa 1998 Medium: Silkscreen and watercolor on archival paper Size: 12 x 13.75 inches Condition: Excellent Inscription: Signed in ...

Artist: Peter Max (1937) Title: Umbrella Man Year: circa 1998 Medium: Silkscreen and watercolor on archival paper Size: 12 x 13.75 inches Condition: Excellent Inscription: Signed in ...

David Hockney Richard Strauss: Los Angeles Music Center Opera (Hand Signed and Inscribed), 1993 Offset Lithograph (hand signed and inscribed by David Hockney) 30 × 20 inches Signed and inscribed to Chris by Hockney in ink on the front Unframed The inscription reads "For Chris Love David Hockney" with a little flourish over the love. This is the original poster for the 1993 Los Angeles Music Center Opera production of the opera "Die Frau Ohne Schatten" by Richard Strauss, inscribed and signed by Hockney in the lower center of the poster. Hockney has, exceptionally, inscribed the poster "for Chris" and "Love" - who is Christopher Thomas Harlan...

Cindy Bernard’s career spans nearly three decades and she is best known for photographs and projections that explore the relationship between cinema, memory, and landscape including the widely exhibited series Ask the Dust (1988-92), now in the collections of the Museum of Contemporary Art, Los Angeles (21 part set), the Pompidou, MOMA and the Whitney Museum of American Art. She is a recipient of grants and fellowships from the J. Paul Getty Trust Fund for the Visual Arts, California Arts Council, Creative Capital, Anonymous Was a Woman, the Harpo Foundation, California Community Foundation, the John Simon Guggenheim Memorial Foundation and the MacDowell Colony. Her work has been exhibited in museums and galleries in the US, Canada, Mexico, Europe, and Japan, and was included in the Whitney and Lyon Biennials. In addition to her visual practice, Bernard takes an active interest in the spaces and production of social exchange. She was a director and advisor to Foundation for Art Resources from 1985 to 1990, a founding director of the Coalition for Freedom of Expression, and co-founder of MOCA Mobilization. Bernard is also the founder and director of The Society for the Activation of Social Space through Art and Sound (SASSAS), an organization she began in response to the need for a flexible and sustainable association dedicated to experimental music in Los Angeles. She has curated and produced more than 50 concerts for SASSAS including Welcome Inn Time Machine for Pacific Standard Time in 2012. Her interest in sound has spurred several projects including a series of photographs of municipal band shells which Bernard sees as an architecture of public exchange and The Inquisitive Musician, an adaptation of a 17th century German satire, Musicus Curiosus, or Battalus, the Inquisitive Musician; the Struggle for Precedence between the Kunst Pfeifer and the Common Players. The Inquisitive Musician pits itinerant “beer fiddlers” against the city sanctioned “Kunstpfeifer” in an argument over who has the right to perform and be compensated. Presented as a staged reading incorporating video and live music, The Inquisitive Musician has been performed in New York, in Los Angeles at the LA County Museum of Art, and most recently at the Stedelijk Museum in Amsterdam in June 2013. Current projects include Vinland, a meditation on the complex and continually shifting relationships between spaces, social and economic structures, and personal and collective histories and, more recently, an “episodic” series based on the history of social nudism: Your Personal View of (Social) Nudism. Bernard is a Adjunct Professor of Graduate Fine Art at Art Center College of Art and Design and was appointed the inaugural Ruffin Distinguished Artist-In-Residence at the University of Virginia for the academic year 2013/2014. She was a 2016 National Endowment for the Arts Fellow at the MacDowell Colony and will be in residence at the UCross Foundation in 2017. Muse X Editions. An (now defunct) LA based innovative publisher of limited-edition prints, Muse X has launched its first group of prints and is just beginning to make itself known to artists, curators, dealers and collectors. Among works just off the press are otherworldly landscapes by Barbara Kasten and Oliver Wasow, a sizzling sunset by Peter Alexander, abstract compositions by Pauline Stella Sanchez and Jennifer Steinkamp, text and photo combinations by Bill Barminski and Nancy Dwyer...

Cindy Bernard’s career spans nearly three decades and she is best known for photographs and projections that explore the relationship between cinema, memory, and landscape including ...

Neil Welliver at O'Farrel Gallery poster, 1998 Offset lithograph 24 × 18 inches Unframed This offset lithograph poster was published on the occasion of Neil Welliver's exhibition at O'Farrell Gallery from July 17 to September 5, 1998. The depicted painting on the poster is Neil Welliver, Marsh Shadow, 1986. Publisher O'Farrell Gallery, Brunswick, Maine About Neil Welliver: Neil Welliver (American, 1929-2005) is best known for his large-scale, vivid paintings and woodcuts of the remote Maine wilderness. Born in the small town of Millville, Pennsylvania, he first studied at the Philadelphia College of Art (1953), followed by Yale (1955), where Josef Albers and Burgoyne Diller were among his teachers. Their influence, as well as the rising popularity of Abstract Expressionism, is evident from Welliver’s early experimentations in abstraction, which include elements of color field painting, as well as the color theory of Albers, and the flattened, “allover” space of Pollock and de Kooning. Welliver would go on to teach at Yale from the mid-1950s to the mid-1960s, by which time he had moved formally towards the representational, beginning to paint the landscape of Maine. In the late 1960s and early 70s he also produced scenes of nude bathers in streams, their bodies abstracted by the moving water. While continuing to work as the chair of the University of Pennsylvania graduate school (1966-1989), he moved permanently to Lincolnville, Maine, in 1970. Welliver lost his studio, home, and much of his work to a fire in 1975. The following year, his second wife and infant daughter died. Further tragedy came with the death of his college aged son in 1991. His artistic practice remained the mode through which he survived these hardships. By the 1980s he was painting landscapes almost exclusively. The resulting body of work nods to many of Welliver’s early influences, as he utilizes natural repetitions and distortions to represent the innate abstraction of the natural world. These mature works are based on long plein-air studies, where Welliver would carry a 70-pound pack of painting supplies into remote landscapes, and sit for three hours at a time. He continued to paint the landscape surrounding his large property in Maine until his death in 2005. Welliver was a member of the National Academy of Design, and received notable awards from the Guggenheim Foundation and the Skowhegan School of Painting and Sculpture. His work is in the collections of the Museum of Modern Art, New York; the Metropolitan Museum of Art, New York; and the Museum of Fine Arts, Boston, among others. - Courtesy of Alexandre Gallery

Original Concacaf (Gold) Cup American Airlines vintage poster. In excellent condition, conservation linen backed in mint condition, ready to frame. A very seldom-seen original soccer poster...

"Seestück 1998" is a captivating addition to Gerhard Richter's distinguished seascape series, representing the culmination of his exploration of this genre over the decades. This art...

Richard Haas Manhattan View, Governor's Island (Szoke 87, 89), 1999 Aquatint & Photo Etching in Colors on Arches Cover Paper with full margins Pencil signed from the limited edition ...

FOREST is a rarely seen, hand drawn limited edition lithograph by the American surrealist artist Fanny Brennan, created using traditional hand lithography techniques printed on archi...

Jules Olistki Luminous Dawn (from Vera List Print Program, Mostly Mozart, Lincoln Center), 1997 Silkscreen on wove paper 24 1/2 × 35 inches Signed and dated in pencil and numbered 'A...

TAGGED TREE is a rarely seen, hand drawn limited edition lithograph by the American surrealist artist Fanny Brennan, created using traditional hand lithography techniques printed on ...

This original lithograph and screenprint in colours is hand signed in pencil by the artist "Hockney" in the lower right image. It is also dated ‘93’ [1993] next to the signature. It ...

Christo and Jeanne-Claude: Wrapped Reichstag, Berlin, 1971-1995, 1996 Hardback monograph with slipcase (hand signed and numbered - Hors Commerce edition, reserved for artists and contributors) Signed by Christo, Jeanne-Claude and photographer Wolfgang Volz and numbered numbered HC-694/HC-700 on the colophon. Also has an encased piece of the actual Reichstag wrapping! fabric! 12 × 12 × 1 1/2 inches Makes a memorable gift! It's hand signed and numbered - with a piece of the actual Reichstag wrapping fabric laid in. Signed by Christo, Jeanne-Claude and Wolfgang Volz and numbered numbered HC-694 on the colophon page (an Hors Commerce [not for sale] edition reserved for artists and collaborators) Original textured silver cloth with blue lettering on spine, housed in matching photo-illustrated slipcase, black lettering on spine. Contains an example of the original aluminum mesh used to wrap the Reichstag, framed in white cardboard (9 x 9") at inside back cover. Documentation of one of the startling and most stunning public art projects, representing the essence of conceptual art on a scale unmatched in the 20th century, one might say. 100 rock climbers abseiling down the facade of the Reichstag, without cranes or machinery being used in the project. This publication provides vivid documentation and a perspective of the extent of the project by the Bulgarian artist. His personal view, as expressed in The Guardian: "Artist - and above all architects - seek permanence," he said. "I don't. I like leaving nothing. That takes courage." His projects were funded mainly by selling preparatory drawings, always refusing sponsorship. Christo forbade the Three Tenors...

Original Edition Lithograph on paper, mounted on canvas, 1997. Paper Size: 71.5 x 50.5 inches. Image and signature reproduced from the original signed silkscreen. Authorized and copy...

Artist: Peter Max (1937) Title: Dream I: The Blossoming Year: 1998 Edition: 285/300, plus proofs Medium: Lithograph on Coventry Smooth paper Size: 10 x 9.25 inches Condition: Excelle...