1990s Landscape Prints

Lithograph on acid-free Rivoli paper. Paper Size: 8.5 x 10.3 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Against All Odds, 20 drawings - Oct. 3, 1...

Lithograph on acid-free Rivoli paper. Paper Size: 8.5 x 10.3 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Against All Odds, 20 drawings - Oct. 3, 1...

Lithograph on Magnani-Pescia paper 310 gr/m2, paper size 80cm x 60cm, 62cmx 50cm . Excellent condition, no defects. Work number P.A. ; Artist signature and date ‘90 Renzo Vespignani...

Artist: MGM Studios Title: Pink Panther, Supporting Characters Year: 1993-1995 Medium: Original, hand-painted production animation cel with laser color background, plus pencil drawin...

Plate Sz: 16 3/4"H x 25"W Frame Sz: 23 3/4"H x 31 3/4"W Pencil signed: LL Published 1992 by Thomas Ross Limited Binfield, England England v. North America at The Guard's Polo Club, Windsor Great Park. In the presence of Her Majesty Queen Elizabeth II to whom this plate is, with permission, respectfully dedicated by the publishers-Thomas Ross. England (Dark Blue) 1. William Lucas...

Flying Cloud with Montgolfier Balloon 1998 Lithograph on Rives BFK Mould-Made Paper (Edition of 60) 37.75 x 47 inches $6,500 This work is offered by Cl...

STEPPIN OUT is a hand drawn original lithograph by the Austrian artist De Es Schwertberger printed using hand lithography techniques on archival Arches printmaking paper 100% acid free. STEPPIN OUT is a highly detailed figurative drawing printed in light sepia brown ink depicting a procession of muscular stone men walking...

Artist: MGM Studios Title: Pink Panther, Supporting Characters Year: 1993-1995 Medium: Original, hand-painted production animation cel with laser color background, plus pencil drawin...

Artist: Robert Mangold (1937) Title: Untitled (Mangold 1977.02; Parasol RM12), from Multiple Panel Paintings suite Year: 1992 Edition: 300, plus proofs ...

Artist: Robert Mangold (1937) Title: Untitled (Mangold 1977.02; Parasol RM12), from Multiple Panel Paintings suite Year: 1992 Edition: 300, plus proofs ...

Lithograph in colors on vélin Exhibition Fine Art Cartridge paper. Paper Size: 12.75 x 9.75 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, Hockney's ...

Artist: Peter Max (1937) Title: Angel, Heart on Red Year: 1996 Edition: 229/300 Medium: Silkscreen on Essex paper Size: 39.25 x 27 inches Condition: Excellent Inscription: Signed and...

Le Jardin de la Musique II Hailan Gong, Chinese Date: circa 1990 Screenprint, signed and numbered in pencil Edition of 100 Size: 30 in. x 24 in. (76.2 cm x 60.96 cm)

SHIPPING CHARGES INCLUDE SHIPPING, PACKAGING & **INSURANCE** Last Horizon, 1991 Bill Schenck Serigraph, Printers Proof Size: 27.75 x 29.75 inches UNFRAMED SHIPPING CHARGES INCLUDE...

Lithograph on acid-free Rivoli paper. Paper Size: 8.5 x 10.3 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Against All Odds, 20 drawings - Oct. 3, 1...

McPherson's night view of the Clairton steelworks is printed on light green laid paper referenced as Hartley M1. It is signed, titled and dated in pencil. Marked ed 75 and "imp" in...

Etching in colors on vélin de Lana Royal paper. Paper Size: 11.93 x 9.81 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Heart of Darkness, 1992. Publ...

In No Thru Traffic, master printmaker Art Werger offers a striking aerial view of an archetypal suburban neighborhood, rendered with his characteristic precision and subtle wit. Curv...

Lithograph on acid-free Rivoli paper. Paper Size: 8.5 x 10.3 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Against All Odds, 20 drawings - Oct. 3, 1...

Artist: Peter Max (1937) Title: Space Angels Year: 1999 Edition: 199/300, plus proofs Medium: Lithograph on Coventry Smooth paper Size: 6.5 x 12 inches Condition: Excellent Inscripti...

Artist: Peter Max (1937) Title: Heart Suite III, Four Artworks Year: 1997 Edition: 136/300, plus proofs Medium: Lithograph on Arches paper Size: 2.75 x 2.5 inches, each. Condition: E...

Donald Baechler, Creamsicle, 1999: A fun, whimsical, and highly decorative signed limited edition Baechler piece that works well in any setting. Medium: Soft-ground etching and aq...

Artist: Richard Ballard Title: Paysages aux Trois Meules Year: 1992 Medium: Aquatint Etching, Signed and numbered in Pencil Edition: 35 Paper Size: 41 x 29 inches [104.14 x 73.66 cm]

Lithograph on acid-free Rivoli paper. Paper Size: 8.5 x 10.3 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Against All Odds, 20 drawings - Oct. 3, 1...

Lithograph on acid-free Rivoli paper. Paper Size: 8.5 x 10.3 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Against All Odds, 20 drawings - Oct. 3, 1...

This screenprint was created by New York-based artist Ken Keeley. Keeley's Keeley's collections of candy bars and magazines; storefronts and street scenes gr...

Ross Bleckner THE WATER LILIES (C.M.) Year: 2019 Medium: Archival pigment print on Innova Etching Cotton Rag 315 gsm fine art paper Size: 42 x 70 inches (107 x 178 cm) Edition: 30 Price: $7,000 Also sold as a set with Floating Red Glowing and contemplative, Ross Bleckner’s work blends abstraction with recognizable symbols to create meditations on perception, transcendence and loss. Ross Bleckner was born in 1949 in New York and grew up in the prosperous town of Hewlett Harbor on Long Island. The first art exhibition he saw—The Responsive Eye, a show of Op art on view at the Museum of Modern Art in New York in 1965—had a strong impact on him. He decided to become an artist when he was in college, studying with Sol LeWitt and Chuck Close at New York University, where he earned a BA in 1971. Two years later, he completed an MFA at the California Institute of the Arts in Valencia, where he met David Salle. After moving back to New York, Bleckner purchased and moved into a Tribeca loft building in 1974. Painter Julian Schnabel rented three floors of the building, and the Mudd Club, a nightclub frequented by musicians and artists, occupied space there from 1977 to 1983. Bleckner sold the building in 2004. His first solo exhibition was held in 1975 at Cunningham Ward Gallery in New York. In 1979 he began his long association with Mary Boone Gallery in New York, which championed several of the so-called art stars of the 1980s. In 1981 Bleckner met Thomas Ammann, an important Swiss art dealer who went on to collect his work. Bleckner’s early 1980s Stripe...

"Farewell" is an original color woodcut by Carol Summers. The artist signed the piece. This woodcut depicts a river flowing through green hills beneath a blood-red sky. The edition number is 20/50. 24 1/4" x 37" art 32" x 45" frame Carol Summers has worked as an artist throughout the second half of the 20th century and into the first years of the next, outliving most of his mid-century modernist peers. Initially trained as a painter, Summers was drawn to color woodcuts around 1950 and it became his specialty thereafter. Over the years he has developed a process and style that is both innovative and readily recognizable. His art is known for it’s large scale, saturated fields of bold color, semi-abstract treatment of landscapes from around the world and a luminescent quality achieved through a printmaking process he invented. In a career that has extended over half a century, Summers has hand-pulled approximately 245 woodcuts in editions that have typically run from 25 to 100 in number. His talent was both inherited and learned. Born in 1925 in Kingston, a small town in upstate New York, Summers was raised in nearby Woodstock with his older sister, Mary. His parents were both artists who had met in art school in St. Louis. During the Great Depression, when Carol was growing up, his father supported the family as a medical illustrator until he could return to painting. His mother was a watercolorist and also quite knowledgeable about the different kinds of papers used for various kinds of painting. Many years later, Summers would paint or print on thinly textured paper originally collected by his mother. From 1948 to 1951, Carol Summers trained in the classical fine and studio arts at Bard College and at the Art Students League of New York. He studied painting with Steven Hirsh and printmaking with Louis Schanker. He admired the shapes and colors favored by early modernists Paul Klee (Sw: 1879-1940) and Matt Phillips (Am: b.1927- ). After graduating, Summers quit working as a part-time carpenter and cabinetmaker (which had supported his schooling and living expenses) to focus fulltime on art. That same year, an early abstract, Bridge No. 1 was selected for a Purchase Prize in a competition sponsored by the Brooklyn Museum. In 1952, his work (Cathedral, Construction and Icarus) was shown the first time at the Museum of Modern Art in New York City in an exhibition of American woodcuts. In 1954, Summers received a grant from the Italian government to study for a year in Italy. Woodcuts completed soon after his arrival there were almost all editions of only 8 to 25 prints, small in size, architectural in content and black and white in color. The most well-known are Siennese Landscape and Little Landscape, which depicted the area near where he resided. Summers extended this trip three more years, a decision which would have significant impact on choices of subject matter and color in the coming decade. After returning from Europe, Summers’ images continued to feature historical landmarks and events from Italy as well as from France, Spain and Greece. However, as evidenced in Aetna’s Dream, Worldwind and Arch of...

Emilio Sanchez (1921-1999) created this color lithograph entitled “Casita de Campo” in 1998. This signed impression came to us directly from the Sanchez estate. Estate stamped on ver...

Artist Name: Jean Vollet Year: 1999 Medium Type: Mourlot Lithograph Size-Width Size-Height: 38'' x 28.75'' Signed Edition Size: Signed in pencil and marked 199/299 Title: Venetia...

Catalogue raisonné 00594 edition 16/43 Published by Simmelink-Sukimoto Editions Although best known for his portraits, Katz has depicted landscapes both inside the studio and out o...

Etching in colors on vélin de Lana Royal paper. Paper Size: 11.93 x 9.81 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Heart of Darkness, 1992. Publ...

Landscape, 1990 Original aquatint and aquatint signed by hand by the artist.. (mm. 450x540). Perfect specimen, imprinted on Hahnemühle paper in a total of 100 copies Perfect preserv...

Lithograph on acid-free Rivoli paper. Paper Size: 8.5 x 10.3 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Against All Odds, 20 drawings - Oct. 3, 1...

Lithograph in colors on vélin Exhibition Fine Art Cartridge paper. Paper Size: 12.75 x 9.75 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, Hockney's ...

Josep Moscardó (1953) - Girona Cathedral Lithograph - Hand signed Lithograph measures 54x76 cm. Frameless. Numbered 12/150 Barcelona, 1953 Painter, sculptor and draftsman of deep-r...

Lithograph in colors on vélin Exhibition Fine Art Cartridge paper. Paper Size: 12.75 x 9.75 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, Hockney's ...

Tilmann Krieg Morning at St. Malo from folio "Bretagnemappe Finis Terrae" Color Etching Image Size: 4.72 x 7.08 inches (12 x 18 cm) Sheet Size: 10.43 x 15.55 (26.5 x 39.5 cm) Signed...

Screenprint on paper. Hand signed and numbered by the artist. Edition 19/30 (there were also ten artist’s proofs). From the portfolio Master American Contemporaries, Inaugural Print Invitational. Published by Museu de Arte Contemporânea, São Paulo, printed by American Image, Katonah, NY, and labeled with the museum’s printed anniversary mark in the lower right corner. Custom framed as pictured...

Reproduction of Seascape by Gerhard Richter, published by Achenbach Art Editions in 1991. Framed in a white metal frame with a front profile of 1/4 inch and a side profile of 1 1/2 i...

This impression is signed and numbered #1 from an edition of 50 Paolo Ciampini was born in Montopoli in Val d'Arno in 1941. After graduating from the Art Institute of Cascina (Pisa...

THE WHITE HOUSE FELLOWS is a vintage, rare fine art poster by the renowned American Pop artist, Peter Max. THE WHITE HOUSE FELLOWS was created in 1995 in celebration of 30 Years of T...

Lithograph on acid-free Rivoli paper. Paper Size: 8.5 x 10.3 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Against All Odds, 20 drawings - Oct. 3, 1...

TAXI is a hand drawn limited edition lithograph by the well known and loved British artist and humorist, Beryl Cook(1926-2008). Printed using hand lithography techniques on archival Arches paper, 100% acid free. TAXI presents a satirical city street scene depicting a male businessman dressed in a beige pin stripe suit assisting a vivacious, curvy, curly haired "lady in red" into an iconic London "Black" cab. TAXI's amusing scene takes place in front of an intriguing backdrop of building construction complete with rubble and beams, where a nonchalant construction worker stands whistling by his steam shovel in the background as the spectacle unfolds. Seeing the facial expressions portrayed on the faces of fellow passengers and cab driver add to the viewer's amusement in this quintessential Beryl Cook image. Print size - 34 x 27 inches, unframed, unsigned Printers Proof from the master printer's private collection Image size - 25" x 19" Edition size - 300, plus proofs Year published - 1990, printed at J K Fine Art Editions Co. NYC Publisher - Flanagan Graphics Beryl Cook's unique artistic humor documented familiar social situations...

Lithograph on acid-free Rivoli paper. Paper Size: 8.5 x 10.3 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Against All Odds, 20 drawings - Oct. 3, 1...

HIGH TIDE, LOW TIDE is a hand drawn, limited edition lithograph by the American surrealist artist Fanny Brennan, created using traditional hand lithography techniques printed on arch...

Etching in colors on vélin de Lana Royal paper. Paper Size: 11.93 x 9.81 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Heart of Darkness, 1992. Publ...

Artist: Alexandra Nechita (1985) Title: Geometric Look Year: 1999 Edition: 26/99, plus proofs Medium: Lithograph on Arches paper Size: 35.5 x 24 inches Condition: Excellent Inscripti...

SUR LE BANC is an original hand drawn limited edition lithograph printed using hand lithography techniques on archival Arches paper 100% acid free, by the popular French artist Michel Delacroix, well known for his naif style paintings of a city he calls "the Paris of then." SUR LE BANC is a misty Autumn in Paris scene featuring two lovers seated...

Original Laguna Beach Tourist Map - Vintage 1998 Fun Map of Southern California Beach Town Linen backed in excellent condition, ready to frame. The special linen backing will he...

A six block woodcut published in an edition of only 23. It is signed and archivaliity David Kapp is best known for his paintings of the contemporary urban landscape. His paintings ...

Lithograph on acid-free Rivoli paper. Paper Size: 8.5 x 10.3 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Against All Odds, 20 drawings - Oct. 3, 1...

Lithograph on acid-free Rivoli paper. Paper Size: 8.5 x 10.3 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Against All Odds, 20 drawings - Oct. 3, 1...

Lithograph on acid-free Rivoli paper. Paper Size: 8.5 x 10.3 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Against All Odds, 20 drawings - Oct. 3, 1...

Lithograph on acid-free Rivoli paper. Paper Size: 8.5 x 10.3 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Against All Odds, 20 drawings - Oct. 3, 1...

Signed, titled and numbered by the artist. A view of ocotillo cactus, based on a view near Clark Dry Lake, Anza Borrego Desert State Park, California. Born in Berkeley, California,...

Original Aiir India, Over 50 Years of International Operation travel poster, Archival linen backed for preservation. Excellent condition, ready to frame. Grade A condition. This rare collector’s item showcases the cheerful Air India Maharaja...

Artist: LeRoy Neiman Title: Home Hole at Shinnecock Medium: Serigraph Year: 1995 Edition: 398/450 Sheet Size: 24 3/4" x 33 3/4" Image Size: 15 3/4" x 25 3/4" Signed: Hand signed in p...

Lithograph in colors on vélin Exhibition Fine Art Cartridge paper. Paper Size: 12.75 x 9.75 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, Hockney's ...

From Isles of Greece Suite. Serigraph on paper. Hand signed and numbered by the artist. Image size 25 x 32 inches Edition of 300. Artwork is in excellent condition. Certificate of...