19th Century Landscape Prints
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Period: 19th Century
Black-billed Cuckoo: An Original 1st Ed. Audubon Hand-colored Bird Lithograph
Located in Alamo, CA
This is an original 1st octavo edition John James Audubon hand-colored lithograph entitled "Black-billed Cuckoo, 1. Male, 2, Female, Magnolia Grandiflora", No. 56, Plate 276 from Audubon's "Birds of America, lithographed, printed and colored by J. T. Bowen and published in Philadelphia between 1840-1844. It depicts a female black-billed cuckoo perched on a branch of a magnolia tree reaching for a flying insect. The male appears to be in flight in front of magnolia leaves on the right, perhaps after the same insect. Magnolia flowers are depicted, as well.
This original 1st octavo edition hand-colored Audubon Black-billed Cuckoo lithograph is in excellent condition, other than a few tiny spots in the upper margin and a tiny faint spot in the lower inscription area. The sheet measures 6.5" high by 10.13" wide. The original text pages, 300-302, from Audubon's 19th century publication are included with the lithograph.
John James Audubon (1785-1851) was a naturalist and artist. He was initially unsuccessful financially prior to the publication of his famous work “The Birds of America”, spending time in debtor’s prison, once stabbing a disgruntled investor in self-defense. However, his obsession with birds and art motivated him to persist in his goal of documenting every bird in America via his watercolor paintings and publishing his works for all to enjoy. Audubon's first illustrations were published in a large elephant folio size. Due to their expense they were purchased in rather small numbers by the wealthy. To reach a larger audience, Audubon, with the help of his sons and J. T. Bowen, published a smaller octavo sized lithograph version, which were much more affordable.
With the success of his bird projects, Audubon then turned his attention to four-legged animals. He explored the Missouri River in 1843 sketching the four-legged animals he encountered in their natural setting. His expedition covered some of the same regions recently explored by Lewis and Clark, traveling from present day Alaska to Mexico. Audubon realized that this was an opportunity to document these animals in the still relatively pristine American wilderness, before man encroached on their environment.
Between 1845 and 1848, Audubon and his sons John Woodhouse Audubon and Victor Gifford Audubon produced a set of elephant folio sized lithographs that were primarily engraved and hand colored by J. T. Bowen in Philadelphia. The publication, which included text descriptions of the animals was published 3 years before Audubon died. As with the birds, this was followed by a three-volume set of 155 octavo-sized plates entitled “The Quadrupeds of North America” completed and published by Audubon’s sons, John, Jr. and Victor.
Audubon prints continue to be popular and a wise investment. The double elephant folio set...
Category
Naturalistic 19th Century Landscape Prints
Materials
Lithograph
A Dell, Helmingham Park, Suffolk. Mezzotint by Lucas after John Constable, 1855
By David Lucas
Located in Melbourne, Victoria
'A Dell, Helmingham Park, Suffolk'
Mezzotint on steel by David Lucas (1802-1881) after John Constable (1776–1836).
From 'English Landscape Scenery', 1855. John Constable RA was an English Romantic...
Category
Victorian 19th Century Landscape Prints
Materials
Mezzotint
Original 'Gone with the Wind" vintage German movie poster
Located in Spokane, WA
Original Gone with the Wind “Vom Winde Verweht” vintage lithograph poster.
Original vintage movie poster with professional acid-free linen backing; excellent condition; ready to frame. This is the German 1962 release of Gone with the Wind, printed in the full lithographic style of the old French posters. Unique imagery of the famous scene of the burning of Atlanta.
Starring Clark Gable, Vivien Leigh, Leslie Howard, Olivia de Havilland...
Category
American Modern 19th Century Landscape Prints
Materials
Lithograph
Uses and Customs - The Carnival of Venice - Lithograph - 1862
Located in Roma, IT
Uses and Customs - the Carnival of Venice is a lithograph on paper realized in 1862.
The artwork belongs to the Suite Uses and customs of all the peoples of the universe: " History ...
Category
Modern 19th Century Landscape Prints
Materials
Lithograph
Vue du Port au Chemin de Fer à Honfleur
Located in Roma, IT
Signed on plate.
Plate: 267
Image Dimensions : 24 x 34 cm
This artwork is shipped from Italy. Under existing legislation, any artwork in Italy created over 70 years ago by an arti...
Category
Impressionist 19th Century Landscape Prints
Materials
Etching
La Lecon de Solfege - Etching by Zacharie Noterman - 1860s
Located in Roma, IT
La Lecon de Solfege is a black and White etching realized by Zacharie Noterman in the 1860s.
Titled in the lower.
Image size: 32x23.
Very good impression with wide margins and a ...
Category
Modern 19th Century Landscape Prints
Materials
Etching
Vue de La Tamise - Etching by Francis Seymour Haden - Late 19th Century
Located in Roma, IT
Vue de La Tamise is a black and White etching realized by Francis Seymour Haden in the Late 19th Century.
Titled in the lower
Image Size: 12x28
Very good impression.
Realized by...
Category
Impressionist 19th Century Landscape Prints
Materials
Etching
Le Repos - Etching by Ferdinand Roybet - 1860s
Located in Roma, IT
Le Repos is a black and White etching realized by F. Roybet in the 1860s.
Titled in the lower.
Image size: 23x32.
Very good impression with wide margins and a very fresh inking.
...
Category
Modern 19th Century Landscape Prints
Materials
Etching
Orchids" Framed 19th C. Hand-Colored Engraving of "Lycaste Harrisoniae" by Fitch
Located in Alamo, CA
This beautiful, original hand-colored orchid lithograph entitled "Lycaste Harrisoniae Eburnea" Orchids by John Nugent Fitch is plate 100 in Robert Warner's publication 'The Orchid Al...
Category
Naturalistic 19th Century Landscape Prints
Materials
Engraving
George's Dock, LIverpool.
Located in Storrs, CT
1890. Etching. Hardie 245. 5 7/8 x 7 3/4 (sheet 8 1/4 x 10 1/8). Two hinge stains in the top sheet edges; otherwise excellent condition. A rich impression with plate tone, printed on cream wove paper with full margins. Signed in pencil. Housed in a 16 x 20-inch archival mat.
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George's Dock was located on the River Mersey, England, within the Port of Liverpool. It was connected to Canning Dock to the south and George's Basin to the north. The dock, which opened in 1771, was designed and built by Henry Berry and expanded by John Foster, Sr.
In 1899 the dock and the adjoining George's Basin were filled in to create what is now the Pier Head...
Category
Modern 19th Century Landscape Prints
Materials
Etching
Demolitions pour le Percement de la Rue - Etching by Maxime Lalanne - 1860s
Located in Roma, IT
Demolitions pour le Percement de la Rue des Ecoles is a black and White etching realized by Maxime Lalanne in the 1860s.
Titled in the lower.
Image size: 24x32.
Very good impress...
Category
Modern 19th Century Landscape Prints
Materials
Etching
07: The Victory
Located in Columbia, MO
Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...
Category
19th Century Landscape Prints
Materials
Etching
The Light House, Aberdeen - Etching by W. H.Bartlett - 1845
Located in Roma, IT
The Light House, Aberdeen is an etching realized in 1845 by W. H. Bartlett.
Signed on the plate.
Titled on the lower center.
Good conditions with slight foxing.
The artwork is b...
Category
Modern 19th Century Landscape Prints
Materials
Etching
"Scene _ Country Fair": A Framed Early 19th Century Engraving by George Hunt
By George Hunt
Located in Alamo, CA
This is a framed colored engraving entitled "Scene _ Country Fair" by George Hunt, published in London in 1825. It depicts a gathering of people at an early 19th century county fair, presumably in England. A majority of the crowd are turned away, watching a performance on a stage in the background. In the foreground a man is in conversation with a couple. The man wears a top hat and the woman is holding a baby. They are dressed in the typical attire of the middle class at that time.
The engraving is presented in a brown wood frame and a double mat, with a cream-colored outer mat and a light cranberry...
Category
19th Century Landscape Prints
Materials
Engraving
Conway Castle - Etching by J.C.Armytage - 1845
Located in Roma, IT
Conway Castle is an etching realized in 1845 by J.C. Armytage.
Signed in plate.
The artwork is realized in a well-balanced composition.
Category
Modern 19th Century Landscape Prints
Materials
Etching
Jetee en Bois dans le Port de Honleur - Etching by Johan Barthold Jongkin- 1860s
Located in Roma, IT
Jetee en Bois dans le POrt de Honleur is a black and White etching realized by Johan Barthold Jongkin in the 1860s.
Titled in the lower.
Image size: 24x32.
Very good impression w...
Category
Modern 19th Century Landscape Prints
Materials
Etching
The French Landscape - Original Lithograph by Louise de Rohan-Chabot - 1878
Located in Roma, IT
The french Landscape is an original Lithograph realized by Louise de Rohan-Chabot in 1878.
Good conditions except for some foxings.
Signed and dated lower left, 1878.
The artwork ...
Category
Modern 19th Century Landscape Prints
Materials
Lithograph
Sir Richard Steele's Cottage, Hampstead Rd Mezzotint after John Constable, 1855
By David Lucas
Located in Melbourne, Victoria
'Sir Richard Steele's Cottage, Hampstead Road'
Mezzotint on steel by David Lucas (1802-1881) after John Constable (1776–1836).
From 'English Landscape Scenery', 1855. John Constable RA was an English Romantic landscape...
Category
Victorian 19th Century Landscape Prints
Materials
Mezzotint
Paris - Parc de Monceaux, French lithograph, 1861
Located in Melbourne, Victoria
'Parc de Monceaux', tinted lithograph by Felix Benoist (1818-1896).
From a series of lithographs depicting the famous buildings of Paris - 'Paris dans sa Splendeur', published in Na...
Category
Naturalistic 19th Century Landscape Prints
Materials
Lithograph
Beauties on the Beach with view of Mount Fuji
Located in Burbank, CA
Shichirigahama, Sagami Province. A beauty in the foreground waves to her young companions, who run towards her on the beach. The beauty at left wears a western-style golden ring. We ...
Category
Edo 19th Century Landscape Prints
Materials
Handmade Paper, Mulberry Paper, Woodcut
Entree d'Okelle - Etching by Edouard Dufeu- 1860s
Located in Roma, IT
Entree d'Okelle is a black and White etching realized by E. Dufeu in the 1860s.
Titled in the lower.
Image size: 32x23.
Very good impression with wide margins and a very fresh in...
Category
Modern 19th Century Landscape Prints
Materials
Etching
Bas Rhin, France. Antique map of a French department, 1856
Located in Melbourne, Victoria
'Dept. du Bas Rhin', steel engraving with original outline hand-colouring., 1856, from Levasseur's Atlas National Illustre.
Part of the Alsace wine region surrounding Strasbourg. T...
Category
Naturalistic 19th Century Landscape Prints
Materials
Engraving
Lozere, France. Antique map of a French department, 1856
Located in Melbourne, Victoria
'Dept. de La Lozere', steel engraving with original outline hand-colouring., 1856, from Levasseur's 'Atlas National Illustre'.
This remote mountainous part of Languedoc is rural, s...
Category
Naturalistic 19th Century Landscape Prints
Materials
Engraving
Berkshire, English County Antique map, 1847
By Isaac Slater
Located in Melbourne, Victoria
Steel-engraved map with original outline colouring by Isaac Slater. A detailed engraved map of the English county with title, scale, and key. Decorated with an uncoloured engraved v...
Category
Naturalistic 19th Century Landscape Prints
Materials
Engraving
Herefordshire, English County Antique map, 1847
By Isaac Slater
Located in Melbourne, Victoria
Steel-engraved map with original outline colouring by Isaac Slater. A detailed engraved map of the English county with title, scale, and key. Decorated with an uncoloured engraved vi...
Category
Naturalistic 19th Century Landscape Prints
Materials
Engraving
Les Etrennes du Bebe - Etching by Armand Queyroy - 1860s
Located in Roma, IT
Les Etrennes du Bebe is a black and White etching realized by Armand Queyroy in the 1860s.
Titled in the lower.
Image size:21x28.
Very good impression with wide margins and a ve...
Category
Modern 19th Century Landscape Prints
Materials
Etching
Menhirs de Meneck - Etching by Armand Queyroy - Late 19th Century
Located in Roma, IT
Menhirs de Meneck is a black and White etching realized by A. Queyroy in the Late 19th Century.
Titled in the lower
Image Size: 31x22
Very good impression.
Realized by Cadart fo...
Category
Impressionist 19th Century Landscape Prints
Materials
Etching
3 Panel Hand Colored Japanese Woodcut Print Lithograph
By Keisai Eisen
Located in Soquel, CA
3 Panel Hand Colored Japanese Woodcut Print Lithograph
Three panel hand colored woodcut lithograph from Nanso Satomi hakkenden, Tale of the Eight Dogs...
Category
Edo 19th Century Landscape Prints
Materials
Paper, Ink, Woodcut
Un Rocher dans les Communaux de Rix - Etching by Appian - 1860s
Located in Roma, IT
Un Rocher dans les Communaux de Rix is a black and White etching realized by A. Appian in the 1860s.
Titled in the lower.
Image size: 8 x 13, 8 x 12, 16 x 27
Very good impression...
Category
Modern 19th Century Landscape Prints
Materials
Etching
La Plage Normande
Located in San Francisco, CA
This artwork titled "La Plage Normande" c.1950 is an original color lithograph on Arches paper by noted French artist Maurice Brianchon, 1899-1979. It is hand signed and numbered XV/XX in pencil by the artist. The image size is 18.5 x 15.5 inches, framed size is 30.5 x 26 inches. Custom framed in a wooden black and gold frame, with gold color spacer and fabric matting. It is in excellent condition.
About the artist:
Maurice Brianchon was born in 1899, in the town of Fresnay-sur-Sarthe. Very early on, he showed many plastic predispositions. As a result, he was accepted in 1917 at the École Nationale Supérieure des Beaux-Arts de Paris and joined the studio of Fernand Cormon, renowned for his history painting. A year later, he moved to the École Nationale Supérieure des Arts Décoratifs. There he followed the education of Paul Renouard - a painter and engraver renowned for his portraits and figures of dancers - and that of Eugène Edouard Morand, a teacher since 1908. In this context, he frequented artists such as Joseph Inguimberty...
Category
Impressionist 19th Century Landscape Prints
Materials
Lithograph
Willet or Stone Curlew: A First Octavo Edition Audubon Hand-colored Lithograph
Located in Alamo, CA
This is an original John James Audubon hand-colored royal first octavo edition lithograph entitled "Semipalmated Snipe, Willet or Stone Curlew, 1. ...
Category
Naturalistic 19th Century Landscape Prints
Materials
Lithograph
Une Auberge - Etching by Antoine Vollon - 1860s
Located in Roma, IT
Une Auberge is a black and White etching realized by Antoine Vollon (1833-1900) in the 1860s.
Titled in the lower.
Image Size: 32x23
Very good impression.
Realized by Cadart for ...
Category
Modern 19th Century Landscape Prints
Materials
Etching
Village de Tremereuc - Etching by Michel-Amédée Besnus - 1860s
Located in Roma, IT
Village de Tremereuc is a black and White etching realized by Michel-Amédée Besnus in the 1860s.
Titled in the lower.
Image size: 23x32.
Very good impression with wide margins an...
Category
Modern 19th Century Landscape Prints
Materials
Etching
Brabant Apple: A 19th Century Hand-colored Engraving by Augusta Innes Withers
By Augusta Innes Withers
Located in Alamo, CA
This early 19th century hand-colored stipple engraving by Augusta Innes Withers entitled "The Brabant Bellefleur Apple" was plate 10 published in London in the 'Transactions of the H...
Category
Naturalistic 19th Century Landscape Prints
Materials
Engraving
Scene in the Campagna
Located in Storrs, CT
Scene in the Campagna, also known as Woman at a Tank and Hindu Ablutions. (after the drawing by J.M.W. Turner, R.A., 1775-1851.) 1886. Hardie 4.ii. Mezzotint. 8 1/2 x 11 3/8 (sheet 1...
Category
19th Century Landscape Prints
Materials
Mezzotint
University of Virginia - Original Lithograph - 1850
Located in Roma, IT
Vintage View of the University of Virginia is an original modern artwork realized in Italy in the first half of the 19th Century.
Original Lith...
Category
Modern 19th Century Landscape Prints
Materials
Lithograph
Sidney Sussex College, Cambridge engraving by John Le Keux after Mackenzie
Located in London, GB
To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from th...
Category
19th Century Landscape Prints
Materials
Engraving
Herd of Buffaloes - Etching by Carlo Coleman - 1849
Located in Roma, IT
Herd of Buffaloes is an etching on paper realized by Carlo (Charles) Coleman in 1849 in Rome, Italy.
Signed on the plate and dated on the lower right and titled on the lower left.
...
Category
Modern 19th Century Landscape Prints
Materials
Etching
Rue des Marmousets - Etching by Jules Herau - Late 19th Century
Located in Roma, IT
Rue des Marmousets is a black and White etching realized by Jules Herau in the Late 19th Century.
Titled in the lower.
Image Size: 20x26.
Very good impression.
Realized by Cadar...
Category
Impressionist 19th Century Landscape Prints
Materials
Etching
Emmanuel College, Cambridge engraving by Samuel Sparrow after John Baldrey
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want.
Samuel Sparrow (active 1800) after John Kirby Baldrey (1750 - 1823)
Emmanuel College...
Category
19th Century Landscape Prints
Materials
Engraving
Laburnums and Battersea.
Located in Storrs, CT
Laburnums and Battersea. 1889-90. Etching and drypoint. Hausberg 34.iii/v. 13 1/2 x 8 5/8 (image and sheet). Only one other known impression in this state (total of about 62 known im...
Category
Impressionist 19th Century Landscape Prints
Materials
Drypoint, Etching
Golden Eye Duck: an Original 1st Edition Hand Colored Audubon Bird Lithograph
Located in Alamo, CA
An original rare and extremely collectible first edition John James Audubon hand colored royal octavo lithograph entitled "Golden Eye Duck", No. 82, Plate 406, from Audubon's "Birds of America". It was lithographed, printed and colored by J. T. Bowen and published in Philadelphia between 1840-1844. It depicts male and female Golden Eye ducks in flight.
This original rare first edition hand colored Audubon bird lithograph is in excellent condition. The sheet measures 6.25" x 10". The original text pages, pages 362-366, from Audubon's publication are included.
John James Audubon (1785-1851) was a naturalist and artist. He was initially unsuccessful financially prior to the publication of his famous work “The Birds of America”, spending time in debtor’s prison, once stabbing a disgruntled investor in self-defense. However, his obsession with birds and art motivated him to persist in his goal of documenting every bird in America via his watercolor paintings and publishing his works for all to enjoy. Audubon's first illustrations were published in a large elephant folio size. Due to their expense they were purchased in rather small numbers by the wealthy. To reach a larger audience, Audubon, with the help of his sons and J. T. Bowen, published a smaller octavo sized lithograph version, which were much more affordable.
With the success of his bird projects, Audubon then turned his attention to four-legged animals. He explored the Missouri River in 1843 sketching the four-legged animals he encountered in their natural setting. His expedition covered some of the same regions recently explored by Lewis and Clark, traveling from present day Alaska to Mexico. Audubon realized that this was an opportunity to document these animals in the still relatively pristine American wilderness, before man encroached on their environment.
Between 1845 and 1848, Audubon and his sons John Woodhouse Audubon and Victor Gifford Audubon produced a set of elephant folio sized lithographs that were primarily engraved and hand colored by J. T. Bowen in Philadelphia. The publication, which included text descriptions of the animals was published 3 years before Audubon died. As with the birds, this was followed by a three-volume set of 155 octavo-sized plates entitled “The Quadrupeds of North America” completed and published by Audubon’s sons, John, Jr. and Victor.
Audubon prints continue to be popular and a wise investment. The double elephant folio set...
Category
Naturalistic 19th Century Landscape Prints
Materials
Lithograph
An early 19th C. satirical etching of John Bull kneeling before William Pitt
Located in Alamo, CA
This is an early 19th century hand-colored satirical caricature etching entitled "John Bull and his favourite statue of bronze!!", published and possibly engraved in London in 1802 by William Holland (1757-1815). It depicts John Bull (symbolizing the English people) kneeling in profile before William Pitt, who was prime minister of England at the time, and for whom the American city of Pittsburgh was named. Pitt is standing, pretending to be a statue. A rectangular pedestal beneath Pitt is inscribed: "Erected by Voluntary Subscription!" Pitt's body seems elongated, reminding that this a caricature. He is standing, looking to the left, his aristocratic nose held high in apparent arrogance and his hands are deep in his pockets, with his hat under his right arm. John Bull, is dressed simply for the time. He is on in his knees in a gesture of supplication, as if in prayer or begging for some action from a deity. He is holding his hat in both hands, looking up at Pitt. Trees and bushes are seen in the background.
A caption showing John Bull's words in the upper left ironically reads: "O Wonderful Man! - how I revere thy sublime resemblance. - what obligations I am under to thee! what happy times thou hast brought about! Bread for nothing! Beef 3d per pound! Porter 3d per pot! a Goose 2 shillings! and a fat Turkey 3s.6d!! - whit every thing else cheap in proportion! - besides the wonderful decrease of Taxes!! - O Dear - O Dear I hardly know how to express myself, I feel so enraptured. - O that fine brass countenance how it shines with conscious Integrity!"
The engraving is presented in a gold-colored wood frame and a tan-colored mat, with curved upper corners. The frame measures 18" high, 13.13" wide and 0.5" deep. The framing and mounting utilizes acid-free archival materials and it is glazed with UV conservation clear glass. There are a few faint areas of discoloration and spotting and an apparent short barely visible crease in the lower right corner of the inscription area. The print is otherwise in very good condition.
William Holland was printmaker as well as a prominent dealer of satirical prints in London in late 18th and early 19th century. He carried works by the best known satirists of the time: Gillray, Rowlandson, Newton and Woodward, as well as his own creations. Holland along with the other prominent print-sellers of the time, Hannah Humphrey and Samuel Fores, were responsible for promoting the golden age of British caricature...
Category
19th Century Landscape Prints
Materials
Etching
Pierre Gabriel Bernhault ca. 1800 Engraving "Vue intérieure de Paris"
Located in Chicago, IL
A ca. 1800 engraving by Pierre Gabriel Berthault, "Vue intérieure de Paris prise du milieu du Pont Royal regardant le Pont Neuf". Artwork size: 16 3/8" x 26". archivally matted to...
Category
French School 19th Century Landscape Prints
Materials
Engraving, Paper
"White American Wolf" an Audubon Hand Colored by J.T. Bowen Lithograph
Located in Alamo, CA
This is an original 19th century John James Audubon hand-colored quadruped lithograph entitled "White American Wolf", No. 15, Plate LXXII, from Audubon's "Quadrupeds of North America...
Category
Naturalistic 19th Century Landscape Prints
Materials
Lithograph
David Roberts RA (1796-1864) - 19th Century Lithograph, Tyre from Isthmus
Located in Corsham, GB
An intricate coloured lithograph depicting the view of Tyre, Lebanon from the isthmus. Printed by Vincent Brooks, Day & Son. Published by Cassell & Company, London. Signed in plate. ...
Category
19th Century Landscape Prints
Materials
Lithograph
Environs - Etching by Balthasar Jean Baron - 1860s
Located in Roma, IT
Environs is a black and White etching realized by Balthasar Jean Baron in the 1860s.
Titled in the lower.
Image size: 32x15.
Very good impression with w...
Category
Impressionist 19th Century Landscape Prints
Materials
Etching
Quicksilver Royal Mail and The Blenheim
Located in Douglas, Isle of Man
James Pollard 1792-1867, was an English painter and watercolourist. Pollard was born in North London he was the son of a painter and publisher. He exhibited at the Royal Academy, Suf...
Category
19th Century Landscape Prints
Materials
Paper, Printer's Ink, Watercolor
Vanneux et Sarcelles - Etching by Félix Bracquemond - Late 19th Century
Located in Roma, IT
Vanneux et Sarcelles is a black and White etching realized by Félix Bracquemond in the Late 19th Century.
Titled in the lower
Image Size: 35x24
Very good impression.
Realized ...
Category
Impressionist 19th Century Landscape Prints
Materials
Etching
Les Taupes - Etching by Félix Bracquemond - 1860s
Located in Roma, IT
Les Taupes is a black and White etching realized by Félix Bracquemond in the 1860s.
Titled in the lower.
Image size: 27x19.
Very good impression with wide margins and a very fres...
Category
Impressionist 19th Century Landscape Prints
Materials
Etching
J.H. Woods’ Fruit Shop, Chelsea
Located in New York, NY
James Whistler (1834-1903), J.H. Woods’ Fruit Shop, Chelsea, etching and drypoint, 1887-88. Signed with the butterfly on the tab and annotated “imp,” also signed with the butterfly in pencil verso and numbered “1”. References: Kennedy 265 second state (of 2), Glasgow 327 second state (of 4). Trimmed by the artist around the plate mark except for the tab, in excellent condition. Printed in black ink on ivory laid paper, 3 3/4 x 5 1/8 inches.
A fine impression of this great rarity; the print was never published. Glasgow accounts for four impressions.
watermark: partial arms of Amsterdam(cf. Spink/Stratis/Tedeschi, watermark nos. 12ff.)
This is before the third state in which heavy shading was added around the woman at the center, and the heads of figures at right and left of the figure are defined. In Glasgow’s fourth state the shading and the figure were removed; no impression is known of this state, but the state is inferred from the cancelled plate.
According to Glasgow “Joseph Henry Wood had a greengrocer’s shop at 1 Park Walk...
Category
Impressionist 19th Century Landscape Prints
Materials
Drypoint, Etching
Etang de la Canau - Etching by Leo Drouyn - Late 19th Century
Located in Roma, IT
Etang de la Canau is a black and White etching realized by Leo Drouyn in the Late 19th Century.
Titled in the lower
Image Size: 24x32
Very good impression.
Realized by Cadart fo...
Category
Impressionist 19th Century Landscape Prints
Materials
Etching
Vue de Varennes en Argonne - Etching by Alphonse Beaujoint - 1860s
Located in Roma, IT
Vue de Varennes en Argonne is a black and White etching realized by Alphonse Beaujoint in the 1860s.
Titled in the lower.
Image size: 23x31.
Very good impression with wide margin...
Category
Modern 19th Century Landscape Prints
Materials
Etching
Vue de Saragosse - Etching by Henry Charles Landrin - 1860s
Located in Roma, IT
Vue de Saragosse is a black and White etching realized by Henry Charles Landrin in the 1860s.
Titled in the lower.
Image size: 17x32.
Very good impression with wide margins and a...
Category
Modern 19th Century Landscape Prints
Materials
Etching
Salle's Hermit Hummingbirds: A 19th C. Gould Hand-colored "Phaethornis Augusti"
Located in Alamo, CA
This is a hand-colored folio sized lithograph entitled "Phaethornis Augusti", Salle's Hermit Hummingbird by John Gould, published in his "A Monograph of the Trochilidae, or Family of Humming-birds", published in London in 1850. The print, which was drawn by Gould and Henry Richter and lithographed by Hullmandel and Walton, depicts three brown, grey, black, white and some green colored hummingbirds about a plant with green leaves and coral and yellow flowers.
This beautiful Gould hand-colored hummingbird lithograph is in excellent condition. The original text page is included.
There are five other unframed Gould hummingbird...
Category
Naturalistic 19th Century Landscape Prints
Materials
Lithograph
Bords de l'Oudon - Etching by Tancrède Abraham - 1863
Located in Roma, IT
Bords de l'Oudon is a black and White etching realized by Tancrède Abraham in 1863.
Titled in the lower
Image Size: 22x36
Very good impression.
Realized by Cadart for the "Socié...
Category
Barbizon School 19th Century Landscape Prints
Materials
Etching
Forellenweiher - Etching and Drypoint by Franz Von Stuck - 1890s
Located in Roma, IT
Forellenweiher is a wonderful black and white etching and drypoint on wide rod cream paper realized by Franz von Stuck in 1890-1891.
Hand signed in gr...
Category
Symbolist 19th Century Landscape Prints
Materials
Paper, Drypoint, Etching
Views of Ancient Rome - Etchings - 19th Century
Located in Roma, IT
Views of Ancient Rome is an original modern artwork realized by Artist of 19th century.
The artwork consists in three etchings depicting Romans ruins.
F...
Category
Modern 19th Century Landscape Prints
Materials
Etching
