19th Century Landscape Prints

Lyon is an original lithograph realized by an Anonymous artist of the 19th Century. Belongs to the Series of "France Pittoresque", as indicated in the top center. Titled in France...

"The Boat House" is a signed (lower center) etching by Edward Loyal Field. It depicts a scene across a river in the foreground, where a quaint set of houses sits in black and white.1...

From a series of architectural prints of St George's Chapel; to see some others, scroll down to "More from this Seller" and below it click on "See all from this Seller." Frederick Nash (1782-1856) Drawn and etched Engraved by F C Lewis Arches and Columns London Published by F Nash, No 6 Asylum Buildings, Westminster Road July 12 1804 55x39cm Frederick Nash was born in Lambeth. Initially studying architectural drawing under Thomas Malton he subsequently enrolled at the Royal Academy of Arts. From 1801 to 1809 he worked with the antiquarians John Britton...

Dundee is an engraving on paper realized by C. Richardson in 1838. The artwork is in good condition. The artwork is depicted in a well-balanced composition.

Stonehaven is an etching realized in 1845 by William Henry Bartlett. Signed on the plate. Titled on the lower center. Good conditions with s...

New Brighton is an etching realized in 1845 by W. H. Bartlett. Signed on the plate. Titled on the lower center. Good conditions with slight foxing. The artwork is beautifully re...

The Solway is an etching realized in 1845 by W. H.Bartlett. Signed on the plate. Titled on the lower center. Good conditions with slight foxing. The artwork is beautifully reali...

Entrance to the Port of Dundee is an etching realized in 1845 by W. H.Bartlett. Signed on the plate. Titled on the lower center. Good conditions with slight foxing. The artwork ...

Landscape is an original Lithograph by Charlotte Bonaparte in the 19th Century. Good conditions. The artwork is depicted through soft strokes in a well-balanced composition.

View of Cupang Bazaar in Timor Island is a hand colored lithograph realized in 1864. Good condition. The artwork belongs to ththe Suite Uses and customs of all the peoples of the u...

Signed on plate. Plate: 267 Image Dimensions : 24 x 34 cm This artwork is shipped from Italy. Under existing legislation, any artwork in Italy created over 70 years ago by an arti...

Line Infantry is an original lithograph realized by Jules Renard in 19th century. It is part of the collection "Soldiers of the Republic". Hand-signed. Good condition. Draner, ac...

Macduff, Near Banff is an etching realized in 1845 by Samuel Bradshaw. Signed in plate. The artwork is realized in a well-balanced composition.

This splendid lithograph Rue de l'hotel de Ville is part of the series of 20 prints dedicated to views of the city of Geneva, engraved by the Italian artist Antonio Fontanesi in 1854...

Cityscape - France Pittoresque is an original lithograph realized by an Anonymous artist of the 19th Century. Printed in series of "France Pittoresque" at the top center. Titled in...

Gibbon Falls, Yellow-Stone National Park  is a chromolithograph from c.1880 showing two fisherman at the base of Gibbon Falls.  This chromolithograph is a dramatic view of the powerful Gibbon waterfall that cascades 84 feet into a small, clear pool. The setting is quintessential Yellowstone, with scrubby pine trees and rocky cliffs. The inscription on the bottom left corner below the image says Scenery From Nature on the Northern Pacific R.R.   Established by the U.S. Congress and signed into law by President Ulysses S. Grant on March 1, 1872  Yellowstone was the first national park in the U.S. and is widely held to be the first national park in the world. Native Americans have lived in the Yellowstone  region for at least 11,000 years. The Northern Pacific Railroad...

To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from th...

"Trees" is an original etching representing American plants and trees, realized an Anonymous artist for a german publication in 9th Century. The state of preservation of the artwork...

Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...

Ancient View of Strasburg is an original modern artwork realized in the Mid-19th Century. Original B/W Lithograph on Ivory Paper. Inscripted on the lower central margin: Strasburg...

Whitby is a lithograph on paper realized by the artist James Duffield Harding. Signed on the plate on the lower left. Titled on the lower center. Engraved by W. Finden The state of...

Giralda in Sevilla in Cordova is an original lithograph on paper realized by B. Metzeroth in The 19th Century. Signed on the plate on the lower right corner. Original lithograph on...

Dunottar Castle, near Stonehaven is a lithograpy on paper realized by the artist W.H. Bartlett . Signed on the plate on the lower left. Titled on the lower center. The state of pr...

Artist: John Sell Cotman (English, 1782-1842) Title: "Cathedral Church of Notre Dame, at Séez (West Front)" (Vol. 2, Plate 99) Portfolio: Architectural Antiquities of Normandy Year: ...

Flamborough Head is a lithograph on paper realized by the artist George Balmer . Signed on the plate on the lower left. Titled on the lower center. Engraved by E. Finden The state...

Yarmouth, with Nelson's Monument (from the Lowestoft Road) is a lithograph on paper realized by the artist W.H. Bartlett . Signed on the plate on the lower left. Titled on the lower center. The state of preservation is good, only a yellowed paper along the edge. William Henry Bartlett...

Scarborough is an etching realized in 1845 by Edward Francis Finden. Signed on the plate. Titled on the lower center, from the series of "Ports of Great Britain" Good conditions ...

Greenock is a lithograph artwork on paper realized by the artist W.H. Bartlett. Signed on the plate on the lower left. Titled on the lower center. The state of preservation is good...

Ancient of Chateau de Frederiksborg is an original modern artwork realized in Italy in the first half of the 19th Century. Original Lithograph on Ivory Paper. Inscripted on the l...

Greenock is an etching realized in 1845 by F. W. Topham. Signed on the plate. Titled on the lower center, from the series of "Ports of Great Britain" Good conditions with slight ...

Mary- Port Pier is an etching realized in 1845 by W. H. Bartlett. Signed on the plate. Titled on the lower center. Good conditions with slight foxing. The artwork is beautifully...

Lido (Venice) Etching on chine collee, 1880 Part of the artist's "Venice Set" Signed upper right in plate :Otto H Bacher" (see photo) Signed with the estate stamp, Lugt 2002 recto lower right beneath image. (see photo) Created October 20, 1880 Reference: Andrew Venice No. 29 Provenance: Estate of the Artist Otto H. Bacher (1856-1909) Otto Henry Bacher was born in Cleveland, Ohio, to a family of German descent. He first studied art at the age of sixteen with local genre trompe l'oeil still-life artist, DeScott Evans. Although he studied with Evans for less than one year, Bacher's early work, comprised mainly of still lifes, betrays Evans's influence. After a short period in Philadelphia, where he studied at the Pennsylvania Academy of the Fine Arts, Bacher returned to Cleveland and met Willis Seaver Adams, an artist from Springfield, Massachusetts, who had just recently arrived upon the Cleveland art scene. Soon the two artists were rooming together. Adams was instrumental in the founding of the Cleveland Art Club, as well as the establishment of the Cleveland Academy of the Fine Arts, to the board of which Adams had Bacher appointed. Also during this time, Bacher began to learn the process of etching from local etcher and landscape painter Sion Longley Wenban. In 1878, Bacher and Adams left for Europe. After stopping briefly in Scotland, Bacher went on to Munich, where he enrolled at the Royal Academy. He quickly tired of the rigors of the academy, and soon he was studying with Cincinnati artist Frank Duveneck, the prime American exponent of the Munich School. In 1879, Bacher made a trip to Florence with Duveneck as one of the celebrated "Duveneck Boys." Early the following year, the group proceeded to Venice, where Bacher and several other artists established studios in the Casa Jankovitz. By this time an avid printmaker, Bacher had his etching press sent from Muni ch, and it was in his Venice studio that he taught Duveneck the rudiments of etching. Soon Bacher, Duveneck, and other members of the Duveneck circle were experimenting in printmaking. Among the group's contributions were some of the first American examples of monotypes, which they called "Bachertypes" because they were printed using Bacher's press. It was also in Venice that Bacher met the venerable American expatriate artist, James McNeill Whistler. On learning of Bacher's press and his collection of etchings by Rembrandt, Whistler made himself a regular visitor to Bacher's studio, and he eventually took his own room in the Casa Jankovitz. Bacher spent much of the rest of 1880 with Whistler, the two artists sharing etching techniques. From Whistler, Bacher learned tone and line graduation; from Bacher, Whistler learned his etching techniques, including better ways of using the acid bath which produced less tedious and more efficient work. Bacher visited Whistler occasionally in the years that followed, and in 1908 he published With Whistler in Venice, his famous recollections of his time with the great artist. Bacher spent the next two years traveling extensively throughout Italy, with Venice as the center of his operations, and he produced a number of important etchings of Italian subjects. Bacher sent several of these works to America in 1881 to be included in the Society of American artists exhibition that year, and had a similar group of works shown at the Royal Society of Painter-Etchers' first exhibition at the Hanover Gallery in London. Following the exhibition, Bacher, along with several other of the American contributors, was elected a Fellow of the Society. Bacher collected twelve of his etchings of Venetian subjects and sold them in bound volumes through his New York dealer, Frederick Keppel. Bacher returned to Cleveland in January 1883 as a fully cosmopolitan artist. He set up a lavish studio furnished with exotic items and objets-d'art he had collected on his travels, and began to hold art classes as a means to supplement his income. He soon joined with Joseph De Camp in forming a summer sketch class in Richfield, Ohio. Bacher and De Camp also planned the Cleveland Room for a major loan exhibition in Detroit that year. During this period, Bacher increasingly painted in oil, and he began to produce sun-dappled canvases in an impressionistic mode. Unable to sell any paintings from this early period, however, Bacher left Cleveland for Paris in 1885, where he planned to undertake further studies. Stopping first in London to visit Whistler, Bacher stayed only briefly in Paris before heading to Venice, where he spent the remainder of the year. In January 1886, Bacher returned to Paris and enrolled at the Académie Julian, and also entered the atelier of Emile-Auguste Carolus-Duran. The life of the student seems never to have suited Bacher, as he stayed in Paris only through June, before departing again for Venice. For the next six months he, Robert Blum, and Charles Ulrich...

Nursing is an etching realized by Eugène Burnand (1850-1921) in the Late 19th century. Good conditions with foxing. The artwork is realized through s...

Paris is an Original Lithograph realized by Horace Vernet in 1805. Good condition on a grey paper. No signature. Émile Jean-Horace Vernet (30 June 178...

Fontainebleau Forest is an original Modern artwork realized by Luca Beltrami (1854 - 1933) in 1877. Original B/W Etching on ivory cardboard. Mint con...

Policeman is an original lithograph realized by Jules Renard in the 19th Century. It is part of the collection "Soldiers of the Republic". Hand-signed. Good condition. Draner, ac...

Newhaven Pier is an engraving on paper realized by R. Brandard in 1838. The artwork is in good condition. The artwork is depicted in a well-balanced composition.

David Roberts "Approach to Alexandria" Original Lithograph w/ Hand Coloring c.1848 Published by F.G. Moon in London, 1848 with Colour Accentuation by D. Leslie, 1976. Dimensions 20...

Peterhead is an etching realized in the Early-20th Century by R.Brandard. Signed in plate. The artwork is realized in a well-balanced composition.

Whitehaven Harbour is an etching realized in the Early-20th Century by J.C.Armytage. Signed in plate. The artwork is realized in a well-balanced composition.

Nature is an original lithograph realized by an Italian artist in the 19th Century. Signed on the lower right but illegible. Good conditions but aged with diffused foxings. The ar...

The Sands at Southport is an etching realized in the Early-20th Century by J.C.Armytage. Signed in plate. The artwork is realized in a well-balanced composition.

Maryport is an etching realized in 1845 by J.C.Armytage. Signed in plate. The artwork is realized in a well-balanced composition.

Slaines Castle - Near Peterhead is an engraving realized in the 1845 by R.Brandard. signed on plate. The artwork is realized in a well-balanced composition.

Aberdeen is an engraving realized in 1845 by T.Higham. Signed in plate. The artwork is realized in a well-balanced composition.

Views in Rome, drawn and engraved by Bartolomeo Pinelli, of Rome, London, W.B. Cooke, 1834. In-8° (cm 24x17). Unumered pages with 27 b/w plates out of the text, etchings on copper with tissue paper. Polished speciment, with diffused foxing on margins. Brown Canvas Binding Cover with title marked in gold on wedge in the spine. Spine ligtly damaged in lower margin. Cover with the Castle Saint Angel...

A ca. 1800 engraving by Pierre Gabriel Berthault, "Vue intérieure de Paris prise du milieu du Pont Royal regardant le Pont Neuf". Artwork size: 16 3/8" x 26". archivally matted to...

Ancient View of Madrid is an original lithograph on paper realized by Eigenthum d. Verleger in The 19th Century. Signed on the plate on the lower right corner. Original lithograph ...

Landschap Met Vierkante Toren is an engraving on ivory-colored paper realized by Charles Amand Durand after an etching by Rembrandt dated 1650. This wonderful piece of art belongs to...

Original etching on Ingres laid paper (watermarked, see last photograph) attributed to the hand of the well known Dutch artist, Hermanus Jan Hendrik Rijkelijkhuysen. No visible signature. Sheet size 9.25 by 12 inches. Sight size 7 by 9 inches. Under glass. Circa 1875. Condition is excellent. Professionally matted and framed in a walnut colored frame with gold leaf edge. Overall framed measurements are 12.75 by 14.5 inches. Gallery label verso. Provenance: A Sarasota, Florida collector. Biography: Hermanus Jan Hendrik Rijkelijkhuysen (1813-1883) was a landscape painter and etcher. Rijkelijkhuysen spent most of his life working in the vicinity of his birthplace Utrecht. Inspired by the polders on the one hand and the Utrechtse Heuvelrug on the other, he mainly painted and etched water...

The View of Xeres in Spain is an original lithograph on paper realized by Eigenthum d. Verleger in The 19th Century. Signed on the plate on the lower right corner. Original lithogr...

The Bridge of Salamanca is a lithograph on paper realized by John Godfrey in The 19th Century. Signed on the plate on the lower right corner. Titled on the lower center. Good condition with minor foxing. An impressive landscape...

Philadelphia born American painter, illustrator, and etcher Margaret M. Taylor Fox ( 1857 - c.1941 ) attended the Philadelphia Academy of Fine Arts which house a collection of her ...

Paysage is an original print in e thing technique on ivory paper, realized and by Charles Pinet, engraver a sculptor, after Jules Dupré (French Painter; 1811-1889) . Good condition...

Landscape is an engraving on ivory-colored paper realized by Charles Amand Durand (1831-1905) after an etching by Rembrandt. This wonderful piece of art belongs to a late edition of ...

Image dimensions: 21 x 27 cm. Liber Veritatis - Plate 61 is a beautiful black and white etching and aquatint on paper realized by the Italian artist Ludovico Caracciolo, after Claud...

Ancient View of Castel Sant'Angelo is an original modern artwork realized in Italy in the first half of the 19th Century. Original Lithograph on Ivory Paper. Inscripted on the lo...

James Pollard 1892-1867, was an English painter, watercolourist and engraver whose artistic talents were the depiction of coaching, hunting, fishing and horse racing scenes. He is fa...

The Living Kite is an original Woodcut print realized in the late 19th century after Utagawa Kunisada. Good condition except for some damaged paper on the edge and Beautiful colore...

Celebratory Parade is an original Woodcut print realized in mid 19th century after Utagawa Kunisada. Good condition and Beautiful colored woodblock print. This wonderful modern a...