Early 20th Century Landscape Prints
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Period: Early 20th Century
Wadham College, Oxford lithograph by William Nicholson
Located in London, GB
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William Nicholson (1872 - 1949)
Front Quad, Wadham College...
Category
Realist Early 20th Century Landscape Prints
Materials
Lithograph
Walking in the Woods
By Frank Arthur Nankivell
Located in New York, NY
Frank Arthur Nankivell (18691959), [Walking in the Woods at Night], drypoint, c. 1910, signed in pencil lower right. Printed on a cream laid paper. In good condition, with margins (s...
Category
American Realist Early 20th Century Landscape Prints
Materials
Drypoint
Otto Kuhler Signed Original Etching “Mississippi Evening”
By Otto Kuhler
Located in Phoenix, AZ
Otto Kuhler (1894-1976) original etching, 1923. Title: “Mississippi Evening”
Signed in pencil lower right. Title in pencil lower center. Dated lower left, 1923.
Image measures 7 7/8...
Category
Early 20th Century Landscape Prints
Materials
Etching
Elizabeth O’neill Verner Original Etching, Circa 1928, Charleston
Located in Phoenix, AZ
Original etching by well-known Charleston, SC artist Elizabeth O’Neill Verner.
Title: “In the Shadow of St. Michael’s - Charleston”
Measures: 9 7/8 x 7 3/4 image size. 17 7/8 x 13 7...
Category
Early 20th Century Landscape Prints
Materials
Paper
'Coupe Gordon Bennett 1909' original lithograph by Marguerite "Gamy" Montaut
Located in Milwaukee, WI
"Coupe Gordon Bennett 1909 — Curtiss le Gagnant" is an original Lithograph with Pochoir created by Marguerite Montaut (GAMY). Gamy presents the viewer w...
Category
American Realist Early 20th Century Landscape Prints
Materials
Lithograph, Ink
Mabel Oliver Rae: Chapel Court, Sidney Sussex College, Cambridge etching
Located in London, GB
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Mabel Oliver Rae (1868-1956)
Chapel Court, Sidney Sussex...
Category
Modern Early 20th Century Landscape Prints
Materials
Etching
THE WOODEN BRIDGE, VENICE
Located in Portland, ME
Roth, Ernest (American, 1879-1964). THE WOODEN BRIDGE,VENICE. Etching, 1906. Signed and dated in pencil 7 x 8 3/8 inches (plate), 9 x 10 3/4 inches (sheet). In excellent condition.
Category
Early 20th Century Landscape Prints
Materials
Etching
Bohemia
By Max Pollak
Located in New York, NY
Max Pollak (1886-1970), Bohemia, drypoint with wash and pencil additions, c. 1925, signed in pencil lower right and titled lower left. In very good condition, printed on a chine coll...
Category
Realist Early 20th Century Landscape Prints
Materials
Watercolor, Pencil, Drypoint
The Punter
By Frank Benson
Located in New York, NY
A superb, richly-inked impression of this etching. Edition of 150. Signed in pencil, lower left.
Category
American Impressionist Early 20th Century Landscape Prints
Materials
Etching
Antwerp, St Pauls Church, G.C. Haverkamp (1872-1926), Original Etching
Located in Frome, Somerset
G.C. Haverkamp ( 1872-1926) View of Antwerp, Veemarkt with Saint Pauls Church , original signed etching circa 1914.
Fine detail etching in good condition .
Antique giltwood frame.
Category
Realist Early 20th Century Landscape Prints
Materials
Ink
La Fumee du Bateau
Located in New York, NY
Jean-François Raffaëlli (1850-1924), La Fumee du Bateau, color etching and drypoint, 1911, signed and numbered in pencil lower right. Reference: Delteil 98. In very good condition, ...
Category
Realist Early 20th Century Landscape Prints
Materials
Drypoint, Etching
Le Perron (The Porch) /// French Impressionist Henri Le Sidaner Garden Landscape
Located in Saint Augustine, FL
Artist: Henri Le Sidaner (French, 1862-1939)
Title: "Le Perron (The Porch)"
Portfolio: Gazette des Beaux-Arts
*Issued unsigned, though signed by Sidaner in the plate (printed signature) lower right
Year: 1911
Medium: Original Lithograph on soft-cream Simili Japon paper
Limited edition: approx. 1,500
Printer: Maison Fortier and Marotte, Paris, France
Publisher: Gazette des Beaux-Arts, Paris, France
Reference: Sanchez and Seydoux 1911, No. 12
Sheet size: 10.75" x 7.13"
Image size: 7.5" x 5.75"
Condition: Light toning to sheet. It is otherwise a strong impression in excellent condition
Notes:
Printed in one color: blue.
This lithograph was published by Gazette des Beaux-Arts. The Gazette des Beaux-Arts was a French art review, found in 1859 by Édouard Houssaye, with Charles Blanc as its first chief editor. Assia Visson Rubinstein was chief editor under the direction of George Wildenstein from 1928 until 1960. Her papers, which include all editions of the Gazette from this period, are intact at the Cantonal and University Library of Lausanne in Dorigny. The Gazette was a world reference work on art history for nearly 100 years - one other editor in chief, from 1955 to 1987, was Jean Adhémar. It was bought in 1928 by the Wildenstein family, whose last representative was Daniel Wildenstein, its director from 1963 until his death in 2001. The review closed in 2002.
Biography:
Sidaner, (7 August 1862 – July 1939), an intimist painter, born to a French family in Port Louis, Mauritius. In 1870 he and his family settled in Dunkirk. Le Sidaner received most of his tutelage from the École des Beaux-Arts under the instruction of Alexandre Cabanel but later broke away due to artistic differences. Between 1885 and 1894 Le Sidaner lived the year round at the Etaples art colony and was joined there by his childhood friend Eugène Chigot (1860–1923), who shared his interest in atmospheric light. Later Le Sidaner traveled extensively throughout France. He also visited many cities around the globe, as well as villages throughout Europe. He exhibited at the Salon, the Galeries Georges Petit in Paris and the Goupil Gallery in London, and settled in Gerberoy. Marcel Proust's mention of Le Sidaner's work in his novel In Search of Lost Time confirms its later reputation. In Sodom and Gomorrah...
Category
Post-Impressionist Early 20th Century Landscape Prints
Materials
Lithograph
A J Meyer Etching Dulwich College London c. 1920 British School print
Located in London, GB
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A J Meyer (British, fl 1900-1930)
Dulwich College
Etching
22x30cm
Sadly little is known of Meyer, an accomplished artist and particularly producer of etchings. He was one of many artists to join the craze for etchings started by Whistler and that died out after the 1929 Wall Street...
Category
Realist Early 20th Century Landscape Prints
Materials
Etching
Antwerp
By Erich Heckel
Located in New York, NY
Erich Heckel (1883-1970), Antwerp, drypoint, 1914, signed and dated in pencil lower right margin. Reference: Dube 123. In excellent condition, the full sheet on a cream/ivory wove pa...
Category
Expressionist Early 20th Century Landscape Prints
Materials
Drypoint
"Harvest Home - Henry Alford Poem, " Color Lithograph Poster of Pumpkins & Hay
Located in Milwaukee, WI
"Harvest Home" is an original color lithograph poster by an unknown artist. It features a scene of a field with a few pumpkins and wheat. Below the image is an excerpt from a Henry A...
Category
Other Art Style Early 20th Century Landscape Prints
Materials
Lithograph
King's College Cambridge from the Meadow etching c. 1920 Mabel Oliver Rae Backs
Located in London, GB
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Category
Modern Early 20th Century Landscape Prints
Materials
Etching
St John's College Cambridge etching R Warwick c. 1920 print Chapel
By R Warwick
Located in London, GB
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Category
Modern Early 20th Century Landscape Prints
Materials
Etching
New Viaduct
Located in Fairlawn, OH
From: The Cleveland Set (23 plates), No. 1
Edition: Small
Signed in pencil
Image: 7 3/4 x 11 1/2"
Category
Early 20th Century Landscape Prints
Materials
Drypoint
Satyre et Nymphe se Baignant dans un étang - Etching by Ker X. Roussel - 1900s
Located in Roma, IT
Beautiful proof of state on vélin, 2nd essai.
Full margins.
Ref. Cat. Salomon 98.
Prov. Collection Henri Petiet, Paris.
Category
Modern Early 20th Century Landscape Prints
Materials
Etching
Satyre et Nymphe se Baignant dans un étang - Etching by Ker X. Roussel - 1900s
Located in Roma, IT
Beautiful proof of state on vélin, 3rd state.
Full margins.
Ref. Cat. Salomon 98.
Prov. Collection Henri Petiet, Paris.
Category
Modern Early 20th Century Landscape Prints
Materials
Etching
Satyre et Nymphe se Baignant dans un éta - Etching by Ker Xavier Roussel - 1900s
Located in Roma, IT
Beautiful proof of state on vélin, with notes by the author “1er essai” in pencil.
Full margins.
Ref. Cat. Salomon 98.
Prov. Collection Henri Petiet, Paris.
Category
Modern Early 20th Century Landscape Prints
Materials
Etching
Chas Laborde - Paris - Capucine's Boulevard - Original Etching
Located in Collonge Bellerive, Geneve, CH
Chas Laborde - Paris - Capucine's Boulevard - Original Etching
Dimensions : 13 x 10".
Paper : Rives vellum.
Edition : 225 copies.
1927
From Tableaux de Paris, Emile-Paul Freres, Paris
Chas LABORDE
Charles Laborde was born in Buenos Aires on August 8, 1886. He was the youngest of the five sons of Adolphe-Sylvestre Laborde-Pinou, a Basque-Bearne millionaire who had made a fortune selling spirits to the Indians and luxury goods imported from France to wealthy Argentines. The family returned to France when Charles was six months old. His mother died when he was two. He spent his childhood at their family château d’Escout outside Oloron-Sainte-Marie in the Pyrenees. His brothers went to a boarding-school, his father was often in Paris on business, and little Charles was left to his devices. Though it was a lonely childhood, he was a darling of his generous and magnanimous father. Charles got his early drawing skills from a village artist and found support in his brother Jean-Felix. Charles frequently accompanied his father visiting artisans and helped him choose de luxe objects to be sold in Argentine.
He first attended the Rollin college in Paris, then a lyceum in Pau, where he lived with full board and lodging after his father’s death in 1901. From childhood Charles wanted to be an artist and tried several pseudonyms for himself: Ch. Laborde, Carlos Laborde,Carlos Edrobal and Carl Lab. He started wearing a velvet suit and a large hat. At 17, the timid shortsighted teenager wearing big glasses was expelled from college for smoking and drinking alcohol and went to Paris into the custody of his elder brother Jean-Felix, who carried on his father’s business. Charles enrolled in the prestigious l’Académie Julian, studying under Henri Royer and Marcel Baschet. Simultaneously he was a pupil of William Bouguereau and Luc-Olivier Merson at l’École des Beaux-Arts. The latter was famous for being the designer of the 50 and 100 franc banknotes, and he believed that he was teaching a “little Daumier”.
In England, where he went every year from 1905 to 1914 with the family of his friend Cooper, a classmate at l’Académie Julian, he found not only his pseudonym Chas (short for Charley), but also the land of his dreams. Peculiarities of London and its inhabitants were reflected in drawings of William Hogarth and Thomas Rowlandson, whose album The Microcosm of London (1808) prompted Charles to make his London Streets Scenes (1928). Owing to those trips Charles took a liking to the atmosphere of England and its reserved and terse humor.
In 1905 the château d’Escout and the Buenos Aires Commercial Fund were sold. After coming into inheritance, Laborde became financially independent and obtained an atelier in Montmartre at 11 bis Rue des Saules. His neighbors were de la Butte, Francis Carco and Pierre Mac Orlan, who sympathized with the easy-going young man with a positive attitude to life. His friend Pierre Falke...
Category
Modern Early 20th Century Landscape Prints
Materials
Etching
All Souls College, Oxford, William Nicholson lithograph 1905 Stafford Gallery
Located in London, GB
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William Nicholson (1872-1949)
All Souls College, Oxford
Signed, and numbered 98, published by Stafford Gallery with blindstamp
Lithograph
35x28cm
Probably best known through his graphic works, as a book designer and illustrator, Nicholson was greatly encouraged in his landscapes by Whistler from about 1900. In 1902-03 he produced a series of watercolour, chalk and pen drawings of Oxford which were published in 1905 by the Stafford Gallery as two portfolios of lithographs, with descriptions by Arthur Waugh – father of Evelyn Waugh...
Category
Realist Early 20th Century Landscape Prints
Materials
Lithograph
F A Stewart The Heythrop Hunt at Stow on the Wold hunting print
Located in London, GB
Frank Algernon Stewart (1877-1945)
The Heythrop at Stow on the Wold
Lithograph
24x63cm
Signed in pencil
A typical hunting print by Stewart, showing o...
Category
Realist Early 20th Century Landscape Prints
Materials
Lithograph
Mabel Oliver Rae: Clare Bridge, Clare College, Cambridge
Located in London, GB
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Mabel Oliver Rae...
Category
Modern Early 20th Century Landscape Prints
Materials
Etching
Armistice Day, 1918
Located in New York, NY
William Meyerowitz (1898-1981), Armistice Day, 1918, etching with watercolor.
Edition not stated. Signed in pencil. Signed and dated in the plate, lower left.
Image size 9 3/4 ...
Category
American Impressionist Early 20th Century Landscape Prints
Materials
Watercolor, Etching
Howard Cook Taos Artist Original Woodcut, 1927 - Morning Smokes, Taos Pueblo
Located in Phoenix, AZ
Howard Cook (1901-1980) well known Taos artist original woodcut, 1927.
Title: “Morning Smokes, Taos Pueblo." In excellent condition. Matted and unframed.
Image size: 8"h x 8'w. Pap...
Category
Early 20th Century Landscape Prints
Materials
Paper, Ink
Christ's College Cambridge Hall etching c. 1920 Mabel Oliver Rae print
Located in London, GB
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Mabel Oliver Rae ((1868-1956)
Christ's College Cambridge Hall
Etching
13x9cm
Rae was born in Cambridge and trained at the Slade 1888-1890. Her early painting was mostly portraits, but her commercial work is mostly etchings of Oxford, Cambridge and public schools at which she was very skilled. She signed her work as ‘M Oliver Rae...
Category
Modern Early 20th Century Landscape Prints
Materials
Etching
Clarendon Building Oxford, William Nicholson lithograph 1905 Stafford Gallery
Located in London, GB
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William Nicholson
Clarendon Building, Oxford
Signed, published by Stafford Gallery, with their blindstamp
Lithograph
32x26cm
Probably best known through his graphic works, as a book designer and illustrator, Nicholson was greatly encouraged in his landscapes by Whistler from about 1900. In 1902-03 he produced a series of watercolour, chalk and pen drawings of Oxford which were published in 1905 by the Stafford Gallery as two portfolios of lithographs, with descriptions by Arthur Waugh – father of Evelyn Waugh...
Category
Realist Early 20th Century Landscape Prints
Materials
Lithograph
20th century etching figurative landscape city street black and white signed
Located in Milwaukee, WI
"Venise" is an original etching and chine colle by Edgar Chahine. This is an artist's proof, the third state of the etching, and the artist signed the piece in pencil lower right. Th...
Category
Modern Early 20th Century Landscape Prints
Materials
Etching
Pierre Bonnard - The Street - Original Etching
Located in Collonge Bellerive, Geneve, CH
Pierre Bonnard - The Street - Original Lithograph
Dimensions : 13 x 10".
Paper : Rives vellum.
Edition : 225 copies.
1927
From Tableaux de Paris, Emile-Paul Freres, Paris
CHARLES...
Category
Modern Early 20th Century Landscape Prints
Materials
Etching
Composition (Morane, N° 100), Les Petites Fleurs de St. Françoise, Émile Bernard
Located in Southampton, NY
Wood engraving on vergé d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Les Petites Fleurs de St. François, 1928. Published b...
Category
Post-Impressionist Early 20th Century Landscape Prints
Materials
Woodcut
Composition (Morane, N° 100), Les Petites Fleurs de St. Françoise, Émile Bernard
Located in Southampton, NY
Wood engraving on vergé d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Les Petites Fleurs de St. François, 1928. Published b...
Category
Post-Impressionist Early 20th Century Landscape Prints
Materials
Woodcut
Composition (Morane, N° 100), Les Petites Fleurs de St. Françoise, Émile Bernard
Located in Southampton, NY
Wood engraving on vergé d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Les Petites Fleurs de St. François, 1928. Published b...
Category
Post-Impressionist Early 20th Century Landscape Prints
Materials
Woodcut
Composition (Morane, N° 100), Les Petites Fleurs de St. Françoise, Émile Bernard
Located in Southampton, NY
Wood engraving on vergé d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Les Petites Fleurs de St. François, 1928. Published b...
Category
Post-Impressionist Early 20th Century Landscape Prints
Materials
Woodcut
Composition (Morane, N° 100), Les Petites Fleurs de St. Françoise, Émile Bernard
Located in Southampton, NY
Wood engraving on vergé d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Les Petites Fleurs de St. François, 1928. Published b...
Category
Post-Impressionist Early 20th Century Landscape Prints
Materials
Woodcut
Composition (Morane, N° 100), Les Petites Fleurs de St. Françoise, Émile Bernard
Located in Southampton, NY
Wood engraving on vergé d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Les Petites Fleurs de St. François, 1928. Published b...
Category
Post-Impressionist Early 20th Century Landscape Prints
Materials
Woodcut
Composition (Morane, N° 100), Les Petites Fleurs de St. Françoise, Émile Bernard
Located in Southampton, NY
Wood engraving on vergé d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Les Petites Fleurs de St. François, 1928. Published b...
Category
Post-Impressionist Early 20th Century Landscape Prints
Materials
Woodcut
Composition (Morane, N° 100), Les Petites Fleurs de St. Françoise, Émile Bernard
Located in Southampton, NY
Wood engraving on vergé d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Les Petites Fleurs de St. François, 1928. Published b...
Category
Post-Impressionist Early 20th Century Landscape Prints
Materials
Woodcut
Composition (Morane, N° 100), Les Petites Fleurs de St. Françoise, Émile Bernard
Located in Southampton, NY
Wood engraving on vergé d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Les Petites Fleurs de St. François, 1928. Published b...
Category
Post-Impressionist Early 20th Century Landscape Prints
Materials
Woodcut
Composition (Morane, N° 100), Les Petites Fleurs de St. Françoise, Émile Bernard
Located in Southampton, NY
Wood engraving on vergé d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Les Petites Fleurs de St. François, 1928. Published b...
Category
Post-Impressionist Early 20th Century Landscape Prints
Materials
Woodcut
Composition (Morane, N° 100), Les Petites Fleurs de St. Françoise, Émile Bernard
Located in Southampton, NY
Wood engraving on vergé d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Les Petites Fleurs de St. François, 1928. Published b...
Category
Post-Impressionist Early 20th Century Landscape Prints
Materials
Woodcut
Composition (Morane, N° 100), Les Petites Fleurs de St. Françoise, Émile Bernard
Located in Southampton, NY
Wood engraving on vergé d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Les Petites Fleurs de St. François, 1928. Published b...
Category
Post-Impressionist Early 20th Century Landscape Prints
Materials
Woodcut
Composition (Morane, N° 100), Les Petites Fleurs de St. Françoise, Émile Bernard
Located in Southampton, NY
Wood engraving on vergé d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Les Petites Fleurs de St. François, 1928. Published b...
Category
Post-Impressionist Early 20th Century Landscape Prints
Materials
Woodcut
Composition (Morane, N° 100), Les Petites Fleurs de St. Françoise, Émile Bernard
Located in Southampton, NY
Wood engraving on vergé d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Les Petites Fleurs de St. François, 1928. Published b...
Category
Post-Impressionist Early 20th Century Landscape Prints
Materials
Woodcut
Composition (Morane, N° 100), Les Petites Fleurs de St. Françoise, Émile Bernard
Located in Southampton, NY
Wood engraving on vergé d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Les Petites Fleurs de St. François, 1928. Published b...
Category
Post-Impressionist Early 20th Century Landscape Prints
Materials
Woodcut
Composition (Morane, N° 100), Les Petites Fleurs de St. Françoise, Émile Bernard
Located in Southampton, NY
Wood engraving on vergé d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Les Petites Fleurs de St. François, 1928. Published b...
Category
Post-Impressionist Early 20th Century Landscape Prints
Materials
Woodcut
Composition (Morane, N° 100), Les Petites Fleurs de St. Françoise, Émile Bernard
Located in Southampton, NY
Wood engraving on vergé d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Les Petites Fleurs de St. François, 1928. Published b...
Category
Post-Impressionist Early 20th Century Landscape Prints
Materials
Woodcut
Composition (Morane, N° 100), Les Petites Fleurs de St. Françoise, Émile Bernard
Located in Southampton, NY
Wood engraving on vergé d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Les Petites Fleurs de St. François, 1928. Published b...
Category
Post-Impressionist Early 20th Century Landscape Prints
Materials
Woodcut
Composition (Morane, N° 100), Les Petites Fleurs de St. Françoise, Émile Bernard
Located in Southampton, NY
Wood engraving on vergé d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Les Petites Fleurs de St. François, 1928. Published b...
Category
Post-Impressionist Early 20th Century Landscape Prints
Materials
Woodcut
Composition (Morane, N° 100), Les Petites Fleurs de St. Françoise, Émile Bernard
Located in Southampton, NY
Wood engraving on vergé d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Les Petites Fleurs de St. François, 1928. Published b...
Category
Post-Impressionist Early 20th Century Landscape Prints
Materials
Woodcut
Composition (Morane, N° 100), Les Petites Fleurs de St. Françoise, Émile Bernard
Located in Southampton, NY
Wood engraving on vergé d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Les Petites Fleurs de St. François, 1928. Published b...
Category
Post-Impressionist Early 20th Century Landscape Prints
Materials
Woodcut
Composition (Morane, N° 100), Les Petites Fleurs de St. Françoise, Émile Bernard
Located in Southampton, NY
Wood engraving on vergé d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Les Petites Fleurs de St. François, 1928. Published b...
Category
Post-Impressionist Early 20th Century Landscape Prints
Materials
Woodcut
Composition (Morane, N° 100), Les Petites Fleurs de St. Françoise, Émile Bernard
Located in Southampton, NY
Wood engraving on vergé d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Les Petites Fleurs de St. François, 1928. Published b...
Category
Post-Impressionist Early 20th Century Landscape Prints
Materials
Woodcut
Composition (Morane, N° 100), Les Petites Fleurs de St. Françoise, Émile Bernard
Located in Southampton, NY
Wood engraving on vergé d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Les Petites Fleurs de St. François, 1928. Published b...
Category
Post-Impressionist Early 20th Century Landscape Prints
Materials
Woodcut
Composition (Morane, N° 100), Les Petites Fleurs de St. Françoise, Émile Bernard
Located in Southampton, NY
Wood engraving on vergé d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Les Petites Fleurs de St. François, 1928. Published b...
Category
Post-Impressionist Early 20th Century Landscape Prints
Materials
Woodcut
Composition (Morane, N° 100), Les Petites Fleurs de St. Françoise, Émile Bernard
Located in Southampton, NY
Wood engraving on vergé d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Les Petites Fleurs de St. François, 1928. Published b...
Category
Post-Impressionist Early 20th Century Landscape Prints
Materials
Woodcut
Composition (Morane, N° 100), Les Petites Fleurs de St. Françoise, Émile Bernard
Located in Southampton, NY
Wood engraving on vergé d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Les Petites Fleurs de St. François, 1928. Published b...
Category
Post-Impressionist Early 20th Century Landscape Prints
Materials
Woodcut
Composition (Morane, N° 100), Les Petites Fleurs de St. Françoise, Émile Bernard
Located in Southampton, NY
Wood engraving on vergé d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Les Petites Fleurs de St. François, 1928. Published b...
Category
Post-Impressionist Early 20th Century Landscape Prints
Materials
Woodcut
Composition (Morane, N° 100), Les Petites Fleurs de St. Françoise, Émile Bernard
Located in Southampton, NY
Wood engraving on vergé d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Les Petites Fleurs de St. François, 1928. Published b...
Category
Post-Impressionist Early 20th Century Landscape Prints
Materials
Woodcut