Early 20th Century Landscape Prints
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Period: Early 20th Century
Willow Border
Located in Santa Monica, CA
WILLIAM SELTZER RICE (1873 – 1963)
WILLOW BORDER, ca 1915-20 Color woodcut. Signed Wm. S. Rice and titled in pencil, both very lightly. Image 10 x 9 inches. On fibrous paper. Sheet...
Category
Other Art Style Early 20th Century Landscape Prints
Materials
Woodcut
Le Cerisier - Woodcut by Paul Emile Colin - 1902
Located in Roma, IT
Le Cerisier is an artwok realized in 1902 by the French Artist Paul Emile Colin .
Black and white woodcut on paper. Hand Signed on the left corner.
The artwork is attached on pa...
Category
Modern Early 20th Century Landscape Prints
Materials
Woodcut
Birds on Branches - Lithograph in Ink on Paper - Edition of 75
Located in Soquel, CA
Birds on Branches - Lithograph in Ink on Paper - Edition of 75
Delicate and detailed lithograph of birds by Fugi Nakamizo (Japanese/American, 1889-1950)...
Category
Impressionist Early 20th Century Landscape Prints
Materials
Lithograph, Ink, Paper
The Bridge
Located in Santa Monica, CA
B. J. O. NORDFELDT (Bror Julius Olsson) 1878-1955)
THE BRIDGE, 1906
Color woodcut signed, dated 1906 and numbered 150 in pencil. Image 8 x 10 - small margins as issued. 4 corners tipped to acid free support board. Nordfelt is one of the most important early twentieth century American Masters of the Color woodcut. This 1906 work predates many of the other woodcut masters. Nordfeldt had a peculiar numbering system. The number is not necessarily the edition number.
Frances H. Gearhart, Blanche Lazzell, William S. Rice, Gustave Baumann, Margaret Patterson, Norma Basset Hall. Waldo Chase.
Category
American Modern Early 20th Century Landscape Prints
Materials
Woodcut
Bluebell Wood, John Hall Thorpe colour woodcut, c1920
Located in Melbourne, Victoria
Colour woodcut. C1922.Signed in pencil below the image.
Hall Thorpe's colourful and decorative woodcuts were very popular in the 1920s and 1930s. He was ...
Category
Art Nouveau Early 20th Century Landscape Prints
Materials
Woodcut
Antwerp, St Pauls Church, G.C. Haverkamp (1872-1926), Original Etching
Located in Frome, Somerset
G.C. Haverkamp ( 1872-1926) View of Antwerp, Veemarkt with Saint Pauls Church , original signed etching circa 1914.
Fine detail etching in good condition .
Antique giltwood frame.
Category
Realist Early 20th Century Landscape Prints
Materials
Ink
Amsterdam - Woodcut Print by Frans Masereel - 1933
Located in Roma, IT
Amsterdam is an artwork realized by Frans Masereel, 1933.
Woodcut print representing Amsterdam.
75 x 55 with frame; 17h x 12 cm each work.
Good conditions.
Category
Modern Early 20th Century Landscape Prints
Materials
Woodcut, Paper
The Radcliffe Camera from All Souls College, Oxford etching by Henry Walker
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the ...
Category
Early 20th Century Landscape Prints
Materials
Etching
Quincaillerie by Ludovic-Rodo Pissarro - Wood engraving
Located in London, GB
Quincaillerie by Ludovic-Rodo Pissarro (1878 - 1952)
Wood engraving
10.4 x 12.6 cm (4 ¹/₈ x 5 inches)
Initialled in the plate, signed lower right, Ludovic Rodo and numbered, 1
Exhib...
Category
Post-Impressionist Early 20th Century Landscape Prints
Materials
Woodcut
Orignal Ville de Bruxelles City of Brussels vintage poster 1914
Located in Spokane, WA
Original Ville de Bruxelles (City of Brussels, Belgium) vintage art nouveau poster. This beautiful lithograph is in excellent condition, ...
Category
Art Nouveau Early 20th Century Landscape Prints
Materials
Lithograph
Steps to the Grand Canal, St. Mark's in the distance, Venice.
Located in Middletown, NY
A lovely view of Venice from the water.
Etching with drypoint on antique cream laid paper with a large figural watermark, signed in pencil, lower right. 14 1/4 x 11 inches (362 x 280...
Category
American Modern Early 20th Century Landscape Prints
Materials
Laid Paper, Drypoint, Etching
"And There Was Light" from the Genesis portfolio old testament bible landscape
By Abel Pann
Located in Milwaukee, WI
"And There Was Light" is a reproduction giclée print on watercolor paper. It is based after the original lithograph made by Abel Pann. From Abel Pann's portfolio, "The Bible - Genes...
Category
Modern Early 20th Century Landscape Prints
Materials
Giclée
H.O. Miethke Das Werk folio "Farm House in Buchberg" collotype print
Located in Chicago, IL
DAS WERK GUSTAV KLIMTS, a portfolio of 50 prints, ten of which are multicolor collotypes on chine colle paper laid down on hand-made heavy cream wove paper with deckled edges; under ...
Category
Vienna Secession Early 20th Century Landscape Prints
Materials
Paper
Wheeler Hall 1921 University of California at Berkeley Color Lithograph
Located in Soquel, CA
Wheeler Hall 1921 University of California at Berkeley Color Lithograph by Pedro Lemos (American, 1882-1952).
Lithograph from a 1921 UC Berkely yearbook de...
Category
American Impressionist Early 20th Century Landscape Prints
Materials
Lithograph, Paper
London Underground Summertime original vintage poster by Edward McKnight Kauffer
Located in London, GB
To see our other original vintage travel posters including more London Transport posters, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or...
Category
Early 20th Century Landscape Prints
Materials
Lithograph
Joseph Kirkpatrick (1872-1936) - Framed Aquatint, A Sussex Hilltop
Located in Corsham, GB
An original aquatint in colours by the listed British artist Joseph Kirkpatrick (1872-1936). Elegantly housed in a gilt-effect frame with original a...
Category
Early 20th Century Landscape Prints
Materials
Aquatint
'Coenties Slip' — 1920s Lower Manhattan, Financial District
Located in Myrtle Beach, SC
Luigi Kasimir, 'Coenties Slip', color etching with aquatint, 1927, edition 100. Signed in pencil. Dated in the plate, lower right. Annotated 'NEW YORK HANOVER SQUARE (COENTIES SLIP)'...
Category
American Modern Early 20th Century Landscape Prints
Materials
Etching, Aquatint
Don Quixote
Located in Middletown, NY
Etching on a large sheet of light cream wove paper, Baron Dominique Vivant Denon (after Jean-Honoré Fragonard); Paris: c 1900; 4 3/4 x 3 1/2 inches (120 x 90 mm), full margins. In go...
Category
French School Early 20th Century Landscape Prints
Materials
Handmade Paper, Etching
Cecil Tatton Winter (1895-1954) after Edward King - Etching, The Royal Exchange
Located in Corsham, GB
A fine coloured etching of the Royal Exchange on a typically wet and rainy day in London. Signed and inscribed in graphite. Well presented in a simple wood frame. On paper.
Category
Early 20th Century Landscape Prints
Materials
Etching
Don Quixote and Sancho Panza Witness the Attack on Rocinante
Located in Middletown, NY
Etching on a large sheet of light cream wove paper, Baron Dominique Vivant Denon (after Jean-Honoré Fragonard); Paris: c 1900; 4 3/4 x 3 1/2 inches (120 x 90 mm), full margins. In go...
Category
French School Early 20th Century Landscape Prints
Materials
Handmade Paper, Etching
Don Quixote Reading
Located in Middletown, NY
Etching on a large sheet of light cream wove paper, Baron Dominique Vivant Denon (after Jean-Honoré Fragonard); Paris: c 1900; 4 3/4 x 3 1/2 inches (120 x 90 mm), full margins. In go...
Category
French School Early 20th Century Landscape Prints
Materials
Etching, Handmade Paper
Adeline Illingworth (1858-1930) - Etching, Stephen Langton's Bridge
Located in Corsham, GB
An early artist proof print by Adeline Illingworth (1858-1930). Titled, 'Stephen Langton's Bridge- Headcorn, Kent'. Signed in pencil below pla...
Category
Early 20th Century Landscape Prints
Materials
Etching
Joseph Kirkpatrick (1872-1936) - Framed Aquatint, Departing Day
Located in Corsham, GB
An original aquatint in colours by the listed British artist Joseph Kirkpatrick (1872-1936). Elegantly housed in a gilt-effect frame with original a...
Category
Early 20th Century Landscape Prints
Materials
Aquatint
'Cleveland Public Square' — 1920s Urban Realism
By Anton Schutz
Located in Myrtle Beach, SC
Anton Schutz, 'Cleveland Public Square', etching, edition not stated, 1927. Signed in pencil. Signed and dated in the plate, lower left. Annotated 'Cleveland Public Square S489', in another hand, in the bottom right margin. A fine, richly-inked impression, in brown/black ink, with skillfully-controlled plate tone, on cream wove Japan paper; the full sheet with margins (1 5/8 to 3 inches), in excellent condition. Archivally sleeved, unmatted.
Image size 11 7/8 x 8 7/8 inches; sheet size 17 1/4 x 12 1/8 inches.
ABOUT THIS IMAGE
'Public Square' is the two-block (formerly four-block) central plaza of downtown Cleveland, Ohio. Based on an 18th-century New England model, it was part of the original 1796 town plan overseen by Moses Cleveland and remains today as an integral part of the city's center. The 10-acre (4.0 ha) square is centered on the former intersection of Superior Avenue and Ontario Street.[2] Cleveland's three tallest buildings, Key Tower, 200 Public Square, and the Terminal Tower, face the square.
Public Square was part of the Connecticut Land Company's original plan for the city, overseen by Moses Cleveland in the 1790s. The square is signature of the layout for early New England towns, which Cleveland was modeled after. While it initially served as a common pasture for settlers' animals, less than a century later in 1879 Public Square became the first street in the world to be lit with electric street lights—arc lamps designed by Cleveland native Charles F. Brush. The square was added to the National Register of Historic Places on December 18, 1975.
Public Square is often the site of political rallies and civic functions, including a free annual Independence Day concert by the Cleveland Orchestra...
Category
American Realist Early 20th Century Landscape Prints
Materials
Etching
The Old Smyth Gate, Charleston, South Carolina
By Alfred Hutty
Located in Middletown, NY
A view of the gateway to Simmons-Edwards House (14 Legare Street), also known as the Pineapple Gate House.
Etching with drypoint on watermarked "Hand Made" laid paper, signed in pen...
Category
American Modern Early 20th Century Landscape Prints
Materials
Laid Paper, Drypoint, Etching, Handmade Paper
Impressions of Italy - Italian Views
Located in London, GB
This complete set of fifty etchings, aquatints and drypoints are each hand signed by the artist "Edgar Chahine" at the lower left margins.
The folio was printed by A. Routy, Paris an...
Category
Early 20th Century Landscape Prints
Materials
Etching, Aquatint, Drypoint
Luigi Kasimir (1881-1962) - Framed Etching, New York from Governor Island
Located in Corsham, GB
An original etching with aquatint by Hungarian printmaker Luigi Kasimir (1881-1962). Signed in graphite to the lower margin. Presented in a plain gilt-effect frame with a wide linen ...
Category
Early 20th Century Landscape Prints
Materials
Etching
'Westminster Abbey' — 1920s Realism
By Anton Schutz
Located in Myrtle Beach, SC
Anton Schutz, 'Westminster Abbey', etching, edition not stated, 1927. Signed in pencil. Signed and dated in the plate, lower left. A superb, richly-i...
Category
American Realist Early 20th Century Landscape Prints
Materials
Etching
The Helmsman
Located in Storrs, CT
The Helmsman. 1925. Etching. Hurst 130. 7 x 10 7/8 (sheet 11 x 5). Trial proof, apart from the edition of 75 An extremely rich impression printed cream wove paper. An exceptionally r...
Category
Modern Early 20th Century Landscape Prints
Materials
Drypoint, Etching
'Brooklyn Bridge' — 1920s view of an iconic New York City landmark
Located in Myrtle Beach, SC
Luigi Kasimir, 'Brooklyn Bridge', color etching with aquatint, 1927, edition 100. Signed in pencil.
A superb impression, with fresh colors, on heavy, cream wove paper; with margins...
Category
American Modern Early 20th Century Landscape Prints
Materials
Etching, Aquatint
Yoshida Hiroshi -- Hirosaki Castle 弘前城
Located in BRUCE, ACT
Title Hirosaki Castle 弘前城
From the series "Sakura Hachi-dai" (Eight Scenes of Cherry Blossom)
Date 1935; (posthumous edition, likely 1950's/60's).
Publisher Yoshida Fam...
Category
Early 20th Century Landscape Prints
Materials
Woodcut
BY SALT MARSHES
Located in Portland, ME
(Dow, Arthur Wesley)illus. BY SALT MARSHES: PICTURES AND POEMS OF OLD IPSWICH by Everett Stanley Hubbard. (Artists of the Book in Boston, #74). Ipswich, MA. 1908, Privately printed. ...
Category
Early 20th Century Landscape Prints
Materials
Woodcut
City Hall Tower, Rothenburg, Germany.
Located in Middletown, NY
Etching and drypoint on cream wove paper, 10 3/4 x 7 1/2 inches (270 x 190 mm), full margins. Signed, inscribed and titled in pencil, lower margin. Some small, scattered light spots...
Category
Modern Early 20th Century Landscape Prints
Materials
Handmade Paper, Drypoint, Etching
'Soaring Steel' — 1920s Realism, Chicago Cityscape
Located in Myrtle Beach, SC
Samuel Chamberlain, 'Soaring Steel', drypoint, 1929, edition 100, Chamberlain and Kingsland 79. Signed, titled, and numbered '64/100' in pencil. Annotated '48.00' in pencil, in the artist's hand, bottom right margin. A superb, finely-detailed impression, with selectively wiped plate tone, on heavy Rives cream wove paper; full margins (1 3/8 to 1 7/8 inches), in excellent condition. Matted to museum standards, unframed.
The subject of the print is the construction of the Daily News Building in Chicago, Illinois.
Image size 12 1/4 x 9 1/2 inches (311 x 241 mm); sheet size 15 1/2 x 12 3/8 inches (394 x 314 mm).
Impressions of this work are held in the collections of the Art Institute of Chicago, Boston Public Library, Crystal Bridges Museum of American Art, Museum of Modern Art, New York Public Library, University of Michigan Museum of Art, Smithsonian American Art Museum, and the Western Australia Museum.
ABOUT THE ARTIST
'There is something about the atmospheric vibrancy of an etching which imparts a peculiar and irresistible life to architectural drawing...A copper plate offers receptive ground to the meticulously detailed drawing which so often appeals to the architect'. —Samuel Chamberlain, from the Catalogue Raisonné of his prints.
Samuel V. Chamberlain (1896 - 1975), printmaker, photographer, author, and teacher, was born in Iowa. His family moved to Aberdeen, Washington in 1901, and in 1913, Chamberlain enrolled in the University of Washington in Seattle, where he studied architecture under Carl Gould. By 1915, he was enrolled in the School of Architecture of the Massachusetts Institute of Technology in Boston. With the United States' involvement in the First World War, Chamberlain sailed to France, where he volunteered in the American Field Service. In 1918, he was transferred to the United States Army to complete his tour of duty. After the war, he returned to Boston and resumed his architectural studies, which he eventually discontinued, working for a few years as a commercial artist.
Chamberlain received the American Field Service Scholarship in 1923, which he used to travel to Spain, North Africa, and Italy. In 1924 he was living in Paris, where he studied lithography with Gaston Dorfinant and etching and drypoint with Edouard Léon, publishing his first etching the following year. In 1927, he studied drypoint with Malcolm...
Category
American Modern Early 20th Century Landscape Prints
Materials
Drypoint
"Aus Sluis" original etching
Located in Henderson, NV
Medium: original etching. Printed on laid paper in 1919 and published in Berlin by Paul Cassirer. Plate size: 3 3/4 x 5 3/4 inches (98 x 147 mm). Signed in the plate (not by hand).
Category
Early 20th Century Landscape Prints
Materials
Etching
'Manhattan Old and New' —1920s Realism, Cityscape
Located in Myrtle Beach, SC
Samuel Chamberlain, 'Manhattan Old and New', drypoint, 1929, edition 100, Chamberlain and Kingsland 81. Signed, titled, and numbered '81/100' in pencil. Titled and annotated '30.00' in pencil, in the artist's hand, bottom margin. Matted to museum standards, unframed.
A superb, finely-detailed impression, with selectively wiped plate tone, on heavy Rives cream wove paper; full margins (1 1/2 to 2 1/4 inches), in excellent condition.
The subject of the print is the lower Manhattan cityscape just before the Depression.
Image size 8 3/4 x 6 13/16 inches (222 x 173 mm); sheet size 12 3/4 x 10 inches (324 x 254 mm).
Impressions of this work are held in the collections of the National Gallery of Art and the Zimmerli Art Museum.
ABOUT THE ARTIST
'There is something about the atmospheric vibrancy of an etching which imparts a peculiar and irresistible life to architectural drawing...A copper plate offers receptive ground to the meticulously detailed drawing which so often appeals to the architect'. —Samuel Chamberlain, from the Catalogue Raisonné of his prints.
Samuel V. Chamberlain (1896 - 1975), printmaker, photographer, author, and teacher, was born in Iowa. His family moved to Aberdeen, Washington in 1901, and in 1913, Chamberlain enrolled in the University of Washington in Seattle, where he studied architecture under Carl Gould. By 1915, he was enrolled in the School of Architecture of the Massachusetts Institute of Technology in Boston. With the United States' involvement in the First World War, Chamberlain sailed to France, where he volunteered in the American Field Service. In 1918, he was transferred to the United States Army to complete his tour of duty. After the war, he returned to Boston and resumed his architectural studies, which he eventually discontinued, working for a few years as a commercial artist.
Chamberlain received the American Field Service Scholarship in 1923, which he used to travel to Spain, North Africa, and Italy. In 1924 he was living in Paris, where he studied lithography with Gaston Dorfinant and etching and drypoint with Edouard Léon, publishing his first etching the following year. In 1927, he studied drypoint with Malcolm Osborne...
Category
American Modern Early 20th Century Landscape Prints
Materials
Drypoint
Original "Fight or Buy Bonds, Third Liberty Loan" vintage poster 1917
Located in Spokane, WA
Original Fight or Buy Bonds, Third Liberty Loan vintage poster. Linen backed in excellent condition. Ready to frame.
This image features an image of a woman known as a ‘Christy Girl’. His wife inspired the women in Howard Chandler Christy’s Women. The hair color may change in the various posters, but the woman is always the same. What a tribute for his wife.
One of the most famous and influential WW1 propaganda...
Category
American Realist Early 20th Century Landscape Prints
Materials
Lithograph
Low Country (South Carolina)
Located in Middletown, NY
An enchanting Southern landscape by the mother of the Charleston Renaissance.
A native of Charleston, South Carolina, and educated under the tutelage of Thomas Anshutz at The Pennsylvania Academy of Fine Arts, O'Neill Verner was a teacher, a mother, an artist, an ardent preservationist, and a skilled autodidact. Having previously focused on painting, in the early 1920s she found herself deeply moved by printmaking as a media, and especially so by the simple, peaceful themes and tableaus she discovered in Japanese art. She embarked on a effort to teach herself Japanese printmaking techniques, and in the process, produced the charming images of every day life in Charleston and its environs that earned her recognition as a cultural icon in her day, and in more modern times, as the mother of the Charleston Renaissance, which flourished well into the 1930s. In 1923 she opened a studio in Charleston where she focused on documenting the local color and the architecture and landscape that distinguishes Charleston as one of the South's most beautiful cities, all the while applying the gentle and poetic thematic sensibilities of Japanese printmaking. O'Neill Verner soon found herself in high demand when municipalities and institutions throughout the country sought commissions from her to document the beauty of their grounds and historic buildings. She worked as far north as the campuses of Harvard and Princeton, and extensively across the South, including in Savannah, Georgia, where through sweeping commissions she was able to marry her love of southern preservation and art. O'Neill Verner was a lifelong learner, and continued a path of edification that led her to study etching at the Central School of Art in London, to travel extensively through Europe, and to visit Japan in 1937, where she studied sumi (brush and ink) painting. She was a founding member of the Charleston Etchers Club, and the Southern States Art League. Her works are represented in the permanent collections of leading museums across the American south, and in major national institutions including the Metropolitan Museum of Art, Boston's Museum of Fine Art, and the Smithsonian American Art Museum. O'Neil Verner...
Category
American Modern Early 20th Century Landscape Prints
Materials
Archival Paper, Drypoint, Etching
'Heart of San Francisco' — Vintage 1920s Realism
By Anton Schutz
Located in Myrtle Beach, SC
Anton Schutz, 'Heart of San Francisco', etching, c. 1927, edition not stated. Signed in pencil. A superb, richly-inked impression, on cream wove paper; the full sheet with margins (2...
Category
American Realist Early 20th Century Landscape Prints
Materials
Etching
Le Pont de Segovie
By Eugene Bejot
Located in Middletown, NY
Etching on cream wove paper, 5 1/2 x 7 inches (138 x 176 mm), full margins. Signed in pencil in the lower margin. With minor mat tone, and two pin-point spots of light discoloration ...
Category
French School Early 20th Century Landscape Prints
Materials
Handmade Paper, Etching
James Alphege Brewer (c.1909-1938) - Etching, Cathédrale Notre-Dame de Reims
Located in Corsham, GB
A charming hand tinted etching depicting Cathédrale Notre-Dame de Reims. Signed and titled in graphite below the plate lines. Presented in a gilt frame with ornate acanthus scrolling...
Category
Early 20th Century Landscape Prints
Materials
Etching
Equestrian Scene
Located in Belgrade, MT
This lithograph is a piece from my private collection of 20th Century School of Paris era artists. It is hand signed by the artist and numbered, Guilde de la Gravure, and is in very ...
Category
Contemporary Early 20th Century Landscape Prints
Materials
Oil, Engraving, Lithograph
Siebengebirge, circa 1920s Etching, Germany, Tugboat
Located in Grand Rapids, MI
Hans Füsser (German, 1898-1959)
Signed: Hans Füsser (Lower, Right)
" Siebengebirge ", circa 1920s
Etching
Plate Size: 6 1/4" x 8 1/2"
Housed in a 1/2" Frame
Overall Size: 12 3/...
Category
Early 20th Century Landscape Prints
Materials
Etching
Rare Judaica Chevron Bezalel Zeev Raban Chromolithograph (made in Palestine)
By Zeev Raban
Located in Surfside, FL
Jerusalem's Bezalel School
The Bezalel Academy of Arts and Design, was founded in 1906 by Boris Schatz. In 1903, Schatz met Theodore Herzl and became an ardent Zionist. At the Zionis...
Category
Art Nouveau Early 20th Century Landscape Prints
Materials
Lithograph
Ludgate Hill
Located in Middletown, NY
Etching with drypoint and aquatint on light cream wove paper, 5 1/2 x 5 inches (140 x 122 mm), full margins. Signed in pencil in the lower margin. One of a total of 400 signed impres...
Category
Modern Early 20th Century Landscape Prints
Materials
Drypoint, Etching, Aquatint
Original "Clear the Way!! Buy Bonds Fourth Liberty Loan, vintage poster, 1917
Located in Spokane, WA
Original "Clear the Way !!" Buy Bonds Fourth Liberty Loan vintage poster.. With Lady Liberty holding the U. S. Flag above the soldiers prepari...
Category
American Realist Early 20th Century Landscape Prints
Materials
Lithograph
Hamburg Harbor Etching by Hans Kaumann, c. 1920
Located in Larchmont, NY
Hans Kaumann (German, 20th Century)
Hamburg Harbor, c. 1920
Etching
12 x 16 in.
This historic print depicting Hamburg Harbor offers a look into the past, presenting a c. 1920s view ...
Category
Early 20th Century Landscape Prints
Materials
Etching
"Munster auf der Reichenau" original etching
Located in Henderson, NV
Medium: original etching. Published in Berlin by Bruno Cassirer in 1904 for Kunst und Kunstler. The plate measures 5 1/2 x 7 1/4 inches (140 x 185 mm). Not signed.
Category
Early 20th Century Landscape Prints
Materials
Etching
H.O. Miethke Das Werk folio "Farmhouse With Birch Trees" collotype print
Located in Chicago, IL
DAS WERK GUSTAV KLIMTS, a portfolio of 50 prints, ten of which are multicolor collotypes on chine colle paper laid down on hand-made heavy cream wove paper with deckled edges; under ...
Category
Vienna Secession Early 20th Century Landscape Prints
Materials
Paper
Gloucester Ferry, No. 2
Located in Middletown, NY
A beautiful and delicate 19th century image of one of New England's most storied ports.
Boston: Estes & Lauriat Editions, 1882
Etching on cream laid paper, 2 3/4 x 5 1/4 inches (68 ...
Category
American Realist Early 20th Century Landscape Prints
Materials
Laid Paper, Etching
SAN JACINTO
Located in Santa Monica, CA
FRANCES H. GEARHART (1869-1958)
(Mt.) SAN JACINTO c. 1926
Color block print. Signed in pencil. Unknown edition but uncommon. Image 6 5/8 x 4 1/8 inches. On Gearhart's typical fibr...
Category
American Impressionist Early 20th Century Landscape Prints
Materials
Woodcut
Wadham College, Oxford by Emery Walker after Edmund Hort New
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want.
Emery Walker (1851 – 1933) after Edmund Hort New (1871 – 1931)
Wadham College, Oxford
Photogravure
27 x 41 cm
New produced a series of pen-and-ink drawings of Oxford colleges, of which this is one. They paid homage to the artist David Loggan, often using the same aerial viewpoint as him, but showing the colleges two hundred years later. Emery Walker turned...
Category
Realist Early 20th Century Landscape Prints
Materials
Photogravure
The Old Surrey and Burstow Hunt hunting print by Lionel Edwards
Located in London, GB
To see our other hunting pictures, scroll down to "More from this Seller" and below it click on "See all from this Seller" and then search.
Lionel Ed...
Category
Early 20th Century Landscape Prints
Materials
Lithograph
Market Square, Rothenburg, Germany
Located in Middletown, NY
Etching and drypoint on cream wove paper, 10 3/4 x 7 1/2 inches (270 x 190 mm), full margins. Signed, inscribed and titled in pencil, lower margin. In good condition with minor mat t...
Category
Modern Early 20th Century Landscape Prints
Materials
Handmade Paper, Drypoint, Etching
On Lake Como # 1
Located in New Orleans, LA
Both of Arms' Lake Como images were mostly printed in color. is a rarer black and white impression,
John Taylor Arms was born in Washington, DC. He studied architecture at the Massa...
Category
American Modern Early 20th Century Landscape Prints
Materials
Etching
The Beaufort Hunt Above the Sodbury Vale hunting print by Lionel Edwards
Located in London, GB
To see our other hunting pictures, scroll down to "More from this Seller" and below it click on "See all from this Seller" and then search.
Lionel Edwards (1878 - 1966)
The Beaufort...
Category
Early 20th Century Landscape Prints
Materials
Lithograph
Fred Nagler, Harlem River (New York City)
By Fred Nagler
Located in New York, NY
Massachusetts-born Fred Nagler studied at the Art Students League from 1914 to 1917, with George Bridgeman and Robert Henri, and eventually became a member of the Board of Control. ...
Category
Ashcan School Early 20th Century Landscape Prints
Materials
Etching
H.O. Miethke Das Werk folio "Golden Apple Tree" collotype print
Located in Chicago, IL
DAS WERK GUSTAV KLIMTS, a portfolio of 50 prints, ten of which are multicolor collotypes on chine colle paper laid down on hand-made heavy cream wove paper with deckled edges; under ...
Category
Vienna Secession Early 20th Century Landscape Prints
Materials
Paper
