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Early 20th Century Landscape Prints

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Period: Early 20th Century
Lovis Corinth "Burg am See 1923" Color Lithograph, German Impressionist, Signed
Located in Eltville am Rhein, DE
Lovis Corinth Tapiau 1858 - 1925 Zandvoort Castle by the Lake 1923, Color lithograph on handmade paper Signed in pencil lower right Sheet 2 of the portfolio Swiss Landscapes One of 75 copies on this paper Image size: 13 x 18 cm Sheet size: 40 x 30 cm Frame: 43 x 33 cm Catalogue raisonné Müller 793 Further photos available on request Viewing and collection possible by prior appointment Authenticity confirmed in writing. Lovis Corinth was born on July 21, 1858, in the town of Tapiau in East Prussia (now Gwardejsk, Russia). While attending high school in Königsberg, he developed an interest in Greek and Roman mythology as well as the Christian stories of the Bible. From 1876, Lovis Corinth attended the art academy in Königsberg, where he studied under Otto Günther, who introduced him to Weimar plein air painting. In 1880, he transferred to the Munich Academy. Works from his Munich period demonstrate his orientation towards the naturalistic painting style of Wilhelm Leibl's circle. In 1883, Lovis Corinth traveled to Italy with his father, and in 1884 he spent three months in Antwerp, where he took painting lessons from Paul Eugène Gorge. From 1884 to 1887, Corinth studied at the Académie Julian in Paris. The artist then traveled to Berlin, where he probably painted his first self-portrait in 1887/88, which was followed by numerous others over the years. From 1891 to 1899, Corinth lived as a freelance painter in Munich, where he belonged to the Secession. After meeting Max Liebermann and Walter Leistikow in the winter of 1898/99, he decided to move to Berlin, where he settled in 1901. Prior to this, his work "Salomé with the Head of John the Baptist...
Category

Impressionist Early 20th Century Landscape Prints

Materials

Lithograph

Amsterdam - Woodcut Print by Frans Masereel - 1933
Located in Roma, IT
Amsterdam is an artwork realized by Frans Masereel, 1933. Woodcut print representing Amsterdam. 75 x 55 with frame; 17h x 12 cm each work. Good conditions.
Category

Modern Early 20th Century Landscape Prints

Materials

Paper, Woodcut

Marie Laurencin, Untitled, from Les Biches, 1924
Located in Southampton, NY
This exquisite lithograph and pochoir by Marie Laurencin (1883–1956), titled Sans titre (Untitled), from the album Les Biches (The Does), originates from the 1924 edition published b...
Category

Modern Early 20th Century Landscape Prints

Materials

Lithograph, Stencil

"Church Of San Ruffino, Assisi" original etching
Located in Henderson, NV
Medium: original etching. This impression in sepia on watermarked laid paper was printed in 1907 and published in Paris for the Revue de l'art ancien et moderne. Plate size: 6 1/8 x ...
Category

Early 20th Century Landscape Prints

Materials

Etching

Marie Laurencin, Untitled, from Les Biches, 1924
Located in Southampton, NY
This exquisite lithograph and pochoir by Marie Laurencin (1883–1956), titled Sans titre (Untitled), from the album Les Biches (The Does), originates from the 1924 edition published b...
Category

Modern Early 20th Century Landscape Prints

Materials

Lithograph, Stencil

Fernand Leger, Musical Instruments, from Cahiers d'Art, 1928 (after)
Located in Southampton, NY
This exquisite lithograph and pochoir after Fernand Leger (1881–1955), titled Instruments de musique (Musical Instruments), from the album Fernand Leger (Fernand Leger), originates f...
Category

Modern Early 20th Century Landscape Prints

Materials

Lithograph

Early 20th century aquatint landscape figure boat water trees lake print signed
Located in Milwaukee, WI
'Le Pecheur' is an excelletn example of the aquatints of Manuel Robbe, a French artists working during the turn of the 20th century. The image draws upon th...
Category

Impressionist Early 20th Century Landscape Prints

Materials

Aquatint

Rothenberg
Located in Middletown, NY
Etching with aquatint on cream wove paper, 6 11/16 x 9 15/16 inches (170 x 252 mm), full margins. Signed in pencil in the lower right margin. With significant toning and moderate mat...
Category

Naturalistic Early 20th Century Landscape Prints

Materials

Handmade Paper, Etching, Aquatint

Art Deco : The Harvest - Original wooodcut, Handsigned
Located in Paris, IDF
Maurice De LAMBERT Art Deco : The Harvest, 1927 Original woodcut Handsigned in pencil Numbered /160 On vellum 32.5 x 25.5 cm (c. 13 x 10 in) Bears the blind stamp of the editor 'Imagier de la Gravure sur Bois...
Category

Modern Early 20th Century Landscape Prints

Materials

Woodcut

Landscape -Original Etching by George-Henri Tribout - Early 20th Century
Located in Roma, IT
Landscape is an original artwork realized by George Henri Tribout. Original etching on paper glued on cardboard. Monogrammed on the lower left corner. George Henri Tribout (Paris,...
Category

Modern Early 20th Century Landscape Prints

Materials

Etching

'Downtown, New York' — 1920s Modernism
Located in Myrtle Beach, SC
John Taylor Arms, 'Downtown, New York', etching with aquatint, 1921, edition 75, Fletcher 108. Signed, dated, and numbered 14/75 in pencil. A superb, finely nuanced impression, in d...
Category

American Modern Early 20th Century Landscape Prints

Materials

Etching

Lumbermen.
Located in Storrs, CT
Lumbermen. 1923. Etching. Appleby 91. 9 x 12 (sheet 12 3/8 x 18 1/8). Edition 100. A cleanly-wiped impression printed on off-white 'FG Head & Co' laid paper with full margins. Signed...
Category

Modern Early 20th Century Landscape Prints

Materials

Drypoint, Etching

Lumbermen.
Lumbermen.
$500 Sale Price
33% Off
A Signed Etching of a Pastoral Scene in Picardy, France by Paul Emile Lecomte
Located in Alamo, CA
A beautiful aquatint etching of a serene pastoral scene in the Picardy region of northern France by Paul Emile Lecomte (1877-1950). A mother and child are seen walking down a path in...
Category

Impressionist Early 20th Century Landscape Prints

Materials

Aquatint

Boathouse along the Tisza River; Tiszlapart
Located in Middletown, NY
Etching with aquatint on buff wove paper, 11 3/8 x 15 1/2 inches (287 x 392 mm), full margins. Signed, titled, and numbered 99/100 in pencil, lower margin. In good condition with som...
Category

Modern Early 20th Century Landscape Prints

Materials

Handmade Paper, Etching, Aquatint

Restaurant in Mott Street
Located in New Orleans, LA
The image depicts a restaurant on New York's Mott Street with ornamental iron work on the balconies. There are six figures in the scene in various stages of contrast. Mott Street is considered the unofficial Main Street of New York's Chinatown. Ella Fitzgerald sang it best: “And tell me what street compares with Mott Street in July? Sweet pushcarts gently gliding by.” CFW Mielatz was an early influence on the drypoints and etchings of Martin Lewis. This piece was created in 1906 and it is signed in pencil. It is part of the collection of New York's Metropolitan Museum of Art C.F.W. Mielatz American, 1860-1919 Born in Bredding, Germany in 1864, Mielatz emigrated to the United States as a young boy and studied at the Chicago School of Design. Mostly self-taught, his first prints were large New England landscapes reminiscent of the painter-etcher school of American Art. Around 1890 he started to produce prints of New York City and by the time of his death, the number totaled over ninety images. He was a master technician in the field of etching, reworking many of his plates to get the exact feeling he was seeking. Mielatz was a member of the New York Etching...
Category

American Modern Early 20th Century Landscape Prints

Materials

Drypoint, Etching

September 13, 1918. St. Mihiel [The Great Black Cloud].
Located in Storrs, CT
September 13, 1918. St. Mihiel [The Great Black Cloud]. 1934. Etching, aquatint and sandpaper ground. Giardina catalog 182 state iv. 10 3/8 x 16 (sheet 13 1/8 x 18 1/4). Edition 100. Illustrated: Prints vol. VI, no. 2, 1935, page 85; Print Collector's Quarterly 26 (1939): 82; Fine Prints of the Year, 1935; Eby. War. Provenance: Frederick Keppel & Co. A rich, beautifully wiped impression on cream-colored wove paper. Signed and annotated 'imp' and 'Edition 100' in pencil, indicating a proof printed by the artist. This is Eby's most famous etching...
Category

American Modern Early 20th Century Landscape Prints

Materials

Mixed Media, Etching, Aquatint

Early 20th Century Santo Domingo Landscape Etching Proof
Located in Soquel, CA
Prize winning 1923 Dry Point Etching of Santo Domingo by George "Pop" Hart. Wonderful early 20th century modern etching of the Santo Domingo, capital of Dominican Republic by Georg...
Category

Contemporary Early 20th Century Landscape Prints

Materials

Laid Paper, Drypoint, Etching

Poland, Krakow Castle - Original wooodcut, Handsigned & Numbered
Located in Paris, IDF
Henry CHEFFER (1880-1957) Poland, Krakow Castle, 1924 Original woodcut Handsigned in pencil Numbered /160 On vellum 32.5 x 25.5 cm (c. 13 x 10 in) Bears the blind stamp of the edito...
Category

Modern Early 20th Century Landscape Prints

Materials

Woodcut

Dorothy and John Taylor Arms M.D. MCMXXV
Located in Middletown, NY
Etching on cream wove paper 5 7/8 x 3 3/8 inches (150 x 86 mm). Signed and dated in pencil in the lower margin. First state (of 2), before the removal of the inscription in the lowe...
Category

Early 20th Century Landscape Prints

Materials

Handmade Paper, Etching

Cambridge Midsummer Fair
Located in Middletown, NY
A peaceful image by Britian's first official war artist. Drypoint printed in brownish black ink on fibrous, laid Japon paper, 3 3/8 x 6 5/16 inches (85 x 161 mm), full margins. Sign...
Category

Realist Early 20th Century Landscape Prints

Materials

Handmade Paper, Drypoint

"Winter Wildfowling" Frank Weston Benson, Hunting Scene, Outdoors, Marshes
Located in New York, NY
Frank Weston Benson Winter Wildfowling, 1927 Signed lower left Etching on paper Image 8 1/2 x 7 inches Born in Salem, Massachusetts, a descendant of a long line of sea captains, Benson first studied art at Boston’s Museum School where he became editor of the student magazine. In 1883, Benson enrolled at the Académie Julian in Paris where artists such as Bouguereau, Lefebvre, Constant, Doucet and Boulanger taught students from all over Europe and America. It was Boulanger who gave Benson his highest commendation. “Young man,” he said, “Your career is in your hands . . . you will do very well.” Benson’s parents gave him a present of one thousand dollars a twenty-first birthday and told him to return home when it ran out. The money lasted long enough to provide Benson with two years of schooling in Paris, a summer at the seaside village of Concarneau in Brittany and travel in England. Upon returning to America, Benson opened a studio on Salem’s Chestnut Street and began painting portraits of family and friends. An oil of his wife, Ellen Perry Peirson, dressed in her wedding gown is representative of this period. It demonstrates not only the academic techniques he learned at the Academie Julian but also his own growing emphasis on the effects of light. And yet, despite all the technical mastery displayed in the work, the painting exudes the warmth that existed between model and artist. More than a likeness, it is a study in serenity. Perhaps it was of a work such as this that Benson was thinking when he said, “The more a painter knows about his subject, the more he studies and understands it, the more the true nature of it is perceived by whoever looks at it, even though it is extremely subtle and not easy to see or understand. A painter must search deeply into the aspects of a subject, must know and understand it thoroughly before he can represent it well.” Following a brief stint as an instructor at the Portland, Maine, Society of Art, Benson was appointed as instructor of antique drawing at the Museum School in Boston in the spring of l889. Benson’s long association with the school was particularly fruitful. Under the leadership of Edmund Tarbell and Benson the Museum School became a national and internationally recognized institution. The students won numerous prizes, enrollment tripled, a new school building was erected and visiting delegations from other schools sought the secret of their success. Benson cherished his role as teacher and was held in high esteem by his students, many of whom called him “Cher Maitre.” Reminiscing about his long career with the school Benson once said, “I may have taught many students, but it was I who learned the most.” In 1890, Benson won the Hallgarten Prize at the National Academy in New York. It was the first of a long series of awards, that earning for him the sobriquet “America’s Most Medalled Painter.” In the early years of his career, Benson’s studio works were mostly portraits or paintings of figures set in richly appointed interiors. Young women in white stretch their hands out towards the glow of an unseen fire; girls converse on an antique settee in a room full of objets d’arts; his first daughter, Eleanor, poses with her cat. Works of this sort, together with a steady influx of portrait commissions, earned Benson both renown and financial rewards, yet it was in his outdoor works that gave Benson his greatest pleasure. In the latter half of the 1890s, Benson summered in Newcastle, on New Hampshire’s short stretch of seacoast. It was here, in 1899, that Benson made his first foray into impressionism with Children in the Woods and The Sisters, the latter a sun-dappled study of his two youngest daughters, Sylvia and Elisabeth. This painting was one of the first works that Benson hung at an exhibition with nine friends. The resignation of these ten illustrious artists rocked the American art establishment but, the catalogue for their first exhibition was titled, simply, “Ten American Painters.” When, in 1898, the three Bostonians and seven New Yorkers began to exhibit their best work in exquisitely arranged small shows, the group (dubbed by newspapers, “The Ten” ) quickly became known as the American Impressionists, a bow to the style of their French predecessors. The Ten’s annual shows soon became an eagerly awaited part of the annual exhibition calendar and were always well reviewed. Held annually in New York City, the group’s yearly exhibitions usually traveled to Boston and were occasionally seen in other cities. Benson’s association with other members of the group such as Childe Hassam, Thomas Dewing, William Merrit Chase and J. Alden Weir, only reinforced his growing emphasis on the tenets of Impressionism. As he later said to his daughter Eleanor, “I follow the light, where it comes from, where it goes.” The principles of Impressionism began to dominate Benson’s work by 1901, the year that the Bensons first summered on the island of North Haven in Maine’s Penobscot Bay. His summer home “Wooster Farm,” which they rented and finally bought in 1906, became the setting for some of Benson’s best known work and there, it seemed, he found endless inspiration. Benson’s sparkling plein-air paintings of his children–Eleanor, George, Elisabeth and Sylvia–capture the very essence of summer and have been widely reproduced: In The Hilltop, George and Eleanor watch the sailboat races from the headland near their house. As a boy, Benson dreamed of being an ornithological illustrator. In mid-life, he returned to the wildfowl and sporting subjects that had remained his lifelong passion. Using etching and lithography, watercolor, oil and wash, Benson portrayed the birds observed since childhood and captured scenes of his hunting and fishing expeditions. Together with his two brothers-in-law, Benson bought a small hunting retreat on a hill overlooking Cape Cod’s Nauset Marsh. Here, in the late 1890s, he began experimenting with black and white wash drawings. These paintings became so popular that Benson was not able to keep up with the demand. He turned to an art publishing company to have several made into it intaglio prints; twelve wash drawings are known to have been reproduced in this manner. At least two of them were given as gifts to associate members of the Boston Guild of artists, of which Benson was a founding member. Benson was also an avid fisherman and his salmon fishing expeditions to Canada’s Gaspé Peninsula where one of the high points of his summer. There, in 1921, he began the first in a series of watercolors that would eventually over 500 works. Benson’s watercolors conveyed the joy and beauty of a sportsman’s life whether in a painting of a hunter setting out decoys, a flock of ducks coming in for a landing or a grouse flushed from cover. The critics favorably compared Benson’s watercolors to those of Homer. “The love of the almost primitive wilderness which appears in many of Homer’s landscapes and the swift, sure touch with which he suggests rather than describes–these also characterize Benson’s work,” one critic wrote. “The solitude of the northern woods is very much like Homer’s.” Like the wash drawings before them, Benson’s watercolors proved...
Category

Academic Early 20th Century Landscape Prints

Materials

Paper, Etching

Fisherman with Windmill - Antique Monotype
Located in Soquel, CA
Fisherman with Windmill - Antique Monotype Impressionistic monotype of a fisherman with nets in front of a windmill by John J. Witcombe (British, b. 1872 d. 1918.) Visible brushstro...
Category

Impressionist Early 20th Century Landscape Prints

Materials

Paper, Ink, Monotype

Original "Ring It Again, Third Liberty Loan vintage WW1 poster
Located in Spokane, WA
Original poster: Ring it Again Third Liberty Loan. Buy U. S. Gov't Bonds. World War 1 lithograph poster over 100 years old. It is mounted on acid-free archival linen. It looks l...
Category

American Modern Early 20th Century Landscape Prints

Materials

Lithograph

Risks and Temptations - Lithograph by Adolphe Willette - Early 20th Century
Located in Roma, IT
Risks and Temptations is an Original Lithograph realized by Willette (Adolphe Léon). Good condition on a yellowed paper. Hand signed with blue pencil on the lower left corner. Ad...
Category

Art Nouveau Early 20th Century Landscape Prints

Materials

Lithograph

'Musicians Viewing the Full Moon', Large Japanese Color Woodblock Print, Biwa
By Ogyu Tensen
Located in Santa Cruz, CA
Signed, lower right, with artist's chop mark in Hiragana, 'Tensen-e' 天泉絵, for Ogyū Tensen 荻生天泉 (Japanese, 1882-1947) A large, early-20th-century, hand-colored Japanese woodblock sho...
Category

Early 20th Century Landscape Prints

Materials

Paper, Fiberboard, Woodcut

Le Nid de Pauvres, Vendee (shelter for the Poor, Vendee)
Located in Middletown, NY
Etching and drypoint on cream laid paper, 7 3/4 x 8 inches (195 x 200 mm), full margins. Signed and numbered 8/35 in pencil, lower right margin. Laid down to non archival board, mat ...
Category

French School Early 20th Century Landscape Prints

Materials

Drypoint, Etching

Composition, Propos d'un intoxiqué, Léonard Tsugouharu Foujita (藤田 嗣治)
Located in Southampton, NY
Lithograph, stencil on vélin paper. Paper size: 11.42 x 9.05 inches. Inscription: signed in the plate and unnumbered, as issued. Notes: from the folio, Propos d'un intoxiqué, Aquarel...
Category

Modern Early 20th Century Landscape Prints

Materials

Lithograph, Stencil

New York Skyline, Sketch
Located in Myrtle Beach, SC
A fine impression, on cream wove paper, with full margins (5/8 to 1 3/8 inches), in excellent condition. Edition 20. Signed and dated in pencil. Annotated 'Bolton Brown...
Category

American Realist Early 20th Century Landscape Prints

Materials

Lithograph

"San Gimignano Colline Poggio" original etching
Located in Henderson, NV
Medium: original etching and drypoint. This impression in sepia on watermarked laid paper was printed in 1907 and published in Paris for the Revue de l'art ancien et moderne. Plate s...
Category

Early 20th Century Landscape Prints

Materials

Etching

Mexican Orchestra (joy of the people is captured in this celebratory festival)
Located in New Orleans, LA
"Mexican Orchestra" is one of the George Overbury Hart's largest pieces. It is #14 from a limited edition of 50. The image captures a festive event with hanging lanterns, an orches...
Category

American Modern Early 20th Century Landscape Prints

Materials

Lithograph

Cudham, Kent
Located in Storrs, CT
Cudham, Kent. 1924. Etching. Tassi 15; Cooke 20. 3 1/8 x 4 (sheet 4 3/8 x 6 7/16). Edition of 42, including some artist's proofs. Published by the Twenty-One Gallery in London. Slight paper loss in the top left-hand corner. A rich impression with plate tone, printed by the artist on antique laid paper...
Category

Modern Early 20th Century Landscape Prints

Materials

Etching

Cudham, Kent
Cudham, Kent
$2,800 Sale Price
20% Off
Dangerous Jokes - Lithograph by Adolphe Willette - Early 20th Century
Located in Roma, IT
Dangerous Jokes is an Original Lithograph realized by Willette (Adolphe Léon). Good condition on a yellowed paper. Hand signed with blue pencil on the lower left corner. Adolphe ...
Category

Art Nouveau Early 20th Century Landscape Prints

Materials

Lithograph

Original Historic Carlisle - Gateway to Scotland vintage railroad poster
Located in Spokane, WA
Original British vintage poster: Historic Carlisle - Gateway to Scotland. Artist: Maurice Greiffenhagen. Horizontal size 39" x 48.75". Archival linen-backed original stone lithograph; ready to frame. In very good to excellent condition. Original, 1925 horizontal travel by train stone lithograph. Historic Carlisle ~ 800 years of Civic Independence. See Britain by train. British Railways. Published by British Railways (London Midland Region) LM 16657. Probably the most famous British railway poster of the 1920s. The LMS commissioned designs from 16 leading Royal Academicians in 1924, of which this was by far the most popular. A British Royal seal...
Category

American Realist Early 20th Century Landscape Prints

Materials

Lithograph

'New York, View of the East River', Paris, Metropolitan Museum, Smithsonian
Located in Santa Cruz, CA
Signed lower right, 'Max Pollak' (American, 1886-1970) with number and limitation, lower center, '21/150' and titled, lower left, 'New York: East River'. Published by Rudolph Lesch a...
Category

Modern Early 20th Century Landscape Prints

Materials

Paper, Etching

Rue Moufftard, Paris
Located in Middletown, NY
Lithograph in brown ink on lightweight, cream laid Japon paper with a deckle edge, 10 3/4 x 17 inches (274 x 432 mm), full margins. Signed and numbered 9/35 in pencil in the lower ma...
Category

Realist Early 20th Century Landscape Prints

Materials

Handmade Paper, Lithograph

Troubadour, from The Mastersingers of Nuremberg
Located in Middletown, NY
Stipple point etching on tissue-thin handmade Japon paper, 7 5/8 x 5 inches (193 x 126 mm), full margins. Signed, titled, dated, inscribed and numbered 10/25 in pencil, lower margin....
Category

Jugendstil Early 20th Century Landscape Prints

Materials

Handmade Paper, Etching

English early 20th century, An Irish Hare and a Mountain hare in a landscape
Located in Woodbury, CT
Wonderful Vintage Archibald Thorburn colored chromolithograph. The colors are amazing, giving the painting a really great appearance . Printed circa 1919, the picture is inscribed ...
Category

Victorian Early 20th Century Landscape Prints

Materials

Paper

Delaunay, Les ponts de Paris et Notre-Dame (H. 720-728), Allo! Paris! (after)
Located in Southampton, NY
Lithograph on vélin d’Arches paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the volume, Allo! Paris!, 1926. Published by Éditions des ...
Category

Modern Early 20th Century Landscape Prints

Materials

Lithograph

New York Skyline
Located in Myrtle Beach, SC
A superb impression in warm black ink, on cream, laid paper; the full sheet with margins (1 5/8 to 2 3/4 inches); original brown paper hinges on the top sheet edge recto, in excellen...
Category

American Realist Early 20th Century Landscape Prints

Materials

Etching

Original “THE DEAD CITY'S SECRET” or Doda Stadens Hemlighet Dodslinjen silent
Located in Spokane, WA
Original 1922 Swedish Vintage Silent Movie Poster – “Döda Stadens Hemlighet: Guldådern” (Frank Mayo, Universal) – Very Fine Condition, archival linen-backed and ready to frame. This ...
Category

Art Deco Early 20th Century Landscape Prints

Materials

Lithograph

The Times Building
Located in Middletown, NY
An early 20th century view of Times Square. The Society of Iconophiles, 1904. Lithograph in black ink on tissue-thin, laid Japon paper with an anchor and numeral 48 watermark, 8 3/...
Category

American Modern Early 20th Century Landscape Prints

Materials

Handmade Paper, Laid Paper, Lithograph

HMS Warspite 50 Guns, English antique naval sailing ship aquatint print
Located in Melbourne, Victoria
'HMS Warspite 50 Guns', English English naval aquatint, with gum arabic highlights, by Edward Duncan after Nicholas Condy. Published by Ackermann & Co. 'Warspite' was built and lau...
Category

English School Early 20th Century Landscape Prints

Materials

Lithograph

A Little Poor Woman - Lithograph by Adolphe Willette - 20th Century
Located in Roma, IT
A Little Poor Woman is a Lithograph realized by Adolphe Léon Willette ( 1857-1926). Good condition included a cardboard passpartout (65x50 cm). Hand-signed by the artist on the low...
Category

Art Nouveau Early 20th Century Landscape Prints

Materials

Lithograph

'U.S. Chamber of Commerce' — 1920s Realism, Washington D.C.
Located in Myrtle Beach, SC
Anton Schutz, 'U.S. Chamber of Commerce', etching, edition not stated, 1928. Signed in pencil. Annotated 'U.S. Chamber of Commerce S/516', in another hand, in the bottom right margin. A fine, richly-inked impression, with skillfully-controlled plate tone, on cream wove Japan paper; the full sheet with margins (1 3/4 to 2 3/8 inches), in excellent condition. Image size 9 7/8 x 7 7/8 inches; sheet size 14 1/8 x 11 5/8 inches. Matted to museum standards, unframed. ABOUT THE ARTIST Etcher, painter, and architect, Anton Schutz was born in Germany in 1894. He studied at the University of Munich, earning a double degree in mechanical engineering...
Category

American Realist Early 20th Century Landscape Prints

Materials

Etching

Composition, Propos d'un intoxiqué, Léonard Tsugouharu Foujita (藤田 嗣治)
Located in Southampton, NY
Lithograph, stencil on vélin paper. Paper size: 11.42 x 9.05 inches. Inscription: signed in the plate and unnumbered, as issued. Notes: from the folio, Propos d'un intoxiqué, Aquarel...
Category

Modern Early 20th Century Landscape Prints

Materials

Lithograph, Stencil

Henri Matisse, Fusain, from Drawings by Henri Matisse, 1925 (after)
Located in Southampton, NY
This exquisite lithograph after Henri Matisse (1869–1954), titled Fusain (Charcoal), from the album Dessins de Henri-Matisse (Drawings by Henri Matisse), originates from the 1925 edi...
Category

Modern Early 20th Century Landscape Prints

Materials

Lithograph

Arch Beach, California
Located in San Francisco, CA
This artwork titled "Arch Beach, California" c.1910 is an original etching on Wove paper by American artist Harley DeWitt Nichols, 1859-1939. It is hand signed and titled in pencil by the artist. The plate mark (image) size is 6.5 x 9.5 inches, framed size is 13 x 17 inches. it is custom framed in a wooden silver frame, with off white matting. It is in excellent condition, especially considering the age. About the artist: Born in the small rural Wisconsin town of Barton, Harley lived a peripatetic life. As a young child, he accompanied his family to Lincoln, Nebraska where he found great excitement in the roaming herds of buffalo and Native Americans. It was in these years that a talent for drawing was discovered. In 1870, after several years of hardship, his father moved the family back to Wisconsin. At the age of 11 he became a water boy...
Category

American Impressionist Early 20th Century Landscape Prints

Materials

Etching

Composition, Vers un monde volage, Marcel Gromaire
Located in Southampton, NY
Etching on vélin d'Arches paper. Unsigned and unnumbered, as issued. Good condition. Published by Éditions Marcel Seheur, Paris; printed by Atelier d'art Paul Haasen, Paris, Septembe...
Category

Modern Early 20th Century Landscape Prints

Materials

Etching

Composition, Propos d'un intoxiqué, Léonard Tsugouharu Foujita (藤田 嗣治)
Located in Southampton, NY
Lithograph, stencil on vélin paper. Paper size: 11.42 x 9.05 inches. Inscription: signed in the plate and unnumbered, as issued. Notes: from the folio, Propos d'un intoxiqué, Aquarel...
Category

Modern Early 20th Century Landscape Prints

Materials

Lithograph, Stencil

Composition, Propos d'un intoxiqué, Léonard Tsugouharu Foujita (藤田 嗣治)
Located in Southampton, NY
Lithograph, stencil on vélin paper. Paper size: 11.42 x 9.05 inches. Inscription: signed in the plate and unnumbered, as issued. Notes: from the folio, Propos d'un intoxiqué, Aquarel...
Category

Modern Early 20th Century Landscape Prints

Materials

Lithograph, Stencil

The Doorway.
Located in Storrs, CT
Hardie/Carter 244. 8 1/16 x 6 3/8 (sheet 10 1/4 x 8 1/4). Edition 80, #52. Illustrated: Guichard, British Etchers, 1850-1940; ; Eric Denker, Reflections & Undercurrents: Ernest Roth ...
Category

Modern Early 20th Century Landscape Prints

Materials

Drypoint, Etching

Important German Expressionist Etching Hamburg, Reiherstiegdock 1910 Emil Nolde
Located in Portland, OR
Highly important German Expressionist etching by Emil Nolde (1867-1956), Hamburg, Reiherstiegdock, 1910. This is a very rare signed and titled etching of Hamburg, Reiherstiegdock, is...
Category

Expressionist Early 20th Century Landscape Prints

Materials

Etching

DOWNTOWN, NEW YORK
Located in Portland, ME
Arms, John Taylor (American, 1887-1953). DOWNTOWN, NEW YORK. F.108. Etching and Aquatint, 1921. Edition of 75. Numbered 19/75 and signed and dated 1921, all in pencil. 8 3/8 x 4 7/8 inches, 214 x 125 mm (plate) plus margins. Framed to 16 1/4 x 12 1/2 inches with the label of The Old Print Shop...
Category

Early 20th Century Landscape Prints

Materials

Etching, Aquatint

Composition, Propos d'un intoxiqué, Léonard Tsugouharu Foujita (藤田 嗣治)
Located in Southampton, NY
Lithograph, stencil on vélin paper. Paper size: 11.42 x 9.05 inches. Inscription: signed in the plate and unnumbered, as issued. Notes: from the folio, Propos d'un intoxiqué, Aquarel...
Category

Modern Early 20th Century Landscape Prints

Materials

Lithograph, Stencil

Mathematical Bridge Queen's College, Cambridge etching by Mabel Oliver Rae
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want. Mabel Oliver Rae (1868 - 1956) Queens' Bridge, Cambridge Etching 13 x 9 cm Titled lower left and signed lower right in plate, and again in pencil outside plate. The college's famed Mathematical Bridge, which reflects in the ruffled waters of the River Cam. Kate Hillman of the Cambridge University Engineering Department notes that: "One of the most recognisable structures on the Cam, Queens' College bridge was originally built in 1749 by James Essex the Younger. Since then it has been rebuilt twice to the original design of William Etheridge, once in 1866 and again in 1905. In 1866 the bridge deck...
Category

Modern Early 20th Century Landscape Prints

Materials

Etching

Francois Auguste Rene Rodin, Untitled, from Twelve Watercolors, 1920 (after)
Located in Southampton, NY
This exquisite lithograph after Francois Auguste Rene Rodin (1840–1917), titled Sans titre (Untitled), from the folio Douze aquarelles de Auguste Rodin (Twelve Watercolors by Auguste...
Category

Modern Early 20th Century Landscape Prints

Materials

Lithograph, Stencil

Composition, Propos d'un intoxiqué, Léonard Tsugouharu Foujita (藤田 嗣治)
Located in Southampton, NY
Lithograph, stencil on vélin paper. Paper size: 11.42 x 9.05 inches. Inscription: signed in the plate and unnumbered, as issued. Notes: from the folio, Propos d'un intoxiqué, Aquarel...
Category

Modern Early 20th Century Landscape Prints

Materials

Lithograph, Stencil

View of Gran Sasso - Vintage Postcard - 1904
Located in Roma, IT
Gran Sasso view is a postcard realized in may 25th, 1904. The photo depicts the Gran Sasso mountain pass, for the railway studies Teramo- l'Aquila. It s adressed to the deputy, Mr. ...
Category

Modern Early 20th Century Landscape Prints

Materials

Paper, Postcard

Chartres Cathedral
By Axel Herman Haig, R.E.
Located in Middletown, NY
Etching in brownish black ink on cream laid paper, 8 1/4 x 4 1/4 inches (209 x 111 mm), full margins. Signed (illegibly) in pencil, lower right margin. In good condition with a print...
Category

English School Early 20th Century Landscape Prints

Materials

Etching, Laid Paper

Composition, Propos d'un intoxiqué, Léonard Tsugouharu Foujita (藤田 嗣治)
Located in Southampton, NY
Lithograph, stencil on vélin paper. Paper size: 11.42 x 9.05 inches. Inscription: signed in the plate and unnumbered, as issued. Notes: from the folio, Propos d'un intoxiqué, Aquarel...
Category

Modern Early 20th Century Landscape Prints

Materials

Lithograph, Stencil

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