Early 20th Century Landscape Prints

Kyoka-Tokaido is an original modern artwork realized after Utagawa Hiroshige (1797 – 12 October 1858) in 1925. Original Woodcut print Chuban yokoe. Red...

"Learn to Make and Test the Big Guns" original vintage poster: linen backed. Grade A condition. Ordnance recruiting poster No. 2. Better yourself – Enlist and learn a Trade in the Ordnance Department U.S.A. Linen-backed, horizontal, fine condition. A rare original poster. Aberdeen Proving Ground …. Daily peacetime firing. Publisher: Washington, D.C.: Engineer Reproduction Plant, U.S. Army, 1919. OCLC: 51040606 The recruiting and training of artillery units were crucial to American victory in World War I. For the Saint-Mihiel offensive, General Pershing...

Shiga City is an original artwork realized by Unknown Artist, in the early 20th Century. Beautiful woodcut print on cardboard. This artwork represents three different representatio...

Original poster: Pointe de Penmarch (Finistere). Circuit Automobile au Depart de Quimper. Artist: ALO, (Charles Hallo) 1884-1969. Archival linen backed and ready to frame. Stone lithograph printed in 1926. Rare travel poster. The poster is in very good shape. The right-hand border does have a mark on the outside edge as shown in the images. Minimal wear for a used poster...

Donald Shaw MacLaughlan's small, even 'miniaturist' etching, 'A Tuscan Farm,' features an idyllic view of a scene he would have encountered on his European travels. MacLaughlan was a...

La Casetta del Cipresso (translated "House by the Cypress")is an original woodcut print realized by Cesare Vincenti in the early 20th century. Good conditions. The artwork is depic...

Royal Insurance Building of Canada. (Royal Globe Insurance Company Building) 1927. Drypoint. 12 x 6 1/2 (sheet 17 1/2 x 10 1/2). A rich impression with selective plate tone printed in black/brown ink on cream wove paper. Signed in pencil. Housed in a 20 x 16-inch archival mat, suitable for framing. Rosenberg's first published print of 1927 was a drypoint of the Royal Insurance Building of Canada in New York. From his personal journal, we know that it was executed on January 18th in London and that 108 proofs were printed on 'modern' paper and signed. The alternate name of the building is the Royal Globe Insurance Company Building. It is located in the financial district of Manhattan, 150 William Street to Gold...

An excellent impression of this extremely rare, early lithograph. This is the second edition (of two) and is signed, dated and numbered in pencil by Lozowick. Printed by Burr Miller,...

Original 1924 Soviet Union lithographic poster for a monthly magazine called "Flint". The magazine was a public scientific journal that dealt with the electrical revolution, biolog...

Viterbo is an original woodcut print realized by Carlo Zuccarini in the early 20th century. The artwork is a glimpse of the Medieval architecture...

Vecchio Campo Santo (Old Cemetery) is an original woodcut print realized by Rafaele Angelo Oppio in the early 20th century. Good conditions. The artwork is depicted through strong ...

Artist: Henri Le Sidaner (French, 1862-1939) Title: "La Balustrade (The Railing)" Portfolio: Gazette des Beaux-Arts *Issued unsigned, though signed by Sidaner in the plate (printed s...

Alington in Wiltshire (The First Swallow). 1927. Etching. Garton 2.iv. 6 3/4 x 8 7/8 (sheet 10 1/2 x 13 1/2). Final state published by in an editon of 12 by Garton & Cooke in 1982 (Nicolson published an edition of 40 in 1927). In states iii and iv, the swallow of the title was removed. In state iv, the sky was re-etched and the cross-hatching was slightly finer. Signed in pencil. Garton writes, page 11: "The design was based on the Anglican chapel-of-ease is the farmyard of Bulisge at Allinston near Chippenham....The print was originally entitled The First Swallow, but the swallow was burnished out before the 1927 edition....Fifty years later new work was effected in the worn-out areas of the sky and distance to produce prints which, in his opinion, were better than those of the original edition." Robin Tanner was an English artist, etcher, and printmaker. He followed the visionary tradition of Samuel Palmer and English neo-romanticism. His etchings began following night-school classes at Goldsmiths College, London. He had been inspired by the major Samuel Palmer retrospective exhibition organized by Martin Hardie...

The River By Meadow is an original etching artwork on creamy-colored paper realized by French artist Amadée Feau (1872-1952) in 1921. Signed on the plate on the lower right and date...

Navona Square - Rome is an original artwork realized by Giuseppe Malandrino. Original print in etching technique. Hand-signed by the artist in pencil on the lower right corner. Num...

Lemon, Frank. Flights: Unforgettable Exploits of the Air. This plate: With one beat of his wing, Charles Lindbergh goes to Paris! 1927. Wright Aeron...

View of Rome is an offset print artwork on paper, realized after Godefroy Engelmann. Signed on plate. In very good condition. The artwork represents the roman landscape with local...

This impression is signed and annotated as etched and printed by the artist. Three vessels battle angry sea. Nelson Ethelred Dawson (1859–1941) was an English artist and member of...

La Seine à Chaton is an original etching realized by Louis Marcel Myr in the early 20th Century. Good condition. Artist proof. The artwork is depicted through strong strokes in a ...

JOSEPH PENNELL (1857 - 1926) NEW FISH MARKET - (NEW YORK) 1921 (W 797) Etching, Signed in pencil, edition probably 50. 9 7/8 x 6 7/8 inches. Full sheet, ...

The Gothic Spirit (also called A Gargoyle, A Gothic Spirit). 1922. Etching and stipple. Fletcher 120. 11 5/8 x 7 (sheet 15 1/4 x 11 1/4). Gargoyle Series #8. Edition 130. Illustrated...

Original WW1 poster: Keep this Hand of Mercy at its work. War Fund Week. One hundred Million Dollars. Original WW1 lithograph, archival line...

This original lithograph is hand signed in pencil by the artist "Lovis Corinth" at the lower right corner. It was printed in 1916 in a limited edition of 50 hand signed impressions,...

Landscape is an etching realized in the Early 20th Century by Albert Decaris. Good condition. The artwork is strong through soft strokes with perfect hatchings in a well-balanced ...

Lu Lu Bisquites; Lefevre -Utile ( Lefèvre-Utile )crackers. Original lithographic poster printed in colors, archival linen backed vintage poster; ready to fram...

Roman Glimpses is an original artwork realized by an artist of the 20th Century. Good condition apart from some moisture spots present on the sheet.

Original WW1 poster: A Wonderful Opportunity for You. Ashore, on leave. United States Navy. A pre-war recruiting lithographic poster features an ebullient sailor going home o...

Landscape is an original etching realized by Henry Verger-Sarrat in the early 20th Century. Good conditions except for some foxings. Signed in plate. The artwork is depicted throug...

Signed in pencil below the image by the artist. Blind stamps of etching societies lower left just under the image. Frederick Farrell was a Scottish etcher specializing in architectu...

Great Spit-on Bird is an Original woodcut print realized by Sonia Léwitzka. Good condition on acream colored paper. Signature on the lower right corner. On the back of the paper, ...

This artwork titled "Golden Gate, San Francisco, California" c.1930 is a color etching on watermarked Kasimir Vienna paper by Austrian artist Luigi Kasimir, 1881-1962. It is hand sig...

In Stirling Castle is an Etching realized by an anonymous artist in 1904. Fine impression on laid paper with a fragment of the watermark. Applied on ...

To see our other views and maps of England - including London, Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want. Mabel Oliver Rae (1868-1956) Kings College...

Now Back the Bayonets. 1918. Lithographic poster, printed in red, black and yellow. Black 44b. 29 1/2 x 18 7/8 (image and sheet). Unobtrusive Vertical and horizontal fold marks; othe...

DAS WERK GUSTAV KLIMTS, a portfolio of 50 prints, ten of which are multicolor collotypes on chine colle paper laid down on hand-made heavy cream wove paper with deckled edges; under each of the 50 prints is a gold signet intaglio printed on the cream paper each of which Klimt designed for the publication as unique and relating to its corresponding image; H.O. Miethke, Editor-Publisher; k.k. Hof-und Staatsdruckerei, Printer; printed in a limited edition of 300 numbered plus several presentation copies; Vienna, 1908-1914. The idea of collaboration in the arts is anything but new; however it has so often been viewed and assessed as somehow devaluing the intrinsic worth of art. It’s as if it was a dirty secret to be hidden away. More so even than the eroticism explored by Klimt, which divided public opinion, the artistic avant-garde began to boldly flaunt artistic collaboration beginning in the 19th century- which gained steam in the first part of the 20th century- to become a driving vehicle of contemporary artistic creation. Viewed in this context, the folios of collotype prints published by H.O. Miethke in Vienna between 1908-1914 known as Das Werk Gustav Klimts, are important art documents worthy of as much consideration for their bold stand they take on established ways of thinking about artistic collaboration as they are for their breathtakingly striking images. 1908 is indeed a watershed moment in the history of art. To coincide with the 60th anniversary of the reign of Emperor Franz Joseph I, Kunstschau opened in Vienna in May of that year. It was there that Klimt delivered the inaugural speech. Speaking about the avant-garde group’s unifying philosophy of Gesamtkunstwerk, or the synthesis of the arts, Klimt shared his belief that the ideal means to bring artists and an audience together was via “work on major art projects.” It was at Kunstschau 1908 that Klimt first exhibited his most iconic painting, The Kiss, as well as The Sunflower, Water Snakes I and II and Danae. It was at Kunstschau 1908 that Das Werk Gustav Klimts was first available for purchase. Thanks to Galerie Miethke’s organization, Kunstschau 1908 was possible. Miethke’s pioneering art house had become Klimt’s exclusive art dealer and main promoter of his modernist vision. Paul Bacher and Carl Moll, a founding member with Klimt of the Vienna Secession, who all broke away during the rift in 1905, took stewardship of the gallery following the fallout with the Secession. Das Werk Gustav Klimts is a prime example of Miethke’s masterful and revolutionary approach to marketing art. Miethke’s innovative marketing strategy played to a penchant for exclusivity. The art gallery and publishing house utilized the press and art critics- such as Austria’s preeminent Art Historian, Hugo Haberfield, who became Director of the gallery in 1912- as a means of gaining publicity as well as maintaining effective public relations. Miethke used the grand exposition format to extend the art gallery’s market reach, cultivating their product’s prestige by stroking the egos of current art patrons while simultaneously creating accessibility for newcomers and others avid collectors to share a relative proximity to other wealthy and respected members of the art collecting community. Essentially, their approach paved the way for what is still the predominant means of marketing. Between 1908 and 1914, H.O. Miethke published a total of 5 installments of print folios of Klimt’s painted work, each comprising 10 prints. The series was limited in availability to 300 and purchase was arranged through subscription. Each issue was presented unbound in a gold embossed black paper folder. Included in the folio was a Title Page, a Justification page and a Table of Contents page itemizing each of the 10 printed works with details about their corresponding painted works as well as information about each work’s current owner. These folios were not comprehensive of Klimt’s work; but rather, they feature what he believed were his most important paintings from 1898-1913. Only 2 collotypes in each folio were multicolored. To punctuate the fact that Klimt, himself, was very much an active player in creating these printed works, he created square-shaped signets, unique to each collotype which were intaglio printed in gold ink at the bottom of the cream wove papers to which the chine collie papers were affixed.These signets relate thematically to their corresponding printed images and designate each of those images by their placement in the folio’s Table...

Knowledge is an Original woodcut print realized by Georges Zevort (1883-1959). The artwork is in good condition included a white cardboard passpartout (50x35 cm). Signature stamped.

DAS WERK GUSTAV KLIMTS, a portfolio of 50 prints, ten of which are multicolor collotypes on chine colle paper laid down on hand-made heavy cream wove paper with deckled edges; under each of the 50 prints is a gold signet intaglio...

To see our other original vintage posters and views of London (including original paintings), scroll down to "More from this Seller" and below it click on "See all from this Seller" ...

Rivals. c. 1925. Etching. Subsequent to Dodgson. 11 7/8 x 10 3/8 (sheet 18 5/8 x 12 1/2). Edition 75, #8. A fine, richly inked impression with plate tone, printed on tan-colored simi...

FRANCES H. GEARHART (1869 – 1958) GAILLARDIAS c. 1928 Color block print. Edition unknown but small. 7 ¼” x 5 ¾”. Gearhart did very few pure flower pr...

House on The River is an original xylograph realized during the first half of 20th Century by an anonymous artist. Monogram of the artist PP printed on the lower left margin, The ...

Sole Tree is an original etching on paper, realized by French engraver and artist Philippe Burno t(1877-1956). Hand-signed on the lower right and numbered on the lower left, edition of 6/40 prints. The state of preservation of the artwork is good. Included a Passepartout: 36x 42 cm. The artwork represents a lonely tree, a reverence to nature. The artwork is characterized by soft and delicate strokes that defined a well-balanced composition. Philippe Burnot...

To see our other views and maps of England - including London, Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send...

To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want. William Nicholson (1872 - 1949) Front Quad, Wadham College...

Original Vintage Travel Poster by Frank Newbould, commissioned by LNER (The London & North Eastern Railway of England & Scotland) to promote its connection to Norwich; beautifully pr...

Burns Brothers, Sutton Place. 1922. Etching. Giardina catalog 90 state iv. 12 1/4 x 8 3/4 (sheet 16 x 12). Edition 50. A rich, tonal impression printed on...

Kyoka-Tokaido is an original modern artwork realized after Utagawa Hiroshige (1797 – 12 October 1858) in 1925. Woodcut Print Chuban Yokoe Format. Repri...

Rudolph Ruzicka, 'Fountain of Sea Horses, Rome', wood engraving, c. 1915. Signed, dated, and titled in pencil. Initialed in the block, lower left. A fine, richly-inked impression, on...

Rene LIGERON Mediterranean Sea : The house Near the Beach Original etching and stencil Printed signature in the plate On vellum 11 x 29 cm (c. 4.5 x 12 in) Excellent condition

Sir Frank Short, R.A., P.R.E. 1857-1945. The Shadowed Valley. 1927. Mezzotint. Hardie 128. 14 3/8 x 19 3/8 (sheet 19 x 24). A rich, glowing impression p...

Landscape is an original pouchoir artwork realized in 1920 by Leonardo Brunelleschi. The State of preservation is very good. The artwork represents the scenery of a road trip by ca...

Early 20th Century European Architecture Drypoint Etching c.1930 This fine etching is pencil signed in the lower right corner (illegible - see i...

A beautiful aquatint etching of a serene pastoral scene in the Picardy region of northern France by Paul Emile Lecomte (1877-1950). A mother and child are seen walking down a path in...

The Workshop (Stirling). 1905. Etching and drypoint. Rinder 369 state .ii/iv.Image: 8 3/16 x 12 (sheet 8 5/16 x 12). No published edition. A rich impression with drypoint burr printe...

Guardians of the Spire (Amiens Cathedral Number 2). 1921. Etching. Fletcher 102. 6 3/4 x 9 7/8 (sheet 8 7/8 x 13 3/4). Gargoyle Series #4. Edition 75. Illustrated: Dorothy Noyes Arms...

Wall Street. 1904. Etching. Wuerth 344. 11 3/4 x 7 7/16 (sheet 15 1/2 x 10 1/4). Edition about 75. A rich, tonal impression printed on Japanese mulberry paper. Signed in pencil. Hous...

Original British vintage poster: Historic Carlisle - Gateway to Scotland. Artist: Maurice Greiffenhagen. Horizontal size 39" x 48.75". Archival linen-backed original stone lithograph; ready to frame. In very good to excellent condition. Original, 1925 horizontal travel by train stone lithograph. Historic Carlisle ~ 800 years of Civic Independence. See Britain by train. British Railways. Published by British Railways (London Midland Region) LM 16657. Probably the most famous British railway poster of the 1920s. The LMS commissioned designs from 16 leading Royal Academicians in 1924, of which this was by far the most popular. A British Royal seal...

Mountains in Canton Grigioni is a beautiful lithograph on ivory-colored paper, realized by Albert Marquet (Bordeaux, 1875 - Paris,1947). Hand-signed in pencil on the lower right mar...