Skip to main content

Early 20th Century Landscape Prints

to
706
901
236
68
24
20
Overall Width
to
Overall Height
to
491
191
74
30
28
8
6
2
1
169
30
28
18
16
982
2,045
10,400
4,096
113
170
682
525
659
1,287
1,824
1,766
1,116
555
638
763
485
1
768
556
304
236
165
146
145
142
101
81
79
75
66
63
58
46
46
45
43
43
447
410
290
147
147
115
154
947
251
Period: Early 20th Century
Fleurs
Located in Belgrade, MT
This lithograph is part of my private collection of School of Paris era artists. Eve Jean 1900-1968 was French and her work is very detailed and colorful. It is approved by the artis...
Category

French School Early 20th Century Landscape Prints

Materials

Lithograph

Fleurs
Fleurs
$540 Sale Price
70% Off
The Biggest of All; Telephone and Telegraph Building.
Located in Storrs, CT
The Biggest of All; Telephone and Telegraph Building. 1925. Etching. Wuerth 853. 9 7/8 x 11 7/8 (sheet 11 1/2 x 17 1/8). Edition probably 35. An atmospheric impression with plate tone, printed on antique laid paper...
Category

American Modern Early 20th Century Landscape Prints

Materials

Drypoint, Etching

English early 20th century, An Irish Hare and a Mountain hare in a landscape
Located in Woodbury, CT
Wonderful Vintage Archibald Thorburn colored chromolithograph. The colors are amazing, giving the painting a really great appearance . Printed circa 1919, the picture is inscribed ...
Category

Victorian Early 20th Century Landscape Prints

Materials

Paper

Don Quixote
Located in Middletown, NY
Etching on a large sheet of light cream wove paper, Baron Dominique Vivant Denon (after Jean-Honoré Fragonard); Paris: c 1900; 4 3/4 x 3 1/2 inc...
Category

French School Early 20th Century Landscape Prints

Materials

Handmade Paper, Etching

Vintage Etching - Cathedral of Notre Dame and the Chapel of St. Michel, 1928
Located in Soquel, CA
Vintage Etching - Cathedral of Notre Dame and the Chapel of St. Michel, 1928 Vintage black and white etching of the Cathedral of Notre Dame and the Chapel of St. Michel, 1928 by Joh...
Category

American Impressionist Early 20th Century Landscape Prints

Materials

Etching, Laid Paper

Martin Lewis Original Etching, 1928 - “Rain on Murray Hill”
Located in Phoenix, AZ
Original drypoint in mint condition printed in greenish black ink on wove paper by well-known New York artist and printmaker Martin Lewis (1881-1962). The print is signed in pencil ...
Category

Early 20th Century Landscape Prints

Materials

Paper

Klimt, Bauernhaus mit Birken, Das Werk von Gustav Klimt (after)
Located in Auburn Hills, MI
Héliogravure, collotype vélin paper. Paper Size: 18.23 x 17.32 inches; image size: 11.69 x 11.77 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the f...
Category

Symbolist Early 20th Century Landscape Prints

Materials

Lithograph

The Punt
By Rosamond Tudor
Located in Middletown, NY
A dynamic football image from the 1920s by a female artist known for her sports scenes. Etching with drypoint on exceptionally fine laid Japon paper with a double watermark, 10 7/8 ...
Category

Realist Early 20th Century Landscape Prints

Materials

Handmade Paper, Drypoint, Etching

Winding Stream
By Nan Lindahl
Located in New York, NY
Nan Lindahl (American) "Winding Stream", Landscape Etching signed and titled in Pencil, 5.50 x 8.25 (10.75 x 12.75 Framed), Early 20th Century Colors: Black on White Nan Lindahl wa...
Category

Impressionist Early 20th Century Landscape Prints

Materials

Etching

Roofs, Summer Night.
Located in Storrs, CT
Roofs, Summer Night. 1906. Etching. Morse catalog 137 state ii. 5 1/4 x 7 (sheet 9 1/2 x 12 1/8). Series: New York City Life. A fine impression on cream ...
Category

American Modern Early 20th Century Landscape Prints

Materials

Etching

Gris, Composition, L'Art Cubiste, Théories et Réalisations (after)
Located in Auburn Hills, MI
Lithograph and stencil on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the album, L'Art Cubiste, Théories et Réalisations, Etude Critique...
Category

Cubist Early 20th Century Landscape Prints

Materials

Lithograph, Stencil

The Helmsman
Located in Storrs, CT
The Helmsman. 1925. Etching. Hurst 130. 7 x 10 7/8 (sheet 11 x 5). Trial proof, apart from the edition of 75 An extremely rich impression printed cream wove paper. An exceptionally r...
Category

Modern Early 20th Century Landscape Prints

Materials

Drypoint, Etching

Ponte dei Baratteri, Venice
Located in Middletown, NY
Etching and drypoint on chine collé laid down to cream wove paper, 12 5/8 x 8 5/8 inches (318 x 217 mm), full margins. Signed, titled, and numbered 68/100 in pencil, lower margin. Th...
Category

French School Early 20th Century Landscape Prints

Materials

Handmade Paper, Drypoint, Etching

Water lLily
Located in Santa Monica, CA
HENRIETTA SHORE (1880 -1963) WATER LILY c. 1928 Lithograph, signed and titled in pencil and with the pencil cypher of printer Lynton Kistler (K). Image 7 x 6 1/8, full margins, shee...
Category

Modern Early 20th Century Landscape Prints

Materials

Lithograph

Rio del Santi Apostoli, Venice.
Located in Storrs, CT
Rio del Santi Apostoli, Venice. 1930. Etching. Fletcher catalog 22 state .ii. 8 x 6 (sheet 11 x 7 3/16). Italian series #4. Illustrated: Dorothy Noyes Arms, Hill Towns and Cities of...
Category

American Modern Early 20th Century Landscape Prints

Materials

Etching

Matisse, Crayon, Dessins de Henri-Matisse (after)
Located in Auburn Hills, MI
Lithograph on vélin Lafuma paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the volume, Dessins de Henri-Matisse, 1925. Published by Édi...
Category

Modern Early 20th Century Landscape Prints

Materials

Lithograph

Normandy : La Frette sur Seine - Lithograph, Ltd /200
Located in Paris, IDF
Albert MARQUET Normandy : La Frette sur Seine Original lithograph Signed with the artist stamp Numbered / 200 On Arches vellum 45 x 57 cm (c. 18 x 23 in) Excellent condition
Category

Post-Impressionist Early 20th Century Landscape Prints

Materials

Lithograph

Porta del Paradiso, Venezia
Located in Middletown, NY
Etching on cream laid paper, 1930. 7 1/2 x 3 7/8 inches (190 x 970 mm), full margins. Signed and inscribed "Edition 100" in pencil, lower margin. In very good condition with minor s...
Category

American Modern Early 20th Century Landscape Prints

Materials

Etching, Laid Paper

Hungerford Bridge, London
Located in Myrtle Beach, SC
Kerr Eby 'Hungerford Bridge, London', etching and sandpaper ground, 1929, edition 90, Giardina 144. Signed, titled, and annotated 'Ed 90' in pencil. Signed again in the bottom right sheet corner. A fine, atmospheric impression, with delicate plate tone, on cream wove paper; the full sheet with margins (1 1/2 to 1 5/8 inches), in excellent condition. Matted to museum standards, unframed. Hungerford Foot Bridge spans the River Thames in London, between Westminster Bridge and Waterloo Bridge. Eby visited Great Britain and France during 1924 and 1925. Impressions of this work are in the permanent collection of the following institutions: American Academy and Institute of Arts and Letters, Arizona State University, Boston Public Library, Davison Art Center (Wesleyan University), Herbert F, Johnson Museum of Art, Huntington Museum of Art, Hood Museum of Art (Dartmouth College), Metropolitan Museum of Art, Montgomery Museum of Fine Arts, National Museum of American Art, New York Public Library, Smithsonian Museum of American Art. ABOUT THE ARTIST Kerr Eby was born in 1890 in Tokyo, Japan, the son of Methodist missionaries from Canada. The family returned to Vancouver when Eby was only three, and he grew up studying art encouraged by his parents as his mother was from a family of prominent artists. By age twelve, he had lived in Vancouver, Kingston, Toronto and Bracebridge where he found work as a ‘printer’s devil’ on the local Bracebridge newspaper. After graduating from high school in 1907, Eby moved to New York City to study art, first at the Pratt Institute, and later at the Art Students League. He enrolled in art classes at Pratt Institute while working for a lithographic firm earning $4.00 a week. His pay barely covered his room and drawing supplies. Within a year, starving and feeling defeated, he returned to Canada and was employed by a surveying party in Northern Ontario. Eby gradually regained his dream of becoming an artist, and in his spare time, he began to draw the surrounding wilderness landscapes. By fall he had returned to New York to attend night classes at the Art Students League while working for another lithographic firm. He spent several more summers surveying in Northern Ontario before he was able to make a living as an illustrator. During this period he formed several friendships with influential artists including John Henry Twachtman and Childe Hassam and joined a summer artists' colony founded by them at Cos Cob, Connecticut. He supported himself by working as a magazine illustrator and at the American Lithographic Company. Through diligent study and practice, Eby refined both his drawing and printmaking techniques. In 1917, when the United States entered World War I, Eby joined the U.S. Army. Failing to obtain a commission as an artist, he was assigned first to ambulance duty and later as a sergeant in the 40th Engineers in France. He spent most of WWI on the front line as a camouflager of the field artillery ‘big guns”. On his time off duty, he would sketch everything he witnessed, from the explosive big guns and men in action to the dead soldiers in the field. He sent the drawings home each week, and upon his return from the war, they became the basis for his first successful group of etchings. He continued creating his war-related prints throughout the 1920s and '30s as his work became widely exhibited Frederick Keppel, the renowned print dealer and a relative of Eby, became the exclusive agent for many of his print editions. With another global conflict beginning in the mid-1930s, Eby wanted to show the world the true face of war...
Category

Impressionist Early 20th Century Landscape Prints

Materials

Etching

Prag / Prague
Located in Middletown, NY
An atmospheric view of the Charles Bridge and Old Town Bridge Tower. Dresden: Max Sinz, 1928. Etching and aquatint in colors on cream wove paper, 11 1/2 x 9 inches (292 x 227 mm) f...
Category

Modern Early 20th Century Landscape Prints

Materials

Aquatint, Etching

Matisse, Crayon, Dessins de Henri-Matisse (after)
Located in Auburn Hills, MI
Lithograph on vélin Lafuma paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the volume, Dessins de Henri-Matisse, 1925. Published by Édi...
Category

Modern Early 20th Century Landscape Prints

Materials

Lithograph

Rainy Night in Rome
Located in Fairlawn, OH
Rainy Night in Rome Drypoint, 1913 Signed in pencil and titled in the lower margin by the artist (see photo) Provenance: Kennedy Galleries, Stock # A6538 Reference; Doddgson 299 _/X ...
Category

English School Early 20th Century Landscape Prints

Materials

Drypoint

SEA TREASURES
Located in Santa Monica, CA
FRANCES H. GEARHART and Sisters (THE GEARHARTS) SEA TREASURES...
Category

American Impressionist Early 20th Century Landscape Prints

Materials

Woodcut

Alfred Gray "Silent Street" Signed Lithograph c.1930s
Located in San Francisco, CA
Alfred Gray "Silent Street" Signed Lithograph c.1930s Rare lithograph by noted artist Alfred Gray. A surreal street bathed in shadow and light. Dimensions 15" x 21". The original ...
Category

Art Deco Early 20th Century Landscape Prints

Materials

Lithograph

Matisse, Plume, Dessins de Henri-Matisse (after)
Located in Auburn Hills, MI
Lithograph on vélin Lafuma paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the volume, Dessins de Henri-Matisse, 1925. Published by Édi...
Category

Modern Early 20th Century Landscape Prints

Materials

Lithograph

Marcoussis, Composition, L'Art Cubiste, Théories et Réalisations (after)
Located in Auburn Hills, MI
Lithograph and stencil on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the album, L'Art Cubiste, Théories et Réalisations, Etude Critique...
Category

Cubist Early 20th Century Landscape Prints

Materials

Lithograph, Stencil

THE BIG HORSE CHESTNUT TREE
Located in Portland, ME
Hassam, Childe. THE BIG HORSE CHESTNUT TREE, EASTHAMPTON. C/C 304. Etching, 1922. Signed with the cypher and inscribed "imp." in pencil, and signed, date...
Category

Early 20th Century Landscape Prints

Materials

Etching

Composition, Les Biches, Marie Laurencin
Located in Auburn Hills, MI
Lithograph and stencil on papier vélin des Manufactures d'Arches paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the volume, Les Biches, 1924. Published by Édi...
Category

Modern Early 20th Century Landscape Prints

Materials

Lithograph, Stencil

VALLEY OF THE TIBER
By Albany E. Howarth
Located in Portland, ME
Howarth, Albany. VALLEY OF THE TIBER. Etching, not dated. Edition size not known. Signed in pencil lower right. 13 3/4 x 10 1/2 inches (plate), 19 5/8 x 14 3/4 inches (sheet). In ex...
Category

Early 20th Century Landscape Prints

Materials

Etching

"Ivray, chemin de fer" original etching
Located in Henderson, NV
Medium: original etching. This impression on laid paper was printed in 1912 and published in Paris by the Revue de l'Art ancien et moderne. Plate size: 4 1/4 x 9 1/2 inches (110 x 24...
Category

Early 20th Century Landscape Prints

Materials

Etching

Broad Street (Wall Street)
Located in Myrtle Beach, SC
B.J.O. Nordfeldt, 'Broad Street (Wall Street)', etching, edition not stated, c. 1915. Signed in pencil. A superb impression, with rich burr, selectively wiped plate tone, and inky plate edges, on cream wove paper; the full sheet with margins (3/4 to 1 1/4 inches), in excellent condition. Printed by the artist. Matted to museum standards, unframed. Impressions of this work are in the permanent collections of the Fine Arts Museums of San Francisco, Princeton University, Smithsonian American Art Museum. A view looking down Broad Street past the New York Stock Exchange Building on the right with the columned Federal Hall...
Category

American Impressionist Early 20th Century Landscape Prints

Materials

Etching

Original "Ring It Again, Third Liberty Loan vintage WW1 poster
Located in Spokane, WA
Original poster: Ring it Again Third Liberty Loan. Buy U. S. Gov't Bonds. World War 1 lithograph poster over 100 years old. It is mounted on acid-free archival linen. It looks l...
Category

American Modern Early 20th Century Landscape Prints

Materials

Lithograph

Under the Manhattan Bridge
Located in Middletown, NY
New York, circa 1940 Etching with aquatint in colors on cream laid paper with a partial watermark and a deckle edge, 11 3/4 x 8 1/4 inches (297 x 208 mm), full margins. Minor mat to...
Category

American Modern Early 20th Century Landscape Prints

Materials

Handmade Paper, Etching, Aquatint

September 13, 1918. St. Mihiel [The Great Black Cloud].
Located in Storrs, CT
September 13, 1918. St. Mihiel [The Great Black Cloud]. 1934. Etching, aquatint and sandpaper ground. Giardina catalog 182 state iv. 10 3/8 x 16 (sheet 13 1/8 x 18 1/4). Edition 100. Illustrated: Prints vol. VI, no. 2, 1935, page 85; Print Collector's Quarterly 26 (1939): 82; Fine Prints of the Year, 1935; Eby. War. Provenance: Frederick Keppel & Co. A rich, beautifully wiped impression on cream-colored wove paper. Signed and annotated 'imp' and 'Edition 100' in pencil, indicating a proof printed by the artist. This is Eby's most famous etching...
Category

American Modern Early 20th Century Landscape Prints

Materials

Mixed Media, Etching, Aquatint

The Shadowed Valley.
Located in Storrs, CT
Sir Frank Short, R.A., P.R.E. 1857-1945. The Shadowed Valley. 1927. Mezzotint. Hardie 128. 14 3/8 x 19 3/8 (sheet 19 x 24). A rich, glowing impression p...
Category

Modern Early 20th Century Landscape Prints

Materials

Mezzotint

Klimt, Weibliches Bildnis, Das Werk von Gustav Klimt (after)
Located in Auburn Hills, MI
Héliogravure, collotype vélin paper. Paper Size: 18.23 x 17.32 inches; image size: 11.93 x 11.81 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the f...
Category

Symbolist Early 20th Century Landscape Prints

Materials

Lithograph

Rainy Night in Rome.
Located in Storrs, CT
Rainy NIght in Rome.. 1913. Drypoint. Dodgson 299.x. 12 x 9 (sheet 16 x 11 1/4). Edition 125 in 10 states. A rich impression with burr and tonal wiping. Pr...
Category

Modern Early 20th Century Landscape Prints

Materials

Drypoint, Etching

'Spirit of Buffalo' — Urban Realism
Located in Myrtle Beach, SC
Anton Schutz, 'Spirit of Buffalo', etching, edition not stated, c. 1927. Signed in pencil. Annotated 'Spirit of Buffalo 522', in another hand, in the bottom right margin. A fine, richly-inked impression, with skillfully-controlled plate tone, on cream wove Japan paper; the full sheet with margins (1 5/8 to 2 inches), in excellent condition. Matted to museum standards, unframed. Image size 8 7/8 x 11 7/8 inches; sheet size 12 1/4 x 15 7/8 inches. ABOUT THE ARTIST Etcher, painter, and architect, Anton Schutz was born in Germany in 1894. He studied at the University of Munich, earning a double degree in mechanical engineering...
Category

American Realist Early 20th Century Landscape Prints

Materials

Etching

The Manhattan Municipal Building
By Chester B. Price
Located in Fairlawn, OH
Signed in pencil and annotated "imp" lower right; Dedicated lower left: "To Bob Nisbet from…" Note: Desgined by William M. Kendall of McKim, Mead and White, this classical skyscra...
Category

Early 20th Century Landscape Prints

Materials

Drypoint

Matisse, Plume, Dessins de Henri-Matisse (after)
Located in Auburn Hills, MI
Lithograph on vélin Lafuma paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the volume, Dessins de Henri-Matisse, 1925. Published by Édi...
Category

Modern Early 20th Century Landscape Prints

Materials

Lithograph

Herbin, Composition, L'Art Cubiste, Théories et Réalisations (after)
Located in Auburn Hills, MI
Lithograph and stencil on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the album, L'Art Cubiste, Théories et Réalisations, Etude Critique...
Category

Cubist Early 20th Century Landscape Prints

Materials

Lithograph, Stencil

Piccadilly Circus, London, etching by Frederick Farrell, circa 1920
Located in Melbourne, Victoria
Signed in pencil below the image by the artist. Blind stamps of etching societies lower left just under the image. Frederick Farrell was a Scottish etcher specializing in architectu...
Category

Other Art Style Early 20th Century Landscape Prints

Materials

Drypoint, Etching

Troubadour, from The Mastersingers of Nuremberg
Located in Middletown, NY
Stipple point etching on tissue-thin handmade Japon paper, 7 5/8 x 5 inches (193 x 126 mm), full margins. Signed, titled, dated, inscribed and numbered 10/25 in pencil, lower margin....
Category

Jugendstil Early 20th Century Landscape Prints

Materials

Handmade Paper, Etching

Almshouses, St. Cross
Located in Middletown, NY
Glasgow: Walton's Compleat Angler, 1902. Etching on heavy Japan paper, 3 7/16 x 5 15/16 inches (80 x 149 mm), full margins. Initialed in pencil, lower ...
Category

Modern Early 20th Century Landscape Prints

Materials

Etching

Picasso, Composition (Cramer 15; Bloch 56), Picasso, Oeuvres 1920-1926 (after)
Located in Auburn Hills, MI
Lithograph and stencil on vélin paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the album, Picasso, Oeuvres 1920-1926, 1926. Published and printed by Éditions ...
Category

Cubist Early 20th Century Landscape Prints

Materials

Lithograph, Stencil

Red Trees
Located in New York, NY
Louisa Chase was born in Panama City, Panama. Seven years later, her family moved to Lancaster, Pennsylvania. She studied painting and sculpture at Syracuse University and at the Yal...
Category

Modern Early 20th Century Landscape Prints

Materials

Screen

Red Trees
$2,000 Sale Price
20% Off
Composition, Vers un monde volage, Marcel Gromaire
Located in Auburn Hills, MI
Etching on vélin d'Arches paper. Unsigned and unnumbered, as issued. Good condition. Published by Éditions Marcel Seheur, Paris; printed by Atelier d'art Paul Haasen, Paris, Septembe...
Category

Modern Early 20th Century Landscape Prints

Materials

Etching

The Thames from Waterloo.
Located in Storrs, CT
The Thames from Waterloo Bridge. 1913. Etching. Dickins 12. 3 3/4 x 7 1/16 (sheet 7 x 10 15/16). Edition 100. A fine proof with tonal wiping, printed on cream-wove paper. Signed in pencil. Architectural draughtsman, etcher. Born in Lustdorf, near Odessa, Russia, to a British father and Russian mother. Traveled extensively with his family before studying architecture in St Petersburg, with further studies at Ecole des Beaux-Arts and Atelier Redan, Paris. Practiced architecture in Moscow and was co-designer of the Metropole Hotel, in 1898. Moved to London in 1907 and was employed as an architectural perspectivist. After a sponsored visit to Rome and Venice he had a solo exhibit at the Fine Art Society, 1912, 'Watercolours of London and Venice'; followed by a further four shows. He also exhibited at the Royal Academy, Royal Society of British Artists, Royal Society of Painter-Etchers..., and Connell & Sons. His etchings were published in London by H C Dickens,1913-24, and a folio of his work 'Architectural watercolors and etchings of William Walcot' was published, in 1919. Elected RE, 1920; FRIBA, 1922; Associate British School at Rome. A foremost architectural draughtsman, he worked from studios in London, Oxford and Rome. The complete set of The Arteries of Great Britain includes: The Thames, The Tyne, The Forth, The Clyde, The Mersey. Signed in pencil .Housed in a 16 x 20 inch mat suitable for framing. Opened in 1890, the Forth Bridge...
Category

Modern Early 20th Century Landscape Prints

Materials

Etching

San Marco [Venice].
Located in Storrs, CT
William Walcot. R.E., R.I.B.A. San Marco. Etching with drypoint and aquatint. Dickins 66, Harvey-Lee 91. 3 7/8 x 5 7/8 (sheet 9 1/4 x 12 1/8). Venice set, # 2. Edition 415. A rich impression printed on cream wove paper. Fold in the margin, well outside the image; otherwise good condition. Signed in pencil. Housed in a 16 x 20-inch archival mat. Soon after Walcot's arrival in England, the Fine Art Society sponsored a trip sent to Italy. This scene is one of four small drypoints that resulted from the artist’s stay in Venice. When he was seventeen, he began to study architecture under Louis Benois at the Imperial Academy of Art in Saint Petersburg. He went to Paris where he continued his studies at the Ecole des Beaux-Arts and the Atelier Redon. He practiced as an architect briefly in Moscow, designing the Hotel Metropole...
Category

Modern Early 20th Century Landscape Prints

Materials

Drypoint, Etching, Aquatint

Chelsea Old Church, London
Located in Storrs, CT
Chelsea Old Church. 1924. Etching, drypoint, and aquatint. Dickins 94. 5 3/8 x 8 (sheet 8 1/2 x 9 3/4). Edition 100 for The Print Collector's Club. A fine proof with tonal wiping, printed on cream wove paper. Signed and dedicated "W.R. Button from W. Walcot London 1930" in pencil. Chelsea Old Church, also known as All Saints, is an Anglican church, on Old Church Street, Chelsea, London SW3, England, near Albert Bridge. It is the church for a parish in the Diocese of London, part of the Church of England. Inside the Grade I listed building, there is seating for 400 people. There is a memorial plaque to the author Henry James (1843–1916) who lived nearby on Cheyne Walk. To the west of the church is a small public garden containing a sculpture by Sir Jacob Epstein. When he was seventeen,William Walcot began to study architecture under Louis Benois at the Imperial Academy of Art in Saint Petersburg. He went to Paris where he continued his studies at the Ecole des Beaux-Arts and the Atelier Redon. He practiced as an architect briefly in Moscow, designing the Hotel Metropole...
Category

Modern Early 20th Century Landscape Prints

Materials

Drypoint, Etching, Aquatint

Wych Elms
Located in Bournemouth, Dorset
John Copley (1875-1950) Wych Elms 1922 Image: 17.5 x 24.8 cm Frame: 35.0 x 42.0 cm Painter and printmaker John Copley was born in Manchester in 1875. He trained at Manchester Schoo...
Category

Land Early 20th Century Landscape Prints

Materials

Etching

From the Ponte Vecchio, Florence
Located in Middletown, NY
Etching and aquatint on hand made F.J. Head & Co watermarked cream laid paper, full margins. Signed and dated in pencil, lower right margin. From the edition of 160 (from a total of ...
Category

American Modern Early 20th Century Landscape Prints

Materials

Handmade Paper, Laid Paper, Etching, Aquatint

"The Caissons Go Rolling Along".
Located in Storrs, CT
"The Caissons Go Rolling Along". 1929. Etching and sandpaper ground. Giardina 145. 17 3/8 x 9 1/2 (sheet 18 3/4 x 11 1/2). Edition 90. Slight mat line, otherwise find condition. A ri...
Category

American Modern Early 20th Century Landscape Prints

Materials

Drypoint, Etching

Nautical Festival Fête nautique - France Nautical Dufy & Villon Collab
Located in London, GB
RAOUL DUFY 1877-1953 Le Havre 1877-1953 Forcalquier (French) and JACQUES VILLON 1875-1963 (Gaston Duchamp) Damville 1875 - 1963 Paris (French) Tit...
Category

Early 20th Century Landscape Prints

Materials

Aquatint

Original "Food Will Win The War" vintage World War 1 poster
Located in Spokane, WA
Original World War 1 vintage poster: Food Will Wn the War. Arhival linen backed. PRINTER: Rusling Wood Litho., New York Bright and in good condition. There is some marks down the left side of the poster, possible ink from when the poster was printed. This poster calls on immigrants to do their part in the war effort. It depicts recent immigrants standing near a sailing ship with the Statue of Liberty and a rainbow stretched across the New York City skyline in the background. The text reads: You came here seeking Freedom. You must now help preserve it. Wheat is needed by the allies. Waste nothing. The generosity and compassion of the American people and the great agricultural resources of the North American continent would be called upon... Twenty million Americans signed pledges of membership in the Food Administration...
Category

American Realist Early 20th Century Landscape Prints

Materials

Lithograph

Don Quixote Reading
Located in Middletown, NY
Etching on a large sheet of light cream wove paper, Baron Dominique Vivant Denon (after Jean-Honoré Fragonard); Paris: c 1900; 4 3/4 x 3 1/2 inc...
Category

French School Early 20th Century Landscape Prints

Materials

Handmade Paper, Etching

Picasso, Composition (Hodorisch B2), Le manuscrit trouvé dans un chapeau (after)
Located in Auburn Hills, MI
Lithograph on vélin des papeteries Lafúma paper. Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From the album, Le manuscrit trouvé dans un ch...
Category

Modern Early 20th Century Landscape Prints

Materials

Lithograph

Fiesole, an Ancient Tower
Located in Middletown, NY
Etching on antique cream laid paper, 7 7/8 x 5 1/8 inches (201 x 130 mm), full margins. Edition of 150. Printed by Federick Reynolds. Signed and dated in pencil, lower right. Arms wa...
Category

American Modern Early 20th Century Landscape Prints

Materials

Handmade Paper, Laid Paper, Etching

"A Drury Lane: Avant de paraitre" original etching
Located in Henderson, NV
Medium: original etching. Published in Paris in 1906 for the Revue de l'art ancien et moderne. This is a magnificently rich, dark impression on laid paper. Sheet size: 11 1/2 x 8 inc...
Category

Early 20th Century Landscape Prints

Materials

Etching

Matisse, Crayon, Dessins de Henri-Matisse (after)
Located in Auburn Hills, MI
Lithograph on vélin Lafuma Navarre paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the album, Dessins de Henri-Matisse, 1925. Published...
Category

Modern Early 20th Century Landscape Prints

Materials

Lithograph

Recently Viewed

View All