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Period: Late 19th Century
The Angelus - Original etching - Ed. Durand Ruel, 1873
Located in Paris, IDF
Jean Francois MILLET (after)
The Angelus, 1873
Original Etching
Engraved by Martinez under the supervision of PUVIS DE CHAVANNES
Printed signature in the ...
Category
Impressionist Late 19th Century Landscape Prints
Materials
Etching
Sanjûroku Kasen ... - Woodcut by Mizuno Toshikata - 1893
Located in Roma, IT
Nishiki-e (woodcut print), in vertical oban format (31x20.5) realized by Mizuno Toshikata in 1893 (Meiji 26).
Belongs to the Series "Sanjûroku Kasen" (Thirty-Six Beauties in Compari...
Category
Modern Late 19th Century Landscape Prints
Materials
Woodcut
Moonlight Glade (small private burial ground in New England)
By William Woodward
Located in New Orleans, LA
"Moonlight Glade", a small intimate etching of a New England graveyard, is a remembrance of the artist's roots. There is a quiet reverent calm to this moonlit scene,.
William Woodward, born in Seekonk, Massachusetts, received his art training at the Rhode Island School of Design and the Massachusetts Normal Art School. He taught at the Rhode Island School of Design while still a student there.
At the behest of William Preston...
Category
American Modern Late 19th Century Landscape Prints
Materials
Etching, Aquatint
Orchids" Framed 19th C. Hand-Colored Engraving of "Lycaste Skinneri" by Fitch
Located in Alamo, CA
This beautiful, original hand-colored orchid lithograph entitled "Lycaste Harrisoniae Eburnea" Orchids by John Nugent Fitch is plate 100 in Robert Warner's publication 'The Orchid Al...
Category
Naturalistic Late 19th Century Landscape Prints
Materials
Engraving
River in Normandy - Original etching - Ed. Durand Ruel, 1873
By Alfred Sisley
Located in Paris, IDF
Alfred SISLEY (after)
The Angelus, 1873
Original Etching
Engraved by Flameng under the supervision of SISLEY
Printed signature in the plate
On laid paper...
Category
Impressionist Late 19th Century Landscape Prints
Materials
Etching
Night Heron Birds: An Original 19th C. Audubon Hand-colored Bird Lithograph
Located in Alamo, CA
This is an original John James Audubon hand-colored lithograph entitled "Yellow Crowned Night Heron, 1. Adult Male Spring Plumage, 2. Young in October", No. 73, Plate 364 from Audubo...
Category
Naturalistic Late 19th Century Landscape Prints
Materials
Lithograph
The Way Home. A Winter Evening
Located in Middletown, NY
A beautiful, dark impression of a bucolic cow path.
Etching with drypoint on heavy cream wove paper, 6 5/8 x 9 7/8 inches (174 x 248 mm), full margins. Uniform light brown discolorat...
Category
English School Late 19th Century Landscape Prints
Materials
Drypoint, Handmade Paper, Etching
Rue Furstenberg
Located in Storrs, CT
Rue Furstenberg. 1894. Lithograph. Way 59; Levy 90; Tedeschi, Stratis and Spink catalog 97. Only state. 8 7/8 x 6 1/4 (sheet 14 1/4 x 8 7/8). A fine ...
Category
Impressionist Late 19th Century Landscape Prints
Materials
Lithograph
$5,500 Sale Price
26% Off
"Under the Apple Tree", Figurative Chromolithograph after George Niles, 188/250
By Louis Prang
Located in Soquel, CA
Original chromolithograph by Louis Prang (German/American, 1823-1909) of L. Prang & Co. (American, founded 1860), after "Under the Apple Tree" by George E. Niles (American, 1837-1898). This late 19th century figurative chromolithograph depicts a small boy in a country setting and period dress under an apple tree, reaching into a barrel with a basket of apples spilling into the grass. A German style chromolithograph, this limited edition 188/250 print was created with heavy, oil-based inks which were applied in several layers to impart a texture similar to an original oil painting.
Signed and dated in the plate "G.E. Niles 1867". Tag on verso with "Prang's American Chromos - Under the Apple Tree, after Niles - Chromolithographed and published by L. Prang & Co. ...Boston". Displayed in a rustic giltwood beveled frame. Image size: 9"H x 7.25"W.
Louis Prang was a foremost lithographer and publisher in New York City from the mid to the end of the 19th Century. Born in Breslau, Germany to a father who was a calico printer, he was an apprentice to his father during his teen-age years and then spent five years as a journeyman, learning printing and dyeing and living in Austria, France and England. However, Prang's liberal political vliews caused him to be deported by the Prussian government during the Revolution of 1848, and fled via Bohemia and Switzerland to get to America.
In 1850, Prang went to Boston, having stopped briefly in New York City, and became a publisher and taught himself wood engraving. In 1856, he turned to lithography in partnership with Julius Mayer. In 1860, he founded Louis Prang and Co., which was his own company and the first stiff competition to Currier and Ives.
A primary reason for this competition was Prang's active imagination and energetic pursuit of his business. During the Civil War, he published maps and battle plans so that people at home could follow military movements. He also created printed card portraits of Union soldiers...
Category
American Impressionist Late 19th Century Landscape Prints
Materials
Cardboard, Lithograph
Two Actors - Japanese Woodblock by Chikanobu Yoshu
Located in Soquel, CA
Two Actors - Japanese Woodblock by Toyohara Chikanobu (豊原周延, 1838–1912), better known to his contemporaries as Yōshū Chikanobu (楊洲周延).
Colorful and expressive court scene. Two actors...
Category
Edo Late 19th Century Landscape Prints
Materials
Ink, Rice Paper, Woodcut
$700 Sale Price
20% Off
Tour De Montalban, Amsterdam: A 19th C. Etching by Maxime Lalanne
Located in Alamo, CA
This is a 19th century etching entitled "Tour De Montalban, Amsterdam" (Montalban Tower, Amsterdam) by Maxime Lalanne, published by Phillip Gilbert Hamerton in 1884. The etching depicts a canal scene in Amsterdam with Montalban Tower on the right. Row boats are moored along a dock in the foreground on the left and larger sail boats are seen on the other side of the dock. A boat in the middle of the canal is being rowed by one man. Many buildings are seen along both shores.
This etching is presented in a white mat that is suitable for framing. This excellent impression is printed on thick chain-linked, laid cream-colored paper with wide margins and two watermarks; "Portfolio" along the left margin and "MBM" along the right margin. It is signed, titled and dated in the plate in the lower right. There is a collector's stamp (either an "NC" or a "CN") in the lower right corner. The sheet measures 10" high by 15" wide and the mat measures 13" high by 16" wide. There is a small spot in the right margin and some mild discoloration in the periphery on the upper margin. The print is otherwise in excellent condition. This etching is held by many museums and institutions, including The Fine Arts Museums of San Francisco, The Museum of Fine Arts, Boston, The Yale University Art Gallery and The Philadelphia Museum of Art. References: Beraldi (1889) 105; Villet (2016) 148, IV; Lalanne (1882) 137; Bibliothèque Nationale (1932) 82; Gutekunst (1905) 105.
François Antoine Maxime Lalanne (1827-1886) was a leading French etcher and painter of landscapes and urban views, who was at the forefront of the French revival of etching during the 1860's. He grew up in Bordeaux, but he refined his artistic skills and worked in Paris. His art was first exhibited at the Paris Salon in 1852 and he continued to regularly show both etchings and paintings there until the mid 1880's. He was also the author of several important books on the subjects of etching and other graphic arts. He was a founding member of the Societe des Aquafortistes, along with Auguste Delatre, Cadart, Ribot and Bracquemond. Lalanne created over one hundred and fifty fine etchings. Lalanne's unique style of art influenced many French and English artists in the twentieth century.
Philip Gilbert Hamerton (1834-1894) was a British artist, art critic and author. He was particularly focussed on contemporary graphic art and printmaking techniques. He frequently wrote about the theory of the English Etching...
Category
Late 19th Century Landscape Prints
Materials
Etching
Egyptians Along the Nile - Chromolithograph after Karl Werner - 1881
Located in Roma, IT
Egyptian on camel is a modern artwork realized d'apres Karl Werner.
Mixed colored cromolithograph.
The artwork is after the watercolors realized by the artist during a trip to Egy...
Category
Modern Late 19th Century Landscape Prints
Materials
Lithograph
$264 Sale Price
25% Off
Jack Russell Terriers by Alexander Pope
By Alexander Pope
Located in Paonia, CO
An original chromolithograph from the Celebrated Dogs of America by Alexander Pope Jr. and published by S.E. Casino, Boston,1882. This compositio...
Category
Other Art Style Late 19th Century Landscape Prints
Materials
Lithograph
Le Clocher de St. Nicolas
Located in New York, NY
A very good impression of this scarce lithograph on wove paper. , Printed by Lemercier & Cie, Paris and published by Alfred Robaud. From "Douze Croquis et Dessins Originaux."
Catalo...
Category
Realist Late 19th Century Landscape Prints
Materials
Lithograph
NOCTURNE: PALACES
By James Abbott McNeill Whistler (circle)
Located in Portland, ME
Whistler, James A. M. NOCTURNE: PALACES. Glascow 200, Kennedy 202. Etching and drypoint with platetone, 1879-80. From the Second Venice Set. Signed on the tab with the butterfly in pencil. Printed in sepia on laid paper with no visible watermark. Trimmed just outside the platemark, leaving the tab. In excellent condition. As with all of the Whistler Nocturnes, each impressions of this print is different, dependng on how Whistler wiped and manipulated the platetone. 11 5/8 x 7 7/8 inches (plate and sheet, plus the tab). Framed to 20 x 16 inches.
Provenance: Collection of Thomas Jefferson Coolidge, Jr. with his collection stamp (Lugt 1429) verso; Kennedy Galleries, with its inventory number a65609 in pencil verso, and with another inscription, "FWCX" in pencil, verso.
Thomas Jefferson Coolidge, 1831-1920, was a great-grandson of Thomas Jefferson, a powerful Boston businessman, and an Ambassador to France.
In 1875 he became the manager of the largest textile mill in America, the Amoskeag Mill in Manchester New Hampshire, and had major financial interests in the textile, banking, railroad, publishing and electrical industries. In 1880 he became the President of the Atchison, Topeka & Santa Fe Railway. He was one of the founders of the United Fruit Company...
Category
Late 19th Century Landscape Prints
Materials
Drypoint, Etching
Paris - Cirque de L'Imperatrice, French lithograph, 1861
By Felix Benoist
Located in Melbourne, Victoria
'Cirque de l'Imperatrice aux Champs-Elysses', tinted lithograph by Felix Benoist (1818-1896).
From a series of lithographs depicting the famous buildings of Paris - 'Paris dans sa S...
Category
Naturalistic Late 19th Century Landscape Prints
Materials
Lithograph
Woman at the Tub (Femme au tub)
Located in Bournemouth, Dorset
Henri de Toulouse-Lautrec (1864–1901)
Woman at the Tub (Femme au tub)
lithograph, 213/275, signed in print
Image: 48.5 x 62.5 cm
Frame: 69.5 x 81.5 cm
Henri Toulouse-Lautrec (1...
Category
Realist Late 19th Century Landscape Prints
Materials
Lithograph
"The Bridge over the Seine Near Argenteuil" Oil Reproduction after Claude Monet
Located in Pasadena, CA
This framed reproduction of Claude Monet's immensely popular painting, “The Bridge Over The Seine Near Argenteuil,” comes with a certificate of authenticity on the back and is numbered 1102, making it interesting for several reasons.
The artagraphic process used to produce this work in a limited edition of 2900 is considered the state-of-the-art in art reproduction and the most respectful approach to reproducing a painting by a master. In three steps, this technique creates a 3D replica of an original oil painting's color and surface texture. Colors are scanned with a digital laser and then printed separately using oil-based inks on a single sheet. A mold is created from the original painting to reproduce its surface texture and bas-relief brushstrokes. Unlike lithographs and serigraphs, there is a palpable material and relief if you run your fingers over the surface.
At the Impressionist group's first exhibition in 1874, Claude Monet demonstrated his deep interest in the motif by working on seven depictions of the Argenteuil bridge and four of the railroad bridge upstream. The artwork depicts Monet's immediate impressions of the scene rather than offering detailed realism. In these series, moored sailboats occupy the foreground, while the fluidity of the river melts harmoniously with the geometrically contrasted presence of the bridge and its imposing pillars. Monet manipulates his palette and complementary color schemes to create the illusion of light and movement through small, separate, and visible brushstrokes, making it one of the artist's most recognizable signatures. The painting displays a diversity of styles, with some elements more solid, having strong and distinct lines and structured forms defined by firm contours, while the water and the sky in the background give off an impression of moving space, floating, and ripples.
An original painting of the series can be seen at Musée d'Orsay in Paris, France...
Category
Impressionist Late 19th Century Landscape Prints
Materials
Ink, Oil
$1,760 Sale Price
20% Off
Original Paris to London by train vintage poster Paris - Loundres
Located in Spokane, WA
Original ‘Chemin de Fer de L'Ouest; Paris a Londres’ vintage travel poster. Antique original European travel poster from circa 1880-1900 sto...
Category
Art Nouveau Late 19th Century Landscape Prints
Materials
Lithograph
Les Jardin des Tuileries
Located in Fairlawn, OH
Signed by the artist in pencil upper right; Annotated in pencil by the artist below signature: "no 58"
Edition: Intended edition of 100 for Vollard's "Album des Peintres-Gravures" o...
Category
Late 19th Century Landscape Prints
Materials
Lithograph
La Pointe de Bretteville
By Paul Berthon
Located in Fairlawn, OH
La Pointe de Bretteville
Color lithograph, 1899
Signed in the stone upper right
Publisher: Sagot, Paris
Edition: Edition: about 200 (per Arwas)
References And Exhibitions:
Arwas 33 2...
Category
Art Nouveau Late 19th Century Landscape Prints
Materials
Lithograph
Paris, Vue Prise du Pont St Michel - Etching by Maxime Lalanne - 1870s
Located in Roma, IT
Vue Prise du Pont St Michel is an artwork realized by Maxime Lalanne in the 1870s.
Etching.
Image size:22x29
Good conditions.
Realized for the "Société des Aquafortistes. Born ...
Category
Modern Late 19th Century Landscape Prints
Materials
Etching
Egyptian Ruins - Lithograph after Karl Werner - 1881
Located in Roma, IT
Egyptian Ruins is a modern artwork realized d'apres Karl Werner.
Mixed colored cromolithograph.
The artwork is after the watercolor realized by the artist during a trip to Egypt b...
Category
Modern Late 19th Century Landscape Prints
Materials
Lithograph
$176 Sale Price
25% Off
After the Bath - Original etching - Ed. Durand Ruel, 1873
Located in Paris, IDF
Jean Baptiste Camille COROT (after)
After the Bath, 1873
Original Etching
Engraved by Boilevin under the supervision of COROT
Printed sig...
Category
Impressionist Late 19th Century Landscape Prints
Materials
Etching
Timber Raft on the Rhine
Located in Storrs, CT
Timber Raft on the Rhine (after the watercolor by J.M.W. Turner in the National Gallery). 1898. Mezzotint. Hardie 66. 8 1/4 x 11 11/16 (sheet 10 5/16 x 13 1/2). Edition 100. A rich, ...
Category
Romantic Late 19th Century Landscape Prints
Materials
Mezzotint
Original 'Le Rapide Grande Journal Quotidien; art nouveau vintage poster
By Jules Chéret
Located in Spokane, WA
Original “Le Rapide, Grand Journal Quotidien” art nouveau vintage poster. Conservation linen backed and ready to frame. Year: 1892
Artist: Jules Cheret, referred to as the father of the poster.
Le Rapide, Grand Journal Quotidien. Jules Cheret (French, 1836-1932) is a well-listed draftsman, printmaker, and designer is best known as a fin de siecle poster designer. Arguably, he is the best-known French poster designer of his age.
Figure no 126; No 568; Posters of Jules Cheret.
Most people overlook the fact that she is still writing for Le Rapide using a quill instead of an ink pen. Yes, this poster is over 130 years old and still presents itself well. There are telegraph wires in the sky background. The last time this poster was sold in the big NYC poster...
Category
Art Nouveau Late 19th Century Landscape Prints
Materials
Lithograph
$2,600 Sale Price
20% Off
Nihonbashi Bridge - Woodcut Print by Utagawa Yoshitora - 1875
Located in Roma, IT
Scene on the Nihonbashi Bridge is an artwork realized in 1875 by Utagawa Yoshitora.
Woodcut print triptych. Signed: Mosai ga. Publisher: Sawamuraya...
Category
Modern Late 19th Century Landscape Prints
Materials
Woodcut
$617 Sale Price
25% Off
Original vintage poster "Truth" weekly magazine art nouveau lithograph
Located in Spokane, WA
Original vintage.poster: TRUTH CHRISTMAS. NOTE that this is the turn of the century original poster and is Not a magazine cover. The poster for a gossip magazine focusing on New...
Category
Art Nouveau Late 19th Century Landscape Prints
Materials
Lithograph
A LANCASHIRE RIVER,
Located in Santa Monica, CA
SIR FRANCIS SEYMOUR HADEN (1818-1910)
A LANCASHIRE RIVER, 1881 (Schneiderman 203 viii/ix; Harrington 215 ii/ii)
Original etching with drypoint. Signed in pencil., image 11 x 16. A large sheet, 18 x 22 inches with 3 inch margins.
In very good condition.
According to British dealer...
Category
English School Late 19th Century Landscape Prints
Materials
Etching
Original Cabourg la plus belle plague vintage French beach poster
Located in Spokane, WA
Original poster: CABOURG. "Casino. Grand Hôtel Noël & Pattard, propriétaires du Grand Hôtel à Monte-Carlo".
Caubourg, la plus belle plage. Artist: ...
Category
Art Nouveau Late 19th Century Landscape Prints
Materials
Lithograph
$3,080 Sale Price
20% Off
Thomas Moran Chromolithograph Print 1893 of the Grand Canyon
By Thomas Moran
Located in Rome, IT
Created by Gustav Buek from an original oil painting made in 1892 by Thomas Moran. The painting is today owned by the Philadelphia Museum of Art in Philadelphia, Pennsylvania. Both w...
Category
Late 19th Century Landscape Prints
Materials
Lithograph
$11,289 Sale Price
20% Off
Orchids: Framed 19th C. Hand-Colored Engraving of "Trichosma Suavis" by J. Fitch
Located in Alamo, CA
This beautiful, original hand-colored orchid lithograph entitled "Trichosma Suavis" Orchids by John Nugent Fitch is plate 114 in Robert Warner's publication 'The Orchid Album, Compri...
Category
Naturalistic Late 19th Century Landscape Prints
Materials
Engraving
The Bridge, Santa Maria
Located in New York, NY
James Whistler (1834-1903), The Bridge, Santa Marta, 1879-80, etching with drypoint, printed in sepia on fine laid paper. Signed with the butterfly and inscribed imp on the tab (also with an exceedingly light butterfly lower right in the plate). Kennedy 204, probably eighth (final) state; Glasgow 201, probably state 9 (of 9) (cf. Margaret F. MacDonald, Grischka Petri, Meg Hausberg, and Joanna Meacock, James McNeill Whistler: The Etchings, a catalogue raisonné, University of Glasgow, 2011), Lochnan 199. Trimmed to the platemark by the artist, h: 11.8 x w: 7.9 in / h: 30 x w: 20.1 cm.
A fine impression, printed with subtle tone.
The bridge theme occurs repeatedly in Whistler’s vistas. It is also the main focus of more than one of the Venetian prints. While some bridges are seen from below, from where one would see it if approaching in a gondola (for example Ponte del Piovan, Kennedy 209), The Bridge depicts the scene from a high perspective, opening up the view into the far distance. The small boat approaching the arch in the foreground is again, as in the earlier Thames prints, a stock motif that is probably ultimately derived from the Japanese woodcuts of Hokusai and Hiroshige. The bridge here is the Ponte de le Terese over the Rio de l’Arzere in the Santa Marta quarter.
The early biography of Whistler by Elizabeth and Joseph Pennell is essential for its “immense quantity of information” but also notorious for “the inherent hyperbole and misinformation” (Eric Denker, Annotated Bibliography, in Fine, p. 184). Still, it is worth quoting from the Pennels’ appraisal of The Bridge: “Simplicity of expression has never been carried further. Probably the finest plate, in its simplicity and directness, is The Bridge. Whistler now obtained the quality of richness by suggesting detail, and also by printing. In The Traghetto...
Category
Impressionist Late 19th Century Landscape Prints
Materials
Drypoint, Etching
Merry Beaglers: Hunting Lithograph
Located in New York, NY
Color printed aquatint engraving with additional contemporary hand-colored details. Engraved by John Harris after the painting by Harry Hall. London, 1897. ...
Category
Late 19th Century Landscape Prints
Materials
Paper
Ancient Egyptian Ruins - Chromolithograph after Karl Werner - 1881
Located in Roma, IT
Ancient Egyptian ruins is a modern artwork realized d'apres Karl Werner.
Mixed colored cromolithograph.
The artwork is after the watercolors realized by the artist during a trip t...
Category
Modern Late 19th Century Landscape Prints
Materials
Lithograph
$264 Sale Price
25% Off
Egyptian Barber - Chromolithograph after Karl Werner - 1881
Located in Roma, IT
Egyptian barber is a modern artwork realized d'apres Karl Werner
Mixed colored Chromolithograph.
The artwork is after the watercolor realized by the artist during a trip to Egypt...
Category
Modern Late 19th Century Landscape Prints
Materials
Lithograph
$176 Sale Price
25% Off
The Thames, 1894 - Victorian aquatint etching of London by Joseph Pennell
Located in London, GB
JOSEPH PENNELL
(1857-1926)
The Thames, 1894
Signed
Aquatint
Plate size 20.5 by 26.5 cm., 8 by 10 ½ in.
(frame size 42 by 46 cm., 16 ½ by 18 in.)
Pennell was born in Philadelphia where he studied at School of Industrial Art and the Academy of Fine Arts. In 1884 he was commissioned by the Century Magazine to supply a series of drawings of London...
Category
Realist Late 19th Century Landscape Prints
Materials
Aquatint
L’île Lacroix, à Rouen
Located in New York, NY
Camille Pissarro (1830-1903), L’île Lacroix, à Rouen, etching, aquatint, maniere grise, drypoint, burnishing, c. 1887. Signed and numbered (No. 1) in pencil lower left, annotated 1...
Category
Impressionist Late 19th Century Landscape Prints
Materials
Drypoint, Etching, Aquatint
The Opening of the Temporary Diet - Woodcut by Ginko Adachi- 1890s
Located in Roma, IT
Picture of the opening of the temporary Diet building is an original artwork realized in the 1890s by Ginko Adachi (born 1853; active c. 1870 – 1908).
Sheet dimensions: 22 x 48 cm.
...
Category
Modern Late 19th Century Landscape Prints
Materials
Woodcut
$485 Sale Price
25% Off
Late 19th Century Normandy French Market Engraving
Located in Soquel, CA
Charming engraving of the market in Aumale, France in Normandy by Charles John Watson (British, 1846-1927), circa 1880. Signed within engraving and below by artist. Presented under g...
Category
Impressionist Late 19th Century Landscape Prints
Materials
Paper, India Ink
$1,480 Sale Price
20% Off
Food - Chromolithograph after Karl Werner - 1881
Located in Roma, IT
Food is a modern artwork realized d'apres Karl Werner
Mixed colored Chromolithograph.
The artwork is after the watercolor realized by the artist during a trip to Egypt between 18...
Category
Modern Late 19th Century Landscape Prints
Materials
Lithograph
$176 Sale Price
25% Off
Figure along Nile - Chromolithograph after Karl Werner - 1881
Located in Roma, IT
Figure along Nile is an modern artwork realized d'apres Karl Werner
Mixed colored Chromolithograph.
The artwork is from the watercolors realized by the artist during a trip to Eg...
Category
Modern Late 19th Century Landscape Prints
Materials
Lithograph
$176 Sale Price
25% Off
Temple on the Nilo - Chromolithograph after Karl Werner - 1881
Located in Roma, IT
Temple on the Nilo is a modern artwork realized d'apres Karl Werner
Mixed colored Chromolithograph.
The artwork is after the watercolor realized by the artist during a trip to Eg...
Category
Modern Late 19th Century Landscape Prints
Materials
Lithograph
$176 Sale Price
25% Off
The Mill, Amsterdam, 1889
Located in New York, NY
James Whistler (1834-1903), The Mill, 1889, etching and drypoint, signed in pencil with the butterfly on the tab and inscribed “imp”, and inscribed “first state” (twice) and annotated “Wunderlich” and signed again with the butterfly verso. Reference: Kennedy 413, first state (of 5). Glasgow 457, second state (of 6; see discussion below) (cf. Margaret F. MacDonald, Grischka Petri, Meg Hausberg, and Joanna Meacock, James McNeill Whistler: The Etchings, a catalogue raisonné, University of Glasgow, 2011)
On laid paper, in very good condition, trimmed just outside of the platemark all around except for the tab by the artist, 6 1/4 x 9 3/8 inches.
A very fine impression of this great rarity, printed in black/brown ink with a slight veil of plate tone.
provenance:
H. Wunderlich & Co., New York
Louis B. Dailey, New York (Lugt 4500)
sale, Sotheby’s, New York, October 31, 2003, lot 69
literature;
Neue Lagerliste 122: James McNeill Whistler – Etchings...
Category
Impressionist Late 19th Century Landscape Prints
Materials
Drypoint, Etching
Interior of the Temple - Chromolithograph after Karl Werner - 1881
Located in Roma, IT
Interior of the Temple is a modern artwork realized d'aprés Karl Werner
Mixed colored Chromolithograph.
The artwork is after the watercolors realized by the artist during a trip ...
Category
Modern Late 19th Century Landscape Prints
Materials
Lithograph
$176 Sale Price
25% Off
Fête du Jubilé de la Reine à Bedford Park, Londres
Located in New York, NY
A superb, dark and evenly-printed impression of this very scarce lithograph by Camille Pissarro and George W. Thornley. Printed in light brown on Chine appliqué. The deluxe edition o...
Category
Impressionist Late 19th Century Landscape Prints
Materials
Lithograph
Retriever Crossed with a Setter
Located in Columbia, MO
Retriever Crossed with a Setter
1887
Etching
3 x 5
Category
Naturalistic Late 19th Century Landscape Prints
Materials
Etching
Ancient Views of Yokohama - Vintage Albumen Prints - 1890s
Located in Roma, IT
Ancient Views of Yokohama is an original vintage albumen print on single cardboard: 34 x 26 cm.
It was realized in the 1890s.
Good conditions except for being aged.
Caption in Ita...
Category
Surrealist Late 19th Century Landscape Prints
Materials
Cardboard
$299 Sale Price
25% Off
Modern Art
Located in New York, NY
Dow, Arthur Wesley. Modern Art, 1896. Color lithograph. Plate from Maitre de L’affiches.
Arthur Wesley Dow, ( American painter, printmaker, photographer,...
Category
Art Nouveau Late 19th Century Landscape Prints
Materials
Lithograph
The Little Putney
Located in New York, NY
James Whistler, The Little Putney, 1879, etching and drypoint, signed with the large butterfly lower right (also with the butterfly in the plate). Glasgow 187, third state (of 3). 12...
Category
Impressionist Late 19th Century Landscape Prints
Materials
Drypoint, Etching
UNDER THE BROOKLYN BRIDGE, EAST RIVER.
Located in Portland, ME
Mielatz, Charles W.(American, born Germany, 1864-1919) UNDER THE BROOKLYN BRIDGE, EAST RIVER. Published by the New York Etching Club, circa 1893. Sign...
Category
Late 19th Century Landscape Prints
Materials
Etching
SAN BIAGIO
Located in Portland, ME
Whistler, James A. M. SAN BIAGIO. Etching and Drypoint, 1880. Glascow 237, K.197; M.194; W.163. State 8 of 17. With the printed butterfly at left, and with the butterfly signature in...
Category
Late 19th Century Landscape Prints
Materials
Drypoint, Etching
Horseman - Original Etching - 1875
Located in Roma, IT
Horseman is an original etching artwork on paper realized in 1875 by Alphonse Edouard Enguérand Aufray de Roc'Bhian (French, Paris 1833– 1887).
Signed on the plate on the lower of t...
Category
Modern Late 19th Century Landscape Prints
Materials
Etching
$220 Sale Price
25% Off
The Bridge - Etching by Bruno Croatto - 1897
Located in Roma, IT
The Bridge is an original etching realized by the Italian master Bruno Croatto.
Hand-signed on the lower right. '97
Good conditions except for some sma...
Category
Modern Late 19th Century Landscape Prints
Materials
Etching
$485 Sale Price
25% Off
Garibald's House - Original Lithograph - Late 19th century
Located in Roma, IT
Garibald's House is an original lithograph realized by an anonymous artist of the 19th Century.
In good condition.
Passpartout: 34 x 49 cm. Image Dimensions: 15.5 x 13 cm.
The ar...
Category
Modern Late 19th Century Landscape Prints
Materials
Lithograph
$405 Sale Price
25% Off
Westminster Palace
Located in Fairlawn, OH
Westminster Palace
Etching, Drypoint, Aquatint, roulette and salt ground lift
1884
Depicts the Houses of Parliament, Big Ben Clock and Tower and the...
Category
French School Late 19th Century Landscape Prints
Materials
Etching
Antique Dog Lithograph Taste of Alfred De Dreux, France ca. 1870 Bulldog & Frog
By Alfred de Dreux
Located in SANTA FE, NM
Antique Dog Portrait
Lithograph in the Taste of Alfred De Dreux
Bulldog and Frog
France, circa 1870
Lithography
25 5/8 x 19 5/8 (28 x 20 frame) inches
Six lithographs of dog portr...
Category
Romantic Late 19th Century Landscape Prints
Materials
Lithograph
Terriers No. 1
Located in Columbia, MO
Terriers No. 1
1883-84
Chromolithograph
8.5 x 11 inches
Category
Naturalistic Late 19th Century Landscape Prints
Materials
Lithograph
Bridge, Amsterdam
Located in New York, NY
James McNeill Whistler (1834-1903), Bridge, Amsterdam, etching, 1889, printed in brown ink on thin laid paper, signed with the butterfly on the tab and annotated “imp”, also signed with the butterfly on the verso and numbered 11. References: Kennedy 409, Glasgow 447, fifth state (of 5). In very good condition (slight nicks at edges), trimmed by the artist on the plate mark apart from the tab, 6 1/2 x 9 1/2 inches.
Provenance:
Vivian and Meyer P. Potamkin, Philadelphia;
sale, Sotheby’s, New York, May 11, 1989, lot 302
Samuel Josefowitz, Pully, Switzerland
A very fine, shimmering impression of this great rarity.
This impression is included in the Glasgow inventory, ID number K4090301; only about 11 lifetime impressions in all states are known (three were also printed posthumously by Nathaniel Sparks...
Category
Impressionist Late 19th Century Landscape Prints
Materials
Etching
Place Le Soir (The Square at Evening)
Located in Fairlawn, OH
Place Le Soir (The Square at Evening)
Color lithograph on wove paper, 1899
Unsigned (as issued)
From: Quelques aspects de la vie de Paris (Some Aspects of Parisian Life), 1899, Plate...
Category
Impressionist Late 19th Century Landscape Prints
Materials
Lithograph
