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Period: Late 19th Century
Spring - Original Etching by Telemaco Signorini - 1873
Located in Roma, IT
Landscape and figures. Signed on plate.
Image Dimensions : 15x21 cm.
Publisher : Editore Lovera
Excellent conditions
This artwork is shipped from Italy. Under existing legislation, ...
Category
Realist Late 19th Century Landscape Prints
Materials
Etching
Mariko Station, a Mad Caricature (Mariko shukuba no kyoga)
By Kawanabe Kyosai
Located in Fairlawn, OH
Mariko Station, a Mad Caricature (Mariko shukuba no kyoga)
Color woodcut, 1872
Signed in cartouche lower left corner (see photo)
From the series: "53 Stations by Calligraphy and Pain...
Category
Late 19th Century Landscape Prints
Materials
Woodcut
"The Great Fire of Boston" Currier & Ives, Urban landscape late 19th century
Located in New York, NY
Currier & Ives
The Great Fire of Boston , 1872
Hand-colored lithograph
7 5/16 x 12 11/16 inches
After undertaking apprenticeships in Boston and Philadelphia, Currier set up a print...
Category
Realist Late 19th Century Landscape Prints
Materials
Lithograph
S. Anton Patenkirchen / - The Home of the Landscape -
Located in Berlin, DE
Hans Thoma (1839 Bernau - 1924 Karlsruhe), S. Anton Patenkirchen, 1895. Algraph on strong wove paper, published by Breitkopf und Härtel in Leipzig as ‘Zeitgenössisches Kunstblatt Nr....
Category
Realist Late 19th Century Landscape Prints
Materials
Paper
Fishermen - Etching by Eugène Burnand - Late 19th century
Located in Roma, IT
Fishermen is an original etching realized by Eugène Burnand (1850-1921) in the Late 19th century.
Good conditions with foxing.
The artwork is realize...
Category
Modern Late 19th Century Landscape Prints
Materials
Engraving, Etching
Antique Dog Lithograph, Taste of Alfred De Dreux, France circa 1870 Wolfhound E
By Alfred de Dreux
Located in SANTA FE, NM
Antique Dog Portrait
Lithograph in the Taste of Alfred De Dreux
Wolfhound E
France, circa 1870
Lithography
25 5/8 x 19 5/8 (28 x 20 frame) inches
Six lithographs of dog portraits....
Category
Romantic Late 19th Century Landscape Prints
Materials
Lithograph
Late 19th Century Engraving -- "A Hot Bargain" Painting by Frederick Bridgman
Located in Soquel, CA
Beautiful engraving of a late 19th Century painting by Frederic Arthur Bridgman (American, 1847 - 1928) titled "A Hot Bargain," (see image) engraved by James D. Smillie (American, 1833-1909), circa 1900. Signed lower right edge. Edition 64/225 with attribution to piece and artist on verso. Presented in with new mat. Original mat on verso. Condition: Good, minor foxing on edge. Image size: 5.88"H x 9"W.
A native of New York and the son of an engraver, James David Smillie earned his early reputation for his etching skills but later for watercolor landscapes. He began etching at age 8, learning from his father, James Smillie...
Category
Realist Late 19th Century Landscape Prints
Materials
Paper, Ink
Lido (Venice)
By Otto Henry Bacher
Located in Fairlawn, OH
Lido (Venice)
Etching on chine collee, 1880
Part of the artist's "Venice Set"
Signed upper right in plate :Otto H Bacher" (see photo)
Signed with the estate stamp, Lugt 2002 recto lower right beneath image. (see photo)
Created October 20, 1880
Reference: Andrew Venice No. 29
Provenance: Estate of the Artist
Otto H. Bacher (1856-1909)
Otto Henry Bacher was born in Cleveland, Ohio, to a family of German descent. He first studied art at the age of sixteen with local genre trompe l'oeil still-life artist, DeScott Evans. Although he studied with Evans for less than one year, Bacher's early work, comprised mainly of still lifes, betrays Evans's influence. After a short period in Philadelphia, where he studied at the Pennsylvania Academy of the Fine Arts, Bacher returned to Cleveland and met Willis Seaver Adams, an artist from Springfield, Massachusetts, who had just recently arrived upon the Cleveland art scene. Soon the two artists were rooming together. Adams was instrumental in the founding of the Cleveland Art Club, as well as the establishment of the Cleveland Academy of the Fine Arts, to the board of which Adams had Bacher appointed. Also during this time, Bacher began to learn the process of etching from local etcher and landscape painter Sion Longley Wenban.
In 1878, Bacher and Adams left for Europe. After stopping briefly in Scotland, Bacher went on to Munich, where he enrolled at the Royal Academy. He quickly tired of the rigors of the academy, and soon he was studying with Cincinnati artist Frank Duveneck, the prime American exponent of the Munich School. In 1879, Bacher made a trip to Florence with Duveneck as one of the celebrated "Duveneck Boys." Early the following year, the group proceeded to Venice, where Bacher and several other artists established studios in the Casa Jankovitz.
By this time an avid printmaker, Bacher had his etching press sent from Muni ch, and it was in his Venice studio that he taught Duveneck the rudiments of etching. Soon Bacher, Duveneck, and other members of the Duveneck circle were experimenting in printmaking. Among the group's contributions were some of the first American examples of monotypes, which they called "Bachertypes" because they were printed using Bacher's press.
It was also in Venice that Bacher met the venerable American expatriate artist, James McNeill Whistler. On learning of Bacher's press and his collection of etchings by Rembrandt, Whistler made himself a regular visitor to Bacher's studio, and he eventually took his own room in the Casa Jankovitz. Bacher spent much of the rest of 1880 with Whistler, the two artists sharing etching techniques. From Whistler, Bacher learned tone and line graduation; from Bacher, Whistler learned his etching techniques, including better ways of using the acid bath which produced less tedious and more efficient work. Bacher visited Whistler occasionally in the years that followed, and in 1908 he published With Whistler in Venice, his famous recollections of his time with the great artist.
Bacher spent the next two years traveling extensively throughout Italy, with Venice as the center of his operations, and he produced a number of important etchings of Italian subjects. Bacher sent several of these works to America in 1881 to be included in the Society of American artists exhibition that year, and had a similar group of works shown at the Royal Society of Painter-Etchers' first exhibition at the Hanover Gallery in London. Following the exhibition, Bacher, along with several other of the American contributors, was elected a Fellow of the Society. Bacher collected twelve of his etchings of Venetian subjects and sold them in bound volumes through his New York dealer, Frederick Keppel.
Bacher returned to Cleveland in January 1883 as a fully cosmopolitan artist. He set up a lavish studio furnished with exotic items and objets-d'art he had collected on his travels, and began to hold art classes as a means to supplement his income. He soon joined with Joseph De Camp in forming a summer sketch class in Richfield, Ohio. Bacher and De Camp also planned the Cleveland Room for a major loan exhibition in Detroit that year. During this period, Bacher increasingly painted in oil, and he began to produce sun-dappled canvases in an impressionistic mode.
Unable to sell any paintings from this early period, however, Bacher left Cleveland for Paris in 1885, where he planned to undertake further studies. Stopping first in London to visit Whistler, Bacher stayed only briefly in Paris before heading to Venice, where he spent the remainder of the year. In January 1886, Bacher returned to Paris and enrolled at the Académie Julian, and also entered the atelier of Emile-Auguste Carolus-Duran. The life of the student seems never to have suited Bacher, as he stayed in Paris only through June, before departing again for Venice. For the next six months he, Robert Blum, and Charles Ulrich...
Category
American Impressionist Late 19th Century Landscape Prints
Materials
Etching
Orchids: Framed 19th C. Hand-Colored Engraving of "Trichosma Suavis" by J. Fitch
Located in Alamo, CA
This beautiful, original hand-colored orchid lithograph entitled "Trichosma Suavis" Orchids by John Nugent Fitch is plate 114 in Robert Warner's publication 'The Orchid Album, Compri...
Category
Naturalistic Late 19th Century Landscape Prints
Materials
Engraving
On the Grass - Etching and Drypoint by J. Tissot - 1880
By James Tissot
Located in Roma, IT
Very fine print on verge crème.
Some small traces of oxidation, dust and some flowerings on external edges of sheet, otherwise excellent conditions.
Full margins.
Ref. Wentworth 50.
Category
Post-Impressionist Late 19th Century Landscape Prints
Materials
Drypoint, Etching
View of Paris XV-XVI - Lithograph - Late 19th century
Located in Roma, IT
View of Paris XV-XVI is a lithograph print on paper realized in the Late 19th century
Signed on the plate
Good conditions.
From the suite of "France Pittoresques, including costum...
Category
Modern Late 19th Century Landscape Prints
Materials
Lithograph
Umewaka Shrine in the Rain
By Kobayashi Kiyochika
Located in Burbank, CA
Umewaka Shrine, from an untitled series of prints depicting Tokyo. A woman braces her umbrella against the rain and a man waits out the storm next to his jinriksha in this view of th...
Category
Edo Late 19th Century Landscape Prints
Materials
Handmade Paper, Mulberry Paper, Woodcut
La Mare Aux Grenouille - Etching by J. Desbrosses - Late 19th Century
Located in Roma, IT
La Mare Aux Grenouilles is a black and White etching realized by J. Desbrosses in the Late 19th Century.
Titled in the lower
Image Size: 16x25
Very good impression.
Realized by ...
Category
Impressionist Late 19th Century Landscape Prints
Materials
Etching
Boulevard du Temple, Paris, France - Hand Colored Lithograph
Located in Soquel, CA
Boulevard du Temple, Paris, France - Hand Colored Lithograph
Detailed lithograph of a Paris street scene by Louis Valentin Emile de La Tramblais (French, 1821-1892). This piece is f...
Category
Late 19th Century Landscape Prints
Materials
Paper, Ink, Watercolor
Ancient View of Kobe - Vintage Albumen Print - 1890s
Located in Roma, IT
Ancient Views of Kobe is an original vintage albumen print on single cardboard: 26 x 34 cm.
They were realized between the 1880s and the early 1...
Category
Late 19th Century Landscape Prints
Materials
Cardboard, Photographic Paper
Village - Vintage Lithograph by Sarah Green - Late 19th century
Located in Roma, IT
The Village is a lithograph print on paper in the Late 19th century realized by Sarah Green.
Signed on the plate
Good conditions.
From the suite of "France Pittoresques, including...
Category
Modern Late 19th Century Landscape Prints
Materials
Photographic Paper
Westminster Palace
Located in Fairlawn, OH
Westminster Palace
Etching, Drypoint, Aquatint, roulette and salt ground lift
1884
Depicts the Houses of Parliament, Big Ben Clock and Tower and the...
Category
French School Late 19th Century Landscape Prints
Materials
Etching
Fantaisies - Etching by A. Constantin - Late 19th Century
Located in Roma, IT
Fantaisies is a black and White etching realized by A. Constantin in the Late 19th Century.
Titled in the lower
Image Size: 24x31
Very good impression.
Realized by Cadart for th...
Category
Impressionist Late 19th Century Landscape Prints
Materials
Etching
Conversations - Chromolithograph after Karl Werner - 1881
Located in Roma, IT
Conversations is a modern artwork realized d'apres Karl Werner
Mixed colored cromolithograph.
The artwork is after the watercolors realized by the artist during a trip to Egypt b...
Category
Modern Late 19th Century Landscape Prints
Materials
Lithograph
View of Mount Fuji - Woodcut after K. Hokusai - 1878
Located in Roma, IT
View of Mount Fuji is a modern artwork realized after Katsushika Hokusai (31 October 1760 – 10 May 1849).
Woodcut print from the series "Fugaku hyakkei" (100 views of Mount Fuji). ...
Category
Modern Late 19th Century Landscape Prints
Materials
Woodcut
$336 Sale Price
25% Off
Etang de la Canau - Etching by Leo Drouyn - Late 19th Century
Located in Roma, IT
Etang de la Canau is a black and White etching realized by Leo Drouyn in the Late 19th Century.
Titled in the lower
Image Size: 24x32
Very good impression.
Realized by Cadart fo...
Category
Impressionist Late 19th Century Landscape Prints
Materials
Etching
Une Barque a Maree Basse - Etching by Adolphe Hervier - Late 19th Century
Located in Roma, IT
Une Barque a Maree Basse is a black and White etching realized by Adolphe Hervier in the Late 19th Century.
Titled in the lower
Image Size: 24x32
Very good impression.
Realized ...
Category
Impressionist Late 19th Century Landscape Prints
Materials
Etching
La Nouvelle Orléans - Original Woodcut Print After T.A. Weber - 1876
By Theodore Alexander Weber
Located in Roma, IT
La Nouvelle Orléans is a wonderful black and white xilograph on paper, realized in 1876 by an unknown artist, whose signature is not completely readable on lower right corner, after the German artist and marine painter Theodore Alexander Weber (1838-1907).
With high meticulousness of sign this original print describes the new port...
Category
Modern Late 19th Century Landscape Prints
Materials
Woodcut
Late 19th Century Normandy French Market Engraving
Located in Soquel, CA
Charming engraving of the market in Aumale, France in Normandy by Charles John Watson (British, 1846-1927), circa 1880. Signed within engraving and below by artist. Presented under g...
Category
Impressionist Late 19th Century Landscape Prints
Materials
Paper, India Ink
$1,480 Sale Price
20% Off
By the Water - Original Etching G. Jeanniot - Late 19th Century
Located in Roma, IT
By the Water is an Original Etching realized by Pierre Georges Jeanniot (1848-1934).
Hand-Signed and some notes by the artist on the lower left corner.
Good condition on a cream co...
Category
Modern Late 19th Century Landscape Prints
Materials
Etching
Paysage du Berri - Etching and Aquatint After Théodore Rousseau - Late 1800
By Lucien Gautier
Located in Roma, IT
Original print by Lucien Gautier after the original painting by T. Rousseau. Etching and aquatint. Perfect conditions.
Collect the magician landscapes by the French Barbizon school artists!
Lucien Marcellin Gautier (Aix-en-Provence 1850 - 1925)
The French engraver was firstly pupil of Gibert and Marius Reinaud in Aix-en-Provence, then Léon Gaucherel...
Category
Barbizon School Late 19th Century Landscape Prints
Materials
Etching, Aquatint
Southern German summer landscape / - The profile of the landscape -
Located in Berlin, DE
Hans Thoma (1839 Bernau - 1924 Karlsruhe), Southern German summer landscape, around 1897. Algraph on strong wove paper, published by Breitkopf und Härtel in Leipzig as ‘Zeitgenössisc...
Category
Realist Late 19th Century Landscape Prints
Materials
Paper
Fontainebleau Forest - Original Etching by L. Beltrami - 1877
Located in Roma, IT
Fontainebleau Forest is an original Modern artwork realized by Luca Beltrami (1854 - 1933) in 1877.
Original B/W Etching on ivory cardboard.
Mint con...
Category
Naturalistic Late 19th Century Landscape Prints
Materials
Etching
Venice - Original Etching on Paper by Tintoretto (after) - 1870
Located in Roma, IT
Venice is a beautiful etching on paper realized after Tintoretto in 1870.
Titled on the lower center. In good condition, except for some cutting along the margins and foxing.
The a...
Category
Late 19th Century Landscape Prints
Materials
Etching
Ancient Hang Cheong - Vintage Albumen Print - 1890s
Located in Roma, IT
Ancient Hang Cheong Photograph is an original vintage albumen print on single cardboard.
It is realized in the 1890s.
Fair condition with missi...
Category
Modern Late 19th Century Landscape Prints
Materials
Cardboard, Photographic Paper
Tesoreria d'Atrée - Etching and Watercolor - Late 19th Century
Located in Roma, IT
Image dimensions: 10 x 14.5 cm.
Tesoreria d'Atrée is a hand-colored lithograph on paper, representing the Treasure of Atreus, sometimes called Tomb of Agamemnon, the impressive tholos tomb located in Mycenae, Greece (on the hill called Panagitsa) and built around 1250 BC., discovered by the archaeologist Heinrich Schliemann...
Category
Modern Late 19th Century Landscape Prints
Materials
Etching, Watercolor
Battle of Sedyman - Etching - Late 19th century
Located in Roma, IT
Battle of Sedyman is an etching print on paper in the Late 19th century.
Good conditions.
From the suite of "France Pittoresques, including costume of the world.
Category
Modern Late 19th Century Landscape Prints
Materials
Etching
Ôkubo Hikozaemon Protects the Hidden Shogun Triptych
Located in Burbank, CA
“War Chronicles of Osaka” (Osaka gunki no uchi). Okubo Hikozaemon, raising his sword, protects the hidden Tokugawa shogun from the spear of Gorô Matabei Mototsugu in a moonlit fores...
Category
Other Art Style Late 19th Century Landscape Prints
Materials
Mulberry Paper, Woodcut
"Hyde Park on Sunday" - Hand Colored Etching from "Old and New London"
Located in Soquel, CA
"Hyde Park on Sunday" - Hand Colored Etching from "Old and New London"
Detailed etching of a typical Sunday in Hyde Park around 1800 after an etching by Ed...
Category
Romantic Late 19th Century Landscape Prints
Materials
Paper, Ink, Watercolor
Ancient Costume - Mulhouse - Lithograph - Late 19th century
Located in Roma, IT
Ancient Costume - Mulhouse is an etching print on paper in the Late 19th century.
Good conditions.
From the suite of "France Pittoresques, including costume of the world.
Category
Modern Late 19th Century Landscape Prints
Materials
Lithograph
Piazza di Spagna - Italy - Lithograph - Late 19th century
Located in Roma, IT
Spagna Square - Italy is an etching print on paper in the Late 19th century.
Titled on the plate
Good conditions with slight foxing and folding.
Category
Modern Late 19th Century Landscape Prints
Materials
Lithograph
Bird's Eye View of Glascow 1888 original wood engraving from The Graphic
Located in Paonia, CO
Bird’s Eye View of Glascow original 1888 wood engraving is from The Graphic by H.W. Brewer who was well known for his aerial views of topographical panoramas. He was also the fa...
Category
Realist Late 19th Century Landscape Prints
Materials
Woodcut
Landscape - Etching by J. F. Raffaelli - Late 19th Century
Located in Roma, IT
Etching and drypoint. Hand signed.
Very good condition.
Category
Modern Late 19th Century Landscape Prints
Materials
Drypoint, Etching
Port of New Orleans - Original Lithograph by J.H. Tringham - 1890
By Joseph Holland Tringham
Located in Roma, IT
Image dimensions: 10.1 x 13.9 cm.
Port of New Orleans is a black and white xylograph on paper, realized in 1890 by Holland Tringham.
Of little dimensions but high quality, this ori...
Category
Modern Late 19th Century Landscape Prints
Materials
Lithograph
Map of Russia - Original Etching - Late 19th Century
Located in Roma, IT
This Map of Russia is an etching realized by an anonymous artist.
The state of preservation of the artwork is good with some small diffused stains.
Sheet dimension:27.5 x 44
At t...
Category
Modern Late 19th Century Landscape Prints
Materials
Etching
Les Marais - Etching by Maillart after T. Rousseau - 1880
Located in Roma, IT
Les Marais 1880s is an original drawing in etching technique on paper, realized and by Maillart, a French engraver and sculptor after Theodore Rousseau...
Category
Modern Late 19th Century Landscape Prints
Materials
Etching
The Street, Chelsea - 1880s etching by Whistler follower Theodore Roussel
Located in London, GB
THEODORE CASIMIR ROUSSEL, RBA
(1847-1926)
The Street, Chelsea Embankment
Etching, signed in the plate, signed on the artist’s tab, trimmed to the platemark by the artist, framed
15...
Category
Realist Late 19th Century Landscape Prints
Materials
Etching
Oriental Scene - Chromolithograph after Karl Werner - 1881
Located in Roma, IT
Oriental scene is a modern artwork realized d'apres Karl Werner
Mixed colored Chromolithograph.
The artwork is after the watercolor realized by the artist during a trip to Egypt ...
Category
Modern Late 19th Century Landscape Prints
Materials
Lithograph
Minaret on the Nile - Chromolithograph after Karl Werner - 1881
Located in Roma, IT
Minaret on the Nile is a modern artwork realized d'apres Karl Werner
Mixed colored cromolithograph.
The artwork is after the watercolors realized by the artist during a trip to E...
Category
Modern Late 19th Century Landscape Prints
Materials
Lithograph
Night at Abu Simbel - Chromolithograph after Karl Werner - 1881
Located in Roma, IT
Night at Abu Simbel is a modern artwork realized d'apres Karl Werner.
Mixed colored Chromolithograph.
The artwork is after the watercolors realized by the artist during a trip to...
Category
Modern Late 19th Century Landscape Prints
Materials
Lithograph
"Barmaid, " a Dwarf Beagle
Located in Columbia, MO
"Barmaid, " a Dwarf Beagle
1887
Etching
3 x 5
Category
Naturalistic Late 19th Century Landscape Prints
Materials
Etching
Le Clocher de St. Nicolas
Located in New York, NY
A very good impression of this scarce lithograph on wove paper. , Printed by Lemercier & Cie, Paris and published by Alfred Robaud. From "Douze Croquis et Dessins Originaux."
Catalo...
Category
Realist Late 19th Century Landscape Prints
Materials
Lithograph
The Cabin
Located in Roma, IT
Beautiful proof on vélin fort, with stamp “Lugt 1048”.
Full margins.
Ref. Cat. Harrington 170; Schneiderman 163.
Category
Modern Late 19th Century Landscape Prints
Materials
Drypoint
Le Pont de Pierre, a Rouen
Located in New York, NY
Camille Pissarro (1830-1903), Le Pont de Pierre, a Rouen, etching and drypoint, 1887. Reference: Delteil 66, second state (of 2). Signed lower right in pencil, annotated lower left ...
Category
Impressionist Late 19th Century Landscape Prints
Materials
Drypoint, Etching
Landscape - Lithograph by Antonio Fontanesi - 1880
Located in Roma, IT
This splendid lithograph, realized in 1880s, is part of the series of prints dedicated to views of the Landscape, engraved by the Italian artist Antonio Fontanesi.
The state of preservation of the artwork is very good.
The signature is engraved on the plate the lower right.
Antonio Fontanesi (Reggio Emilia, 1818 - Turin, 1882) was an Italian painter, engraver, teacher, and soldier. He was one of the most important 19th-century Italian painters, though somewhat unknown. After fighting in the I Independence War...
Category
Old Masters Late 19th Century Landscape Prints
Materials
Lithograph
The Cabin - Drypoint by Francis Saymour-Haden - 1877
Located in Roma, IT
The Cabin is an original Modern artwork realized by Sir Francis Saymour-Haden (16 September 1818 – 1 June 1910) in 1877.
Beautiful Proof on vélin fort, with stamp "Lugt 1048”. Full ...
Category
Modern Late 19th Century Landscape Prints
Materials
Drypoint, Etching
The Body of Tee, a Chief, as preferred after Death, in Otaheite (Tahiti)
By John Webber
Located in Paonia, CO
The Body of Tee a chief as preferred after Death in Otaheite (Tahiti) is from the 1784 First Edition Atlas Accompanying Capt. James Cook and King; Third and Final Voyage of Capt...
Category
Realist Late 19th Century Landscape Prints
Materials
Engraving
Intérieur de Forêt - Original Etching by Diaz - 1880 ca
Located in Roma, IT
Intérieur de Forêt is an original etching realized after N. Diaz de la Pena in 1880 ca. Engraved by P. Leterrier.
Titled on the lower center.
The state of preservation is good.
Th...
Category
Barbizon School Late 19th Century Landscape Prints
Materials
Paper, Etching
The Nursing - Etching by Eugène Burnand - Late 19th century
Located in Roma, IT
Nursing is an etching realized by Eugène Burnand (1850-1921) in the Late 19th century.
Good conditions with foxing.
The artwork is realized through s...
Category
Modern Late 19th Century Landscape Prints
Materials
Engraving, Etching
La rue Saint-Louis - Original Woodcut Print by Bertrand, After Valnay - 1880
Located in Roma, IT
Image dimensions: 23.5 x 15.8 cm.
La rue Saint-Louis is a wonderful black and white xilograph on paper, realized in 1880 by Bertrand, after Valnay.
Signed on plate on sides. Title ...
Category
Modern Late 19th Century Landscape Prints
Materials
Woodcut
The Little Mast
Located in New York, NY
James Whistler (1834-1903), The Little Mast, etching, drypoint and burnishing, 1879-80, signed in pencil with the early shaded butterfly lower left and annotated “imp”. References: G...
Category
Impressionist Late 19th Century Landscape Prints
Materials
Etching
Cover illustration for Die Graphischen Kunste, Volume 22
Located in Fairlawn, OH
Cover illustration for Die Graphischen Kunste, Volume 22
Color lithograph, 1899
Signed with the artist's initials lower center (see photo)
From: The Graphic Arts, Volume 22, 1899
...
Category
Art Nouveau Late 19th Century Landscape Prints
Materials
Lithograph
“Returning Home”
By Hermanus Jan Hendrik Rijkelijkhuysen
Located in Southampton, NY
Original etching on Ingres laid paper (watermarked, see last photograph) attributed to the hand of the well known Dutch artist, Hermanus Jan Hendrik Rijkelijkhuysen. No visible signature. Sheet size 9.25 by 12 inches. Sight size 7 by 9 inches. Under glass. Circa 1875. Condition is excellent. Professionally matted and framed in a walnut colored frame with gold leaf edge. Overall framed measurements are 12.75 by 14.5 inches. Gallery label verso. Provenance: A Sarasota, Florida collector.
Biography:
Hermanus Jan Hendrik Rijkelijkhuysen (1813-1883) was a landscape painter and etcher. Rijkelijkhuysen spent most of his life working in the vicinity of his birthplace Utrecht. Inspired by the polders on the one hand and the Utrechtse Heuvelrug on the other, he mainly painted and etched water...
Category
Academic Late 19th Century Landscape Prints
Materials
Laid Paper, Etching
$520 Sale Price
20% Off
Ninfe Resting - Original Etching by D’apre Diaz de la Pena - 1880 ca
Located in Roma, IT
Ninfe Resting is an original etching artwork realized by Eugène Charvot after Narcisse Diaz de la Pena in 1880 ca.
Signed on the plate.
Titl...
Category
Naturalistic Late 19th Century Landscape Prints
Materials
Etching
La Mare dans la clairière - Etching after N. Diaz de la Pena - 1880 ca
Located in Roma, IT
La Mare dans la clairière is an original etching realized after a painting by Narcisse Diaz de la Pena in 1880 ca.
Signed on the plate. Title...
Category
Modern Late 19th Century Landscape Prints
Materials
Etching
