Late 19th Century Landscape Prints

Image dimensions: 14 x 18 cm. Country House is an original modern artwork realized between the end of the XIX Century and the first years of the XX Century by Marcel Haussaire. Ori...

Battle of Sedyman is an etching print on paper in the Late 19th century. Good conditions. From the suite of "France Pittoresques, including costume of the world.

Etching and drypoint. Hand signed. Very good condition.

Beautiful engraving of a late 19th Century painting by Frederic Arthur Bridgman (American, 1847 - 1928) titled "A Hot Bargain," (see image) engraved by James D. Smillie (American, 1833-1909), circa 1900. Signed lower right edge. Edition 64/225 with attribution to piece and artist on verso. Presented in with new mat. Original mat on verso. Condition: Good, minor foxing on edge. Image size: 5.88"H x 9"W. A native of New York and the son of an engraver, James David Smillie earned his early reputation for his etching skills but later for watercolor landscapes. He began etching at age 8, learning from his father, James Smillie...

"Hyde Park on Sunday" - Hand Colored Etching from "Old and New London" Detailed etching of a typical Sunday in Hyde Park around 1800 after an etching by Ed...

Currier & Ives Newport Beach Hand-colored lithograph Sheet 10 x 13 1/4 inches After undertaking apprenticeships in Boston and Philadelphia, Currier set up a print publishing compan...

Nile trip map is a modern artwork realized d'apres Karl Werner. Mixed colored cromolithograph.  The artwork is after the watercolors realized by the artist during a trip to Egypt b...

Conversations is a modern artwork realized d'apres Karl Werner  Mixed colored cromolithograph.  The artwork is after the watercolors realized by the artist during a trip to Egypt b...

Egyptians along the Nile  is a modern artwork realized d'après Karl Werner. Mixed colored cromolithograph.  The artwork is after the watercolors realized by the artist during a tri...

Night at Abu Simbel is a modern artwork realized d'apres Karl Werner.  Mixed colored Chromolithograph.  The artwork is after the watercolors realized by the artist during a trip to...

Gary Head Absolut Statehood: Missouri 1992 Lithograph 97/400 38.5 x 26 inches

India. Jodpoor - Mach 2nd, 1893 - is an original vintage black and white photo realized during a journey throughout the world performed by prince Franz Ferdinand von Osterreich Este ...

The Bridge of Salamanca is a lithograph on paper realized by John Godfrey in The 19th Century. Signed on the plate on the lower right corner. Titled on the lower center. Good condition with minor foxing. An impressive landscape...

Ancient Hang Cheong Photograph is an original vintage albumen print on single cardboard. It is realized in the 1890s. Fair condition with missi...

The Body of Tee a chief as preferred after Death in Otaheite (Tahiti) is from the 1784 First Edition Atlas Accompanying Capt. James Cook and King; Third and Final Voyage of Capt...

Nursing is an etching realized by Eugène Burnand (1850-1921) in the Late 19th century. Good conditions with foxing. The artwork is realized through s...

Lido (Venice) Etching on chine collee, 1880 Part of the artist's "Venice Set" Signed upper right in plate :Otto H Bacher" (see photo) Signed with the estate stamp, Lugt 2002 recto lower right beneath image. (see photo) Created October 20, 1880 Reference: Andrew Venice No. 29 Provenance: Estate of the Artist Otto H. Bacher (1856-1909) Otto Henry Bacher was born in Cleveland, Ohio, to a family of German descent. He first studied art at the age of sixteen with local genre trompe l'oeil still-life artist, DeScott Evans. Although he studied with Evans for less than one year, Bacher's early work, comprised mainly of still lifes, betrays Evans's influence. After a short period in Philadelphia, where he studied at the Pennsylvania Academy of the Fine Arts, Bacher returned to Cleveland and met Willis Seaver Adams, an artist from Springfield, Massachusetts, who had just recently arrived upon the Cleveland art scene. Soon the two artists were rooming together. Adams was instrumental in the founding of the Cleveland Art Club, as well as the establishment of the Cleveland Academy of the Fine Arts, to the board of which Adams had Bacher appointed. Also during this time, Bacher began to learn the process of etching from local etcher and landscape painter Sion Longley Wenban. In 1878, Bacher and Adams left for Europe. After stopping briefly in Scotland, Bacher went on to Munich, where he enrolled at the Royal Academy. He quickly tired of the rigors of the academy, and soon he was studying with Cincinnati artist Frank Duveneck, the prime American exponent of the Munich School. In 1879, Bacher made a trip to Florence with Duveneck as one of the celebrated "Duveneck Boys." Early the following year, the group proceeded to Venice, where Bacher and several other artists established studios in the Casa Jankovitz. By this time an avid printmaker, Bacher had his etching press sent from Muni ch, and it was in his Venice studio that he taught Duveneck the rudiments of etching. Soon Bacher, Duveneck, and other members of the Duveneck circle were experimenting in printmaking. Among the group's contributions were some of the first American examples of monotypes, which they called "Bachertypes" because they were printed using Bacher's press. It was also in Venice that Bacher met the venerable American expatriate artist, James McNeill Whistler. On learning of Bacher's press and his collection of etchings by Rembrandt, Whistler made himself a regular visitor to Bacher's studio, and he eventually took his own room in the Casa Jankovitz. Bacher spent much of the rest of 1880 with Whistler, the two artists sharing etching techniques. From Whistler, Bacher learned tone and line graduation; from Bacher, Whistler learned his etching techniques, including better ways of using the acid bath which produced less tedious and more efficient work. Bacher visited Whistler occasionally in the years that followed, and in 1908 he published With Whistler in Venice, his famous recollections of his time with the great artist. Bacher spent the next two years traveling extensively throughout Italy, with Venice as the center of his operations, and he produced a number of important etchings of Italian subjects. Bacher sent several of these works to America in 1881 to be included in the Society of American artists exhibition that year, and had a similar group of works shown at the Royal Society of Painter-Etchers' first exhibition at the Hanover Gallery in London. Following the exhibition, Bacher, along with several other of the American contributors, was elected a Fellow of the Society. Bacher collected twelve of his etchings of Venetian subjects and sold them in bound volumes through his New York dealer, Frederick Keppel. Bacher returned to Cleveland in January 1883 as a fully cosmopolitan artist. He set up a lavish studio furnished with exotic items and objets-d'art he had collected on his travels, and began to hold art classes as a means to supplement his income. He soon joined with Joseph De Camp in forming a summer sketch class in Richfield, Ohio. Bacher and De Camp also planned the Cleveland Room for a major loan exhibition in Detroit that year. During this period, Bacher increasingly painted in oil, and he began to produce sun-dappled canvases in an impressionistic mode. Unable to sell any paintings from this early period, however, Bacher left Cleveland for Paris in 1885, where he planned to undertake further studies. Stopping first in London to visit Whistler, Bacher stayed only briefly in Paris before heading to Venice, where he spent the remainder of the year. In January 1886, Bacher returned to Paris and enrolled at the Académie Julian, and also entered the atelier of Emile-Auguste Carolus-Duran. The life of the student seems never to have suited Bacher, as he stayed in Paris only through June, before departing again for Venice. For the next six months he, Robert Blum, and Charles Ulrich...

Les Marais 1880s is an original drawing in etching technique on paper, realized and by Maillart, a French engraver and sculptor after Theodore Rousseau...

Currier & Ives (Publishers) "Good times on the Old Plantation" 1872 Handcolored Lithograph Size Height 10 in.; Width 13.9 in. Framed Size: approx 16 x 19.5

Boulevard du Temple, Paris, France - Hand Colored Lithograph Detailed lithograph of a Paris street scene by Louis Valentin Emile de La Tramblais (French, 1821-1892). This piece is f...

This splendid lithograph, realized in 1880s, is part of the series of prints dedicated to views of the Landscape, engraved by the Italian artist Antonio Fontanesi. The state of preservation of the artwork is very good. The signature is engraved on the plate the lower right. Antonio Fontanesi (Reggio Emilia, 1818 - Turin, 1882) was an Italian painter, engraver, teacher, and soldier. He was one of the most important 19th-century Italian painters, though somewhat unknown. After fighting in the I Independence War...

A superb, richly-inked impression of this etching and drypoint, printed in dark brownish black on antique cream laid paper. Second state (of 3). Edition of approximately 30. Signed w...

"George" and "Romp, " Sussex Spaniels 1887 Etching 3 x 5

Original etching realized by James Ensor in 1889. Hand signed and dated. Good conditions, small stain lower right. Image Dimensions : 15 x 23 cm References: Delteil, Taevernier 74.

Shimada is an original modern artwork realized after Utagawa Hiroshige, in the Late 19th Century. Original Woodcut print from the series "53 Stations of t...

Image dimensions: 7.2 x 12.7 cm. New Orleans is a black and white xylograph on paper, realized in 1890 by anonymous artist, of incredible fineness. Of little dimensions but high meticulousness of sign, this original print presents us a lost and historical view on the New Orleans port...

Un Bal Public is a black and white etching realized by Edme Penauille (1840-1871) in 1870s. Titled in the lower. Image size: 28.5cmx20cm. Very Good condition. Realized by Cadart ...

"Castel" is an original lithograph on paper, realized by Francesco Gonin in 1880. Good conditions. The artwork represents a magnificent castel, through harmonious hatchings by delica...

Intérieur de Forêt is an original etching realized after N. Diaz de la Pena in 1880 ca. Engraved by P. Leterrier. Titled on the lower center. The state of preservation is good. Th...

Created by Gustav Buek from an original oil painting made in 1892 by Thomas Moran. The painting is today owned by the Philadelphia Museum of Art in Philadelphia, Pennsylvania. Both w...

Antique Dog Portrait Lithograph in the Taste of Alfred De Dreux Mastiff C France, circa 1870 Lithography 25 5/8 x 19 5/8 (28 x 20 frame) inches Six lithographs of dog portraits. ...

La Mare dans la clairière is an original etching realized after a painting by Narcisse Diaz de la Pena in 1880 ca. Signed on the plate. Title...

Landscape is an original artwork realized by Rodolphe Piguet (1840-1915) in 1875. Original etching. The work is contained in a white passepartout. Hand-signed and dated by the art...

Ancient Views of Kobe is an original vintage albumen print on single cardboard: 26 x 34 cm. They were realized between the 1880s and the early 1...

This Map of Denmark and Sweden is an etching realized by an anonymous artist. The state of preservation of the artwork is good with some small diffused stains. Sheet dimension: 27x...

Ancient Views of Chefoo is a set of five original vintage albumen prints on single cardboard: 34 x 26 cm. They were realized in 1890s. Good conditions. Caption in Italian, in ink ...

Buhot, Felix (French, 1847-1898). UNE JETEE EN ANGLETERRE. B & G 132, State two of eight. Etching with drypoint, aquatint and roulette, 1879. Signed in pencil, and with the red owl...

"Landscape" is an original drawing in etching, realized by Edwin Edwards. The state of preservation of the artwork is very good. Sheet dimension: 18.5 ...

Cover illustration for Die Graphischen Kunste, Volume 22 Color lithograph, 1899 Signed with the artist's initials lower center (see photo) From: The Graphic Arts, Volume 22, 1899 ...

Landscape is an original artwork realized by Pio Joris, in 1870s. Beautiful etching on ivory paper. conditions: diffused foxings. Pio Joris (1843 - 1921) was an Italian painter, e...

By the Water is an Original Etching realized by Pierre Georges Jeanniot (1848-1934). Hand-Signed and some notes by the artist on the lower left corner. Good condition on a cream co...

The Cabin is an original Modern artwork realized by Sir Francis Saymour-Haden (16 September 1818 – 1 June 1910) in 1877. Beautiful Proof on vélin fort, with stamp "Lugt 1048”. Full ...

Le Petit Troupeau is a black and white etching realized by Jean-Ferdinand Chaigneau (1830-1906) in 1870s. Titled in the lower. Image size: 23.5x18cm. Very Good condition. Realize...

Ancient Views of Kobe is a set of 4 original vintage albumen prints on single cardboard: 26 x 34 cm. They were realized in the 1890s. Good conditions except for being aged. Captio...

Antique Dog Portrait Lithograph in the Taste of Alfred De Dreux Greyhounds D France, circa 1870 Lithography 25 5/8 x 19 5/8 (28 x 20 frame) inc...

Ancient View of Yokohama is an original vintage albumen print on cardboard: 34 x 26 cm. It was realized in 1890s. Good conditions except for being aged. Caption in Italian, in ink...

Ancient Views of Kobe is an original vintage Albumen print on single cardboard: 26 x 34 cm. They were realized in the 1890s. Good conditions ex...

Beautiful proof on vélin fort, with stamp “Lugt 1048”. Full margins. Ref. Cat. Harrington 170; Schneiderman 163.

Views of Yokohama is a set of eight original vintage Albumen prints on single cardboard: 26 x 34 cm. They were realized between the 1880s and th...

Bulls in the Roman Countryside is an original artwork realized after Charles Coleman (1807, Yorkshire - 1874, Roma) in 1992. Good condition. Not signed. 1992 edition in 25 copies....

Bulls in the Roman Countryside is an original artwork realized after Charles Coleman (1807, Yorkshire - 1874, Roma) in 1992. Good condition. Not signed. 1992 edition in 25 copies....

Ancient Views of Yokohama is a set of 3 original vintage albumen prints on single cardboard: 34 x 26 cm. They were realized in 1890s. Good conditions except for being aged. Captio...

Views of Osaka is a set of five original vintage Albumen prints on single cardboard: 26 x 34 cm. They were realized in 1890s. Good conditions e...

Ancient Views of Kobe is a set of 4 original vintage albumen prints on single cardboard: 26 x 34 cm. They were realized in the 1890s. Good conditions except for being aged. Captio...

This Map of Russia is an etching realized by an anonymous artist. The state of preservation of the artwork is good with some small diffused stains. Sheet dimension:27.5 x 44 At t...

On the Bank of Thames is an original etching artwork on paper realized in 1876 by Arthur Evershed (1836-1919), printed by Delatre London. Plate-signed on the lower right and dated....

Giorgio Sommer n° 6418, view of Posillipo, is an original albumen print applied on cardboard. Title, catalog number and photographer's name printed on the low edge of print. This b...

Chiesa di Barletta 1880s is an original print in ething technique, realized by Luigi Rossetti (1881-1912) . Very good conditions. This etching represents a beautiful church, "Chie...