Skip to main content

Late 19th Century Landscape Prints

to
163
277
157
29
13
14
Overall Width
to
Overall Height
to
163
57
7
4
3
2
1
22
16
9
9
7
982
2,045
10,400
4,096
113
170
682
525
659
1,287
1,824
1,766
1,116
555
638
304
181
3
282
96
84
74
51
51
46
40
37
36
33
28
28
24
23
22
21
21
21
19
248
150
70
62
38
69
203
224
208
Period: Late 19th Century
Boy at the source / - Elixir of Life -
Located in Berlin, DE
Hans Thoma (1839 Bernau - 1924 Karlsruhe), Boy at the source, 1897. Algraph on strong wove paper after a drawing from 1897, published by Breitkopf und Härtel in Leipzig as ‘Zeitgenös...
Category

Realist Late 19th Century Landscape Prints

Materials

Paper

At the pond / - The longing of the landscape -
Located in Berlin, DE
Hans Thoma (1839 Bernau - 1924 Karlsruhe), At the pond, 1897. Algraph on strong wove paper, published by Breitkopf und Härtel in Leipzig as ‘Zeitgenössisches Kunstblatt Nr. 148’, 23....
Category

Realist Late 19th Century Landscape Prints

Materials

Paper

Hampton Court From the Fountain screenprint by Brendan Neiland
Located in London, GB
Brendan Neiland (b.1941) R.A. (Expelled) Hampton Court (1984) Screenprint 74 x 51 cm Signed, dated, titled, and numbered 152/250 in pencil. A print of one of Hampton Court's magnificent facades, reflected in its fountain. Reflected architecture is one of Neiland's most recurring themes. The Fountain Court was designed by Sir Christopher Wren; he began remodelled the palace in the baroque style for William III and Mary II...
Category

Late 19th Century Landscape Prints

Materials

Screen

Original Japanese Watercolor and Woodblock Print of Orchid and Swallows
Located in Burbank, CA
Orchid and small swallows (Hokuri, kotsubame). Original preparatory watercolor next to the finished original Japanese woodblock print. This is a highly finished preparatory watercolo...
Category

Art Deco Late 19th Century Landscape Prints

Materials

Watercolor, Woodcut

Landslide (Bergsturz), Pre-20th Century Etching by Max Klinger
Located in Long Island City, NY
Max Klinger's Intermezzi (Intermezzos) offers a diverse selection of amusements, like brief comedic interludes at the opera. The portfolio highlights the capriciousness of life and i...
Category

Old Masters Late 19th Century Landscape Prints

Materials

Etching

"Moses Strikes the Rock" Louvre Museum Etching Late 19th Century
Located in San Francisco, CA
Moses Strikes the Rock Louvre Museum Etching Late 19th Century Remarkable detail in this fine etching done by the Louvre in Paris. The Louvre has the largest collection of original ...
Category

Late 19th Century Landscape Prints

Materials

Etching

Eton College 19th Century Victorian lithograph
Located in London, GB
Anonymous (19th century) Eton College Lithograph 29 x 38 cm
Category

Late 19th Century Landscape Prints

Materials

Lithograph

FONDAMENTA DEL TOLENTI
Located in Portland, ME
Bacher, Otto (American, 1856-1909. FONDAMENTA DEL TOLENTI.Andrews 28, State 2 of 2. Etching, 1880. Inscribed and signed "From yours truly Otto H. Bacher / Present state of Plate." Nu...
Category

Late 19th Century Landscape Prints

Materials

Etching

La Via Sacra, Rome, Italy. Tinted lithograph, Felix Benoist
By Felix Benoist
Located in Melbourne, Victoria
'La Via Sacra, Arco di Constantino e Tempio di Venere e Roma, colla Meta Sudante, Veduta presa del Colosseo' Tinted lithograph by Eugene Cicero af...
Category

Victorian Late 19th Century Landscape Prints

Materials

Lithograph

Palace of the Caesars, Palatine Hill, Rome, Italy. Late C19th tinted lithograph
By Felix Benoist
Located in Melbourne, Victoria
'Veduta Generale del Palazzo de Cesari sul Palatino, presa del Monte Aventino' Tinted lithograph by Eugene Ciceri after Felix Benoist. Figures by Bayot. From a French series titled...
Category

Victorian Late 19th Century Landscape Prints

Materials

Lithograph

The Ford - Etching by Adolfo Bignami - 1870
Located in Roma, IT
Signed in plate lower left. Stamped title. Published by Lovera. Good condition.
Category

Modern Late 19th Century Landscape Prints

Materials

Etching

Black and white landscape etching dominated by mighty tower, by italian engraver
Located in Milan, IT
Il torrione Ref. 397 Original etching, signed and numbered. Limited edition of 90. Federica Galli was one of Italy's leading contemporary etchers. She achieved this fame because she was able to interpret views, as Milan and Venice, landscapes and architecture with a poetic and original eye. Moreover she had the foresight to portray the beauty of the great Italian trees...
Category

Realist Late 19th Century Landscape Prints

Materials

Etching

19th century black and white etching industrial landscape boat riverbank trees
Located in Milwaukee, WI
"Le Bateau a Conflans/Le Paysagiste au Bateau" or "The Boat at Conflans/Landscape with Boat" is an original etching by Charles Francois Daubigny...
Category

Barbizon School Late 19th Century Landscape Prints

Materials

Etching

THE LITTLE COURT - CLOTH FAIR
Located in Portland, ME
Whistler, James A. M. THE LITTLE COURT CLOTH FAIR. Spink 22. Lithograph, 1887. A lifetime impression, one of 12 printed by Way and signed in pencil with the Butterfly. Printed on Ivory colored wove paper without watermark. The sheet 11 9/16 x 6 inches. In very good condition with slight discoloration from the mat in the areas outside the mat window. Provenance: Collection of Otto Gerstenberg (see below) with his collectors stamp, Lugt 2785, the Secretary Montag's "M" and the inventory numbers 61248 KO5182 all on the verso; Horizon Gallery, Rockport, MA, with its label and annotations on the frame backing. Framed. Very rare. The following are translations from the entry on Gerstenberg in Lugt: Lugt 1921: O. GERSTENBERG (born 1848), director of the Insurance Company "Victoria", lives in Berlin. Old and modern prints. Otto Gerstenberg, born in Pyritz, studied mathematics and philosophy at the University of Berlin. After having been employed at the Prussian Statistical Office, in 1873 he entered the insurance company "Victoria" in Berlin as a mathematician-calculator, and became its director in 1888. He developed it in the following years and brought it up. to its present importance. Around 1900 he began to collect prints of which he now has a very large cabinet; as elders especially Schongauer, Dürer and Rembrandt, then Lucas de Leyde, Hirschvogel, van Dijck, Ostade and the French portrait painters. As modern it is necessary to point out, among the Germans »Greiner, Klinger, Leibl, Liebermann, Menzel, Stauffer-Bern; among the French, Corot, Daumier, Degas, Forain, Lepère, Manet, Meryon, Toulouse-Lautrec; among the English, Bone, Dodd, Goff, Haden, Strang; then an important work by Whistler and Goya and leaves by Rops and Zorn. Also has beautiful paintings. Lugt 1956: During the 1914-1918 war, the collectort had his collection transported to Switzerland and, when the war was over, he decided, quite reluctantly, to sell it. In the spring of 1922 the sale was concluded in Zurich with the merchants Gust. Mayer, of Colnaghi & C ° of London, and Mr. A. MacDonald, then a partner of Harlow & C ° of New York, who bought the set at a price corresponding roughly to the total prices paid by Gerstenberg. This was a large sum, because he had acquired several of his finest pieces in the big sales between 1900 and 1914 against the big enthusiasts of the time such as Morgan, Gutmann, Rothschild etc. It was Gaiser, of the firm H. G. Gutekunst in Stuttgart, who had generally carried out his orders in the sales. MacDonald believed he had a buyer for the set in America, but when the collection arrived there those hopes were dashed by a change in economic conditions. He then sold the parts separately. We will get an idea of ​​the importance of this collection by the following enumeration of the most beautiful pieces: among the Dürer, the Adam and Eve (from the Buccleuch and Hubert collections), the Saint-Eustache, the Mélancolie (from the collection Behaim, Dumesnil and Scholtz), the Knight of Death (from the Barnard and Hubert collections) and the Life of the Virgin series (from the St. Aubin collection); Dürer's work was almost complete. Quite remarkable was the Rembrandts' series, in which we note the Piece aux cent florins, sur Japon (collection Weber and Hubert), the Three Crosses, 1st state and 2nd state (collection Artaria and Hubert), the Little Tomb ( coll. John Wilson) and another proof on Japan, Death of the Virgin in Irstate (Josi coll.), St. Jerome, B. 103, unstead (Josi, Aylesford, Buccleuch and Hawkins coll.), the St. François (coll. Theobald); the series of portraits by Rembrandt was superb: Rembrandt himself drawing, B. 22, Ir état (from the Worlidge, Brit. Mus., Dighton and Theobald collections) and the same in the second state on Japan (Morrison collection), all the states of Clement de Jonghe, Jan Asselijn, Irtat (Josi, Aylesford, Buccleuch and Hubert coll.), old Haaring, 2nd state (same sources) and the young, 2nd state in Japan (Brodhurst and Lanna collection) , the Lutma in 1st state on japan (Josi, Aylesford, Baccleuch and Hubert collection) and a superb 2nd state (from the Firmin-Didot and Hubert collections), the Six in 3rd state (Ploos van Amstel collection); in landscapes: the three Trees (coll. Theobald), the three Chaumières (coll. Morgan and Lesecq des Tournelles), the Landscape with the tower, Ir état (coll. Aylesford, Holford and Hubert), the Campagne du peseur d ' gold, on Japan (Barnard, Holford and Theobald collection) and a State of Landscape with the drinking cow, on Japan (Theobald collection). Then a series of 51 Schongauer, including several of the first order, 8 of Hirschvogel, the portraits by van Dijck himself in first states (except D. 10 and 15, the most beautiful of the collection Theobald), beautiful series by Claude and van Ostade. The purchase included neither the important modern prints that Gerstenberg owned, nor his beautiful prints by Goya, nor a few drawings by the latter and Rembrandt. Gerstenberg was an enthusiastic collector who passionately loved his collection. When in 1922 the buyers announced their decision to acquire his old prints at the agreed price, he could not contain his tears. He later consoled himself by developing his series of watercolors and drawings of the French school of the nineteenth century, and he managed to own a magnificent set of Delacroix, Daumier, Degas, Monet and, in general, the Impressionists. . We do not know, at the present time, what happened to this part of his collection, but it is feared that part of it was lost or destroyed in the offices of the insurance company "Victoria" in Berlin or in its property in Silesia during the Russian invasion in 1945. The Toulouse-Lautrec which had been evacuated to Denmark were sold out of court after the war from 1939 to 1945. Gertstenberg died ,very old in 1935. The mark reproduced by us in L.2785 has rarely been used, but the origin of the prints is more easily recognized by the initial M, followed by a number (see L.1840c...
Category

Late 19th Century Landscape Prints

Materials

Lithograph

A Lancashire River.
Located in Storrs, CT
Schneiderman 203.viii. 10 7/8 x 15 7/8 (sheet 13 7/8 x 17 7/8). Illustrated: Print Collector's Quarterly 1 (1911): 27. A 1-inch printing fold in the left-hand side of the image, and ...
Category

Late 19th Century Landscape Prints

Materials

Etching

Windsor
Located in Storrs, CT
Schneiderman catalog 186 state .xii. 13 1/4 X 17 1/2 (sheet 18 5/8 x 25 5/8). Edition of 50 in this state, published by the Fine Art Society. A fine impression printed on cream wove paper with full margins. Toning in the image, otherwise good condition. Signed in pencil. Housed in a 22 x 28-inch archival mat, suitable for framing. Born in 1818, Sir Francis Seymour Haden was an etcher, collector and surgeon. He studied at the Derby School, Christ’s Hospital and University College in London. He also studied at the medical schools of the Sorbonne in Paris and at Grenoble. He became a member of the Royal College of Surgeons in 1842 and he was made a fellow in 1857. He was an honorary surgeon to the Department of Science and Art from 1851 to 1867 and in 1847 he settled into a private practice. Haden was a vice-president of the obstetrical society of London and one of the founders of the Royal Hospital for Incurables in 1850. He was the first President of the Royal Society of Painter-Echers. In 1858, Haden encouraged James McNeil Whistler to work from nature and consequently, Whistler dedicated his first set of etchings entitled “French Set”, to Haden. The etchings were printed by Auguste Delâtre in Paris and marketed, with some help from Haden, in London. In 1859 Whistler settled in London and often visited Haden’s Sloane Street home. Whistler executed a number of paintings and etchings of domestic scenes within Haden’s home, among them “Reading By Lamplight...
Category

Modern Late 19th Century Landscape Prints

Materials

Etching

The Street, Chelsea - 1880s etching by Whistler follower Theodore Roussel
Located in London, GB
THEODORE CASIMIR ROUSSEL, RBA (1847-1926) The Street, Chelsea Embankment Etching, signed in the plate, signed on the artist’s tab, trimmed to the platemark by the artist, framed 15...
Category

Realist Late 19th Century Landscape Prints

Materials

Etching

Une A Sienne - Etching by Leconte de Roujou - Late 19th Century
Located in Roma, IT
Une A Sienne is a black and White etching realized by Leconte de Roujou in the Late 19th Century.  Titled in the lower Image Size: 32x26 Very good impression. Realized by Cadart ...
Category

Impressionist Late 19th Century Landscape Prints

Materials

Etching

The Little Mast
Located in New York, NY
James Whistler (1834-1903), The Little Mast, etching, drypoint and burnishing, 1879-80, signed in pencil with the early shaded butterfly lower left and annotated “imp”. References: G...
Category

Impressionist Late 19th Century Landscape Prints

Materials

Etching

19th century etching black and white seascape print figure waves rocks signed
Located in Milwaukee, WI
"The Fisherman's Catch" is a signed (in pencil lower right and in plate lower left) etching by James Fagan. It depicts a fisherman walking on a beach in black and white. It is signed...
Category

American Realist Late 19th Century Landscape Prints

Materials

Etching

Village - Vintage Lithograph by Sarah Green - Late 19th century
Located in Roma, IT
The Village is a lithograph print on paper in the Late 19th century realized by Sarah Green. Signed on the plate Good conditions. From the suite of "France Pittoresques, including...
Category

Modern Late 19th Century Landscape Prints

Materials

Lithograph

Lagoon: Noon
Located in New York, NY
James McNeill Whistler (1830-1903), Lagoon: Noon, etching and drypoint, 1879-1880, signed with the butterfly and inscribed “imp” on the tab [also signed with the butterfly in the plate lower left]. Reference: Glasgow 209, third state (of 3), Kennedy 216, third state (of 3); Lochnan 231, 4 7/8 x 7 7/8 inches. A fine impression with very little plate tone, and printed with extraordinary attention to the etching and drypoint details. The printed butterfly, usually only barely visible, is clearly defined in this impression (see detail below). Kennedy mades special note that an impression like this, with the clearly visible butterfly, was in the collection of John H. Wrenn. On a commission from the Fine Arts Society, Whistler created the plates of his Venice series...
Category

Impressionist Late 19th Century Landscape Prints

Materials

Drypoint, Etching

J.H. Woods’ Fruit Shop, Chelsea
Located in New York, NY
James Whistler (1834-1903), J.H. Woods’ Fruit Shop, Chelsea, etching and drypoint, 1887-88. Signed with the butterfly on the tab and annotated “imp,” also signed with the butterfly in pencil verso and numbered “1”. References: Kennedy 265 second state (of 2), Glasgow 327 second state (of 4). Trimmed by the artist around the plate mark except for the tab, in excellent condition. Printed in black ink on ivory laid paper, 3 3/4 x 5 1/8 inches. A fine impression of this great rarity; the print was never published. Glasgow accounts for four impressions. watermark: partial arms of Amsterdam(cf. Spink/Stratis/Tedeschi, watermark nos. 12ff.) This is before the third state in which heavy shading was added around the woman at the center, and the heads of figures at right and left of the figure are defined. In Glasgow’s fourth state the shading and the figure were removed; no impression is known of this state, but the state is inferred from the cancelled plate. According to Glasgow “Joseph Henry Wood had a greengrocer’s shop at 1 Park Walk...
Category

Impressionist Late 19th Century Landscape Prints

Materials

Drypoint, Etching

The Heath - La Brughiera - Etching by Adolfo Bignami - 1870
Located in Roma, IT
Etching by Adolfo Bignami in the late 19th Century. Printed by Carlo Lovera Very good condition.
Category

Modern Late 19th Century Landscape Prints

Materials

Etching

Walking Along the Nile - Chromolithograph after Karl Werner - 1881
Located in Roma, IT
Walking along the Nile is a modern artwork realized d'apres Karl Werner. Mixed colored cromolithograph.  The artwork is after the watercolors realized by the artist during a trip t...
Category

Modern Late 19th Century Landscape Prints

Materials

Lithograph

Sailing on the Nile - Chromolithograph after Karl Werner - 1881
Located in Roma, IT
Sailing on the Nile is a modern artwork realized d'apres Karl Werner. Mixed colored cromolithograph.  The artwork is after the watercolors realized by the artist during a trip to E...
Category

Modern Late 19th Century Landscape Prints

Materials

Lithograph

The Temple - Chromolithograph after Karl Werner - 1881
Located in Roma, IT
The Temple is a modern artwork realized d'apres Karl Werner  Mixed colored cromolithograph.  The artwork is after the watercolors realized by the artist during a trip to Egypt betw...
Category

Modern Late 19th Century Landscape Prints

Materials

Lithograph

Late 19th century color lithograph art nouveau ornate bookplate foliage
Located in Milwaukee, WI
"Ilsee's Palace" and "The Princess's Creation" are two sides of one double-sided original lithograph by Art Nouveau master Alphonse Mucha. These illustrations were pages 67 & 68 of "...
Category

Art Nouveau Late 19th Century Landscape Prints

Materials

Lithograph

HEARN'S
Located in Portland, ME
Mielatz, Charles. HEARN'S. Etching, 1912. Edition size not known. Signed and dated in the plate. 12 X 7 1/2 inches. In excellent condition. Mielatz, taught etching at the National A...
Category

Late 19th Century Landscape Prints

Materials

Etching

19th century landscape etching tree field black and white figure pastoral scene
By D. Landers, after Charles Harold Davis
Located in Milwaukee, WI
"Homeward Bound" is an original etching by D. Landers after a painting by Charles Harold Davis. The artist signed the piece lower right. It depicts a woman in a field. 13 1/4" x 20...
Category

American Realist Late 19th Century Landscape Prints

Materials

Etching

Schuylkill River
Located in New York, NY
John Sloan etching Schuylkill River, 1894, signed, titled, annotated “100 proofs” [only 25 were printed], also signed by the printer “Peter Platt im...
Category

American Realist Late 19th Century Landscape Prints

Materials

Etching

"Diane Chasseresse, " Original Color Lithograph signed by Gaston De Latenay
Located in Milwaukee, WI
"Diane Chasseresse" is an original color lithograph signed by the artist Gaston de Latenay. It is edition 36/100, which is written in the lower right...
Category

Art Nouveau Late 19th Century Landscape Prints

Materials

Lithograph

FONDAMENTA DELLE ZATTERE (VIEW IN VENICE).
Located in Portland, ME
Bacher, Otto. FONDAMENTA DELLE ZATTERE (VIEW IN VENICE). Etching, 1880. #17 of the "Venice Set." Signed, titled, and dated in the plate. Framed. In excellent condition. Etching on pa...
Category

Late 19th Century Landscape Prints

Materials

Etching

Gabled Roofs
Located in New York, NY
James Abbot McNeill Whistler (1834-1903), Gabled Roofs, lithograph, 1893. Reference: Chicago (Spink et al) 64, only state. From the lifetime edition of 12 (there was also a posthumou...
Category

Impressionist Late 19th Century Landscape Prints

Materials

Lithograph

"Road Landscape, " Original Etching and Aquatinit
Located in Milwaukee, WI
"Road Landscape" is an original etching and aquatint by Felix Bracquemond. This piece depicts a shadowy path through the foliage. The artist signed the piece in the lower right and i...
Category

Impressionist Late 19th Century Landscape Prints

Materials

Etching, Aquatint

Buffalo in the Roman Countryside - Original Etching by Charles Coleman - 1992
Located in Roma, IT
Buffalo in the Roman Countryside is an original artwork realized after Charles Coleman (1807, Yorkshire - 1874, Roma) in 1992. Good condition. Not signed. 1992 edition in 25 copie...
Category

Modern Late 19th Century Landscape Prints

Materials

Etching

Bulls in the Roman Countryside - Original Etching by Charles Coleman - 1992
Located in Roma, IT
Bulls in the Roman Countryside is an original artwork realized after Charles Coleman (1807, Yorkshire - 1874, Roma) in 1992. Good condition. Not signed. 1992 edition in 25 copies....
Category

Modern Late 19th Century Landscape Prints

Materials

Etching

Bulls in the Roman Countryside - Original Etching by Charles Coleman - 1992
Located in Roma, IT
Bulls in the Roman Countryside is an original artwork realized after Charles Coleman (1807, Yorkshire - 1874, Roma) in 1992. Good condition. Not signed. 1992 edition in 25 copies....
Category

Modern Late 19th Century Landscape Prints

Materials

Etching

Views of Osaka - Vintage Albumen Print - 1890s
Located in Roma, IT
Views of Osaka is a set of five original vintage Albumen prints on single cardboard: 26 x 34 cm. They were realized in 1890s. Good conditions e...
Category

Modern Late 19th Century Landscape Prints

Materials

Cardboard, Photographic Paper

Ancient Views of Kobe - Vintage Albumen Print - 1890s
Located in Roma, IT
Ancient Views of Kobe is a set of 4 original vintage albumen prints on single cardboard: 26 x 34 cm. They were realized in the 1890s. Good conditions except for being aged. Captio...
Category

Late 19th Century Landscape Prints

Materials

Cardboard, Photographic Paper

Ancient Views of Kobe - Vintage Albumen Print - 1890s
Located in Roma, IT
Ancient View of Kobe is an original vintage albumen print on single cardboard: 26 x 34 cm. It was realized in 1890s. Good conditions except for being aged. Caption in Italian, in ...
Category

Late 19th Century Landscape Prints

Materials

Cardboard, Photographic Paper

Ancient View of Yokohama - Vintage Albumen Print - 1890s
Located in Roma, IT
Ancient View of Yokohama is an original vintage albumen print on single cardboard: 34 x 26 cm. It was realized in 1890s. Good conditions except...
Category

Late 19th Century Landscape Prints

Materials

Cardboard, Photographic Paper

Ancient Views of Kobe - Vintage Albumen Prints - 1890s
Located in Roma, IT
Ancient Views of Kobe is a set of 4 original vintage albumen prints on single cardboard: 26 x 34 cm. They were realized in the 1890s. Good conditions except for being aged. Captio...
Category

Late 19th Century Landscape Prints

Materials

Cardboard, Photographic Paper

Ancient Views of Kobe - Vintage Albumen Print - 1890s
Located in Roma, IT
Ancient Views of Kobe is an original vintage Albumen prints on single cardboard: 26 x 34 cm. They were realized in the 1890s. Good conditions except for being aged. Caption in Ita...
Category

Late 19th Century Landscape Prints

Materials

Cardboard

Ancient Views of Yokohama - Vintage Albumen Print - 1890s
Located in Roma, IT
Ancient Views of Yokohama is an original vintage albumen print on single cardboard: 34 x 26 cm. It was realized in 1890s. Good conditions excep...
Category

Late 19th Century Landscape Prints

Materials

Cardboard

Ancient Views of Yokohama - Vintage Albumen Prints - 1890s
Located in Roma, IT
Ancient Views of Yokohama is a set of 4 original vintage albumen prints on single cardboard: 34 x 26 cm. They were realized in the 1890s. Good ...
Category

Late 19th Century Landscape Prints

Materials

Cardboard, Photographic Paper

Ancient Views of Yokohama - Vintage Albumen Prints - 1890s
Located in Roma, IT
Views of Yokohama photographs is a set of four original vintage Albumen prints on single cardboard: 34 x 26 cm. They were realized in 1890s. Good conditions except for being aged. ...
Category

Late 19th Century Landscape Prints

Materials

Cardboard

Ancient Views of Chefoo - Vintage Albumen Prints - 1890s
Located in Roma, IT
Ancient Views of Chefoo is a set of five original vintage albumen prints on single cardboard: 34 x 26 cm. They were realized in 1890s. Good conditions. Caption in Italian, in ink ...
Category

Late 19th Century Landscape Prints

Materials

Cardboard, Photographic Paper

Ancient View of Kobe - Vintage Albumen Print - 1890s
Located in Roma, IT
Ancient Views of Kobe is an original vintage albumen prints on single cardboard: 26 x 34 cm. They were realized in 1890s. Good conditions except for being aged. Caption in Italian...
Category

Modern Late 19th Century Landscape Prints

Materials

Cardboard, Photographic Paper

Westminster Abbey - the complete album of 13 etchings
Located in New York, NY
John Sloan ((1871-1951), Westminster Abbey, c. 1891, the complete set of13 etchings, ribbon bound with ahand-painted gilt cover [many of the etchings...
Category

American Realist Late 19th Century Landscape Prints

Materials

Etching

Novembre - Etching by Carlo Lovera, after Enrico Ghisolfi - 1870
Located in Roma, IT
Novembre is a beautiful etching on paper, realized in 1870 by Carlo Lovera, after Enrico Ghisolfi (Barolo, 1837 -Turin, 1897), as it is reported in the inscriptions on the lower marg...
Category

Modern Late 19th Century Landscape Prints

Materials

Etching

Laburnums and Battersea
Located in New York, NY
Theodore Roussel, Laburnums and Battersea, etching and drypoint, 1889/1890 and 1898; signed in the plate lower right, and signed in pencil on the tab, with the inscription IMP. Hausb...
Category

Realist Late 19th Century Landscape Prints

Materials

Drypoint, Etching

Landscape - Original Lithograph by Albert Baertsoen - 1892
Located in Roma, IT
Landscape is an original lithograph on paper realized by Albert Baertsoen in 1892. Titled on the lower center. Signed on the plate lower right, date...
Category

Late 19th Century Landscape Prints

Materials

Lithograph

Landscape - Etching by Pio Joris - 1870s
Located in Roma, IT
Landscape is an original artwork realized by Pio Joris, in 1870s. Beautiful etching on ivory paper. conditions: diffused foxings. Pio Joris (1843 - 1921) was an Italian painter, e...
Category

Modern Late 19th Century Landscape Prints

Materials

Etching

Giorgio Sommer n° 6418, View of Posillipo - Original Albumen Print - 1880s
By Giorgio Sommer
Located in Roma, IT
Giorgio Sommer n° 6418, view of Posillipo, is an original albumen print applied on cardboard. Title, catalog number and photographer's name printed on the low edge of print. This b...
Category

Late 19th Century Landscape Prints

Materials

Black and White

Chiesa di Barletta - Original Etching by Luigi Rossetti - 1880s
Located in Roma, IT
Chiesa di Barletta 1880s is an original print in ething technique, realized by Luigi Rossetti (1881-1912) . Very good conditions. This etching represents a beautiful church, "Chie...
Category

Late 19th Century Landscape Prints

Materials

Etching

Paris, Rue Mazarine - Etching on Cardboard by L. Beltrami - 1877
Located in Roma, IT
Paris, Rue Mazarine is an original Modern artwork realized by Luca Beltrami (Genoa 1854 - 1933) in 1877. Original B/W Etching on ivory cardboard. Exc...
Category

Naturalistic Late 19th Century Landscape Prints

Materials

Etching

St-Trophime Cloister - Original Etching on Cardboard by L. Beltrami - 1877
Located in Roma, IT
St-Trophime Cloister is an original Modern artwork realized by Luca Beltrami (Genoa 1854 - 1933) in 1877. Original B/W Etching on ivory cardboard. Ex...
Category

Late 19th Century Landscape Prints

Materials

Etching

Map of South America - Original Etching - Late 19th Century
Located in Roma, IT
This Map of South America is an etching realized by an anonymous artist. The state of preservation of the artwork is good with some small diffused stains. Sheet dimension: 41.5 x 27 The artwork represents the map South America...
Category

Modern Late 19th Century Landscape Prints

Materials

Etching

Map of Polar Regions - Original Etching - Late 19th Century
Located in Roma, IT
This Map of Polar regions is an etching realized by an anonymous artist. The state of preservation of the artwork is good with some small diffused stains. Sheet dimension: 28.5 x 4...
Category

Modern Late 19th Century Landscape Prints

Materials

Etching

Recently Viewed

View All