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Period: Late 19th Century
"Westminster Abbey, " complete portfolio of 13 etchings by John Sloan
By John Sloan
Located in Milwaukee, WI
John Sloan's Westminster Abbey portfolio is among the most rare of his printmaking output, and a complete set like this is even more unusual. Etched in dark brown ink in on a sturdy ...
Category
Ashcan School Late 19th Century Landscape Prints
Materials
Etching, Paper
Eton College Courtyard 19th Century Victorian lithograph
Located in London, GB
Anonymous (19th century)
Eton College Courtyard
Lithograph
29 x 38 cm
Mounted to board.
Category
Modern Late 19th Century Landscape Prints
Materials
Lithograph
Dog and Fox Cross
Located in Columbia, MO
Dog and Fox Cross
1887
Etching
3 x 5
Category
Naturalistic Late 19th Century Landscape Prints
Materials
Etching
The Spanish Pointer
Located in Columbia, MO
The Spanish Pointer
1887
Etching
3 x 5
Category
Naturalistic Late 19th Century Landscape Prints
Materials
Etching
"Rough" and "Puck, " Dandies
Located in Columbia, MO
"Rough" and "Puck, " Dandies
1887
Etching
3 x 5
Category
Naturalistic Late 19th Century Landscape Prints
Materials
Etching
Un Bal Public - Etching by Edme Penauille - 1870s
Located in Roma, IT
Un Bal Public is a black and white etching realized by Edme Penauille (1840-1871) in 1870s.
Titled in the lower.
Image size: 28.5cmx20cm.
Very Good condition.
Realized by Cadart ...
Category
Modern Late 19th Century Landscape Prints
Materials
Etching
En Provence - Etching by Justin Gabriel - 1870s
Located in Roma, IT
En Provence is a black and white etching realized by Justin Gabriel (1838-1923) in 1870s.
Titled in the lower.
Image size: 31cmx22cm.
Very Good condition.
Dated in the upper righ...
Category
Modern Late 19th Century Landscape Prints
Materials
Etching
Hampton Court From the Fountain screenprint by Brendan Neiland
Located in London, GB
Brendan Neiland (b.1941) R.A. (Expelled)
Hampton Court (1984)
Screenprint
74 x 51 cm
Signed, dated, titled, and numbered 152/250 in pencil.
A print of one of Hampton Court's magnificent facades, reflected in its fountain. Reflected architecture is one of Neiland's most recurring themes.
The Fountain Court was designed by Sir Christopher Wren; he began remodelled the palace in the baroque style for William III and Mary II...
Category
Late 19th Century Landscape Prints
Materials
Screen
Un Debarquement en Angleterre (A Disembarking in England)
Located in Fairlawn, OH
Un Debarquement en Angleterre
(A Disembarking in England)
etching, drypoint, aquatint, roulette and spirit ground, 1879
Signed with the artist’s red owl stamp, Lugt 977 (see photo)
...
Category
Impressionist Late 19th Century Landscape Prints
Materials
Drypoint
Palace of the Caesars, Palatine Hill, Rome, Italy. Late C19th tinted lithograph
By Felix Benoist
Located in Melbourne, Victoria
'Veduta Generale del Palazzo de Cesari sul Palatino, presa del Monte Aventino'
Tinted lithograph by Eugene Ciceri after Felix Benoist. Figures by Bayot. From a French series titled...
Category
Victorian Late 19th Century Landscape Prints
Materials
Lithograph
Paris - Parc de Monceaux, French lithograph, 1861
Located in Melbourne, Victoria
'Parc de Monceaux', tinted lithograph by Felix Benoist (1818-1896).
From a series of lithographs depicting the famous buildings of Paris - 'Paris dans sa Splendeur', published in Na...
Category
Naturalistic Late 19th Century Landscape Prints
Materials
Lithograph
Original Japanese Watercolor and Woodblock Print of Orchid and Swallows
Located in Burbank, CA
Orchid and small swallows (Hokuri, kotsubame). Original preparatory watercolor next to the finished original Japanese woodblock print. This is a highly finished preparatory watercolo...
Category
Art Deco Late 19th Century Landscape Prints
Materials
Watercolor, Woodcut
$1,900 Sale Price
32% Off
Landslide (Bergsturz), Pre-20th Century Etching by Max Klinger
By Max Klinger
Located in Long Island City, NY
Max Klinger's Intermezzi (Intermezzos) offers a diverse selection of amusements, like brief comedic interludes at the opera. The portfolio highlights the capriciousness of life and i...
Category
Old Masters Late 19th Century Landscape Prints
Materials
Etching
'Government Accounts Registry & War Record' original chromolithograph
Located in Milwaukee, WI
The present lithograph, a certificate of Government Accounts Registry and War Record, was produced by the publishing company owned and operated by James M. Vickroy. The certificate was never used and has not been filled with the information of a veteran. Surrounding the text are various vignettes, arranged chronologically, of important moments of the Civil War, including the Battles of Gettysburg, Fort Sumter, Shiloh, as well as the Surrender of General Lee...
Category
Other Art Style Late 19th Century Landscape Prints
Materials
Lithograph
Westminster Palace
Located in New York, NY
Felix Buhot (1847-1898), Westminster Palace, etching, drypoint, roulette, 1884, signed in pencil and extensively annotated. Bourcard/Goodfriend 155, Bourca...
Category
Impressionist Late 19th Century Landscape Prints
Materials
Drypoint, Etching
THE VICTORIA CLOCK TOWER, LONDON
Located in Portland, ME
Buhot, Felix. THE VICTORIA CLOCK TOWER, LONDON. BG 184. Lithograph, 1892. 9 x 6 3/8 inches; 230 x 163 mm., image; sheet 15 x 11 inches; 381 x 279 mm. Signed in the stone "Felix Buhot...
Category
Late 19th Century Landscape Prints
Materials
Lithograph
The Rialto
Located in New York, NY
A superb, richly-inked impression of this etching and drypoint, printed in dark brownish black on antique cream laid paper. Second state (of 3). Edition of approximately 30. Signed w...
Category
American Impressionist Late 19th Century Landscape Prints
Materials
Drypoint, Etching
Shere Mill Pond
Located in Missouri, MO
Shere Mill Pond, No. II (large plate). 1860. Etching and drypoint. Schneiderman 37.v/ix. 7 x 13 1/8 (sheet 10 3/4 x 16 3/8). This state is prior to publication in Études à l'Eau-Forte. Illustrated: Keppel The Golden Age of Engraving; Print Collector's Quarterly 1 (1911): 18; : Guichard, British Etchers, 1850-1940. A rich, brilliant proof with drypoint burr printed on white laid paper. Signed in pencil.
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Shere Mill Pond, No. II was one of the most highly praised landscape prints of the etching revival. An impression was exhibited at the Royal Academy in 1861 under Haden’s pseudonym, H. Dean. Francis Seymour Haden used this anagram of his own name early in his career as an artist, in order to retain his anonymity and preserve his professional reputation as a surgeon.
Biography:
Sir Francis Seymour Haden (16 September 1818 - 1 June 1910), was an English surgeon, best known as an etcher.
He was born in London, his father, Charles Thomas Haden, being a well-known doctor and lover of music. He was educated at Derby School, Christ's Hospital, and University College, London, and also studied at the Sorbonne, Paris, where he took his degree in 1840. He was admitted as a member of the College of Surgeons in London in 1842.
In 1843-1844, with his friends Duval, Le Cannes and Colonel Guibout, he travelled in Italy and made his first sketches from nature. Haden attended no art school and had no art teachers, but between 1845 and 1848 he studied portfolios of prints belonging to a second-hand dealer named Love, who had a shop in Bunhill Row, the old Quaker quarter of London. Arranging the prints in chronological order, he studied the works of the great original engravers, Albrecht Dürer, Lucas van Leyden and Rembrandt. These studies, besides influencing his original work, led to his important monograph on the etched work of Rembrandt. By lecture and book, and with the aid of the memorable exhibition at the Burlington Fine Arts Club in 1877, he tried to give a true reflection of Rembrandt's work, giving a nobler idea of the master's mind by taking away from the list of his works many dull and unseemly plates that had long been included in the lists. His reasons were founded upon the results of a study of the master's works in chronological order, and are clearly expressed in his monograph, The Etched Work of Rembrandt critically reconsidered, privately printed in 1877, and in The Etched Work of Rembrandt True and False (1895).
Haden's printmaking was invigorated by his much younger brother-in-law, James Whistler, at the Haden home in Sloane Street in 1855. A press was installed there and for a while Haden and Whistler collaborated on a series of etchings of the Thames. The relationship and project did not last.
Haden followed the art of original etching with such vigour that he became not only the foremost British exponent of that art but brought about its revival in England. His strenuous efforts and perseverance, aided by the secretarial ability of Sir WR Drake, resulted in the foundation of the Royal Society of Painter-Etchers and Engravers. As president he ruled the society with a strong hand from its first beginnings in 1880.
Notwithstanding his study of the old masters of his art, Haden's own plates were very individual, and are particularly noticeable for a fine original treatment of landscape subjects, free and open in line, clear and well divided in mass, and full of a noble and dignified style of his own. Even when working from a picture his personality dominates the plate, as for example in the large plate he etched after J.M.W. Turner's "Calais Pier," which is a classical example of what interpretative work can do in black and white. Of his original plates, more than 250 in number, one of the most notable was the large "Breaking up of the Agamemnon."
An early plate, rare and most beautiful, is "Thames Fisherman". "Mytton Hall" is broad in treatment, and a fine rendering of a shady avenue of yew trees leading to an old manor-house in sunlight. "Sub Tegmine" was etched in Greenwich Park in 1859; and "Early Morning--Richmond", full of the poetry and freshness of the hour, was done, according to Haden, actually at sunrise. One of the rarest and most beautiful of his plates is "A By-Road in Tipperary"; "Combe Bottom" is another; and "Shere Mill Pond" (both the small study and the larger plate), "Sunset in Ireland," "Penton Hook," "Grim Spain" and "Evening Fishing, Longparish," are also notable examples of his genius. A catalogue of his works was begun by Sir William Drake and completed by Harrington in 1880. During later years Haden began to practise the sister art...
Category
Old Masters Late 19th Century Landscape Prints
Materials
Drypoint, Etching
Absolut Statehood: Missouri
Located in Columbia, MO
Gary Head
Absolut Statehood: Missouri
1992
Lithograph
97/400
38.5 x 26 inches
Category
Late 19th Century Landscape Prints
Materials
Lithograph
"Traveling on the Liverpool & Manchester Railroad, 1831, " Raphael Tuck & Son
Located in Milwaukee, WI
"Traveling on the Liverpool & Manchester Railroad, 1831" is a color lithograph by Raphael Tuck & Sons. It depicts two trains carrying various cargo.
8" x 24 1/2" art
17 1/2" x 33 3...
Category
Other Art Style Late 19th Century Landscape Prints
Materials
Lithograph
Hope - Original etching - Ed. Durand Ruel, 1873
Located in Paris, IDF
Pierre PUVIS DE CHAVANNES (after)
Hope, 1873
Original Etching
Engraved by Boilvin under the supervision of PUVIS DE CHAVANNES
Printed signature in the plate
On laid paper 20,5 x 30 cm (c. 8 x 12 in)
INFORMATION : This etchings was edited in 1873 by Galerie Durand Ruel...
Category
Impressionist Late 19th Century Landscape Prints
Materials
Etching
Une A Sienne - Etching by Leconte de Roujou - Late 19th Century
Located in Roma, IT
Une A Sienne is a black and White etching realized by Leconte de Roujou in the Late 19th Century.
Titled in the lower
Image Size: 32x26
Very good impression.
Realized by Cadart ...
Category
Impressionist Late 19th Century Landscape Prints
Materials
Etching
FONDAMENTA DEL TOLENTI
Located in Portland, ME
Bacher, Otto (American, 1856-1909. FONDAMENTA DEL TOLENTI.Andrews 28, State 2 of 2. Etching, 1880. Inscribed and signed "From yours truly Otto H. Bacher / Present state of Plate." Nu...
Category
Late 19th Century Landscape Prints
Materials
Etching
"The Main Bridge, " Landscape Etching signed by William Goodrich Beal
Located in Milwaukee, WI
"The Main Bridge" is an etching by William Goodrich Beal, signed in the lower right. The etching shows a quaint scene of a small town. The foreground showed a muddy hill with some gr...
Category
American Realist Late 19th Century Landscape Prints
Materials
Etching
Little Court, from A Set of Twenty-Six Etchings by James A. McN. Whistler”, 1880
Located in Philadelphia, PA
James Abbott McNeill Whistler
(American, 1834-1903)
Little Court, 1880-1
Etching and drypoint, printed in black ink on ivory laid paper; first state of two (Glasgow), 4 3/4 x 6 3/4 ...
Category
Realist Late 19th Century Landscape Prints
Materials
Paper, Etching
At the pond / - The longing of the landscape -
Located in Berlin, DE
Hans Thoma (1839 Bernau - 1924 Karlsruhe), At the pond, 1897. Algraph on strong wove paper, published by Breitkopf und Härtel in Leipzig as ‘Zeitgenössisches Kunstblatt Nr. 148’, 23....
Category
Realist Late 19th Century Landscape Prints
Materials
Paper
19th century etching black and white seascape print figure waves rocks signed
By James Fagan
Located in Milwaukee, WI
"The Fisherman's Catch" is a signed (in pencil lower right and in plate lower left) etching by James Fagan. It depicts a fisherman walking on a beach in black and white. It is signed...
Category
American Realist Late 19th Century Landscape Prints
Materials
Etching
Lagoon: Noon
Located in New York, NY
James McNeill Whistler (1830-1903), Lagoon: Noon, etching and drypoint, 1879-1880, signed with the butterfly and inscribed “imp” on the tab [also signed with the butterfly in the plate lower left]. Reference: Glasgow 209, third state (of 3), Kennedy 216, third state (of 3); Lochnan 231, 4 7/8 x 7 7/8 inches.
A fine impression with very little plate tone, and printed with extraordinary attention to the etching and drypoint details. The printed butterfly, usually only barely visible, is clearly defined in this impression (see detail below). Kennedy mades special note that an impression like this, with the clearly visible butterfly, was in the collection of John H. Wrenn.
On a commission from the Fine Arts Society, Whistler created the plates of his Venice series...
Category
Impressionist Late 19th Century Landscape Prints
Materials
Drypoint, Etching
Village - Vintage Lithograph by Sarah Green - Late 19th century
Located in Roma, IT
The Village is a lithograph print on paper in the Late 19th century realized by Sarah Green.
Signed on the plate
Good conditions.
From the suite of "France Pittoresques, including...
Category
Modern Late 19th Century Landscape Prints
Materials
Lithograph
"Royalty Greeting Townspeople, " a Tempera Diptych from the Late 19th c.
Located in Milwaukee, WI
"Royalty Greeting Townspeople" is a Persian tempera diptych from the Late 19th century. It includes multiple figures in red and blue interacting in a f...
Category
Other Art Style Late 19th Century Landscape Prints
Materials
Tempera
Walking Along the Nile - Chromolithograph after Karl Werner - 1881
Located in Roma, IT
Walking along the Nile is a modern artwork realized d'apres Karl Werner.
Mixed colored cromolithograph.
The artwork is after the watercolors realized by the artist during a trip t...
Category
Modern Late 19th Century Landscape Prints
Materials
Lithograph
The Temple - Chromolithograph after Karl Werner - 1881
Located in Roma, IT
The Temple is a modern artwork realized d'apres Karl Werner
Mixed colored cromolithograph.
The artwork is after the watercolors realized by the artist during a trip to Egypt betw...
Category
Modern Late 19th Century Landscape Prints
Materials
Lithograph
HEARN'S
Located in Portland, ME
Mielatz, Charles. HEARN'S. Etching, 1912. Edition size not known. Signed and dated in the plate. 12 X 7 1/2 inches. In excellent condition. Mielatz, taught etching at the National A...
Category
Late 19th Century Landscape Prints
Materials
Etching
Late 19th century color cityscape Milwaukee trees figures lake churches
Located in Milwaukee, WI
"View of the City of Milwaukee" from "Harper's Weekly" is an original hand-colored wood engraving by Theodore R. Davis. It depicts an aerial view of the Wisconsin lakeside city in 1882.
9" x 13 3/8" art
17 5/8" x 21 3/4" frame
Theodore R. Davis (1840–1894) was a 19th-century American artist, who made numerous drawings of significant military and political events during the American Civil War and its aftermath. As a child, Theodore R. Davis was taken to Washington D.C. where he graduated from Rittenhouse Academy. When he was fifteen, he moved to New York where studied art under Henry W. Herrick and James Walker.
The Training Theodore Davis received under James Walker was informal. Davis typified certain artists as "special artists" was hired by popular magazines and newspapers. He was hired by them to illustrate the Civil War. He was hired by Harpers Weekly in 1861.[
During the Civil War, he served as a captain in the 15th Connecticut Volunteer Infantry. After the war, he became a companion of the New York Commandery of the Military Order of the Loyal Legion of the United States.
Some of these drawings include the Battle of Champion Hill, and the most significant sketch of General Joseph E. Johnston and General William T. Sherman meeting at the Bennett Farm near Durham Station to discuss the surrender terms of the remaining Confederate armies in the Southeast.
After the war when the Cyclorama in Atlanta was being painted, Davis was asked for his ideas having traveled with Sherman's army. He was later added to the painting.
Theodore Davis was a staff artist at Harper's Weekly.
Many of his drawings were published as wood engravings in Harper's Weekly.
Theodore R. Davis was chosen to create the Haye's China with a chance meeting. Mr. Davis suggested using flora and fauna of the American decor...
Category
Other Art Style Late 19th Century Landscape Prints
Materials
Engraving
The Last War-Whoop!
Located in Palm Desert, CA
"The Last War-Whoop!" is a lithograph by Currier & Ives. The framed size is 26 x 32.62 x 1.25 inches.
Provenance:
Private Collection
Category
American Realist Late 19th Century Landscape Prints
Materials
Lithograph
FONDAMENTA DELLE ZATTERE (VIEW IN VENICE).
Located in Portland, ME
Bacher, Otto. FONDAMENTA DELLE ZATTERE (VIEW IN VENICE). Etching, 1880. #17 of the "Venice Set." Signed, titled, and dated in the plate. Framed. In excellent condition. Etching on pa...
Category
Late 19th Century Landscape Prints
Materials
Etching
Brookside
Located in New York, NY
Signed (at lower right): C A Walker
Category
American Realist Late 19th Century Landscape Prints
Materials
Monotype
Westminster Abbey - the complete album of 13 etchings
By John Sloan
Located in New York, NY
John Sloan ((1871-1951), Westminster Abbey, c. 1891, the complete set of13 etchings, ribbon bound with ahand-painted gilt cover [many of the etchings...
Category
American Realist Late 19th Century Landscape Prints
Materials
Etching
Japanese Beauty Admiring Kirifuri Waterfall
Located in Burbank, CA
A beauty turns to admire the Kirifuri Waterfall in Nikko Province. She holds the handle of an umbrella and wears fashionable clothing that is beautifully printed. This series pairs f...
Category
Edo Late 19th Century Landscape Prints
Materials
Handmade Paper, Mulberry Paper, Woodcut
$940 Sale Price
20% Off
Bulls in the Roman Countryside - Original Etching by Charles Coleman - 1992
Located in Roma, IT
Bulls in the Roman Countryside is an original artwork realized after Charles Coleman (1807, Yorkshire - 1874, Roma) in 1992.
Good condition.
Not signed.
1992 edition in 25 copies....
Category
Modern Late 19th Century Landscape Prints
Materials
Etching
Buffalo in the Roman Countryside - Original Etching by Charles Coleman - 1992
Located in Roma, IT
Buffalo in the Roman Countryside is an original artwork realized after Charles Coleman (1807, Yorkshire - 1874, Roma) in 1992.
Good condition.
Not signed.
1992 edition in 25 copie...
Category
Modern Late 19th Century Landscape Prints
Materials
Etching
Bulls in the Roman Countryside - Original Etching by Charles Coleman - 1992
Located in Roma, IT
Bulls in the Roman Countryside is an original artwork realized after Charles Coleman (1807, Yorkshire - 1874, Roma) in 1992.
Good condition.
Not signed.
1992 edition in 25 copies....
Category
Modern Late 19th Century Landscape Prints
Materials
Etching
Bulls in the Roman Countryside - Original Etching by Charles Coleman - 1992
Located in Roma, IT
Bulls in the Roman Countryside is an original artwork realized after Charles Coleman (1807, Yorkshire - 1874, Roma) in 1992.
Good condition.
Not signed.
1992 edition in 25 copies....
Category
Modern Late 19th Century Landscape Prints
Materials
Etching
Views of Osaka - Vintage Albumen Print - 1890s
Located in Roma, IT
Views of Osaka is a set of five original vintage Albumen prints on single cardboard: 26 x 34 cm.
They were realized in 1890s.
Good conditions e...
Category
Modern Late 19th Century Landscape Prints
Materials
Cardboard, Photographic Paper
Ancient Views of Kobe - Vintage Albumen Print - 1890s
Located in Roma, IT
Ancient Views of Kobe is a set of 4 original vintage albumen prints on single cardboard: 26 x 34 cm.
They were realized in the 1890s.
Good conditions except for being aged.
Captio...
Category
Late 19th Century Landscape Prints
Materials
Cardboard, Photographic Paper
Ancient Views of Kobe - Vintage Albumen Print - 1890s
Located in Roma, IT
Ancient View of Kobe is an original vintage albumen print on single cardboard: 26 x 34 cm.
It was realized in 1890s.
Good conditions except for being aged.
Caption in Italian, in ...
Category
Late 19th Century Landscape Prints
Materials
Cardboard, Photographic Paper
Ancient View of Yokohama - Vintage Albumen Print - 1890s
Located in Roma, IT
Ancient View of Yokohama is an original vintage albumen print on single cardboard: 34 x 26 cm.
It was realized in 1890s.
Good conditions except...
Category
Late 19th Century Landscape Prints
Materials
Cardboard, Photographic Paper
Ancient Views of Kobe - Vintage Albumen Prints - 1890s
Located in Roma, IT
Ancient Views of Kobe is a set of 4 original vintage albumen prints on single cardboard: 26 x 34 cm.
They were realized in the 1890s.
Good conditions except for being aged.
Captio...
Category
Late 19th Century Landscape Prints
Materials
Cardboard, Photographic Paper
Ancient Views of Chefoo - Vintage Albumen Prints - 1890s
Located in Roma, IT
Ancient Views of Chefoo is a set of five original vintage albumen prints on single cardboard: 34 x 26 cm.
They were realized in 1890s.
Good conditions.
Caption in Italian, in ink ...
Category
Late 19th Century Landscape Prints
Materials
Cardboard, Photographic Paper
Ancient Views of Yokohama - Vintage Albumen Prints - 1890s
Located in Roma, IT
Views of Yokohama photographs is a set of four original vintage Albumen prints on single cardboard: 34 x 26 cm.
They were realized in 1890s.
Good conditions except for being aged.
...
Category
Late 19th Century Landscape Prints
Materials
Cardboard
Ancient View of Kobe - Vintage Albumen Print - 1890s
Located in Roma, IT
Ancient Views of Kobe is an original vintage albumen prints on single cardboard: 26 x 34 cm.
They were realized in 1890s.
Good conditions except for being aged.
Caption in Italian...
Category
Modern Late 19th Century Landscape Prints
Materials
Cardboard, Photographic Paper
Novembre - Etching by Carlo Lovera, after Enrico Ghisolfi - 1870
Located in Roma, IT
Novembre is a beautiful etching on paper, realized in 1870 by Carlo Lovera, after Enrico Ghisolfi (Barolo, 1837 -Turin, 1897), as it is reported in the inscriptions on the lower marg...
Category
Modern Late 19th Century Landscape Prints
Materials
Etching
Garibald's House - Original Lithograph - Late 19th century
Located in Roma, IT
Garibald's House is an original lithograph realized by an anonymous artist of the 19th Century.
In good condition.
Passpartout: 34 x 49 cm. Image Dimensions: 15.5 x 13 cm.
The ar...
Category
Modern Late 19th Century Landscape Prints
Materials
Lithograph
Landscape - Original Lithograph by Albert Baertsoen - 1892
Located in Roma, IT
Landscape is an original lithograph on paper realized by Albert Baertsoen in 1892.
Titled on the lower center.
Signed on the plate lower right, date...
Category
Late 19th Century Landscape Prints
Materials
Lithograph
Landscape - Etching by Pio Joris - 1870s
By Pio Joris
Located in Roma, IT
Landscape is an original artwork realized by Pio Joris, in 1870s.
Beautiful etching on ivory paper.
conditions: diffused foxings.
Pio Joris (1843 - 1921) was an Italian painter, e...
Category
Modern Late 19th Century Landscape Prints
Materials
Etching
Giorgio Sommer n° 6418, View of Posillipo - Original Albumen Print - 1880s
By Giorgio Sommer
Located in Roma, IT
Giorgio Sommer n° 6418, view of Posillipo, is an original albumen print applied on cardboard.
Title, catalog number and photographer's name printed on the low edge of print.
This b...
Category
Late 19th Century Landscape Prints
Materials
Black and White
Chiesa di Barletta - Original Etching by Luigi Rossetti - 1880s
Located in Roma, IT
Chiesa di Barletta 1880s is an original print in ething technique, realized by Luigi Rossetti (1881-1912) .
Very good conditions.
This etching represents a beautiful church, "Chie...
Category
Late 19th Century Landscape Prints
Materials
Etching
Paris, Rue Mazarine - Etching on Cardboard by L. Beltrami - 1877
Located in Roma, IT
Paris, Rue Mazarine is an original Modern artwork realized by Luca Beltrami (Genoa 1854 - 1933) in 1877.
Original B/W Etching on ivory cardboard.
Exc...
Category
Naturalistic Late 19th Century Landscape Prints
Materials
Etching
St-Trophime Cloister - Original Etching on Cardboard by L. Beltrami - 1877
Located in Roma, IT
St-Trophime Cloister is an original Modern artwork realized by Luca Beltrami (Genoa 1854 - 1933) in 1877.
Original B/W Etching on ivory cardboard.
Ex...
Category
Late 19th Century Landscape Prints
Materials
Etching
Map of South America - Original Etching - Late 19th Century
Located in Roma, IT
This Map of South America is an etching realized by an anonymous artist.
The state of preservation of the artwork is good with some small diffused stains.
Sheet dimension: 41.5 x 27
The artwork represents the map South America...
Category
Modern Late 19th Century Landscape Prints
Materials
Etching
