Late 19th Century Landscape Prints
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Period: Late 19th Century
Muse / - In the realm of the muses -
Located in Berlin, DE
Hans Thoma (1839 Bernau - 1924 Karlsruhe), Muse, 1893. Algraph on strong wove paper, published by Breitkopf und Härtel in Leipzig as ‘Zeitgenössisches Kunstblatt Nr. 174’, 43.5 cm x ...
Category
Realist Late 19th Century Landscape Prints
Materials
Paper
Square Drives - Lithograph by Auguste Raffet - Late 19th Century
Located in Roma, IT
Square Drives is a Lithograph realized by Auguste Raffet in the 1830s.
Signed on the plate.
Good condition with foxing.
Category
Modern Late 19th Century Landscape Prints
Materials
Lithograph
Paris, Vue Prise du Pont St Michel - Etching by Maxime Lalanne - 1870s
Located in Roma, IT
Vue Prise du Pont St Michel is an artwork realized by Maxime Lalanne in the 1870s.
Etching.
Image size:22x29
Good conditions.
Realized for the "Société des Aquafortistes. Born ...
Category
Modern Late 19th Century Landscape Prints
Materials
Etching
Les Demoiselles de Village - Etching by Gustave Courbet - 1870s
Located in Roma, IT
Les Demoiselles de Village is an artwork realized by Gustave Courbet in the 1870s.
Etching.
Good conditions.
Realized for the "Société des Aquafortistes. Born on the initiative o...
Category
Modern Late 19th Century Landscape Prints
Materials
Etching
Rue des Marmousets - Etching by Jules Herau - Late 19th Century
Located in Roma, IT
Rue des Marmousets is a black and White etching realized by Jules Herau in the Late 19th Century.
Titled in the lower.
Image Size: 20x26.
Very good impression.
Realized by Cadar...
Category
Impressionist Late 19th Century Landscape Prints
Materials
Etching
"Interieur d'Ecurie a Samois" original etching
Located in Henderson, NV
Medium: original etching. This impression on laid paper was printed in London in 1880 for P. G. Hamerton's "Etching and Etchers". Plate size: 6 1/4 x 8 3/4 inches. Signed in the plate.
Category
Late 19th Century Landscape Prints
Materials
Etching
Paysage - Etching by Léo Drouyn - 1870s
Located in Roma, IT
Paysage is an artwork realized by Léo Drouyn in the 1870s.
Etching.
Good conditions.
Realized for the "Société des Aquafortistes. Born on the initiative of the publisher Alfred C...
Category
Modern Late 19th Century Landscape Prints
Materials
Etching
Porto di Ripetta, Rome, Italy. Lithograph
Located in Melbourne, Victoria
'Porto di Ripetta. Veduta presa dalla scala della Chiesa di S. Rocco'
Tinted lithograph by Philippe Benoist (1813-1881). Figures by Bayou. From a French series titled 'Rome dans Sa...
Category
Victorian Late 19th Century Landscape Prints
Materials
Lithograph
Menhirs de Meneck - Etching by Armand Queyroy - Late 19th Century
Located in Roma, IT
Menhirs de Meneck is a black and White etching realized by A. Queyroy in the Late 19th Century.
Titled in the lower
Image Size: 31x22
Very good impression.
Realized by Cadart fo...
Category
Impressionist Late 19th Century Landscape Prints
Materials
Etching
Dachsunds
Located in Columbia, MO
Dachsunds
1883-84
Chromolithograph
8.5 x 11 inches
Category
Naturalistic Late 19th Century Landscape Prints
Materials
Lithograph
Pilgrimage to Enoshima
Located in Middletown, NY
Tokyo: Matsuki Heikichi, 1893
Woodcut in ink with embossing and hand-coloring in watercolor on handmade mulberry paper, 14 1/2 x 9 7/8 inches (368 x 251 mm), ōban tate-e, full margi...
Category
Edo Late 19th Century Landscape Prints
Materials
Handmade Paper, Watercolor, Woodcut
UNE JETEE EN ANGLETERRE
Located in Portland, ME
Buhot, Felix (French, 1847-1898). UNE JETEE EN ANGLETERRE. B & G 132, State two of eight. Etching with drypoint, aquatint and roulette, 1879. Signed in pencil, and with the red owl...
Category
Late 19th Century Landscape Prints
Materials
Drypoint, Etching, Aquatint
Antique Dog Lithograph Taste of Alfred De Dreux, France ca. 1870 Newfoundland
By Alfred de Dreux
Located in SANTA FE, NM
Antique Dog Portrait
Lithograph in the Taste of Alfred De Dreux
Newfoundland
France, circa 1870
Lithography
25 5/8 x 19 5/8 (28 x 20 frame) inches
Six lithographs of dog portraits...
Category
Romantic Late 19th Century Landscape Prints
Materials
Lithograph
La Place Saint Georges, Paris
Located in Middletown, NY
London: Gebbie & Husson Co., 1879.
Héliogravure and engraving on cream wove paper, 10 1/4 x 12 1/4 inches (258 x 310 mm), full margins. In good condition with some very minor margin...
Category
French School Late 19th Century Landscape Prints
Materials
Handmade Paper, Engraving, Photogravure
Victoria Club
Located in Storrs, CT
Victoria Club. 1879 and 1887. Lithograph. Way catalog 11 state ii; Levy catalog 22; Tedeschi, Stratis and Spink catalog number 15 state ii. 8 x 5 3/8 (sheet 16 5/8 x 12 1/16). A ri...
Category
American Modern Late 19th Century Landscape Prints
Materials
Lithograph
$2,400 Sale Price
20% Off
Ministère de la Marine - Etching by Charles Meryon - 1870s
Located in Roma, IT
Ministere de la Marine is an artwork realized by Charles Meryon in the 1870s.
Etching.
Image size: 17x14
Good conditions.
Realized for the "Société des Aquafortistes. Born on th...
Category
Modern Late 19th Century Landscape Prints
Materials
Etching
Robert Charles Goff (1837-1922) - Framed Etching, Boats on a Dutch River
Located in Corsham, GB
Robert Charles Goff (1837-1922), original etching. Boats on a Dutch river with horse-drawn carriage running alongside. Signed in pencil to the lower right. Well-presented in a smart ...
Category
Late 19th Century Landscape Prints
Materials
Etching
Lindsey Row, Chelsea
Located in Storrs, CT
Lindsey Row, Chelsea. 1888. Lithograph. Way 20; Levy 33; Tedeschi, Stratis and Spink 23. 5 x 8. Edition of 56 posthumous impressions printed by Goulding, in addition to the 14 lifet...
Category
American Modern Late 19th Century Landscape Prints
Materials
Lithograph
Piazza di Monte Cavallo, Rome, Italy. Tinted lithograph by Philippe Benoist
Located in Melbourne, Victoria
'Piazza di Monte Cavallo e Palazzo pontificio del Quirinale'
Tinted lithograph by Philippe Benoist (1813-1881). From a French series titled 'Rome dans Sa Grandeur', circa 1870.
B...
Category
Victorian Late 19th Century Landscape Prints
Materials
Lithograph
Harwich
Located in Middletown, NY
Essex: c1899. Etching with aquatint on cream wove paper, 7 1/2 x 12 1/4 inches (190 x 310 mm), full margins. Signed and titled in pencil in the lower margin. In very good condition w...
Category
English School Late 19th Century Landscape Prints
Materials
Handmade Paper, Etching, Aquatint
Le Matin - Etching by Eugène Delâtre - 1870s
Located in Roma, IT
Le Matin is an artwork realized by E. Delatre in the 1870s.
Etching.
Image size:16x25
Good conditions.
Realized for the "Société des Aquafortistes. Born on the initiative of th...
Category
Modern Late 19th Century Landscape Prints
Materials
Etching
Landscape - Original Etching by Rodolphe Piguet - 1875
Located in Roma, IT
Landscape is an original artwork realized by Rodolphe Piguet (1840-1915) in 1875.
Original etching.
The work is contained in a white passepartout.
Hand-signed and dated by the art...
Category
Modern Late 19th Century Landscape Prints
Materials
Etching
"A Game of Lacrosse": A Hand-colored 19th Century Woodcut Engraving by Hall
Located in Alamo, CA
A colorful and attractive hand-colored 19th century woodcut engraving entitled "A Game of Lacrosse" after a drawing by W. H. Hall. It was published in New York in Harper's Weekly on May 10, 1884. It depicts a scene from an intense lacrosse game.
This hand-colored woodcut engraving is presented in a red mat that measures 16" high x 20.63" wide. The sheet measures 10.63" high x 15.88" wide. There is a central fold, as issued. The print is in excellent condition.
Lacrosse is the oldest sport in North America, possibly originating as far back as the 1400's. The sport was first invented by Native Americans, who originally played it as a means to toughen braves for war or to settle tribal disputes. It was played by between 100 and 1,000 participants at a time. There were no strict boundaries and the game could cover miles and take days to complete. It was very violent with many injuries, which were sometimes fatal. The game was unknown to whites until the 17th century when a Jesuit priest observed Heron Indians playing it. He thought the stick and netting resembled the "crosier" carried by bishops during religious ceremonies, This led to the name "la crosse".
A Canadian dentist standardized the rules of the game in 1867 and the 1st college team was created at New York University in 1877. The game gained national attention and popularity in 1956 when the Hall-of-Fame football player Jim Brown...
Category
Late 19th Century Landscape Prints
Materials
Woodcut
Statue d'Homme d'État
Located in Middletown, NY
Wood engraving on extremely fine onion skin paper, signed in ink and numbered 13/35. 10 3/4 x 7 inches (272 x 177 mm), full margins. From the special ...
Category
French School Late 19th Century Landscape Prints
Materials
Handmade Paper, Engraving
French architecture house design lithograph, late 19th century, 1878
Located in Melbourne, Victoria
'Ecuries et Remises.'
French architectural chromolithograph. From 'La Brique Ordinaire', by J Lacroux, 1878. A series of fine illustrations of French designs for brick buildings.
...
Category
Art Nouveau Late 19th Century Landscape Prints
Materials
Lithograph
“Flower Picking”
Located in Southampton, NY
Beautifully executed original hand colored lithograph using gouache and watercolor. Scene in Surrey, England. Signedxwith monogram in plate lower left, Myles Birket Foster. Published by M. H. Long. Condition is very good. In original 2 inch wide birdseye maple antique frame with thick museum mat with gold innner edge. Overall 22 by 26 inches.
Biography
Myles Birket Foster (4 February 1825 – 27 March 1899) was a popular English illustrator, watercolour artist and engraver in the Victorian period. His name is also to be found as Myles Birkett Foster.
Life and work
Foster was born in North Shields, England of a primarily Quaker family, but his family moved south to London in 1830, where his father founded M. B. Foster & sons — a successful beer-bottling company. He was schooled at Hitchin, Hertfordshire and on leaving initially went into his father's business. However, noticing his talent for art, his father secured an apprenticeship with the notable wood engraver, Ebenezer Landells, where he worked on illustrations for Punch magazine and the Illustrated London News.
On leaving Landells' employ, he continued to produce work for the Illustrated London News and the Illustrated London Almanack. He also found work as a book illustrator and, during the 1850s, trained himself to paint in watercolours. His illustrations of Longfellow’s Evangeline and books of poetry by other contemporaries were a great success, and he quickly became a successful artist in watercolours. Birket Foster became an Associate of the "Old" Watercolour Society (Later the Royal Watercolour Society) in 1860 and exhibited some 400 of his paintings at the Royal Academy over more than 2 decades.
Birket Foster travelled widely, painting the countryside around Scotland, the Rhine Valley, the Swiss lakes and in Italy, especially Venice. In 1863 he moved to Witley, near Godalming in Surrey where he had a house ("The Hill") built. Being friendly with Edward Burne-Jones and William Morris, he had the house decorated and furnished in contemporary style, with tiles and paintings by Burne-Jones and Morris' firm, Morris and Company. The same year he published a volume of "English Landscapes," with text by Tom Taylor...
Category
Impressionist Late 19th Century Landscape Prints
Materials
Lithograph, Watercolor, Gouache
$1,120 Sale Price
20% Off
Rue Du Canal à Figeac - Etching by Étienne Mazas - 1870s
Located in Roma, IT
Rue Du Canal à Figeac is an artwork realized by E.Mazas in the 1870s.
Etching.
Good conditions.
Realized for the "Société des Aquafortistes. Born on the initiative of the publis...
Category
Modern Late 19th Century Landscape Prints
Materials
Etching
Ancien Boulevard Extérieur de Paris - Etching by Adolphe Martial-Potémon - 1870s
Located in Roma, IT
Ancien Boulevard Extérieur de Paris is an artwork realized by Adolphe Martial-Potémon in the 1870s.
Etching.
Image size:20x28.
Good conditions.
Realized for the "Société des Aq...
Category
Modern Late 19th Century Landscape Prints
Materials
Etching
19th century etching black and white seascape print boats water buildings signed
By Thomas Moran
Located in Milwaukee, WI
This black and white etching by American painter and print maker of the Hudson River School in New York: Thomas Moran, is a rare Klackner #53 of the catalogue raisonné, depicting "The Harbor of Vera...
Category
Hudson River School Late 19th Century Landscape Prints
Materials
Parchment Paper, Etching
Original Outing July 1895 magazine poster Sailboat
Located in Spokane, WA
Original Outing, July 1895 poster for the Outing magazine. Archivally linen backed in very fine condition. Ready to frame. Images are of the exact poster you will receive. A- ...
Category
Art Nouveau Late 19th Century Landscape Prints
Materials
Lithograph
$199 Sale Price
20% Off
The Beach in Normandy, France, Near Bayeux: A 19th C. Etching by Maxime Lalanne
Located in Alamo, CA
This is a mid 19th century etching entitled "Point de Depart de Guillaume de Normandie, Beuzeval, Emboucher de la Dives Calvados (The point of departure of William of Normandy (William the Conqueror)), created by Maxime Lalanne and published in 'L'Illustration Nouvelle' in 1868 by Alfred Cadart. The etching depicts the beach at Beuzeval in Normandy; with the shore in the foreground on the right lined by a row of houses, the sea at the left, and an expansive sky above. There are people on the beach and sailboats in the water. This is the point of departure of William the Conqueror for his voyage to England in 1066, resulting in his victory over the Anglo-Saxons at the Battle of Hastings and the establishment of Norman rule. The events are memorialized in the Bayeux tapestry, created by William's wife.
This etching is presented in a white mat that is suitable for framing. This excellent impression is printed on thick chain-linked, laid cream-colored paper with wide margins. It is signed in plate in the lower right and titled in the plate in the lower left. There is a collector's stamp (either an "NC" or a "CN") in the lower right corner. The sheet measures 9.5" high by 12.75" wide and the mat measures 13.5" high by 16" wide. There are two tiny faint spots in the periphery of the upper margin, but the print is otherwise in excellent condition. This etching is held by many museums and institutions, including The British Museum, The Yale University Art Gallery, The Cleveland Museum of Art, The Philadelphia Museum of Art, Columbia University Libraries and The William Morris Gallery...
Category
Late 19th Century Landscape Prints
Materials
Etching
"Under the Apple Tree", Figurative Chromolithograph after George Niles, 188/250
By Louis Prang
Located in Soquel, CA
Original chromolithograph by Louis Prang (German/American, 1823-1909) of L. Prang & Co. (American, founded 1860), after "Under the Apple Tree" by George E. Niles (American, 1837-1898). This late 19th century figurative chromolithograph depicts a small boy in a country setting and period dress under an apple tree, reaching into a barrel with a basket of apples spilling into the grass. A German style chromolithograph, this limited edition 188/250 print was created with heavy, oil-based inks which were applied in several layers to impart a texture similar to an original oil painting.
Signed and dated in the plate "G.E. Niles 1867". Tag on verso with "Prang's American Chromos - Under the Apple Tree, after Niles - Chromolithographed and published by L. Prang & Co. ...Boston". Displayed in a rustic giltwood beveled frame. Image size: 9"H x 7.25"W.
Louis Prang was a foremost lithographer and publisher in New York City from the mid to the end of the 19th Century. Born in Breslau, Germany to a father who was a calico printer, he was an apprentice to his father during his teen-age years and then spent five years as a journeyman, learning printing and dyeing and living in Austria, France and England. However, Prang's liberal political vliews caused him to be deported by the Prussian government during the Revolution of 1848, and fled via Bohemia and Switzerland to get to America.
In 1850, Prang went to Boston, having stopped briefly in New York City, and became a publisher and taught himself wood engraving. In 1856, he turned to lithography in partnership with Julius Mayer. In 1860, he founded Louis Prang and Co., which was his own company and the first stiff competition to Currier and Ives.
A primary reason for this competition was Prang's active imagination and energetic pursuit of his business. During the Civil War, he published maps and battle plans so that people at home could follow military movements. He also created printed card portraits of Union soldiers...
Category
American Impressionist Late 19th Century Landscape Prints
Materials
Cardboard, Lithograph
Durham Cathedral, C19th English topographical engraving, by Samuel Read, 1873
By Samuel Read
Located in Melbourne, Victoria
'Durham Cathedral'
Wood-engraving after Samuel Read. From 'The Illustrated London News'.
Samuel Read was an English illustrator who provided many illust...
Category
Naturalistic Late 19th Century Landscape Prints
Materials
Engraving
New Orleans - Original Woodcut - 1890
Located in Roma, IT
Image dimensions: 7.2 x 12.7 cm.
New Orleans is a black and white xylograph on paper, realized in 1890 by anonymous artist, of incredible fineness.
Of little dimensions but high meticulousness of sign, this original print presents us a lost and historical view on the New Orleans port...
Category
Modern Late 19th Century Landscape Prints
Materials
Woodcut
Gibbon Falls, Yellow-Stone National Park
Located in Paonia, CO
Gibbon Falls, Yellow-Stone National Park is a chromolithograph from c.1880 showing two fisherman at the base of Gibbon Falls. This chromolithograph is a dramatic view of the powerful Gibbon waterfall that cascades 84 feet into a small, clear pool. The setting is quintessential Yellowstone, with scrubby pine trees and rocky cliffs. The inscription on the bottom left corner below the image says Scenery From Nature on the Northern Pacific R.R. Established by the U.S. Congress and signed into law by President Ulysses S. Grant on March 1, 1872 Yellowstone was the first national park in the U.S. and is widely held to be the first national park in the world. Native Americans have lived in the Yellowstone region for at least 11,000 years. The Northern Pacific Railroad...
Category
Naturalistic Late 19th Century Landscape Prints
Materials
Lithograph
19th century black and white etching industrial landscape boat riverbank trees
Located in Milwaukee, WI
"Le Bateau a Conflans/Le Paysagiste au Bateau" or "The Boat at Conflans/Landscape with Boat" is an original etching by Charles Francois Daubigny...
Category
Barbizon School Late 19th Century Landscape Prints
Materials
Etching
Amor, Tod und Jenseits - Etching by M. Klinger - 1881
By Max Klinger
Located in Roma, IT
Amor, Tod und Jenseits, (Cupid, death and afterlife) is an original etching and aquatint on paper Chine collé, realized by Max Klinger in 1881, plate XII from “Intermezzi” Opus IV,...
Category
Symbolist Late 19th Century Landscape Prints
Materials
Etching, Aquatint
$1,322 Sale Price
30% Off
The Second Army Bombarding, Ukiyo-E Wooblock by Watanabe Nobukazu
By Watanabe Nobukazu
Located in Long Island City, NY
Artist: Watanabe Nobukazu, Japanese (1872 - 1944)
Title: The Second Army Bombarding and Occupying Port Arthur
Year: 1894
Medium: Woodblock Triptych...
Category
Other Art Style Late 19th Century Landscape Prints
Materials
Woodcut
$2,000 Sale Price
20% Off
La Jouane - Etching by Tancrède Abraham - 1870s
Located in Roma, IT
La Jouane is an artwork realized by Tancrède Abraham in the 1870s.
Etching.
Good conditions.
Realized for the "Société des Aquafortistes. Born on the initiative of the publisher...
Category
Modern Late 19th Century Landscape Prints
Materials
Etching
"Skating on Ladies' Pond Central Park": Winslow Homer 19th C. Woodcut Engraving
Located in Alamo, CA
This Winslow Homer woodcut engraving entitled "Skating on the Ladies' Skating-Pond in Central Park, New York", was published in Harper's Weekly in the January 28, 1860 edition. It depicts a large number of men, women and children skating on a recently opened pond in Central Park. At the time of publication of this engraving, Central Park was in the early stages of construction. This engraving documents the very early appearance of Frederick Law Olmstead and Calvert Vaux's masterpiece of landscape design. According to Olmsted, the park was "of great importance as the first real Park made in this century – a democratic development of the highest significance". The people of New York were very proud of the plans for their park. It was stated at the time: "Our Park, which is progressing very satisfactorily under the management of the Commissioners, will undoubtedly be, one of these days, one of the finest place of the kind in the world...Those who saw the Park before the engineers went to work on it are amazed at the beautiful sites which have been contrived with such unpromising materials; all fair persons believe that the enterprise is managed with honesty and good taste."
Skating was rapidly rising in national popularity in part due to the opening of Central Park’s lake to skaters on a Sunday in December 1858 with 300 participants. The following Sunday it attracted ten thousand skaters. By Christmas Day, a reported 50,000 people came to the park, most of them to skate. There were rules governing who could use the skating pond. “The Ladies’ Pond...
Category
American Impressionist Late 19th Century Landscape Prints
Materials
Engraving, Woodcut
On the Roof - Etching by Auguste Lepère - Late 19th Century
Located in Roma, IT
On the Roof is an Etching and drypoint realized by Auguste Lepère in the late 19th Century.
Good condition.
Category
Modern Late 19th Century Landscape Prints
Materials
Etching, Drypoint
Puer Expossitus - Etching by Edmond Ulm - 1870s
Located in Roma, IT
Puer Expossitus is an artwork realized by E. Ulm in the 1870s.
Etching.
Image size:31x23
Good conditions.
Realized for the "Société des Aquafortistes. Born on the initiative of...
Category
Modern Late 19th Century Landscape Prints
Materials
Etching
Carrefour des Gorges d'Apremont - Etching by Théophile Chauvel - 1870s
Located in Roma, IT
Carrefour des Gorges d'Apremont is an artwork realized by T. Chauvel in the 1870s.
Etching.
Good conditions.
Realized for the "Société des Aquafortistes. Born on the initiative ...
Category
Modern Late 19th Century Landscape Prints
Materials
Etching
Chambre des Députés - Etching by Alfred Cadart - 1870s
Located in Roma, IT
Chambre des Députés is an artwork realized by Alfred Cadart in the 1870s.
Etching.
Image size:19x25
Good conditions.
Realized for the "Société des Aquafortistes. Born on the in...
Category
Modern Late 19th Century Landscape Prints
Materials
Etching
French architecture house design lithograph, late 19th century, 1878
Located in Melbourne, Victoria
'Portes et Murs De Cloture, Avenue d'Aligre, Nos 8 et 10, a Chatou (Seine et Oise), par Mr Eug. Bardon, Archte'.
French architectural chromolithograph. From 'La Brique Ordinaire', b...
Category
Art Nouveau Late 19th Century Landscape Prints
Materials
Lithograph
Environs De Varennes En Argonne - Etching by Alphonse Beaujouint - 1870s
Located in Roma, IT
Environs De Varennes En Argonne is an artwork realized by Alphonse Beaujouint in the 1870s.
Etching.
Good conditions.
Realized for the "Société des Aquafortistes. Born on the ini...
Category
Modern Late 19th Century Landscape Prints
Materials
Etching
Landscape - Etching - 1870s
Located in Roma, IT
Landscape is an artwork realized in the 1870s.
Etching.
Good conditions.
Realized for the "Société des Aquafortistes. Born on the initiative of the publisher Alfred Cadart, the ...
Category
Modern Late 19th Century Landscape Prints
Materials
Etching
Winslow Homer 19th Century Woodcut Engraving "The Morning Walk"
Located in Alamo, CA
This Winslow Homer woodcut engraving entitled "The Morning Walk, Young Ladies' School Promenading the Avenue", was published in Harper's Weekly in the...
Category
American Impressionist Late 19th Century Landscape Prints
Materials
Engraving, Woodcut
Marais de la Canche - Etching by Alexandre Segé - 1870s
Located in Roma, IT
Marais de la Canche is an artwork realized by A. Segé in the 1870s.
Etching.
Image size:21x30
Good conditions.
Realized for the "Société des Aquafortistes. Born on the initiati...
Category
Modern Late 19th Century Landscape Prints
Materials
Etching
Vue de Longueville - Etching by César DE COCK - 1870s
By César De Cock
Located in Roma, IT
Vue de Longueville is an artwork realized by C.De Cok in the 1870s.
Etching.
Image size:23x31
Good conditions.
Realized for the "Société des Aquafortistes. Born on the initiati...
Category
Modern Late 19th Century Landscape Prints
Materials
Etching
Intériueur de Ferme - Etching by Léon Jacque - 1870s
Located in Roma, IT
Intérieur de Ferme is an artwork realized by Léon Jacque in the 1870s.
Etching.
Image size:16x22
Good conditions.
Realized for the "Société des Aquafortistes. Born on the initi...
Category
Modern Late 19th Century Landscape Prints
Materials
Etching
Baiser d'Une Mère - Etching by Henri Charles Guérard - 1870s
Located in Roma, IT
Baiser d'Une Mère is an artwork realized by Henri Charles Guérard in the 1870s.
Etching.
Image size:24x17
Good conditions.
Realized for the...
Category
Modern Late 19th Century Landscape Prints
Materials
Etching
Environs de Bergame - Etching by Giberto Borromeo - 1870s
Located in Roma, IT
Environs de Bergame is an artwork realized by Giberto Borromeo in the 1870s.
Etching.
Image size:12x15 and 14. x 22.
Good conditions.
Realized for the "Société des Aquafortiste...
Category
Modern Late 19th Century Landscape Prints
Materials
Etching
Bords de L'Oise - Etching by Charles-François Daubigny - Late 19th Century
Located in Roma, IT
Signed and titled on plate. Etching and aquatint print. Good condition.
Category
Surrealist Late 19th Century Landscape Prints
Materials
Etching
Croquis d'Orient - Etching by Charles Longueville - 1870s
Located in Roma, IT
Croquis d'Orient is a black and white etching realized by Charles Longueville (1829-1899) in 1870s.
Titled in the lower.
Image size: 29cmx20cm.
Very Good condition.
Realized by C...
Category
Modern Late 19th Century Landscape Prints
Materials
Etching
Windmills in Holland - Original etching - Ed. Durand Ruel, 1873
By Claude Monet
Located in Paris, IDF
Claude MONET (after)
Windmills in Holland, 1873
Original Etching
Engraved by Gaucherel under the supervision of Monet
Printed signature in the plate (with misspelled signature Monnet)
On laid paper 20,5 x 30 cm (c. 8 x 12 in)
INFORMATION : This etchings was edited in 1873 by Galerie Durand Ruel...
Category
Impressionist Late 19th Century Landscape Prints
Materials
Etching
Rue Souk El Selah au Caire - Etching by Edouard Dufeu - 1870s
Located in Roma, IT
Rue Souk El Selah au Caire is an artwork realized by Edouard Dufeu in the 1870s.
Etching.
Image size:23x12
Good conditions.
Realized for the "Société des Aquafortistes. Born on...
Category
Modern Late 19th Century Landscape Prints
Materials
Etching
Environs de Rix - Etching by Appian - 1870s
Located in Roma, IT
Environs de Rix is an artwork realized by A.Appian in the 1870s.
Etching.
Image size:9x17 and 9x17
Good conditions.
Realized for the "Société des Aquafortistes. Born on the ini...
Category
Modern Late 19th Century Landscape Prints
Materials
Etching
Il Campidoglio (Capitoline Hill), Rome. Tinted lithograph, 1870
Located in Melbourne, Victoria
Tinted lithograph by Philippe Benoist (1813-1881) after Felix Benoist. Figures by Bayot.
From a French series titled 'Rome dans Sa Grandeur', circa...
Category
Victorian Late 19th Century Landscape Prints
Materials
Lithograph
Rade De New-York - Etching by Anatole De Bonsonge - 1870s
Located in Roma, IT
Rade De New-York is an artwork realized by Anatole De Bonsonge in the 1870s.
Etching.
Good conditions.
Realized for the "Société des Aquafortistes. Born on the initiative of the p...
Category
Modern Late 19th Century Landscape Prints
Materials
Etching
