Items Similar to Landscape - Etching by J. F. Raffaelli - Late 19th Century
Want more images or videos?
Request additional images or videos from the seller
1 of 5
Jean-Francois RaffaelliLandscape - Etching by J. F. Raffaelli - Late 19th CenturyLate 19th Century
Late 19th Century
About the Item
Etching and drypoint. Hand signed.
Very good condition.
- Creator:Jean-Francois Raffaelli (1850-1924, French)
- Creation Year:Late 19th Century
- Dimensions:Height: 11.82 in (30 cm)Width: 17.72 in (45 cm)Depth: 0.04 in (1 mm)
- Medium:
- Movement & Style:
- Period:
- Framing:Framing Options Available
- Condition:Insurance may be requested by customers as additional service, contact us for more information.
- Gallery Location:Roma, IT
- Reference Number:
About the Seller
4.9
Platinum Seller
These expertly vetted sellers are 1stDibs' most experienced sellers and are rated highest by our customers.
1stDibs seller since 2017
6,726 sales on 1stDibs
Typical response time: 2 hours
- ShippingRetrieving quote...Ships From: Grasse, France
- Return PolicyA return for this item may be initiated within 14 days of delivery.
More From This SellerView All
- Le Blessé dans la Tranchée - Original Etching by Dunoyer de Segonzac - 1940sBy André Dunoyer de SegonzacLocated in Roma, ITHand signed. Edition of 75 prints. Includes passepartout: 49x34 cm. Very good conditions. This artwork is shipped from Italy. Under existing legislation, any artwork in Italy creat...Category
1940s Modern Figurative Prints
MaterialsDrypoint, Etching
- French Village - Original Etching and Drypoint by Eugène Corneau - 1930sBy Eugene CorneauLocated in Roma, ITFrench Village is an original artwork realized by Eugène Corneau between the end of the 1920s and the beginning of the 1930s. The monogram of the artist is present on the lower left...Category
1930s Modern Figurative Prints
MaterialsDrypoint, Etching
- La colline de Sainte Anne - Original Etching by Dunoyer de Segonzac - 1925By André Dunoyer de SegonzacLocated in Roma, ITImage dimensions: 13 x 18 cm. Etching on ivory colored paper. Etching on ivory colored paper, with two embossing stamps: "Libreria Prandi Reggio E." in lower-right corner,"H. Peti...Category
1920s Modern Figurative Prints
MaterialsDrypoint, Etching
- Untitled - Original Etching and Drypoint by Eugène Corneau - 1930sBy Eugene CorneauLocated in Roma, ITUntitled is an original artwork realized by Eugène Corneau in the first years of the 1930s. Etching and drypoint on paper. Monogram of the artist on the lower left. Excellent conditi...Category
1930s Modern Figurative Prints
MaterialsDrypoint, Etching
- The Cabin - Drypoint by Francis Saymour-Haden - 1877Located in Roma, ITThe Cabin is an original Modern artwork realized by Sir Francis Saymour-Haden (16 September 1818 – 1 June 1910) in 1877. Beautiful Proof on vélin fort, with stamp "Lugt 1048”. Full ...Category
1870s Modern Figurative Prints
MaterialsEtching, Drypoint
- Trembles au Bord de la Seine - Etching and Dry point - 19th CenturyLocated in Roma, ITTrembles au bord de la Seine is an Etching and Drypoint realized by an anonymous artist in The 19th Century. Edition for 'Gazette des Beaux-Arts', inscribed on plate. Beraldi, no. 2...Category
19th Century Modern Figurative Prints
MaterialsDrypoint, Etching
You May Also Like
- Guardians of the Spire; Amiens Cathedral Number 2By John Taylor ArmsLocated in Middletown, NYGuardians of the Spire; Amiens Cathedral Number 2 New York: 1937. Etching and drypoint on watermarked F.J. Head cream-colored, antique laid paper, 6 3/4 ...Category
Mid-20th Century American Modern Figurative Prints
MaterialsDrypoint, Etching
- The Acropolis, AthensBy Louis Conrad RosenbergLocated in Middletown, NYEtching and drypoint on cream wove paper, full margins. Signed in pencil, lower right margin. In generally good conditon with several scattered very light spots of foxing throughout,...Category
1920s Modern Landscape Prints
MaterialsHandmade Paper, Drypoint, Etching
- Palazzo dell'AngeloBy John Taylor ArmsLocated in Middletown, NYPalazzo dell'Angelo 1931 Etching and drypoint on cream-colored, handmade laid paper with deckle edges, 7 1/4 x 6 3/4 inches (185 x 171 mm), edition of 100, full margins. Signed, dated and numbered "Ed. 100" in pencil, lower margin, second state (of three). Printed by Henry Carling, New York. Extremely minor mat tone and some inky residue in the top right corner, all unobtrusive and well outside of image area. An exquisite impression of this intricate image, with astonishing detail, and all the fine lines printing clearly. The image represents the first print which Arms printed on his own handmade paper. Framed handsomely with archival materials and museum grade glass in a wood gilt frame with a flower and garland motif. Illustrated: Dorothy Noyes Arms, Hill Towns and Cities of Northern Italy, p. 180; Anderson, American Etchers Abroad 1880-1930; Eric Denker, Reflections & Undercurrents: Ernest Roth and Printmaking in Venice, 1900-1940, p. 116. [Fletcher 233] Born in 1887 in Washington DC, John Taylor Arms studied at Princeton University, and ultimately earned a degree in architecture at the Massachusetts Institute of Technology in 1912. With the outbreak of W.W.I, Arms served as an officer in the United States Navy, and it was during this time that he turned his focus to printmaking, having published his first etching in 1919. His first subjects were the Brooklyn Bridge, near the Navy Yard, and it was during his wartime travel that Arms created a series of extraordinarily detailed etchings based on Gothic cathedrals and churches he visited in France and Italy. He used what was available to him, namely sewing needles and a magnifying glass, to create the incredibly rich and fine detail that his etchings are known for. Upon his return to New York after the war, Arms enjoyed a successful career as a graphic artist, created a series of etchings of American cities, and published Handbook of Print Making and Print Makers (Macmillan, 1934). He served as President of the Society of American Graphic Artists, and in 1933, was made a full member of the National Academy of Design. In its most modern incarnation, Palazzo dell'Angelo was constructed in or around 1570. The building, which has a rich and storied history, was erected upon the ruins of an earlier structure which predates the Gothic period. Some remnants of the earliest features of the residence were most certainly still visible when Arms visited, as they are today. Having a background in architecture, there's no question that Arms was moved by the beauty, history and ingenuity represented in the physical structure. One thing specifically gives away Arms's passion for the architecture, and that is the fact that he focused on the building's Moorish entranceway, balustrade, and two mullioned windows, and not on the curious Gothic era bas-relief of an angel nestled into the facade of the building, after which the structure is named. The sculpture itself doesn't appear in Arms's composition at all, despite the fact that it is the feature of the building that is most famous in its folklore. Arms instead focuses on the oldest portion of the architecture, even documenting some of the remnants of a fresco, and a funerary stele for the freedman Tito Mestrio Logismo, and his wife Mestria Sperata (visible above the water level, to the left of the door, behind the gondola), which was first described in 1436. Among the many notable bits of history regarding the Palazzo, it has been documented that Tintoretto painted frescos of battle scenes on the facade of the building. The paintings have been lost to time and the elements, but not entirely to history. The empty frame...Category
1930s American Modern Figurative Prints
MaterialsDrypoint, Etching
- Ludgate HillBy William Walcot R. E. Hon. R. I. B. A.Located in Middletown, NYEtching with drypoint and aquatint on light cream wove paper, 5 1/2 x 5 inches (140 x 122 mm), full margins. Signed in pencil in the lower margin. One of a total of 400 signed impres...Category
Early 20th Century Modern Landscape Prints
MaterialsDrypoint, Etching, Aquatint
- Market Square, Rothenburg, GermanyLocated in Middletown, NYEtching and drypoint on cream wove paper, 10 3/4 x 7 1/2 inches (270 x 190 mm), full margins. Signed, inscribed and titled in pencil, lower margin. In good condition with minor mat t...Category
Early 20th Century Modern Landscape Prints
MaterialsHandmade Paper, Drypoint, Etching
- Steps to the Grand Canal, St. Mark's in the distance, Venice.By Donald Shaw MacLaughlanLocated in Middletown, NYA lovely view of Venice from the water. Etching with drypoint on antique cream laid paper with a large figural watermark, signed in pencil, lower right. 14 1/4 x 11 inches (362 x 280...Category
Early 20th Century American Modern Landscape Prints
MaterialsLaid Paper, Drypoint, Etching
Recently Viewed
View AllMore Ways To Browse
De Sed
Spanish Style Change
Draftsman Draws
Art Gallery Posters Chagall
Stand By Me Bed
Domestic Cat Print
Greek Archaeologists
Antique Great House Sketch
Wiener Werkstatte Postcard
I Want To Sell Some Old Objects
Golf Hats
Charles Darwin Signed
Salvador Dali Etching Much Ado
Tyler Burton
Lying In Bed
Fashion Drawings Vienna
William Andrews Clark
Bearden Bopping At Birdland