Men Landscape Prints

La Répétition is an artwork realized by Edouard Moyse in the 1870s. Etching. Image size:19x29 Good conditions. Realized for the "Société des Aquafortistes. Born on the initiati...

FRANCIS SHIELDS (1908 – 1984) THE DESCENT c. 1937 Lithograph, signed and titled. Edition c. 25. Done for the WPA/Federal Art Pro...

Urbain HUCHET Paris : Before the Show at Opera, c. 1980 Original lithograph Handsigned in pencil by the artist Numbered / 350 copies On Arches velllum 12 x 18 cm (c. 5 x 7 in) Exce...

Medium: Lithograph on vélin paper Year: 1952 Paper Size: 12.125 x 9.25 inches Inscription: Signed in the plate and unnumbered, as issued Notes: From the album, The Circus by Toulouse...

Artist: Marc Chagall Title: Vision de Paris II Portfolio: 1953 Verve Vol VII No. 27-28 Medium: Lithograph Date: 1953 Edition: 6000 Frame Size: 28 1/4" x 21 1/2" Sheet Size: 14" x 20"...

Les Amériques en Bal Original Poster by Razzia – Linen-Backed, Excellent Condition. Archival linen-backed and ready to frame. This poster is hand-signed in the lower right corner by...

Medium: Lithograph on vélin Hamilton Kilmory paper Year: 1947 Paper Size: 9.5 x 12.5 inches Inscription: Unsigned and unnumbered, as issued Notes: From the folio, Rembrandt, Drawings...

Mixed technique on paper Golden wooden frame with glass pane 34.7 x 38.2 x 1.8 cm

Medium: Lithograph on vélin paper Year: 1952 Paper Size: 12.125 x 9.25 inches Inscription: Signed in the plate and unnumbered, as issued Notes: From the album, The Circus by Toulouse...

Medium: Lithograph on vélin paper, mounted on vélin paper backing sheet, as issued. Year: 1954 Paper Size: 12 x 9.25 inches; image size: 9.45 x 7.84 inches Inscription: Signed in the...

Original “Wagon Lits” serigraph poster by the artist Valerio Adami. It was printed in France by GrafiCaza (Michel Caza), one of the finest serigraph companies on woven paper—in exce...

Lithograph on vélin paper. Paper Size: 12.5 x 9.5 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné references: Chagall, Marc, et al. The Lithographs of Cha...

Medium: Lithograph on vélin d'Arches paper Year: 1973 Paper Size: 26 x 20 inches Inscription: Unsigned and unnumbered, as issued Notes: From the folio, Les Réalistes Lyriques, VIII, ...

'St Jean D'Acre', tinted lithograph by Louis Haghe (1806-1885) after David Roberts RA. David Roberts (1796-1864) traveled throughout Egypt and the Holy Land in the late 1830s produc...

Medium: Lithograph on vélin Acropole Papeteries de Renage paper. Year: 1967 Paper Size: 12.25 x 9.5 inches Inscription: Signed in the plate and unnumbered, as issued Notes: From the ...

Medium: Lithograph on grand vélin Filigrané a sa marque paper Year: 1950 Paper Size: 12.5 x 9.75 inches; image size: 11.42 x 7.87 inches Inscription: Signed in the plate and unnumber...

Etching in colors on Somerset vélin paper. Paper Size: 20 x 23 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, Music, Deep Rivers in My Soul, 2003. Published by The Limited Editions Club, New York; printed by Wingate Studio, Hinsdale, under the direction of Peter Pettengili, Hinsdale, 2003. Excerpted from the folio, This edition of Music, Deep Rivers in my Soul consists of CD examples printed on Somerset paper. Dan Carr and Julia Ferrari designed the typography. Cast the Spectrum and Romulus type in metal, handset the type and printed the text at Golgonooza Letter Foundry and Press in Ashuelot, New Hampshire. The color etchings were printed by hand on Somerset paper by Peter Pettengili at Wingate Studio in Hinsdale, New Hampshire. DEAN MITCHELL...

Lithograph and silkscreen with grease crayon, lithographic tusche, lead pencil, charcoal on vélin d'Arches paper. Paper size: 12.8 x 9.84 inches. Inscription: Unsigned and unnumbered...

"One of Two Colossal Statues of Rameses II. Entrance to the Temple at Luxor" is a 19th century half-folio sized duo-tone lithograph from the "The Holy Land, Syria, Idumea, Arabia, Eg...

James Dean - Soft Blue Complete size of sheet (sheet sizes may vary) Height: 58cm (22.83 in) Width: 39.5cm (15.55 in) Depth: 0.5cm (0.20 in) Artist Biography: David Studwell's silk...

A 1930 lithograph in colors on paper by artist Raoul Varin, titled "Chicago in 1779 (Then Called Eschikago)". Archivally matted to 20" x 24 5/8". Provenance: Arthur Ackerman & Son...

Lithograph on vélin de Lana paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, tête edition, Consacré a Steinberg, Derrière le miroir, N° ...

Fantastical and erotic sepia etching titled "The Visitation" by Herbert L. Fink (American, 1921-2006). Titled, signed and dated 1982 lower edge. Unframe...

Medium: Lithograph on vélin paper Year: 1965 Paper Size: 19 x 13 inches Catalogue raisonné reference: Bloch, illustration 1197 Inscription: Unsigned and unnumbered, as issued Notes: ...

Lithograph and silkscreen with grease crayon, lithographic tusche, lead pencil, charcoal on vélin d'Arches paper. Paper size: 12.8 x 9.84 inches. Inscription: Unsigned and unnumbered...

Lithograph on vélin d'Arches paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, La Ballade du Soldat, 34 Lithographies Originales de Max Ernst, 1972. P...

Maurice Pasternak created "Attraction 5", a mezzotint in an edition of 80 that depicts 6 men clearly attracted to something that appears outside the plane of the image. The men seem...

Surprise is a black and White etching realized by François Chifflart in the 1860s.  Titled in the lower. Image size: 24x32. Very good impression with wide margins and a very fresh...

Jorge Camacho, Cuban (1934 -2011) - Surreal Seascape, Year: 1976, Medium: Etching and Aquatint, signed and numbered in pencil, Edition: XXXVI/XLV, Image Size: 10 x 7.5 inches, Si...

Medium: Lithograph on vélin du Marais paper Year: 1957 Paper Size: 14.5 x 11 inches Catalogue raisonné reference: Cramer, illustration 84 Inscription: Inscription: Unsigned and unnum...

Lithograph and stencil on vélin paper. Paper Size: 12.2 x 15 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the folio, Douze aquarelles de Auguste Ro...

'Entrance to the Temple of Amun, Thebes', tinted lithograph by Louis Haghe (1806-1885) after David Roberts RA. David Roberts (1796-1864) traveled throughout Egypt and the Holy Land ...

Riding is an original print realized by an Anonymous artists of the 19th Century. Mixed colored lithograph. Good conditions except for some prepared rips. This lithograph represen...

La pointe sèche etching on vélin de Rives filigrané à notre nom paper. Paper size: 9.5 x 7.5 inches; image size: 6.5 x 4.5 inches. Inscription: unsigned and unnumbered, as issued. No...

Original movie poster: BREAK THROUGH. U. S. 1-sheet vintage, linen-backed vintage 1950 release. Very good condition; ready to frame. Breakthrough is a 1950 American war film di...

Original Bains de Mer de la Manche vintage poster. Artist Georges Meunier. Archival linen backed in good condition, ready to frame. Printer: Chaix ...

Lithograph on vélin paper. Paper Size: 13 x 9.5 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné references: Cain, Julien, and Fernand Mourlot. Chagall Lit...

A different side of Ian Laurie. landscapes from Cornish coast England 14/25 signed and dated Ian Laurie was born in 1933 and is a self taught artist who made the transition fr...

Medium: Collotype, héliogravure, recto and verso, on grand vélin Renage filigrané paper, as issued Year: 1954 Paper Size: 12 x 9.25 inches; image size: 8.66 x 5.91 inches Inscription...

'Jacques and the Wounded Stag, Scene from 'As you like it'' Mezzotint on steel by David Lucas (1802-1881) after John Constable (1776–1836). From 'English Landscape Scenery', 1855. ...

Ira Moskowitz, 'The Three Gods of Healing (Navajo Medicine Ceremony of the Night Chant)', lithograph, 1945, edition 30, Czestochowski 148. Signed and titled in pencil. Signed and dated in the stone, lower right. A fine, richly-inked impression, on cream wove paper, with full margins (2 1/4 to 2 3/4 inches), in excellent condition. Matted to museum standards, unframed. Image size 12 1/4 x 15 13/16 inches (311 x 402 mm); sheet size 17 1/8 x 20 7/8 inches (435 x 530 mm). ABOUT THIS WORK The nine-night ceremony known as the Night Chant or Nightway is believed to date from around 1000 B.C.E. when it was first performed by the Indians who lived in Canyon de Chelly (now eastern Arizona). It is considered the most sacred of all Navajo ceremonies and one of the most difficult and demanding to learn, as it encompasses hundreds of songs, dozens of prayers, and several highly complex sand paintings. And yet the demand for Night Chants is so great that as many as fifty such ceremonies might be held during a single winter season, which lasts eighteen to twenty weeks. The Night Chant is designed both to cure people who are ill and to restore the order and balance of human and non-human relationships within the Navajo universe. Led by a trained medicine man who has served a long apprenticeship and learned the intricate and detailed practices that are essential to the chant, the ceremony itself is capable of scaring off sickness and ugliness through techniques that shock or arouse. Once the disorder has been removed, order and balance are restored through song, prayer, sand painting, and other aspects of the ceremony. The medicine men who supervise the Night Chant ensure that everything—each dot and line in every sand painting, each verse in every song, each feather on each mask is arranged precisely, or it will not bring about the desired result. There are probably as many active Night Chant medicine men today as at any time in Navajo history due to the general increase in the Navajo population, the popularity of the ceremony, and the central role it plays in Navajo life and health. ABOUT THE ARTIST Ira Moskowitz was born in Galicia, Poland, in 1912, emigrating with his family to New York in 1927. He enrolled at the Art Student's League and studied there from 1928-31. In 1935, Moskowitz traveled to Paris and then lived until 1937 in what is now Israel. He returned to the United States in 1938 to marry artist Anna Barry in New York. The couple soon visited Taos and Santa Fe in New Mexico, returning for extended periods until 1944, when they moved there permanently, staying until 1949. During this especially productive New Mexico period, Moskowitz received a Guggenheim fellowship. His work was inspired by the New Mexico landscape and the state’s three cultures (American Southwest, Native American, and Mexican). He focused on Pueblo and Navajo life, producing an extensive oeuvre of authentic American Indian imagery. He and Anna also visited and sketched across the border in Old Mexico. While in the Southwest, Moskowitz flourished as a printmaker while continuing to produce oils and watercolors. Over 100 of Moskowitz’s works depicting Native American ceremonies were used to illustrate the book American Indian Ceremonial Dances by John Collier, Crown Publishers, New York, 1972. After leaving the Southwest, printmaking remained an essential medium for the artist while his focus changed to subject matter celebrating Judaic religious life and customs. These works were well received early on, and Moskowitz was content to stay with them the rest of his life. From 1963 until 1966, Moskowitz lived in Paris, returning to New York City in 1967, where he made his permanent home until he died in 2001. Shortly before his death, Zaplin-Lampert Gallery of Santa Fe staged an exhibition of the artist's works, December 2000 - January 2001. Other one-person shows included the 8th Street Playhouse, New York, 1934; Houston Museum, 1941; and the San Antonio Museum, 1941. The artist’s work was included in exhibitions at the Art Students League, Art Institute of Chicago, Philadelphia Print Club, College Art Association (promotes excellence in scholarship and teaching), and the International Exhibition of Graphic Arts (shown at MOMA, 1955). Moskowitz’s lithographs of...

Medium: Lithograph on vélin Hamilton Kilmory paper Year: 1947 Paper Size: 9.5 x 12.5 inches Inscription: Unsigned and unnumbered, as issued Notes: From the folio, Rembrandt, Drawings...

A glowing lemon-yellow wash of color floods this erotic beach landscape with light. Hidden in the dappled shadow of a tree, a nude woman glances downward as she applies sunscreen. A ...

Lithograph on vélin paper. Paper Size: 9.06 x 7.875 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné references: Chagall, Marc, and Julien Cain. Chagall Li...

Lithograph and stencil on vélin d'Arches paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the album, Mon ami Léger par André Maurois de l'Académie ...

Original WW1 poster, linen-backed. Very good condition, rare American WW1 antique military poster. Navy ships need binoculars and spy-glasses. Will you ...

This is an early 19th century hand-colored satirical caricature etching entitled "John Bull and his favourite statue of bronze!!", published and possibly engraved in London in 1802 by William Holland (1757-1815). It depicts John Bull (symbolizing the English people) kneeling in profile before William Pitt, who was prime minister of England at the time, and for whom the American city of Pittsburgh was named. Pitt is standing, pretending to be a statue. A rectangular pedestal beneath Pitt is inscribed: "Erected by Voluntary Subscription!" Pitt's body seems elongated, reminding that this a caricature. He is standing, looking to the left, his aristocratic nose held high in apparent arrogance and his hands are deep in his pockets, with his hat under his right arm. John Bull, is dressed simply for the time. He is on in his knees in a gesture of supplication, as if in prayer or begging for some action from a deity. He is holding his hat in both hands, looking up at Pitt. Trees and bushes are seen in the background. A caption showing John Bull's words in the upper left ironically reads: "O Wonderful Man! - how I revere thy sublime resemblance. - what obligations I am under to thee! what happy times thou hast brought about! Bread for nothing! Beef 3d per pound! Porter 3d per pot! a Goose 2 shillings! and a fat Turkey 3s.6d!! - whit every thing else cheap in proportion! - besides the wonderful decrease of Taxes!! - O Dear - O Dear I hardly know how to express myself, I feel so enraptured. - O that fine brass countenance how it shines with conscious Integrity!" The engraving is presented in a gold-colored wood frame and a tan-colored mat, with curved upper corners. The frame measures 18" high, 13.13" wide and 0.5" deep. The framing and mounting utilizes acid-free archival materials and it is glazed with UV conservation clear glass. There are a few faint areas of discoloration and spotting and an apparent short barely visible crease in the lower right corner of the inscription area. The print is otherwise in very good condition. William Holland was printmaker as well as a prominent dealer of satirical prints in London in late 18th and early 19th century. He carried works by the best known satirists of the time: Gillray, Rowlandson, Newton and Woodward, as well as his own creations. Holland along with the other prominent print-sellers of the time, Hannah Humphrey and Samuel Fores, were responsible for promoting the golden age of British caricature...

Lithograph on vélin paper. Paper Size: 12.216 x 9.875 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné references: Cain, Julien, and Fernand Mourlot. Chaga...

Etching on handmade wove paper, 3 3/4 x 2 3/4 inches (95 x 70 mm), thread margins. Third state (of five), likely printed early 19th century. In very good condition with light handlin...

Original vintage advertising poster in French for the 26th Anniversary of the Mozart Festival in Wurtzbourg 11-25 June 1955 - 26th Anniversary of the Festival of Mozart. Great image ...

Original Alphonse Mucha decorative panel. Linen backed in very good condition A-/B+ condition. This lovely poster looks just like an oil painting. It is a rare design by Alphonse ...

Original poster: FILL UP THE RANKS PILE UP THE MUNITIONS! Artist: F. Gardner. Year: 1915. Horizontal original British WW1 poster. Very good cond...

Medium: Lithograph and stencil on vélin paper Year: 1954 Paper Size: 13.5 x 9.5 inches Inscription: Signed in the plate and unnumbered, as issued Notes: From the folio, Femmes de Lau...

Alvin Carl Hollingsworth, American (1928 - 2000) - 3 Miles, Medium: Lithograph, Image Size: 5.75 x 16.5 inches, Frame Size: 14.25 x 24.25 inches, Description: This lithograph by ...

Engraving on vélin de Rives paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Portrait de A. Decaris, 1953. Published by Editions d'Art Manuel Bruker, Paris; printed by Ateliers Rigal, Paris, January 30, 1953. Excerpted from the volume (translated from French), The present portrait of Albert Decaris was completed to print on January 30, 1953 for typography by Zichieri; for engraving by Rigal. The edition has been set at 250 on vélin de Rives. The first twenty examples are suites on annam of all the engravings. ALBERT DECARIS (1901-1988) was a French artist, engraver, painter and Olympic Gold Medallist. Decaris was the first illustrator of luxury art books such as Le Chant de Mon Voyage vers la Grèce by Léon Cathlin, Combourg by Chateaubriand, Les Discours des Misères de ce Temps by Ronsard and Les Destinées by Alfred de Vigny. Decaris joined the infamous group called FVHJ at age 24. In the 1930s, Decaris began engraving postage stamps, resulting in more than 500 such designs, for various postal services, notably French and African. Stamp collectors...

Wayne Ensrud, American (1934 - ) - Piazza Navona, Rome, Year: 1980, Medium: Lithograph, signed and numbered in pencil, Edition: 300, AP 45, Image Size: 24 x 29.5 inches, Size: 2...

This is an exclusive handprinted unique cyanotype that takes its inspiration from the mid-century modern shapes and the desert modernism movement. It's made by layering paper cutouts...

This artwork titled "Brothers" 1991 is an original color serigraph on heavy Coventry paper by noted American artist Donald (Don) Hatfield, b.1947. It is hand signed and numbered 115/...

"The Giant Leeches" by Bernard L Kowalski Attack of the Giant Leeches originally titled as The Giant Leeches is an independently made 1959 black-and-white science fiction-horror film, produced by Gene Corman and directed by Bernard L. Kowalski. It stars Ken Clark, Yvette Vickers and Jan Shepard. The screenplay was written by Leo Gordon. The film was released by American International Pictures on a double bill with A Bucket of Blood. Later, in some areas in 1960, Leeches played on a double bill with the Roger Corman film House of Usher...

Lithograph on vélin paper. Paper Size: 12.4 x 9.65 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, XXe siècle, Nouvelle série, XLIIIe Année, N°57, Sep...