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On the Road, reimagines classic Richard Heeps artworks presented with full film rebate almost like a blown up contact sheet. This Googie sign photograph captures the iconic and memor...

On the Road, reimagines classic Richard Heeps artworks presented with full film rebate almost like a blown up contact sheet. Honeymoon Hideaway captures iconic mid-century futuristic...

The illusions and reflections in Sietins prints often bring M.C. Escher to mind, but his prints have a distinctive feel all their own. This print is a slight departure from other ser...

The Esquimaux Dog 1887 Etching

Artist: Lucas van Leyden, After by Amand Durand, Dutch (1494 - 1533) - Le Bapteme de Jesus Christ, Year: 1873, Medium: Heliogravure, Size: 6.25 x 7.5 in. (15.88 x 19.05 cm), Printe...

Abstract Composition, 1959 Lithograph This was from a portfolio which included works by Yosl Bergner, Menashe Kadishman, Yosef Zaritsky, Aharon Kahana, Moshe Tamir and Michael Gross. Joseph (Yossef) Zaritsky (Hebrew: יוסף זריצקי‎; September 1, 1891 – November 30, 1985) was one of Israel's greatest artists and one of the early promoters of modern art in the Land of Israel both during the period of the Yishuv (Palestine, the body of Jewish residents in the Land of Israel before the establishment of the State of Israel) and after the establishment of the State. In 1948 Zaritsky was one of the founders of the "Ofakim Hadashim" group. In his works he created a uniquely Israeli style of abstract art, which he sought to promote by means of the group. For this work he was awarded the Israel Prize for painting in 1959. Joseph Zaritsky...

"A View of the Town and Harbour of St Peter and St Paul, in Kamtschatka" is an engraving created by Charles Grignion, from a drawing by John Webber (1752-1793), who was the artist on...

John Doe - In The Wings - Urban Graffiti Street Art Artists Doe, John Edition Details Year: 2021 Class: Art Print Status: Official Rel...

DREAMFIELDS II is a hand drawn original lithograph by the artist Sybil Kleinrock (spouse of the renowned jewelry designer David Yurman. It was printed in seven colors using tradition...

The title continues “…. Most Humbly Inscribd [sic] to his Royal Highness George Prince of Wales.” A fine British produced double hemisphere world map. On this map, California is shown as an island on the main double hemisphere map...

Fame - Original Vintage 1980 Movie Film Cinema Lobby Card Mint condition - see image Original vintage 1980 lobby card from the cult classic film FAME directed by Alan Parker FRAMING: Please note that this piece is UNFRAMED – however, we offer a full framing service. If you would like this piece framed, please contact us for a quote. See EXAMPLE images We ship regularly using Fedex Express services and shipping to all international locations. Directed by Alan Parker Written by Christopher Gore Produced by David De Silva Alan Marshall Starring : Eddie Barth Irene Cara Lee Curreri Laura Dean Antonia Franceschi Boyd Gaines Albert Hague Tresa Hughes Steve Inwood Paul McCrane...

The Thibet Dog 1887 Etching

The Dingo 1887 Etching

Color 3-D lithograph in wood frame In Red Grooms’ newest three-dimensional print, "The Carriage Trade", the artist once again casts his acute eye on ...

Robert Morden (1650-1703) Nottingham Shire (or Nottinghamshire) Engraving with recent hand colouring 34x42cm First published in 1695 for Camden's Britannica (1695-1772) and reprinte...

Classic Lincoln cars, parked outside the famous mid-century building, the La Concha Motel in Las Vegas. The cinematic scene of now Lost Vegas, evokes image...

AURORA'S GARLAND is an imaginary architectural landscape that combines the real and the surreal. Created in 1995 by the Iowa born artist Jim Buckels (b.1948) known for his dream-like images, rendered in a meticulous, modern airbrush technique. This limited edition screenprint was printed using hand silk screen printing techniques on heavyweight archival printmaking paper, very fine details superb quality craftsmanship. AURORA'S GARLAND presents the viewer with a dreamlike metaphysical landscape luxuriant with shades of cool blues, dark greens, grays, beige, pink lavender, magenta pink, yellow, off white and black. A peaceful moonlit garden scene accented by two winged cherub statues in the foreground holding onto a glowing lamp post. An elegant and fanciful, rose tinted French maison rendered in a Chiâteauesque architectural style, sets the scene as it stands glowing with light beside a mirror-still pool of water, surrounded by a textural stone wall, precisely trimmed hedges, lush leafy trees, and flowering shrubbery. AURORA'S GARLAND creates a fairytale ambience reminiscent of the magical works of the renowned 1920's illustrator Maxfield Parrish. 11 " x 11.5" print size, unframed, excellent condition, signed in gold ink pen...

Artist: David Teniers, After by Amand Durand, Flemish (1610 - 1690) - Danse Villageoise, Medium: Heliogravure, Size: 8.5 x 9.5 in. (21.59 x 24.13 cm), Printer: Amand Durand, Descri...

A fine engraved chart table showing the lengths of the principal rivers across the world, from the second edition of John Thomson's 'New General Atlas' published in 1830. On paper.

"Saturday Night Fever" Original Vintage 1977 Lobby Card Condition Mint Original vintage 1977 lobby card from the film "Saturday Night Fever" directed by John Badham FRAMING: Pleas...

Louisa Chase was born in Panama City, Panama. Seven years later, her family moved to Lancaster, Pennsylvania. She studied painting and sculpture at Syracuse University and at the Yal...

Artist: Lucas van Leyden, After by Amand Durand, Dutch (1494 - 1533) - La Laitiere, Year: 1873, Medium: Heliogravure, Size: 5 x 6.5 in. (12.7 x 16.51 cm)...

Artist: Lucas van Leyden, After by Amand Durand, Dutch (1494 - 1533) - Mardochee mene en triomphe, Year: 1873, Medium: Heliogravure, Size: 9.25 x 12 in. (23.5 x 30.48 cm), Printer:...

Barbara Takenaga has had fun embellishing the last prints in the editions – Switchback State I and State II from 2011 – with extensive hand coloring. She has inverted and rearranged ...

Artist: Lucas van Leyden, After by Amand Durand, Dutch (1494 - 1533) - Jesus Christ apparaissant a la Madeleine sous la fourme d'un Jardiner, Year: 1873, Medium: Heliogravure on Laid...

To see our other original vintage public information posters, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the poster you want. We have a whole series referring to environmental issues on the theme of "Waste not want not" and caring for the environment and recycling. FHK Henrion (1914 - 1990) Where Coal Comes From (circa 1945) Original vintage poster 51 x 76 cm Signed in plate. Issued by the Ministry of Fuel and Power; printed for HM Stationery Office by Field Sons & Co Ltd, Bradford. We have been unable to identify any other copy of this poster by this renowned designer in any public collection - it is possibly the only remaining copy. A Ministry of Fuel poster...

Artist: Rembrandt van Rijn, After by Amand Durand, Dutch (1606 - 1669) - La Chaurmiere au Grand Arbre (B226), Year: 1878 (of original 1641), Medium: Heliogravure, Size: 5 x 12.5 in...

Steve Kaufman Mona Lisa Gold, 1998 Signed Oil and silkscreen on canvas 37 x 42 Edition 37 of 100RR

Palm Springs Poolside, photograph by Richard Heeps. Classic mid-century Palm Springs architecture, featuring cool blue skies and pool with accents of pink and almost neon yellow. Th...

Buick in the Dust, this photography series features an American Car, on a British Beach (Hemsby, Norfolk) driven by a German. Richard spent years honing his skills as a drag racing...

Anna Harley St Pauls Limited Edition Silkscreen Print Edition of 12 Size: H 56cm x W 38cm x D 0.1cm Sold Unframed Please note that insitu images are purely an indication of how a pie...

Jayson Lilley Please note that insitu images are purely an indication of how a piece may look. From Primrose Hill is a limited edition hand pulled screen print with gold leaf & ink printed on archival board by Jayson Lilley. Contemporary artist, Jayson Lilley, is available at Wychwood Art. Jayson Lilley has worked at the forefront of printmaking for many years. His approach to the modern landscape isunique and fresh, in both technique and materials. Lilley’s work is knownfor its urban and architectural focus, zooming in on familiar landmarks andreproducing iconic vistas and structures from the metropolis. Hisinnovative printmaking practice combines silkscreen, painting and collagetechniques to construct vibrant scenes that are always accompanied byexpansive skies and which play on salience and colour.Lilley’s most recentcollection explores some of London’s more natural vistas, as hecontemplates the relationship between nature and the urban landscape. Inthese pieces, he combines silkscreen print with copper leaf and handdrawing to dramatic effect.Lilley graduated from the University for the Creative Arts in 2000 with aFirst Class honours degree in Visual Communication. He had an award-winning career in design before focussing on his artwork, and hisbackground in design is ever apparent in his visual style and methodology.He has exhibited widely across the UK and internationally. Recentaccolades include being shortlisted for the Westmorland Landscape Prize2019 and inclusion in the Royal Academy’s Summer Exhibition 2019. Lilley’s works are held in collections across the world including London,New York, Japan, Hong Kong and Moscow. From Primrose Hill Limited Edition Print Edition of 39...

Richard Heeps Dream in Color Swimming Pool Artworks. A set of six individual artworks, vibrant yet serene they take you on a journey through California & Nevada through the eyes of t...

Richard Heeps Dream in Color Swimming Pool Artworks. A set of three individual artworks, vibrant yet serene they take you to the swimming pool on a hot day. Featuring, 'Sun Lounger, ...

Edward Avedisian (1936-2007) Cleo, Fur Queen, 1969 Lithograph in color on Arches wove paper. Hand signed, dated and numbered in pencil. Edition 100 Dimensions: 22.25 inches X 30.25...

Three and a Half Feet, Ballantines Movie Colony, Palm Springs, California, photograph from Richard Heeps Dream in Colour series. A palm tree casts a shadow on a Palm Springs swimming...

Zzyzx Resort Pool, Soda Dry Lake, California. Photograph from Richard Heeps 'Dream in Color' Series, from a California road trip, this abandoned structure...

Archival pigment print Signed, titled, dated, and numbered, verso 20 x 24 inches (Edition of 10) 30 x 36 inches (Edition of 5) 40 x 48 inches (Edition of 5) This artwork is offer...

To see our other original vintage travel posters including more pre-war London Transport posters, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the poster you want. Hans Schleger 'Zero' (1898-1976) London Transport Coach Stop Poster Screenprint poster c. 1970 16x17.8 cm Printed for London Transport These posters were designed to be used as temporary stops when the usual stop required amendment for instance owing to road works or similar events. Printed on paper they were designed to be posted up at the alternative site, possibly over a different sort of stop (bus stop, coach stop, request stop, etc.). Working with Edward Johnson's special typeface created for London Transport, Hans Schleger - or Zero as he signed himself - adopted the famous roundel used by London Underground for use at Bus Stops. Born in Germany, Schleger was an influential graphic designer. After serving during the First World War, he studied at the Berlin Kunstgewerbeschule, being taught by Emil Orlik. The same year Walter Gropius founded the Bauhaus at Weimar and Schleger learned the same principles of breaking down the barriers between architecture, design, fine art and craft. A firm believer in the Bauhaus principles of simplicity in design and reduction to essentials, these may be seen in the clean lines of the roundel. In 1924 he moved to New York, applying Modernism to American advertising, and then returned to Berlin in 1929 working for the British advertising agency Crawfords, where he met Edward McKnight Kauffer who introduced him to Jack Beddington the head of advertising at Shell Mex...

'Buick in the Dust II', features an American Car, on a British Beach (Hemsby, Norfolk) driven by a German. Richard spent years honing his skills as a drag racing...

Iconic neon from London's North Circular landmark, the Walthamstow Stadium. This artwork is a limited edition of 25, gloss photographic print, dry-mounted to aluminium, presented in...

Marc Chagall Original Lithograph 1963 Dimensions: 32 x 24 cm Reference: Chagall Lithographe 1957-1962. VOLUME II. Condition : Excellent Marc Chagall (born in 1887) Marc Chagall was born in Belarus in 1887 and developed an early interest in art. After studying painting, in 1907 he left Russia for Paris, where he lived in an artist colony on the city’s outskirts. Fusing his own personal, dreamlike imagery with hints of the fauvism and cubism popular in France at the time, Chagall created his most lasting work—including I and the Village (1911)—some of which would be featured in the Salon des Indépendants exhibitions. After returning to Vitebsk for a visit in 1914, the outbreak of WWI trapped Chagall in Russia. He returned to France in 1923 but was forced to flee the country and Nazi persecution during WWII. Finding asylum in the U.S., Chagall became involved in set and costume design before returning to France in 1948. In his later years, he experimented with new art forms and was commissioned to produce numerous large-scale works. Chagall died in St.-Paul-de-Vence in 1985. The Village Marc Chagall was born in a small Hassidic community on the outskirts of Vitebsk, Belarus, on July 7, 1887. His father was a fishmonger, and his mother ran a small sundries shop in the village. As a child, Chagall attended the Jewish elementary school, where he studied Hebrew and the Bible, before later attending the Russian public school. He began to learn the fundamentals of drawing during this time, but perhaps more importantly, he absorbed the world around him, storing away the imagery and themes that would feature largely in most of his later work. At age 19 Chagall enrolled at a private, all-Jewish art school and began his formal education in painting, studying briefly with portrait artist Yehuda Pen. However, he left the school after several months, moving to St. Petersburg in 1907 to study at the Imperial Society for the Protection of Fine Arts. The following year, he enrolled at the Svanseva School, studying with set designer Léon Bakst, whose work had been featured in Sergei Diaghilev's Ballets Russes. This early experience would prove important to Chagall’s later career as well. Despite this formal instruction, and the widespread popularity of realism in Russia at the time, Chagall was already establishing his own personal style, which featured a more dreamlike unreality and the people, places and imagery that were close to his heart. Some examples from this period are his Window Vitebsk (1908) and My Fianceé with Black Gloves (1909), which pictured Bella Rosenfeld, to whom he had recently become engaged. The Beehive Despite his romance with Bella, in 1911 an allowance from Russian parliament member and art patron Maxim Binaver enabled Chagall to move to Paris, France. After settling briefly in the Montparnasse neighborhood, Chagall moved further afield to an artist colony known as La Ruche (“The Beehive”), where he began to work side by side with abstract painters such as Amedeo Modigliani and Fernand Léger as well as the avant-garde poet Guillaume Apollinaire. At their urging, and under the influence of the wildly popular fauvism and cubism, Chagall lightened his palette and pushed his style ever further from reality. I and the Village (1911) and Homage to Apollinaire (1912) are among his early Parisian works, widely considered to be his most successful and representative period. Though his work stood stylistically apart from his cubist contemporaries, from 1912 to 1914 Chagall exhibited several paintings at the annual Salon des Indépendants exhibition, where works by the likes of Juan Gris, Marcel Duchamp and Robert Delaunay were causing a stir in the Paris art world. Chagall’s popularity began to spread beyond La Ruche, and in May 1914 he traveled to Berlin to help organize his first solo exhibition, at Der Sturm Gallery. Chagall remained in the city until the highly acclaimed show opened that June. He then returned to Vitebsk, unaware of the fateful events to come. War, Peace and Revolution In August 1914 the outbreak of World War I precluded Chagall’s plans to return to Paris. The conflict did little to stem the flow of his creative output, however, instead merely giving him direct access to the childhood scenes so essential to his work, as seen in paintings such as Jew in Green (1914) and Over Vitebsk (1914). His paintings from this period also occasionally featured images of the war’s impact on the region, as with Wounded Soldier (1914) and Marching (1915). But despite the hardships of life during wartime, this would also prove to be a joyful period for Chagall. In July 1915 he married Bella, and she gave birth to a daughter, Ida, the following year. Their appearance in works such as Birthday (1915), Bella and Ida by the Window (1917) and several of his “Lovers” paintings give a glimpse of the island of domestic bliss that was Chagall’s amidst the chaos. To avoid military service and stay with his new family, Chagall took a position as a clerk in the Ministry of War Economy in St. Petersburg. While there he began work on his autobiography and also immersed himself in the local art scene, befriending novelist Boris Pasternak, among others. He also exhibited his work in the city and soon gained considerable recognition. That notoriety would prove important in the aftermath of the 1917 Russian Revolution when he was appointed as the Commissar of Fine Arts in Vitebsk. In his new post, Chagall undertook various projects in the region, including the 1919 founding of the Academy of the Arts. Despite these endeavors, differences among his colleagues eventually disillusioned Chagall. In 1920 he relinquished his position and moved his family to Moscow, the post-revolution capital of Russia. In Moscow, Chagall was soon commissioned to create sets and costumes for various productions at the Moscow State Yiddish Theater...

Zzyzx Resort Pool, Soda Dry Lake, California. Photograph from Richard Heeps 'Dream in Colour' Series, from a California road trip, this abandoned structure...

Signed, titled and numbered from the edition of 25. The illusions and reflections in Sietens prints often bring M.C. Escher to mind, but his prints have a distinctive feel all their ...

'The Road to Death Valley', taken in the Majove Desert, California, features a clouded blue sky met my mountains on the horizon. This American landscape artwork is part of Richard He...

The iconic architecture of the La Concha Motel in Las Vegas, was captured by Richard Heeps for his 'Dream in Colour' series, before its closure in 2004. Designed by Paul Williams, it is synonymous of the Googie style architecture popular in America during the 1950s and 1960s. The lobby is now preserved at the Las Vegas Neon...

Anon. Coronation Arrangements - Map of London 1937 45x60cm (unfolded) Lithograph Published for the Coronation of George VI, by London Transport, this shows all the key locations! A...

Childhood memories of a red tricycle led to this print by Chicano artist Xavier Viramontes. In the 1970's, Viramontes designed the poster for the United Farmworkers Union, 'Boyco...

'Monte Amiata II', photographed in February 2020 for his ongoing series 'A Short History of Milan'. There is a reoccurring linear, structural theme throughout the series, capturing ...

Mark Podwal (American, New York, born 1945) "All This Has Come Upon Us" Archival pigment print Dimensions: 22 X 30 inches with a Torah pointer, feather quill and spice box crown or...

Butterflies and Tea Flowers in Blue Teal by Joanna Padfield [2022] limited_edition Linocuts Edition number 50 Image size: H:20 cm x W:30.5 cm Complete Si...

Eliza Southwood Allez Digital Print Sheet Size: H 50cm x W 70cm x D 0.5 Signed Sold Unframed Please note that any insitu images are purely an indication as to how a piece may look. ...

It explores animal images and the science of induction. Each impression is marked on the reverse with the artist’s studio stamp. The Natural Sciences etchings have the feel of Leonar...

Artist: Joan Miro Title: Cover (Derriere le Miroir #231) Portfolio: Derriere le Miroir Medium: Lithograph Year: 1978 Edition: Unnumbered Sheet Size: 15" x 22" Image Size: 15" x 22" S...

Heidler & Heeps Vinyl Collection Twenty-One Piece Multi-color Installation. Acclaimed contemporary photographers, Richard Heeps and Natasha Heidler have co...

Justine Smith artist online and in our art gallery Judgement. Judgment is a limited edition embossed archival inkjet print on 330gsm Someset satin paper....

18th C. Etching "The Mote, One of the Seats of Ye Right Honorable the Lord Romney" C.1717 Plate dimensions 19.75" wide x 13.25" high Paper dimensions 24" wide x 20.75" high Frame dimensions 29.25" wide x 25.5" high A fine detailed bird's eye view of 'The Mote', showing the house, gardens and the avenues of trees stretching out into the surrounding park. Title along top edge, coat of arms at center. Published in Dr. Harris's History of Kent. Engraved by Kip. This is 1 of 6. We have 5 others not currently listed. If interested, send us a message. Johannes Kip (1652–1722) was a Dutch draftsman, engraver and print dealer. Together with Leonard Knyff, he specialized in engraved views of English country houses. They created some of the most important English topographical prints...

Type II Pink, from the Heidler & Heeps Tape Collection - The B Sides. The Heidler & Heeps collaborations are creative representations of Natasha Heidler and Ri...