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Screen shot 2011-03-13 at 4.25.19 PM, 2011 from the series Broken Sets (eBay), 2009-ongoing Additional information: Medium: Chromogenic print Dimensions: 20 x 30 in. Penelope Umbri...

Url-21. jpeg, 2013 ; from the series Broken Sets (eBay), 2009-ongoing Additional information: Medium: Chromogenic print Dimensions: 20 x 30 in. Edition of 3 + 2 AP Penelope Umbrico...

5m0fad-1. jpg, 2013 Additional information: Medium: Chromogenic Print Dimensions: 30 x 40 in Edition of 3 with 2 AP Penelope Umbrico offers a radical reinterpretation of everyday c...

$(KGrHqJHJBYFHydeggWtBSB!wreznw~~60_57. jpg, 2014 Additional information: Medium: Chromogenic Print Dimensions: 26 × 36 in Penelope Umbrico offers a radical reinterpretation of eve...

From "Mountains, Moving: Light Leaks, and Chemical Burns," 2014 Additional information: Medium: Digital c-print Dimensions: 33 x 40 inches Yoram Wolberger uses childhood toys and e...

28,534,323 Suns from Sunset from Flickr (Partial) 8/3/05, 2015 (a total of 2360 unique 4” x 6” prints) Collection of the Perez Art Museum Miami Additional information: Medium: C-pr...

20131226_102114. jpg, 2016 ; from the series Broken Sets (eBay), 2009-ongoing Additional information: Medium: Chromogenic print Dimensions: 30 x 40 in. Edition 2 of 3 + 2 AP Penelo...

Url-23. jpeg, 2013 from the series Bad Display (eBay), 2009-ongoing Additional information: Medium: Chromogenic print Dimensions: 20 x 30 in. Edition of 3 + 2 AP Penelope Umbrico o...

Image. jpg, 2015 ; from the series Bad Display (eBay), 2009-ongoing Additional information: Medium: Chromogenic print Dimensions: 30 x 40 in. Edition of 3 + 2 AP Penelope Umbrico ...

Range (Group #22) from Range: of Masters of Photography, 2014 Additional information: Medium: 36 archival pigment prints Dimensions: 34 × 82 in Penelope Umbrico offers a radical re...

Mountains Moving of Aperture's Masters of Photography, Group #10, 2014 Additional information: Medium: C-prints Dimensions: 16 x 36.5 inches overall Penelope Umbrico offers a radic...

$_57-15 4.jpg, 2014 Additional information: Medium: Chromogenic Print Dimensions: 18 × 24 in Penelope Umbrico offers a radical reinterpretation of everyday consumer and vernacular ...

Used Wires (eBay), group of 3, 2016 from the series Used Wires (eBay), 2009-ongoing Additional information: Medium: Chromogenic print Dimensions: each 8 x 10 in. Penelope Umbrico o...

R-31-32. jpg (dogs), 2015 Additional information: Medium: Chromogenic Print Dimensions: 16 × 20 in Penelope Umbrico offers a radical reinterpretation of everyday consumer and verna...

$_57-33-2. jpg, 2014 Additional information: Medium: Chromogenic Print Dimensions: 30 × 40 in Penelope Umbrico offers a radical reinterpretation of everyday consumer and vernacular...

21,887,750 Suns from Sunset from Flickr (Partial) 06/27/2014, 2014 Additional information: Medium: C-prints assembled with archival tape Dimensions: 49.75 x 50.2 inches framed Pene...

Sandringham by HRH Prince Charles, The Prince of Wales - Hand Signed Limited Edition Lithograph. Belgravia Gallery has been honoured to be associated with the artworks of HRH The P...

Ballochbuie, Balmoral, April by HM King Charles III - Hand Signed Limited Edition Lithograph. Belgravia Gallery has been honoured to be associated with the artworks of HIs Majesty...

Greek Island, Fishing Boats by His Majesty King Charles III (created when he was HRH Prince Charles, The Prince of Wales) - Hand Signed Limit...

John Baldessari Rollercoaster 1989-90 Color aquatint and photogravure on Somerset paper 38 3/4 x 67 1/4 in. P.P. (Printer's Proof) Pencil signed and numbered

Additional sizes available: 30 x 40 in. Limited edition. 40 x 60 in. Limited edition. Michael was born and raised in New York City where his photography talents originally began. Re...

Additional sizes available: 30 x 40 in. Limited edition. 40 x 60 in. Limited edition. Michael was born and raised in New York City where his photography talents originally began. Re...

Additional sizes available: 30 x 40 in. Limited edition. 40 x 60 in. Limited edition. Michael was born and raised in New York City where his photography talents originally began. Re...

Additional sizes available: 30 x 40 in. Limited edition. 40 x 60 in. Limited edition. Michael was born and raised in New York City where his photography talents originally began. Re...

Additional sizes available: 30 x 40 in. Limited edition. 40 x 60 in. Limited edition. Michael was born and raised in New York City where his photography talents originally began. Re...

Additional sizes available: 30 x 40 in. Limited edition. 40 x 60 in. Limited edition. Michael was born and raised in New York City where his photography talents originally began. Re...

Additional sizes available: 30 x 40 in. Limited edition. 40 x 60 in. Limited edition. Michael was born and raised in New York City where his photography talents originally began. Re...

Additional sizes available: 30 x 40 in. Limited edition. 40 x 60 in. Limited edition. Michael was born and raised in New York City where his photography talents originally began. Re...

A very good impression of this color lithograph on Rives BFK. Initialed, dated and numbered 183/250 in pencil. Printed and published by Gemini G.E.L., Los Angeles, with the blind sta...

Shakespeare's Room, 2006 Paula Rego The set of three lithographs in colours, on three sheets of Somerset Velvet Signed, initialled and numbered from the edition of 35 Printed by T...

This work of art is a lithograph on paper featuring abstract geometric shapes in primary colors.

Addisonjones artwork, Earth's Edge contemporary artwork A R T I S T S T O R Y: “As I walked back through the fields of my grandparents' farm before we sold it, a sense of nostalgia ...

Addisonjones artwork, Midnight Emotions contemporary artwork A R T I S T S T O R Y: “As I walked back through the fields of my grandparents' farm before we sold it, a sense of nosta...

BRIDGET RILEY Rose Horizontal, 2018 Screenprint in colours, on Fabriano 5 paper Signed, titled, dated and numbered from the edition of 75 Printed by A...

"Ada" from 2011 is a Japanese woodblock in thirty-one colors on New Hosho paper. We are offering the number 18/70. 3 Artist's proofs. Ada is Alex Katz' wife and his most important mu...

"Coca-Cola Girl 8" is a very special one out of Alex Katz's Coca-Cola Girl series. These figures bear witness of his deep engagement with the ideas of advertisment, figurative art an...

"Coca-Cola Girl 3" is one out of Alex Katz's Coca-Cola Girl series. These figures bare witness of his deep engagement with the ideas of advertisment, figurative art and how to come t...

"Coca-Cola Girl 2" is one out of Alex Katz's Coca-Cola Girl series. These figures bare witness of his deep engagement with the ideas of advertisment, figurative art and how to come t...

This lithograph in colors on Arches paper (with watermark) was created by the artist in 1970. Signed in the stone, (lower right) from the edition of 1000.

Spectrum By. Yaacov Agam (Israeli, b. 1928) Signed Lower Right Edition 158/180 Lower Left Unframed: 27" x 33.5" Framed: 36.5" x 43" Yaacov Agam is one of the pioneer creators of the kinetic movement in art as well as its most outstanding contemporary representative. Agam was born in 1928 a son of a Rabbi of Rishon LeZion (Israel), who devoted his life to the study of Jewish religious matters and wrote books. Agam considers himself somehow as a visual continuation of his father's quest for spirituality. He studied at the Bezalel Academy of Art in Jerusalem, and in Switzerland at the Eidgenossische Technische Hochschule and the Zurich University. After arriving to Paris in 1951, Agam held his first one man exhibition with a great success in 1953 This exhibition consisted totally of kinetic, movable and transformable paintings, which actually was the first one-man show in art history exclusively devoted to kinetic art. A passionate experimenter, Agam deals with such problems as the 4th dimension, simultaneity and time in the visual, plastic arts, and has extended his experiments to application in the fields of literature, music and art theory. His works express a concept that breaks away with the established way of expressing reality in limited, static way. In his works, he strives to demonstrate the principle of reality as a continuous "becoming" rather than static "graven image." His paintings Double Metamorphosis 11 in the Museum of Modern Art in New York and Transparent Rhythms 11 in the Hirshhorn Museum and Sculpture Garden of the Smithsonian Institution in Washington, D.C. give the best example of his polymorphic painting. His works are placed in many public places including Communication x 9 on the Michigan Avenue in Chicago (1983), Communication: Night and Day at the AT&T building in New York (1974), Super Lines Volumes at the Pare Floral in Paris (1971), and his murals Peace and Life arc installed at the Parliament of Europe in Strasbourg (1977). Agam has expressed the new concepts in monumental works as in his Jacob's Ladder, which forms the ceiling of the National Convention House in Jerusalem. He created a "floating museum", including all the artworks for public areas and cabins, for the Carnival Cruise Line's luxury cruise ship "Celebration" (1987). His fire-water fountain in Dizengoff Square in Tel Aviv (1986) streams water, fire, and music -elements of flux and life which cannot be static - as its colored elements rotate in this multidimensional monumental work. For the Elysee Palace in Paris, with the request of President Georges Pompidou Agam created in 1972 a whole environmental of the Salon with the walls covered with polymorphic murals of changing images a kinetic ceiling, moving transparent colored doors and a kinetic carpet on which he placed a sculpture. It embraces viewers: they are no longer looking at a framed, fixed scene, but rather arc moving within an artistic space which changes constantly according to their shifting position and point of view. Similar attempt was made for the concert hall, Forum Leverkusen in Germany in 1970. Agam created many environmental sculptures, including Hundred Gates in the garden of the residence of the President of Israel in Jerusalem, 3 x 3 Interplay installed at the Julliard School of Music at the Lincoln Center and Wings of the Heart at J. F. Kennedy airport in New York. In 1984, he made a sculpture Beating Heart for the Hadassah Hospital in Jerusalem. In 1988, he created a transparent torah ark...

Emerging, 1985 By. Yaacov Agam ( Israeli, b. 1928) Color Serigraph Signed Lower Right Edition 1/12 Lower Left Unframed: 25" x 31" Framed: 34" x 43" Yaacov Agam is one of the pioneer creators of the kinetic movement in art as well as its most outstanding contemporary representative. Agam was born in 1928 a son of a Rabbi of Rishon LeZion (Israel), who devoted his life to the study of Jewish religious matters and wrote books. Agam considers himself somehow as a visual continuation of his father's quest for spirituality. He studied at the Bezalel Academy of Art in Jerusalem, and in Switzerland at the Eidgenossische Technische Hochschule and the Zurich University. After arriving to Paris in 1951, Agam held his first one man exhibition with a great success in 1953 This exhibition consisted totally of kinetic, movable and transformable paintings, which actually was the first one-man show in art history exclusively devoted to kinetic art. A passionate experimenter, Agam deals with such problems as the 4th dimension, simultaneity and time in the visual, plastic arts, and has extended his experiments to application in the fields of literature, music and art theory. His works express a concept that breaks away with the established way of expressing reality in limited, static way. In his works, he strives to demonstrate the principle of reality as a continuous "becoming" rather than static "graven image." His paintings Double Metamorphosis 11 in the Museum of Modern Art in New York and Transparent Rhythms 11 in the Hirshhorn Museum and Sculpture Garden of the Smithsonian Institution in Washington, D.C. give the best example of his polymorphic painting. His works are placed in many public places including Communication x 9 on the Michigan Avenue in Chicago (1983), Communication: Night and Day at the AT&T building in New York (1974), Super Lines Volumes at the Pare Floral in Paris (1971), and his murals Peace and Life arc installed at the Parliament of Europe in Strasbourg (1977). Agam has expressed the new concepts in monumental works as in his Jacob's Ladder, which forms the ceiling of the National Convention House in Jerusalem. He created a "floating museum", including all the artworks for public areas and cabins, for the Carnival Cruise Line's luxury cruise ship "Celebration" (1987). His fire-water fountain in Dizengoff Square in Tel Aviv (1986) streams water, fire, and music -elements of flux and life which cannot be static - as its colored elements rotate in this multidimensional monumental work. For the Elysee Palace in Paris, with the request of President Georges Pompidou Agam created in 1972 a whole environmental of the Salon with the walls covered with polymorphic murals of changing images a kinetic ceiling, moving transparent colored doors and a kinetic carpet on which he placed a sculpture. It embraces viewers: they are no longer looking at a framed, fixed scene, but rather arc moving within an artistic space which changes constantly according to their shifting position and point of view. Similar attempt was made for the concert hall, Forum Leverkusen in Germany in 1970. Agam created many environmental sculptures, including Hundred Gates in the garden of the residence of the President of Israel in Jerusalem, 3 x 3 Interplay installed at the Julliard School of Music at the Lincoln Center and Wings of the Heart at J. F. Kennedy airport in New York. In 1984, he made a sculpture Beating Heart for the Hadassah Hospital in Jerusalem. In 1988, he created a transparent torah ark...

Curtain By. Yaacov Agam (Israeli, b. 1928) Signed Lower Right Edition 221/227 Unframed: 18" x 22.5" Framed: 30.5" x 34.5" Yaacov Agam is one of the pioneer creators of the kinetic movement in art as well as its most outstanding contemporary representative. Agam was born in 1928 a son of a Rabbi of Rishon LeZion (Israel), who devoted his life to the study of Jewish religious matters and wrote books. Agam considers himself somehow as a visual continuation of his father's quest for spirituality. He studied at the Bezalel Academy of Art in Jerusalem, and in Switzerland at the Eidgenossische Technische Hochschule and the Zurich University. After arriving to Paris in 1951, Agam held his first one man exhibition with a great success in 1953 This exhibition consisted totally of kinetic, movable and transformable paintings, which actually was the first one-man show in art history exclusively devoted to kinetic art. A passionate experimenter, Agam deals with such problems as the 4th dimension, simultaneity and time in the visual, plastic arts, and has extended his experiments to application in the fields of literature, music and art theory. His works express a concept that breaks away with the established way of expressing reality in limited, static way. In his works, he strives to demonstrate the principle of reality as a continuous "becoming" rather than static "graven image." His paintings Double Metamorphosis 11 in the Museum of Modern Art in New York and Transparent Rhythms 11 in the Hirshhorn Museum and Sculpture Garden of the Smithsonian Institution in Washington, D.C. give the best example of his polymorphic painting. His works are placed in many public places including Communication x 9 on the Michigan Avenue in Chicago (1983), Communication: Night and Day at the AT&T building in New York (1974), Super Lines Volumes at the Pare Floral in Paris (1971), and his murals Peace and Life arc installed at the Parliament of Europe in Strasbourg (1977). Agam has expressed the new concepts in monumental works as in his Jacob's Ladder, which forms the ceiling of the National Convention House in Jerusalem. He created a "floating museum", including all the artworks for public areas and cabins, for the Carnival Cruise Line's luxury cruise ship "Celebration" (1987). His fire-water fountain in Dizengoff Square in Tel Aviv (1986) streams water, fire, and music -elements of flux and life which cannot be static - as its colored elements rotate in this multidimensional monumental work. For the Elysee Palace in Paris, with the request of President Georges Pompidou Agam created in 1972 a whole environmental of the Salon with the walls covered with polymorphic murals of changing images a kinetic ceiling, moving transparent colored doors and a kinetic carpet on which he placed a sculpture. It embraces viewers: they are no longer looking at a framed, fixed scene, but rather arc moving within an artistic space which changes constantly according to their shifting position and point of view. Similar attempt was made for the concert hall, Forum Leverkusen in Germany in 1970. Agam created many environmental sculptures, including Hundred Gates in the garden of the residence of the President of Israel in Jerusalem, 3 x 3 Interplay installed at the Julliard School of Music at the Lincoln Center and Wings of the Heart at J. F. Kennedy airport in New York. In 1984, he made a sculpture Beating Heart for the Hadassah Hospital in Jerusalem. In 1988, he created a transparent torah ark...

Blue Rings (Abstract Composition), Serigraph By Yaacov Agam (Israeli, b. 1928) Signed Lower Right Edition 8/270 Lower Left Unframed: 21" x 21.5" Framed: 31" ...

Abstract Purple, Blue, Greens (Serigraph) By Yaacov Agam (Israeli, b. 1928) Signed Lower Right Edition 4/30 Lower Left Unframed: 14" x 33" Framed: 21" x 41" Yaacov Agam is one of the pioneer creators of the kinetic movement in art as well as its most outstanding contemporary representative. Agam was born in 1928 a son of a Rabbi of Rishon LeZion (Israel), who devoted his life to the study of Jewish religious matters and wrote books. Agam considers himself somehow as a visual continuation of his father's quest for spirituality. He studied at the Bezalel Academy of Art in Jerusalem, and in Switzerland at the Eidgenossische Technische Hochschule and the Zurich University. After arriving to Paris in 1951, Agam held his first one man exhibition with a great success in 1953 This exhibition consisted totally of kinetic, movable and transformable paintings, which actually was the first one-man show in art history exclusively devoted to kinetic art. A passionate experimenter, Agam deals with such problems as the 4th dimension, simultaneity and time in the visual, plastic arts, and has extended his experiments to application in the fields of literature, music and art theory. His works express a concept that breaks away with the established way of expressing reality in limited, static way. In his works, he strives to demonstrate the principle of reality as a continuous "becoming" rather than static "graven image." His paintings Double Metamorphosis 11 in the Museum of Modern Art in New York and Transparent Rhythms 11 in the Hirshhorn Museum and Sculpture Garden of the Smithsonian Institution in Washington, D.C. give the best example of his polymorphic painting. His works are placed in many public places including Communication x 9 on the Michigan Avenue in Chicago (1983), Communication: Night and Day at the AT&T building in New York (1974), Super Lines Volumes at the Pare Floral in Paris (1971), and his murals Peace and Life arc installed at the Parliament of Europe in Strasbourg (1977). Agam has expressed the new concepts in monumental works as in his Jacob's Ladder, which forms the ceiling of the National Convention House in Jerusalem. He created a "floating museum", including all the artworks for public areas and cabins, for the Carnival Cruise Line's luxury cruise ship "Celebration" (1987). His fire-water fountain in Dizengoff Square in Tel Aviv (1986) streams water, fire, and music -elements of flux and life which cannot be static - as its colored elements rotate in this multidimensional monumental work. For the Elysee Palace in Paris, with the request of President Georges Pompidou Agam created in 1972 a whole environmental of the Salon with the walls covered with polymorphic murals of changing images a kinetic ceiling, moving transparent colored doors and a kinetic carpet on which he placed a sculpture. It embraces viewers: they are no longer looking at a framed, fixed scene, but rather arc moving within an artistic space which changes constantly according to their shifting position and point of view. Similar attempt was made for the concert hall, Forum Leverkusen in Germany in 1970. Agam created many environmental sculptures, including Hundred Gates in the garden of the residence of the President of Israel in Jerusalem, 3 x 3 Interplay installed at the Julliard School of Music at the Lincoln Center and Wings of the Heart at J. F. Kennedy airport in New York. In 1984, he made a sculpture Beating Heart for the Hadassah Hospital in Jerusalem. In 1988, he created a transparent torah ark...

Wall Art Photography, Butterfly Photos, Black and White Prints-Intimate Exposure ABOUT THIS PIECE: This piece of wall art photography titled "Intimate Exposure" features butterflied shot in Delaware, Ohio. This is a limited edition, hand-signed piece with a certificate of authenticity. ADDISON'S FINE ART PHOTOGRAPHY HISTORY: Addison’s earliest expedition into fine art photography was through her inspiration of adding prints to create depth and drama in showroom booth designs. These images were captured during her deeply personal journeys of exploration and were never meant to become a collection, but as interior designers expressed...

Butterfly Photography, Black and White Prints, Wall Art Prints-Winged Glory ABOUT THIS PIECE: This wall art print titled "Winged Glory" features butte...

Black White Photograph, Butterfly Prints, Butterfly Photos-Shadowy Procession ABOUT THIS PIECE: This black white photograph titled "Shadowy Procession" features butterflies shot in Delaware, Ohio. This is a limited edition, hand-signed piece with a certificate of authenticity. ADDISON'S FINE ART PHOTOGRAPHY HISTORY: Addison’s earliest expedition into fine art photography was through her inspiration of adding prints to create depth and drama in showroom booth designs. These images were captured during her deeply personal journeys of exploration and were never meant to become a collection, but as interior designers expressed...

Large Wall Art, Black and White Prints, Butterfly Prints-Into the Abyss ABOUT THIS PIECE: This piece of large wall art titled "Into the Abyss" features butterflies shot in Delaware...

TECHNICAL INFORMATION: Kenny Scharf The Three Faces of Jackie 1997 Screenprint 40 x 46 in. Edition of 150 Pencil signed and numbered Condition: This work...

TECHNICAL INFORMATION: Kenny Scharf Sajippe Kraka Joujesh 1998 Screenprint 40 x 46 in. Edition of 150 Pencil signed and numbered Condition: This work is in excellent condition

Tetbury Church by His Majesty King Charles III - Hand Signed Limited Edition Lithograph. Belgravia Gallery has been honoured to be associated with ...

Fodder by John Costigan (1888-1972) Signed Lower Right Titled Lower Left 9.75" x 12.75" Unframed 17.5" x 19.75" Framed John Edwards Costigan was born in Providence, Rhode Island on ...

"Observador de Pajaros" 1950 By. Rufino Tamayo (Mexican, 1899-1991) Edition 83/200 Lower Right Signed Lower Left Unframed: 15.5" x 22.5" Framed: 21.75" x 28.25" Rufino Tamayo (August 26, 1899- June 24, 1991) A native of Oaxaca in Southern Mexico, Rufino Tamayo's father was a shoemaker, and his mother a seamstress. Some accounts state that he was descended from Zapotec Indians, but he was actually 'mestizo' - of mixed indigenous/European ancestry. (Santa Barbara Museum of Art). He began painting at age 11. Orphaned at the age of 12, Tamayo moved to Mexico City, where he was raised by his maternal aunt who owned a wholesale fruit business. In 1917, he entered the San Carlos Academy of Fine Arts, but left soon after to pursue independent study. Four years later, Tamayo was appointed the head designer of the department of ethnographic drawings at the National Museum of Archaeology in Mexico City. There he was surrounded by pre-Colombian objects, an aesthetic inspiration that would play a pivotal role in his life. In his own work, Tamayo integrated the forms and tones of pre-Columbian ceramics into his early still lives and portraits of Mexican men and women. In the early 1920s he also taught art classes in Mexico City's public schools. Despite his involvement in Mexican history, he did not subscribe to the idea of art as nationalistic propaganda. Modern Mexican art at that time was dominated by 'The Three Great Ones' : Diego Rivera, Jose Clemente Orozco, and David Alfaro Siqueros, but Tamayo began to be noted as someone 'new' and different' for his blending of the aesthetics of post Revolutionary Mexico with the vanguard artists of Europe and the United States. After the Mexican Revolution, he focused on creating his own identity in his work, expressing what he thought was the traditional Mexico, and refusing to follow the political trends of his contemporary artists. This caused some to see him as a 'traitor' to the political cause, and he felt it difficult to freely express himself in his art. As a result, he decided to leave Mexico in 1926 and move to New York, along with his friend, the composer Carlos Chavez. The first exhibition of Tamayo's work in the United States was held at the Weyhe Gallery, New York, in that same year. The show was successful, and Tamayo was praised for his 'authentic' status as a Mexican of 'indigenous heritage', and for his internationally appealing Modernist aesthetic. (Santa Barbara Museum of Art). Throughout the late thirties and early forties New York's Valentine Gallery gave him shows. For nine years, beginning in 1938, he taught at the Dalton School in New York. In 1929, some health problems led him to return to Mexico for treatment. While there he took a series of teaching jobs. During this period he became romantically involved with the artist Maria...

This hand-colored etching on handmade paper was created in 1999. Signed in pencil and numbered, from the edition of 20.

Vitraux in Four Sheets, Puzzle of Life, 1974, by Salvador Dali (1904-1989) Lithograph on paper 52 ¼ x 55 ½ inches unframed (132.715 x 140.97 cm) 53 ½ x ...

Surf Lightbox BookScape by Max Steven Grossman Individually photographed books and bookshelves. LED lights and standard plug in; no hardware needed. Illuminated bookshelves featuri...

Sports / Hockey BookScape by Max Steven Grossman Individually photographed books and bookshelves. Hockey and Sports themed, including NHL, Canada, Hockey's Greatest Stars, Hockey B...

Nantucket BookScape Edition 1/5 by Max Steven Grossman Individually photographed books and bookshelves. Books on Nantucket gardens, houses, light houses, sharks, and beaches. Incl...