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Original lithograph by Mexican artist Emilio Amero (1901 -1976) created 1950. Titled: “Harmonica Blues.” Edition size is 3 of 25. Signed in pencil lower right. In excellent condition. Presents in a 4-ply museum mat. Image size: 9 5/8"h x 12 1/4"w. Born in the village of Ixtlahuaca, in the state of Mexico, Emilio Amero counts Spaniards and Otomi Indians among his ancestors. Shortly after his birth, the family moved to Mexico City. In 1911 he began his studies in art at the Academy of San Carlos. He also studied drawing privately with Antonio Gomez, a family friend and well-known newspaper artist. At the academy in 1917, he became acquainted with Diaz de Leon, Rufino Tamayo, Ramon Alva de la Canal, Enrique Ugarte, and Leopoldo Mendez-all students there at the time. Later he joined the open air school in Coyoacan, founded and directed by Alfredo Ramos Martinez...

Shot in Coney Island in 2013 the iconic Wonder Wheel, a universal symbol of fun will bring a pop-of-colour to a room. This piece was selected for the 250th Royal Academy Summer Exhib...

There is a cool Palm Springs California dream vibe in this summery print. There is something idyllic about the pool water and the sun lounger just waiting for you. This artwork is a...

This photograph features an American Car on a British Beach (Hemsby, Norfolk) driven by a German. Richard spent years honing his skills as a drag racing photographer, a sport he love...

Rooster. 1984. Paper, linocut, 25x34 cm imprint size 13x26 cm total page size 25x34cm Dainis Rozkalns (1928 - 2018) Artist, graphic artist, illustrator of folklore and fiction publ...

This cool picture has a classic Americana feel. Richard Heeps pictures beautiful capture parts of Las Vegas which are no longer there. This artwork is a limited edition of 25, gloss...

This piece captures the iconic American Drug Store Sign, which is perfectly struck by the sunlight, against the clear blue sky creating a perfect contrast of colour and structure. Th...

The lighthouse. 1963. Paper, linocut, 21x27,5 cm imprint size 13,5x19,5 cm total page size 21x27,5cm Dainis Rozkalns (1928 - 2018) Artist, graphic artist, illustrator of folklore a...

A 1964 lithograph titled "Afternoon Race, Edgartown" by notable Chicago artist Francis Chapin. Image size: 14 1/2" x 19 3/4". Archivally matted to 22 1/2" x 28". Provenance: Est...

A map of Nieuwpoort, anglicised to 'Newport', in northern Belgium. There is a panorama in the upper quarter depicting major landmarks. Below is a plan of the town, including its strong defences and ships at the port in the lower register. Inscribed with the title in plate to the lower edge, 'Newport a Strong Sea-Port Town...

'Cars', photograph from Richard Heeps 'Man's Ruin' Series, featuring vintage classic American cars in the Las Vegas evening sun, with delicious pastel colours. This artwork is a lim...

'Candy Floss' taken by Richard Heeps when travelling in china. The pops of color, the pinks and blues and the layers of detail draw you in. The Chinese Writing does not say Candy Flo...

Taken at the traditional Drag Racing event, Hot Heads East where the spirit of motor racing is taken back to the past as Hot Rodding enthusiasts gather in Germany. Whether you're int...

Capturing the cinematic Glass Pool Motel which is sadly no longer there, and an iconic Chevy Bel Air, it is a perfect example of a Lost Vegas. This is one of Richard Heeps' classic A...

Part of Richard Heeps 'Man's Ruin' Series, this beautiful customised Classic American Car, against this Las Vegas themed facade is so stylish you would think it was staged, but it's ...

Part of Richard Heeps 'Man's Ruin' Series, this fun multi-colour picture has so many iconic motifs, from lucky dice, lucky number 8 and skull and cross bones. This artwork is a lim...

Intro. 1979. Paper, linocut, 25x34 cm imprint size 20x20 cm total page size 25x34cm Dainis Rozkalns (1928 - 2018) Artist, graphic artist, illustrator of folklore and fiction public...

A flock of poultry. 1979. Paper, linocut, 25x34 cm imprint size 14,5x25 cm total page size 25x34cm Dainis Rozkalns (1928 - 2018) Artist, graphic artist, illustrator of folklore and...

Color monotype. Barbara Takenaga's latest prints are a series of Untitled hand colored monotypes, which she describes as follows: Making these monotypes was a wonderful new experience for me. They combine a painterly, abstract background with a graphic structure of hard edged, flat forms. Those dark shapes can be read as either positive/foreground space (body silhouettes or curtains) or as negative space that frames a central image (landscapes, columns, creatures). Similarly, the white lines and dots...

Butterflies and Tea Flowers in Pink by Joanna Padfield [2022] limited_edition Linocut Edition number 50 Image size: H:20 cm x W:30.5 cm Complete Size of Unframed Work: H:30 cm x ...

Winter solstice. 1984. Paper, linocut, 25x34 cm imprint size 13x26 cm total page size 25x34cm Dainis Rozkalns (1928 - 2018) Artist, graphic artist, illustrator of folklore and fict...

Early 18th Century Etching "Badminton in the County of Gloucester" C.1724 Bird's eye view of Badminton House, in Gloucestershire; the seat of the Duke...

Lithograph in colors on wove paper 43.2 x 55.9 cms (17 x 22 ins) Edition of 38

Carnival. 1984. Paper, linocut, 20x34 cm imprint size 10x25 cm total page size 20x34cm Dainis Rozkalns (1928 - 2018) Artist, graphic artist, illustrator of folklore and fiction pub...

Artist: Henri Matisse (after) Title: Cocquelicots Portfolio: The Last Works of Henri Matisse Medium: Lithograph Date: 1958 Edition: 2000 Sheet Size: 14" x 21" Signature: No Reference...

Halcyon Nights [2021] limited_edition screenprint Edition number 10 Image size: H:59.5 cm x W:74.5 cm Complete Size of Unframed Work: H:67 cm x W:82 cm x D:400gsmcm Sold Unframed Pl...

By removing parts of the image, he explores the tension between what is present and what is omitted, focusing on the reasons behind these choices and their implications. The cutouts ...

They were created as an investigation into the beginnings of the current human social conditions with a focus on materiality and evolutionary information gathered from Paul Shepards ...

Color lithograph/laser print/chine collé/collage, Edition 40 Hammond's newest print, "Snapshot Odyssey" combines her long-standing interest in games with her passion for collecti...

‘Drafting’ depicts a group of road cyclists. It is a 5 colour multi-block linocut print. This means that the artist carved a tile of lino for each colour you ...

Vicky Oldfield, ‘Autumn Collection’ is a hand coloured collograph print; the print is taken from a plate which has been collaged with a variety of textured materials. The plates are ...

Giclee on Hahnemuhle Matt Fine Art Rag 24 2/125 × 24 53/66 in 61 × 63 cm Edition of 704

Artist: Denial Title: The End Size: 8-1/2 x 11-1/2 x 1-3/4 inches (21.6 x 29.2 x 4.4 cm) Medium: Spraypaint on Wood Edition: 4/10 Year: 2022 Notes: Signed and numbered in ink ...

Pacific by Philip Sutton, 1966 Additional information: Medium: lithograph in colours on J Green 23 1/4 x 31 1/8 in 59 x 79 cm signed and numbered 118/250 in pencil Philip Sutton is...

Graphisms & 3. 1980, paper, silk screen, 15x28 cm Maris Argalis (1954-2008) Born in Riga. 1971. - graduated the Janis Rosenthal Riga Art School. Ongoing...

Artist: Jean-Michel Folon, Belgian (1934 - 2005) Title: 1988 Flag Series - United Nations Year: 1988 Medium: Lithograph on Arches, signed and numbered in pencil Edition: 500 Size: 8....

Wonderful original surreal artwork by German artist Piet Morell (b.1939). Titled in German "The Worshiper of a Beautiful Watering Can". Signed bottom right. Work is B&W pencil on ...

A very good impression of this color lithograph on Waterleaf white wove paper. One of 25 Roman numeral impressions, aside from the Arabic numeral edition of 100. Signed and numbered ...

The nature explode * 1986. Aquatint, etching on paper 9/13. 41x58 cm Ivars Poikans 1952. Riga Ivars Poikāns works in painting, graphics, book illustration, cinema art. Born on Oct...

The time and place for work. 1979. Paper, linocut, 19x33,5 cm imprint size 8x25 cm total page size 19x33,5cm Dainis Rozkalns (1928 - 2018) Artist, graphic artist, illustrator of fo...

Artist: Peter Keefer Title: Castle Rock Medium: Serigraph Signed: Hand Signed top right corner Edition: Edition of C top left corner Measurements: 30"...

Color woodcut. Rafael Ferrer depicts the intense life of the Caribbean in his paintings and prints. With hot colors, deep shadows and mysterious ...

Jekabs day. 1984. Paper, linocut, 25x34 cm imprint size 13x25 cm total page size 25x34cm Dainis Rozkalns (1928 - 2018) Artist, graphic artist, illust...

Marc Chagall Original Lithograph 1963 Dimensions: 32 x 24 cm Reference: Chagall Lithographe 1957-1962. VOLUME II. Unsigned edition of over 5,000 Condition : Excellent Marc Chagall (born in 1887) Marc Chagall was born in Belarus in 1887 and developed an early interest in art. After studying painting, in 1907 he left Russia for Paris, where he lived in an artist colony on the city’s outskirts. Fusing his own personal, dreamlike imagery with hints of the fauvism and cubism popular in France at the time, Chagall created his most lasting work—including I and the Village (1911)—some of which would be featured in the Salon des Indépendants exhibitions. After returning to Vitebsk for a visit in 1914, the outbreak of WWI trapped Chagall in Russia. He returned to France in 1923 but was forced to flee the country and Nazi persecution during WWII. Finding asylum in the U.S., Chagall became involved in set and costume design before returning to France in 1948. In his later years, he experimented with new art forms and was commissioned to produce numerous large-scale works. Chagall died in St.-Paul-de-Vence in 1985. The Village Marc Chagall was born in a small Hassidic community on the outskirts of Vitebsk, Belarus, on July 7, 1887. His father was a fishmonger, and his mother ran a small sundries shop in the village. As a child, Chagall attended the Jewish elementary school, where he studied Hebrew and the Bible, before later attending the Russian public school. He began to learn the fundamentals of drawing during this time, but perhaps more importantly, he absorbed the world around him, storing away the imagery and themes that would feature largely in most of his later work. At age 19 Chagall enrolled at a private, all-Jewish art school and began his formal education in painting, studying briefly with portrait artist Yehuda Pen. However, he left the school after several months, moving to St. Petersburg in 1907 to study at the Imperial Society for the Protection of Fine Arts. The following year, he enrolled at the Svanseva School, studying with set designer Léon Bakst, whose work had been featured in Sergei Diaghilev's Ballets Russes. This early experience would prove important to Chagall’s later career as well. Despite this formal instruction, and the widespread popularity of realism in Russia at the time, Chagall was already establishing his own personal style, which featured a more dreamlike unreality and the people, places and imagery that were close to his heart. Some examples from this period are his Window Vitebsk (1908) and My Fianceé with Black Gloves (1909), which pictured Bella Rosenfeld, to whom he had recently become engaged. The Beehive Despite his romance with Bella, in 1911 an allowance from Russian parliament member and art patron Maxim Binaver enabled Chagall to move to Paris, France. After settling briefly in the Montparnasse neighborhood, Chagall moved further afield to an artist colony known as La Ruche (“The Beehive”), where he began to work side by side with abstract painters such as Amedeo Modigliani and Fernand Léger as well as the avant-garde poet Guillaume Apollinaire. At their urging, and under the influence of the wildly popular fauvism and cubism, Chagall lightened his palette and pushed his style ever further from reality. I and the Village (1911) and Homage to Apollinaire (1912) are among his early Parisian works, widely considered to be his most successful and representative period. Though his work stood stylistically apart from his cubist contemporaries, from 1912 to 1914 Chagall exhibited several paintings at the annual Salon des Indépendants exhibition, where works by the likes of Juan Gris, Marcel Duchamp and Robert Delaunay were causing a stir in the Paris art world. Chagall’s popularity began to spread beyond La Ruche, and in May 1914 he traveled to Berlin to help organize his first solo exhibition, at Der Sturm Gallery. Chagall remained in the city until the highly acclaimed show opened that June. He then returned to Vitebsk, unaware of the fateful events to come. War, Peace and Revolution In August 1914 the outbreak of World War I precluded Chagall’s plans to return to Paris. The conflict did little to stem the flow of his creative output, however, instead merely giving him direct access to the childhood scenes so essential to his work, as seen in paintings such as Jew in Green (1914) and Over Vitebsk (1914). His paintings from this period also occasionally featured images of the war’s impact on the region, as with Wounded Soldier (1914) and Marching (1915). But despite the hardships of life during wartime, this would also prove to be a joyful period for Chagall. In July 1915 he married Bella, and she gave birth to a daughter, Ida, the following year. Their appearance in works such as Birthday (1915), Bella and Ida by the Window (1917) and several of his “Lovers” paintings give a glimpse of the island of domestic bliss that was Chagall’s amidst the chaos. To avoid military service and stay with his new family, Chagall took a position as a clerk in the Ministry of War Economy in St. Petersburg. While there he began work on his autobiography and also immersed himself in the local art scene, befriending novelist Boris Pasternak, among others. He also exhibited his work in the city and soon gained considerable recognition. That notoriety would prove important in the aftermath of the 1917 Russian Revolution when he was appointed as the Commissar of Fine Arts in Vitebsk. In his new post, Chagall undertook various projects in the region, including the 1919 founding of the Academy of the Arts. Despite these endeavors, differences among his colleagues eventually disillusioned Chagall. In 1920 he relinquished his position and moved his family to Moscow, the post-revolution capital of Russia. In Moscow, Chagall was soon commissioned to create sets and costumes for various productions at the Moscow State Yiddish...

Artist: Ron Kleemann, American (1937 - ) Title: Straight Shot Year: 1980 Medium: Screenprint on Somerset Paper, signed and numbered in pencil Edition: 250 Paper Size: 22 x 30 inches

London Calling Tailor-made for TASCHEN by Paul Smith For die-hard lovers of Paris, Berlin, London, Los Angeles, and New York, TASCHEN introduces the Portrait of a City Art Edition series. For each edition, limited to only 500 copies, a legendary local fashion designer is invited to design a bespoke fabric to line the cover, and a large signed and numbered print of one of the images from the book is included. Limited to 500 numbered copies Comes with a fine art print on archival paper, signed by Elmar Ludwig Packaged in a special cover and clamshell case designed by legendary British fashion designer Paul Smith Samuel Johnson famously said that: “When a man is tired of London, he is tired of life.” London’s remarkable history, architecture, landmarks, streets, style, cool, swagger, and stalwart residents are pictured in hundreds of compelling photographs sourced from a wide array of archives around the world. London is a vast sprawling metropolis, constantly evolving and growing, yet throughout its complex past and shifting present, the humor, unique character, and bulldog spirit of the people have stayed constant. This book salutes all those Londoners, their city, and its history. In addition to the wealth of images included in this book, many previously unpublished, London’s history is told through hundreds of quotations, lively essays, and references from key movies, books, and records. From Victorian London to the Swinging ’60s; from the Battle of Britain to punk; from the Festival of Britain to the 2012 Olympics; from the foggy cobbled streets to the architectural masterpieces of the millennium; from rough pubs to private drinking clubs; from Royal Weddings to raves, from the charm of the East End to the wonders of Westminster; from Chelsea girls to Hoxton hipsters; from the power to the glory: in page after page of stunning photographs, reproduced big and bold like the city itself, London at last gets the photographic tribute it deserves. Photographs by: Slim Aarons, Eve Arnold, David Bailey, Cecil Beaton, Bill Brandt, Alvin Langdon Coburn, Anton Corbijn, Terence Donovan, Roger Fenton, Bert Hardy, Evelyn Hofer, Frank Horvat, Tony Ray-Jones, Nadav Kander...

Life in manor. 1982. Paper, linocut, 20x34 cm imprint size 9x26 cm total page size 20x34cm Dainis Rozkalns (1928 - 2018) Artist, graphic artist, illustrator of folklore and fiction...

Calm sea. Paper, linocut, 26,5x32 cm imprint size 13x20 cm total page size 26,5x32cm Dainis Rozkalns (1928 - 2018) Artist, graphic artist, illustrator of folklore and fiction publi...

Relatives arguing. 1994. Paper, linocut, 25x33 cm imprint size 13x25 cm total page size 25x33cm Dainis Rozkalns (1928 - 2018) Artist, graphic artist, illustrator of folklore and f...

Sunday look. 1994. Paper, linocut, 25x33 cm imprint size 13x25 cm total page size 25x33cm

Sword and a shield. Paper, linocut, 24x31 cm imprint size 12,5x26 cm total page size 24x31cm Dainis Rozkalns (1928 - 2018) Artist, graphic artist, illustrator of folklore and fict...

Fishing men. Paper, linocut, 23x32 cm imprint size 13,5x20,5 cm total page size 23x32cm Dainis Rozkalns (1928 - 2018) Artist, graphic artist, illustrator of folklore and fiction pu...

Martins day. 1984. Paper, linocut, 25x34 cm imprint size 13x25 cm total page size 25x34cm Dainis Rozkalns (1928 - 2018) Artist, graphic artist, illustrator of folklore and fiction ...

Night of solstice. 1984. Paper, linocut, 20x34 cm imprint size 9x25 cm total page size 20x34cm Dainis Rozkalns (1928 - 2018) Artist, graphic artist, illustrator of folklore and fic...

Lord of the manor. 1982. Paper, linocut, 20x34 cm imprint size 9x25 cm total page size 20x34cm Dainis Rozkalns (1928 - 2018) Artist, graphic artist, illust...

Unknown. 1982. Paper, linocut, 25x31 cm imprint size 20x23 cm total page size 25x31cm Dainis Rozkalns (1928 - 2018) Artist, graphic artist, illustrator of folklore and fiction publ...

Barrel. 1982. Paper, linocut, 20x34 cm imprint size 10x26 cm total page size 20x34cm Dainis Rozkalns (1928 - 2018) Artist, graphic artist, illustrator of folklore and fiction publi...

A fight against the lords. 1982. Paper, linocut, 25x34 cm imprint size 14x26 cm total page size 25x34cm Dainis Rozkalns (1928 - 2018) Artist, graphic artist, illustrator of folklor...