Small More Prints

Image dimensions: 29x24.5 cm. Hand signed and numbered. Edition of 65 prints. Original title "Giocolieri e cavallo". This work is plate IX from the Portfolio "Marino Marini Gravures"...

Image dimensions: 35.3x29.7 cm. Hand signed and numbered. Edition of 65 prints. Technique: etching and drypoint. Original title "Giocolieri". This work is plate XV from the Portfolio...

Farmer is an original artwork realized by Renzo Bussotti in 1963. Hand-signed and dated in pencil by the artist on the lower right margin. Numbered in pencil on the lower left margin...

The Prophecy is an original artwork realized by Jean Bersier in the first half of the XX Century. Lithograph on paper. Hand-signed in pencil by the artist on the lower right. Numbered in pencil on the lower left. Edition of 35 prints. Very good conditions. Very beautiful artwork representing some bodies inside a forest. On the lower right side there is a skull, symbosl osf death and, some human nude figures are realized on the left side of the artworks. The figures recalls the characters of the Universal Judgment in the Sistine Chapel. On the lower side of the composition, there are some ferocious animals. Other mysterious symbols are hidden in the dark space. The Prophecy has been realized by Jean-Eugène Bersier (Paris, 1895 - Paris, 1978), a French painter and engraver and one of the pupils of Jean-Paul Lauriens, Maurice Denis, René Ménard...

Image dimensions: 35.7x30 cm Hand signed and numbered. Edition of 65 prints. Technique: etching and drypoint. Original title "Giocolieri". This work is plate VII from the Portfolio "...

Image dimensions 28.5x24.5 cm Edition of 65 prints, numbered and hand signed. Ref. S. Lazzaro 45a, Toninelli 58 Excellent conditions.

Image dimensions: 23x28 cm. Edition of 25 prints, numbered and hand signed. Excellent conditions.

The Mojo poster was part of VIP ticket packages for the tour. Artists: Shepard Fairey Bands: Tom Petty & The Heartbreakers Edition Details Year: 2010 Class: Fine Art Print Status: Official Tour Print Run: 175/250 Paper: Holographic Fine Art Foil Paper Size: 18 X 24 Markings: Numbered by the artist in black felt marker. Print measures 18X24 and is in perfect condition with no visible flaws. Any questions please let us know. Thank you Frank Shepard Fairey was born February 15, 1970 in Charleston, South Carolina, USA. Fairey's adolescence was shaped by the influences of punk-rock and skateboarding. In his teens, he began creating his own bootlegged clothing and skateboard decals featuring bands and brands he liked. Fairey’s early bootlegs were created because his generally conservative parents would not purchase the clothing he wanted. In 1986, he stumbled upon the Andre the Giant image for which he has become famous for, in a local newspaper. The image was selected when Fairey demonstrated to a friend how to make a stencil; it was modified slightly to include the meaningless caption “Andre the Giant has a Posse” and made into a sticker. The sticker was reproduced en masse and began to appear around Charleston as it spread through the skateboarding community. While the sticker had no inherent meaning, the public response varied from disregard to curiosity to out-right fear. Civic groups editorialized and theorized that the Andre image was affiliated with everything from a band to a hate group. Nevertheless, the stickers were considered vandalism and in time, Fairey would face numerous charges for defacing public property. Fairey's record includes 15 arrests as of March 2009, for defacing property as a result of his so called bombing campaigns. Fairey affixed the stickers on municipal properties nearly everywhere he went, and the Andre sticker was being seen in Boston and New York City, soon others procured the image and were encouraged to spread the campaign worldwide in the form of stickers, stencils and wheat-paste posters. Following high school, Fairey was accepted to the Rhode Island School of Design (RISD), where, with an interest in screen printing, he majored in illustration. In 1992, while still attending RISD, Fairey started Alternate Graphics, a mail order catalog business through which he could merchandise his own t-shirts, skateboards, posters and stickers. He also took small commercial illustration jobs to help supplement his income. Shortly thereafter, the Andre the Giant Has a Posse logo was shortened simply to Obey Giant. The Obey, for which Fairey has also become synonymous, is derived from the 1988 John Carpenter film They Live. In the film, aliens who appear as human, rule the governments and economies of the world while the humans are reduced to an unwitting, hypnotized slave-class. Themes from the film continue to appear in Fairey’s work. Over time, the Andre the Giant face was modified into a more simplified and streamlined appearance, reminiscent of Russian Constructivist/Rodchenko style Soviet propaganda posters of the 20th Century. In 1994, filmmaker Helen Stickler featured Fairey and his sticker phenomenon in her documentary: Andre the Giant has a Posse. The following year, Fairey started Subliminal Projects with the late Blaize Blouin, his friend and pro-skateboarder. Subliminal Projects created and released several Obey-Giant themed posters and skateboard decks. Fairey directed a short skateboarding film featuring some of his friends through Subliminal Projects and Alternate Graphics titled A.D.D.(Attention Deficit Disorder). In 1996, Fairey moved to San Diego, California to create Giant Distribution with partner Andy Howell. Later, with Howell, Phillip De Wolff, Dave Kinsey, he formed First Bureau of Imagery (FBI), a branding, marketing and design firm established to focus on the increasingly lucrative sports market. FBI was closed in 1999 and Fairey, along with De Wolff and Kinsey created BLK/MRKT, similar to FBI. At this time, Fairey met and began working with Amanda Alaya, whom he would later marry. BLK/MRKT moved to Los Angeles in 2001. Here, they could expand and were able to incorporate a small gallery. Fairey and Kinsey eventually bought out De Wolff’s share of the partnership and by then had set up offices in the Pellissier Building (home of the historic Wiltern Theater), in the Koreatown section of Downtown Los Angeles. In December 2001, Fairey and Alaya were married in Charleston, South Carolina, Amanda has occasionally been the model for Fairey's prints (see: Commanda, 2007). Additionally, Amanda Fairey works in the capacity as publicist, agent and representative of her husband. In 2003, Kinsey and Fairey split. Kinsey retained the BLK/MRKT name and gallery, which he relocated to Culver City, California. Fairey retained the offices and most of the employees to create Studio Number One and the gallery was renamed Subliminal Projects. Studio No. 1 has since gone on to produce numerous memorable album covers, concert and film posters. In 2004, Fairey created the magazine Swindle with his old friend Roger Gastman. Swindle is a quarterly publication that features fashion, art, music and other pop-culture elements. During the 2004 presidential election, Fairey teamed up with artists Mear One...

Siergiej Timochow, a Belorussian artist, born in 1960. He studied at an art school in Minsk in 1979 before continuing to study at the Fine Arts Academy in Belarus. His acrylic and ...

View of Cheshire, Connecticut, 1882. Original lithograph was drawn and published by O. H. Bailey & Co. , a prominent 19th century map maker. The map shows a bird’s eye view of the town as it used to be, including street names and old landmarks.  Beautifully colored historic map...

Artist: Alexander Calder Title: Cover, from Derriere le Miroir #173 Portfolio: Derriere le Miroir #173 Medium: Lithograph Date: 1968 Edition: Un...

Two-color screen print, painted museum box (Edition of 3 + 2 APs) Signed and numbered on label, verso From the series, "Final Girls" This artwork is offered by ClampArt, located in...

In the early ’90s, I fell in love with ’60s psychedelic posters from artists like San Francisco’s Victor Moscoso, Stanley Mouse, Alton Kelley, and Rick Griffin, as well as LA’s John ...

"Peace Guard 2 Stencil (Lisbon). 18 x 24 inches. Screen print on fine art cream speckletone paper. Signed by Shepard Fairey. Edition of 200/450." "For Peace Guard 2 I used the motif of the flower in the gun, a peace symbol inspired by war protesters putting flowers in the barrels of the National Guard...

Clare Halifax Bonjour Paris Limited Edition 7 Colour Silkscreen Print Edition of 100 Sheet Size: H 60 x W 56cm x D 0.1cm Sold Unframed Please note that in situ images are purely an i...

A very good impression of this color screenprint on J. B. Green paper. Initialed and numbered 96/150 in pencil by Motherwell. Printed by Kelpra Studio, London. Published by Marlborou...

Anna Harley St Pauls Limited Edition Silkscreen Print Edition of 12 Size: H 56cm x W 38cm x D 0.1cm Sold Unframed Please note that insitu images are purely an indication of how a pie...

Artist: Marc Chagall Title: Ruth at the Feet of Boaz Portfolio: Drawings for the Bible Medium: Lithograph Year: 1960 Edition: Unnumbered Frame Size: 2...

Krzysztof Wieczorek (born in 1954) Studied at the Faculty of Graphic Arts at the National School of Fine Arts. He received his diploma from the atelier of prof. Leszek Rozga in 1977.

A Passover Haggadah, made by the artist Yaacov Agam. 58 original serigraphs, pulled by hand on Rivs 270 Gr. (Arjomarie-Prioux) by Atelier Arcay in Paris, 1985. All color separations ...

Otto Kuhler (1894-1976), original etching, 1928. Title: “Monsters and Midgets.” From the “Iron Horse in the Making” portfolio. Signed lower right. Image measures 9.38"h x 12.94"w. T...

Rising Star II by Katie Edwards Illustrations. 5 colour original silkscreen print on Fabriano edition of 100. Image Size – A3 – 29.7 x 42 cm. Mounted size is 40.5 cm x 50.5 cm. This screen print was commissioned by Listen Music...

Lithograph on paper (Edition of 25) Signed in pencil, l.r. Numbered in pencil, l.l. This print is offered by ClampArt, located in New York City. Joan Brossa (1919-1998) was a Cata...

Artist: Marc Chagall Title: Nocturne at Vence Portfolio: Mourlot Lithographe II Medium: Lithograph Date: 1963 Edition: Unnumbered Frame Size: 21 7/8" x 18 7/8" Sheet Size: 12 3/4" x ...

LESZEK RÓZGA (1924-2015) He studied painting at Maria Skarbek-Kruszewska private atelier in 1945-46. In 1948, he began studies at the art school in Łódź (later: Academy of Fine Arts)...

Signed and numbered 19/150 in pencil, lower margin. Printed by Mourlot, Paris. Published by Editions San Francisco Grafic, San Francisco. From Album San Francisco. Catalogue raison...

Two-color screen print, painted museum box (Edition of 3 + 2 APs) Signed and numbered on label, verso From the series, "Final Girls" This artwork is offered by ClampArt, located in...

John Doe - In The Wings - Urban Graffiti Street Art Artists Doe, John Edition Details Year: 2021 Class: Art Print Status: Official Rel...

Two-color screen print, painted museum box (Edition of 3 + 2 APs) Signed and numbered on label, verso From the series, "Final Girls" This artwork is offered by ClampArt, located in...

Archival pigment print Signed, titled, dated, and numbered, verso 20 x 24 inches (Edition of 10) 30 x 36 inches (Edition of 5) 40 x 48 inches (Edition of 5) This artwork is offer...

"CROQUIS D'ÉTÉ (Plate No. 5) LD 3203" is a 2nd state lithograph by Honore Daumier. Daumier initialed the work in the lower left corner. It depicts a man and a woman sitting at a tabl...

Two-color screen print, painted museum box (Edition of 3 + 2 APs) Signed and numbered on label, verso From the series, "Final Girls" This artwork is offered by ClampArt, located in...

Lithograph on paper (Edition of 25) Signed in pencil, l.r. Numbered in pencil, l.l. This print is offered by ClampArt, located in New York City. Joan Brossa (1919-1998) was a Cata...

Artist: Robert Indiana, American (1928 - 2018) Title: Oranges from the American Dream Portfolio Year: 1969 (1997) Medium: Serigraph Edition Size: 395 Image Size: 16.75 x 14 inches Si...

Double-sided lithograph on paper (Edition of 25) Signed in pencil, l.r., recto Numbered in pencil, l.l., recto This print is offered by ClampArt, located in New York City. Joan Br...

Artist: Joan Miro Title: Cover (Derriere le Miroir #231) Portfolio: Derriere le Miroir Medium: Lithograph Year: 1978 Edition: Unnumbered Sheet Size: 15" x 22" Image Size: 15" x 22" S...

Artist: Joan Miro Title: Plate XI Portfolio: Lithographe II Date: 1975 Edition: Unnumbered Frame Size: 19 5/8" x 16 3/4" Sheet Size: 12 1/2" x 9 1/4" Image Size: 12 1/2" x 9 1/4" Sig...

Gelatin silver photogram (Unique) Signed, verso This artwork is offered by ClampArt, located in New York City. Brian Buckley’s work has always centered on analog photographic techn...

Lithograph on paper (Edition of 25) Signed in pencil, l.r. Numbered in pencil, l.l. This print is offered by ClampArt, located in New York City. Joan Brossa (1919-1998) was a Cata...

"A View of the Town and Harbour of St Peter and St Paul, in Kamtschatka" is an engraving created by Charles Grignion, from a drawing by John Webber (1752-1793), who was the artist on...

A wonderful selection of hand-coloured mezzotint engravings from: ""Phytanthoza Iconographia"", c1739, presented in hand- made parcel-gilt, ebonised and decalcomania frames. Joha...

Alcyon Cycles-Moto is an original lithographic poster by George Farve in very good condition and published Affiches Gaillard-Paris-Amiens. The type under the image reads Nos Bicyclet...

Two-color screen print, painted museum box (Edition of 3 + 2 APs) Signed and numbered on label, verso From the series, "Final Girls" This artwork is offered by ClampArt, located in...

Two-color screen print, painted museum box (Edition of 3 + 2 APs) Signed and numbered on label, verso From the series, "Final Girls" This artwork is offered by ClampArt, located in...

Two-color screen print, painted museum box (Edition of 3 + 2 APs) Signed and numbered on label, verso From the series, "Final Girls" This artwork is offered by ClampArt, located in...

This scarce color lithograph is signed, dated and numbered 11/48 by the artist in pencil.

Artist: Roy Ahlgren, American (1927 - 2011) Title: Concatination Year: 1970 Medium: Silkscreen, signed, titled and numbered in pencil Edition: 150 Image Size: 18 x 18 inches Size: 2...

A pair of Alexander Chen Stereolithography Signed and Numbered Framed Prints. One print is titled "Aloha Tower" and the other "Hong King Evening". Each ...

A very good impression of this color screenprint on white wove paper. Signed, titled, dated and numbered 96/150 in pencil by Dehner.

Artist: Robert Indiana, American (1928 - 2018) Title: The Wall from the American Dream Portfolio Year: 1990 (1997) Medium: Serigraph Edition Size : 395 Image Size: 18 x 14 inches Siz...

"I'm always creating new patterns to use in my street installs and fine art pieces. I used to buy discontinued wallpaper, but now I design and print my own. I think these look nice a...

Lithograph on paper (Edition of 25) Signed in pencil, l.r. Numbered in pencil, l.l. This print is offered by ClampArt, located in New York City. Joan Brossa (1919-1998) was a Cata...

Jean Miotte - Original Etching 1998 Dimensions: 41 x 33 cm Edition: /40 From La Déchirure Jean Miotte, 1926 - 2016 Miotte came of artistic age in the decade after World War II when non-figurative gestural abstraction was emerging on both sides of the Atlantic as the contemporary artistic language. The term, "L'Art Informel," was coined by the French critic, Michel Tapi, to connote "without form." The negation of traditional form, a radical break from established notions of order and composition, was particularly suited to a cultural environment born out of the circumstances of post war Europe where abuse of morals and fascist ideology had led to such horror and destruction. While Informel is often regarded as the European equivalent of Abstract Expressionism, it is distinguished from its American counterpart, by a loss of faith in progress and the collective possibilities of an avant garde. Rather the artists who came to be grouped as Informel, Jean Miotte, Jean-Paul Riopelle, Emil Schumacher...

Mark A Pearce Great Gable and the Screes Limited Edition Linoprint Edition of 42 Image Size: H 46cm x W 46cm Sheet Size: H 58 cm x W 54cm Signed Sold Unframed Great Gable and the Screes is a limited edition print by Mark A Pearce. At school I spent most of my time in the art department. I then went on to do a one year foundation course at Carlisle College of Art. It was here that I learnt the art of printmaking and then continued my studies at the Norwich School of Art doing a degree in graphic design. Keen to move to London I found my first job as a graphic designer with John Nash and Friends and my second with Michael Peters and Partners. I went on to win a D&AD (Design and Art Directors Club of Great Britain) silver award for the very first greeting stamps issued by the Royal Mail. These featured smiles from the likes of Dennis the Menace...

Lithograph on paper (Edition of 25) Signed in pencil, l.r. Numbered in pencil, l.l. This print is offered by ClampArt, located in New York City. Joan Brossa (1919-1998) was a Cata...

Zzyzx Resort Pool, Soda Dry Lake, California. Photograph from Richard Heeps 'Dream in Colour' Series, from a California road trip, this abandoned structure...

ICES, by Richard Heeps, photographed at the British Seaside at the end of summer 2020. This artwork is about evoking memories of the simple joy of days by the beach. The purple color...

Lithograph on paper (Edition of 25) Signed in pencil, l.r. Numbered in pencil, l.l. This print is offered by ClampArt, located in New York City. Joan Brossa (1919-1998) was a Cata...