Small More Prints

Artist: Michael Hasted Title: Light of Discovery Medium: Lithograph Signed: Hand Signed Year: 1980 Edition: Edition of 250 Measurements: 18" x 24" Note: This piece is sold UNFR...

A colourful bowl of fruit against a white background. A giclée print of Lucy Routh's original painting. Bold, bright and fresh with a sense of space and simplicity. This is Lucy Ro...

ARTIST: Salvador Dali TITLE: Vaisseau Fantome MEDIUM: Etching SIGNED: Hand Signed PUBLISHER: Jean Schneider, Basel EDITION NUMBER: 92/200 MEASUREMENTS: 17.5" x 22.5" YEAR: 19...

A very poignant depiction. A H Marsh is one of the English artists who devoted themselves to the representation of pathetic subjects. The gravity of this painter's idea is always to ...

Artist: Joan Miro Title: Plate I Portfolio: Lithographe II Medium: Lithograph Date: 1975 Edition: Unnumbered Frame Size: 19 5/8” x 16 3/4” Sheet Size: 12 1/2” x 9 1/4” Image Size: 1...

Marc Chagall - Bath-Sheba at the Feet of David - Original Handsigned Etching 1958 Printed by Tériade Dimensions: 54 x 39 cm Handsigned and numbered handcolored Edition: 100 Reference: Cramer 30. Etching with hand-coloring, circa 1930, initialled in pencil, numbered 75/100 (there were also twenty hors-commerce copies) , published 1958 by Tériade, Paris, on Arches wove paper Marc Chagall (born in 1887) Marc Chagall was born in Belarus in 1887 and developed an early interest in art. After studying painting, in 1907 he left Russia for Paris, where he lived in an artist colony on the city’s outskirts. Fusing his own personal, dreamlike imagery with hints of the fauvism and cubism popular in France at the time, Chagall created his most lasting work—including I and the Village (1911)—some of which would be featured in the Salon des Indépendants exhibitions. After returning to Vitebsk for a visit in 1914, the outbreak of WWI trapped Chagall in Russia. He returned to France in 1923 but was forced to flee the country and Nazi persecution during WWII. Finding asylum in the U.S., Chagall became involved in set and costume design before returning to France in 1948. In his later years, he experimented with new art forms and was commissioned to produce numerous large-scale works. Chagall died in St.-Paul-de-Vence in 1985. The Village Marc Chagall was born in a small Hassidic community on the outskirts of Vitebsk, Belarus, on July 7, 1887. His father was a fishmonger, and his mother ran a small sundries shop in the village. As a child, Chagall attended the Jewish elementary school, where he studied Hebrew and the Bible, before later attending the Russian public school. He began to learn the fundamentals of drawing during this time, but perhaps more importantly, he absorbed the world around him, storing away the imagery and themes that would feature largely in most of his later work. At age 19 Chagall enrolled at a private, all-Jewish art school and began his formal education in painting, studying briefly with portrait artist Yehuda Pen. However, he left the school after several months, moving to St. Petersburg in 1907 to study at the Imperial Society for the Protection of Fine Arts. The following year, he enrolled at the Svanseva School, studying with set designer Léon Bakst, whose work had been featured in Sergei Diaghilev's Ballets Russes. This early experience would prove important to Chagall’s later career as well. Despite this formal instruction, and the widespread popularity of realism in Russia at the time, Chagall was already establishing his own personal style, which featured a more dreamlike unreality and the people, places and imagery that were close to his heart. Some examples from this period are his Window Vitebsk (1908) and My Fianceé with Black Gloves (1909), which pictured Bella Rosenfeld, to whom he had recently become engaged. The Beehive Despite his romance with Bella, in 1911 an allowance from Russian parliament member and art patron Maxim Binaver enabled Chagall to move to Paris, France. After settling briefly in the Montparnasse neighborhood, Chagall moved further afield to an artist colony known as La Ruche (“The Beehive”), where he began to work side by side with abstract painters such as Amedeo Modigliani and Fernand Léger as well as the avant-garde poet Guillaume Apollinaire. At their urging, and under the influence of the wildly popular fauvism and cubism, Chagall lightened his palette and pushed his style ever further from reality. I and the Village (1911) and Homage to Apollinaire (1912) are among his early Parisian works, widely considered to be his most successful and representative period. Though his work stood stylistically apart from his cubist contemporaries, from 1912 to 1914 Chagall exhibited several paintings at the annual Salon des Indépendants exhibition, where works by the likes of Juan Gris, Marcel Duchamp and Robert Delaunay were causing a stir in the Paris art world. Chagall’s popularity began to spread beyond La Ruche, and in May 1914 he traveled to Berlin to help organize his first solo exhibition, at Der Sturm Gallery. Chagall remained in the city until the highly acclaimed show opened that June. He then returned to Vitebsk, unaware of the fateful events to come. War, Peace and Revolution In August 1914 the outbreak of World War I precluded Chagall’s plans to return to Paris. The conflict did little to stem the flow of his creative output, however, instead merely giving him direct access to the childhood scenes so essential to his work, as seen in paintings such as Jew in Green (1914) and Over Vitebsk (1914). His paintings from this period also occasionally featured images of the war’s impact on the region, as with Wounded Soldier (1914) and Marching (1915). But despite the hardships of life during wartime, this would also prove to be a joyful period for Chagall. In July 1915 he married Bella, and she gave birth to a daughter, Ida, the following year. Their appearance in works such as Birthday (1915), Bella and Ida by the Window (1917) and several of his “Lovers” paintings give a glimpse of the island of domestic bliss that was Chagall’s amidst the chaos. To avoid military service and stay with his new family, Chagall took a position as a clerk in the Ministry of War Economy in St. Petersburg. While there he began work on his autobiography and also immersed himself in the local art scene, befriending novelist Boris Pasternak, among others. He also exhibited his work in the city and soon gained considerable recognition. That notoriety would prove important in the aftermath of the 1917 Russian Revolution when he was appointed as the Commissar of Fine Arts in Vitebsk. In his new post, Chagall undertook various projects in the region, including the 1919 founding of the Academy of the Arts. Despite these endeavors, differences among his colleagues eventually disillusioned Chagall. In 1920 he relinquished his position and moved his family to Moscow, the post-revolution capital of Russia. In Moscow, Chagall was soon commissioned to create sets and costumes for various productions at the Moscow State Yiddish Theater, where he would paint a series of murals titled Introduction to the Jewish Theater as well. In 1921, Chagall also found work as a teacher at a school for war orphans. By 1922, however, Chagall found that his art had fallen out of favor, and seeking new horizons he left Russia for good. Flight After a brief stay in Berlin, where he unsuccessfully sought to recover the work exhibited at Der Sturm before the war, Chagall moved his family to Paris in September 1923. Shortly after their arrival, he was commissioned by art dealer and publisher Ambroise Vollard to produce a series of etchings for a new edition of Nikolai Gogol's 1842 novel Dead Souls. Two years later Chagall began work on an illustrated edition of Jean de la Fontaine’s Fables, and in 1930 he created etchings for an illustrated edition of the Old Testament, for which he traveled to Palestine to conduct research. Chagall’s work during this period brought him new success as an artist and enabled him to travel throughout Europe in the 1930s. He also published his autobiography, My Life (1931), and in 1933 received a retrospective at the Kunsthalle in Basel, Switzerland. But at the same time that Chagall’s popularity was spreading, so, too, was the threat of Fascism and Nazism. Singled out during the cultural "cleansing" undertaken by the Nazis in Germany, Chagall’s work was ordered removed from museums throughout the country. Several pieces were subsequently burned, and others were featured in a 1937 exhibition of “degenerate art” held in Munich. Chagall’s angst regarding these troubling events and the persecution of Jews in general can be seen in his 1938 painting White Crucifixion. With the eruption of World War II, Chagall and his family moved to the Loire region before moving farther south to Marseilles following the invasion of France. They found a more certain refuge when, in 1941, Chagall’s name was added by the director of the Museum of Modern Art (MOMA) in New York City to a list of artists and intellectuals deemed most at risk from the Nazis’ anti-Jewish campaign. Chagall and his family would be among the more than 2,000 who received visas and escaped this way. Haunted Harbors Arriving in New York City in June 1941, Chagall discovered that he was already a well-known artist there and, despite a language barrier, soon became a part of the exiled European artist community. The following year he was commissioned by choreographer Léonide Massine to design sets and costumes for the ballet Aleko, based on Alexander Pushkin’s “The Gypsies” and set to the music of Pyotr Ilyich Tchaikovsky. But even as he settled into the safety of his temporary home, Chagall’s thoughts were frequently consumed by the fate befalling the Jews of Europe and the destruction of Russia, as paintings such as The Yellow Crucifixion...

This artwork titled "Sunspot" c.1980 is an original color aquatint by noted California artist Arnold A. Grossman, 1923-2016. It is signed, titled, and numbered 3/30 in pencil by the ...

Richard Allen was an Abstract artist of the 20th century who worked across painting, graphic and technological media. Allen was born in Worcester in 1933. Influenced by his fathe...

Artist: Joan Miro Title: Plate VI Portfolio: Lithographe I Medium: Lithograph Date: 1972 Edition: Unnumbered Frame Size: 18 1/2" x 16" Sheet Size: 12 1/2" x 10" Image Size: 12 1/2" x...

This impression of "Here They Come !" is from the fourth state of eight. There are six known impressions of the fourth state. Edition 150 (final state). It is signed in pencil in the lower left and inscribed "D-1". The image size 13 7/8 x 11 3/4" (34.6 x 28.8 cm) and sheet size 16 3/4 x 14 5/8" (42.8 x 37.1 cm). FRANK W. BENSON (1862-1951) Frank Weston Benson, well known for his American impressionist paintings, also produced an incredible body of prints - etchings, drypoints, and a few lithographs. Born and raised on the North Shore of Massachusetts, Benson, a natural outdoorsman, grew up sailing, fishing, and hunting. From a young age, he was fascinated with drawing and birding – this keen interest continued throughout his life. His first art instruction was with Otto Grundman at the Museum of Fine Arts in Boston, and then in 1883 in Paris at the Academie Julian where he studied the rigorous ‘ecole des beaux arts’ approach to drawing and painting for two years. During the early 1880’s Seymour Haden visited Boston giving a series of lectures on etching. This introduction to the European etching...

Harry Shoulberg (1903-1995) Expressionist mid modern serigraph "The Bridge" c.1944 Pencil signed and titled by the artist. This fine serigraph retains all of it's vibrant color after 76 years! Dimensions 12" x 15". Frame dimensions 23" x 19". Very good condition. Please note: The linen rabbet lining of the frame does show some discoloration. This is a rare and exceptional work by Shoulberg. His serigraphs can be found in the permanent collections of some of the finest museums, and institutions in the country. Harry Shoulberg was born in Philadelphia, 25 October 1903 of Russian/Jewish heritage. His father, Max Shoulberg, was the fourth of twenty children and the first to be born in America. His mother was Tessie Derfler, a New Yorker of German descent. Harry grew-up in New York, married Sylvia Hendler in 1931, and had one child, Ted. Shoulberg attended City College of New York where he studied biochemical engineering for three years before switching to fine arts in his last year. He continued his art education at the John Reed School, 1934-1935, the American Artist School, 1935-1937, and then privately at the studios of artists Sol Wilson (1894-1974) and Carl Holty (1900-1973). In 1938, he worked for the WPA and produced two oil paintings for the organization. He maintained studios in New York City and Bridgehampton on Long Island until 1983. He was a late bloomer...

Silkscreen on White Cotton Fine Art paper with Silver Metallic Inks 20 × 16 in 50.8 × 40.6 cm Edition of 19/50 3 colors with deckled edges Published by Subliminal Projects. A port...

The painting is being offered with a work and authenticity certificate

Japan Poster is a beautiful print on canvas of a digital collage realized in 2020 by the Italian artist Chiara Santoro. Edition of 10. Hand-signed and n...

Artist: Al Hirshfeld Title: Sex in the City Size: 20 x 20 Inches Medium: 5-Color Lithograph on Fine Art Paper Edition: 223/300 Year: Hand Pulled in 2002 Notes: Hand Signed a...

Bridget Riley is a pioneering figure in the world of contemporary art, celebrated for her mesmerizing optical art. Her work, characterized by geometric precision and vibrant color sc...

The drypoint created in 1920 is a working state, the fourth of eight. The eight states are listed in the Frank W. Benson catalogue raisonne by Adam Paff #184. There are two recorded impressions of this print making it a rare find. It is signed in pencil and inscribed "D-2." The Image size 4 3/8 x 5 13/16" (11.1 x 14.8 cm). The final printed edition of "Three Yellowlegs" was 150. Frank Weston Benson (1862-1951), well known for his American impressionist paintings, produced an incredible body of prints - etchings, drypoints, and a few lithographs. Born and raised on the North Shore of Massachusetts, Benson, a natural outdoorsman, grew up sailing, fishing, and hunting. While a teenager his fascination with drawing and birding developed simultaneously and continued throughout his life. His first art instruction was with Otto Grundman at the Museum of Fine Arts in Boston, and then in 1883 in Paris at the Academie Julian where he studied the rigorous ‘ecole des beaux arts’ approach to drawing and painting for two years. During the early 1880’s Seymour Haden visited Boston giving a series of lectures on etching. This introduction to the European etching...

"The Wall Street Public Enemy print is a critique of the culture of greed and manipulation seen on Wall Street and in the banking system. Lack of oversight from the government that i...

Nämforsen by Anna Harley [2022] limited_edition screenprint Edition number 30 Image size: H:38 cm x W:51 cm Complete Size of Unframed Work: H:38 cm x W:51...

Copyright New York Graphic Society, Fine Art Publishers. Printed in Holland. Measures 17.75 x 22 inches and is unframed. The piece is in Good/Mildly Fair Condition-discoloration/wrin...

Artist: Joan Miro Title: Plate 9 Portfolio: Peintures sur Cartons Medium: Lithograph Date: 1965 Edition: Unnumbered Frame Size: 21 1/4” x 17 1/4” Sheet Size: 15” x 11” Image Size: 15...

Salvador Dali (1904-1989) - The Paradise, Canto 10 - The Angel of the Sun Woodcut print from 1960. Dimensions of sheet: 33 x 26.2 cm Dimensions in frame: 53.2 x 43.2 cm Publisher...

Demons is an original artwork realized by Renzo Bussotti in 1963. Hand-signed and dated in pencil by the artist on the lower right margin; numbered in pencil on the lower left. Edi...

This map was printed from a copperplate engraving in 1746. The printed image size is 18.25 x 21.75 inches (46.3 x 55.2 cm) plus margins. An attractive double hemisphere map...

A wonderful selection of hand-coloured mezzotint engravings from: ""Phytanthoza Iconographia"", c1739, presented in hand- made parcel-gilt, ebonised and decalcomania frames. Joha...

This artwork titled "Odyssetron I" 1982 is an original color lithograph by American PopArt artist Bryan Rogers, 1941-2013. It is hand signed and numbered 1/50 in pencil by the artist. With the blind stamp of the publisher, Western Wedge, Oakland California at the lower left corner. The sheet size is 18 x 24 inches. It is in excellent condition, has never been framed. An example of this particular artwork is in the permanent collection of the Museum Of Modern Art in San Francisco...

Tighe O'Donoghue's detailed rendering of a flower with a snail retains elements of mysticism and magic while adhering to tenets of realism. Arboretum (with Snail) Tighe O’Donoghue,...

Artist: Joan Miro Title: Plate 20 Portfolio: Peintures sur Cartons Medium: Lithograph Date: 1965 Edition: Unnumbered Frame Size: 21 1/4” x 17 1/4” Sheet Size: 15” x 11” Image Size: 1...

Fine art giclée print on Hahnemühle Photo Rag with Hand Deckle Edge's 19 × 13 in 48.3 × 33 cm Edition of 560 Part of a limited edition set Includes a Certificate of Authenticity From New Union Gallery...

"RFK is a hero of mine for his positions on racial equality during the Civil Rights movement. His speech after Martin Luther King, Jr.’s assassination is one of the greatest speeches ever delivered. The opportunity to do this RFK mural at a high school that focuses on art and social justice is great for many reasons, especially because it demonstrates to the kids the power of large-scale artwork." -Shepard Fairey...

Artist: Marc Chagall Title: The House in My Village Portfolio: Mourlot Lithographe I Medium: Lithograph Year: 1960 Edition: Unnumbered Framed Size: 21 7/8" x 18 7/8" Image Size: 12 1...

White Horse, Woodhenge is a black and white etching on rosaspina Fabriano watermarked paper, realized in 1976 by the English pop artist, Joe Tilson. Image dimensions 38.5x18 cm Hand-signed, dated and numbered in pencil on lower margin. Edition of 100 prints. In excellent conditions. From the Wessex Portfolio, a collection of seven etchings with aquatint and six screenprinted poems on rosaspina paper by Joe Tilson, this contemporary original print represents a white horse in a primitive style on a black foreground, a "εpεkalov" prepresented ina detailed way as in the naturalistic essays, and a woodhenge, as it is reported on the right of each etchings. Composed by three different etchings, each of these titled on the right margin, the general composition is a wonderful final effect. A copy of the same print is preserved at the Tate Gallery. Joe Tilson (London, 1928 -) The English sculptor and painter was trained at St. Martin's School of Art and at the Royal College of Art in London. Obtained the Prix de Rome (1955), it was in Italy until 1957; later he taught in various English art schools...

Scots Pine drypoint etching printed onto Japanese gampi tissue and backed onto German Hahnemule printmaking paper. This print depicts a mature pine tree, standing proud from the rest...

Original Woodcut print from the Baja California Series by the artist Edgar Dorsey Taylor. Title is seen at lower center: “Waves Off the Shore. Bahia de Los Angeles.” Pencil signed l...

London, England is an original signed limited edition aquatint etching by French artist J.J. Regal printed on BFK Rives paper. This is a very bold design with an original depict...

Silkscreen Print with Gold Metallic Inks 24 × 18 in 61 × 45.7 cm Edition 207/350 Set of 3 Covert to Overt prints: Icon Water Tower, Peace Tree, Big Brother. 18 x 24 inch screen prints on thick white cotton archival paper. Signed by Shepard Fairey and Jon Furlong. Edition Details Year: 2015 Class...

YEAR 2020 CLASSIFICATION: Limited edition MEDIUM TYPE: Print MEDIUM/MATERIALS: Thick Stock Black Fine Art Paper with Deckled Edges CATEGORIES: Embossed Paper / Silkscreen / Pop and ...

A superb impression of this scarce color aquatint and lift-ground etching on German Etching paper. Signed and numbered 27/36 in pencil, lower right. Printed by Catherine Mousley in t...

This 1929 lithograph by Louis Lozowick was printed in an edition of 50. Lozowick signed this impression in pencil lower right with a monogram on stone, in the lower left. The sheet...

Two-color screen print, painted museum box (Edition of 3 + 2 APs) Signed and numbered on label, verso From the series, "Final Girls" This artwork is offered by ClampArt, located in...

Marc Chagall (1887-1985) - Cover for Menu (trial proof) Lithograph from 1964. Trial proof - unique work. Dimensions of sheet: 45 x 32 cm Dimensions in frame: 53.2 x 43.2 cm Publ...

My work primarily revolves around concepts of and aspirations for justice. Whether it be environmental justice, racial justice, economic justice, gender equality, etc., the themes in my art often address injustices in a number of areas. Justice is a subjective, and in some ways, an abstract concept, but I think we all know in our conscience when something is wrong, unfair, immoral, or unjust. I witness convoluted logic every day from people attempting to defend (or ironically justify) injustice. These “Cultivate Justice” prints...

Artist Proof Print (9/11) 2018 Born in 1979, Denis Meyers is a Belgian urban artist. He studied at the National Superior School of Arts and Visuals of la Cambre, in Brussels, city where he currently lives and works. Denis Meyers is particularly known for his frescoes and stickers in form of faces, which he calls his “perso”, printed and cut out by hand and then spread in the urban space. The artist defines himself as a typographer, a vocation that he inherited from his grandfather, Lucien De Roeck (1915-2002) which created among others the ensemble of the World Expo poster...

Two-color screen print, painted museum box (Edition of 3 + 2 APs) Signed and numbered on label, verso From the series, "Final Girls" This artwork is offered by ClampArt, located in...

This is a lively Four colour hand made screen print featuring a wild Orchid growing in amongst tall woodland trees. The background metallic silver ink layer creates a negative white ...

Series - Monet's House by Lélia Pissarro (B. 1963) Serigraph 38 x 48 cm (15 x 18 ⁷/₈ inches) Signed and numbered Printed in an edition of 300 Artist's Biography: Born in Paris in 19...

Artist: Ai Weiwei Title: River Crabs (from Papercut Portfolio) Year: 2019 Medium: Papercut on large format, colored fine art paper Edition: 250; sig...

Original vintage poster Calling Out of the Whole Army Reserve Letter Press 51 x 48 cm A royal call to arms... 'His majesty the king has been graciously pleased to direct by procla...

A very good impression of this color lithograph on cream laid Japan paper. Signed and numbered 48/250 in pencil by de Kooning. Published by Brand X Editions, Ltd., New York, with the...

A very good impression of this color screenprint on J. B. Green paper. Initialed and numbered 134/150 in pencil by Motherwell. Printed by Kelpra Studio, London. Published by Marlboro...

Pablo Picasso (1881-1973) - Minoutaure et nue Lithograph from 1967. The edition of 29/500 on Auvergne Richard de Bas paper. With two watermarks - one of the paper, second of the p...

Lithograph on paper (Edition of 25) Signed in pencil, l.r. Numbered in pencil, l.l. This print is offered by ClampArt, located in New York City. Joan Brossa (1919-1998) was a Cata...

Punk rock ignited a lot of creative and philosophical things for me, and punk principles continuously remind me that speaking truth to power and questioning authority is paramount in life. The Dead Kennedys, The Clash, Black Flag, and the Circle Jerks are just a few of the groups that referenced injustices such as police brutality and abuse of power in their songs, inspiring me to speak out about the same subjects through my art. I have made a lot of lasting friendships through punk rock and its cultural offshoots. One of those friends is Sean Bonner, who began ordering my prints in the '90s while he was art director for punk label Victory Records. Sean designed the package for the Bad Brains...

Artist: Marc Chagall Title: The Clown with Flowers Portfolio: Mourlot Lithographe II Medium: Lithograph Date: 1963 Edition: Unnumbered Frame Size: 21 7/8" x 18 7/8" Sheet Size: 12 3/...

Signed to lower right Edition 227/450 Published by Obey Giant, Los Angeles "The Drink Crude Oil print uses torn ad posters as a metaphor for the competing f...

ARTIST: Salvador Dali TITLE: Les Chants de Maldoror (Tongue) MEDIUM: Etching SIGNED: Hand Signed PUBLISHER: Albert Skira, Paris EDITION NUMBER: 14/100 MEASUREMENTS: 22" x 16.5...

"Statue of Liberty" unframed silkscreen on paper by artist Peter Max. Numbered 177/300 on front lower left corner and signed "Max" in front lower righ...

A very good impression of this color photolithograph with strong colors on Magnani Pescia paper. Signed and numbered 101/150 in pencil by Fontana. Printed by Le Arte Grafiche Pardini...